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August 10, 2018

OKAY, I LINKED THIS CAITLIN FLANAGAN PIECE ON JORDAN PETERSON YESTERDAY, but this bit’s worth breaking out on its own:

There are many legitimate reasons to disagree with him on a number of subjects, and many people of good will do. But there is no coherent reason for the left’s obliterating and irrational hatred of Jordan Peterson. What, then, accounts for it?

It is because the left, while it currently seems ascendant in our houses of culture and art, has in fact entered its decadent late phase, and it is deeply vulnerable. The left is afraid not of Peterson, but of the ideas he promotes, which are completely inconsistent with identity politics of any kind. When the poetry editors of The Nation virtuously publish an amateurish but super-woke poem, only to discover that the poem stumbled across several trip wires of political correctness; when these editors (one of them a full professor in the Harvard English department) then jointly write a letter oozing bathos and career anxiety and begging forgiveness from their critics; when the poet himself publishes a statement of his own—a missive falling somewhere between an apology, a Hail Mary pass, and a suicide note; and when all of this is accepted in the houses of the holy as one of the regrettable but minor incidents that take place along the path toward greater justice, something is dying.

When the top man at The New York Times publishes a sober statement about a meeting he had with the president in which he describes instructing Trump about the problem of his “deeply troubling anti-press rhetoric,” and then three days later the paper announces that it has hired a writer who has tweeted about her hatred of white people, of Republicans, of cops, of the president, of the need to stop certain female writers and journalists from “existing,” and when this new hire will not be a beat reporter, but will sit on the paper’s editorial board—having a hand in shaping the opinions the paper presents to the world—then it is no mystery that a parallel culture of ideas has emerged to replace a corrupted system. When even Barack Obama, the poet laureate of identity politics, is moved to issue a message to the faithful, hinting that that they could be tipping their hand on all of this—saying during a speech he delivered in South Africa that a culture is at a dead end when it decides someone has no “standing to speak” if he is a white man—and when even this mayday is ignored, the doomsday clock ticks ever closer to the end.

For the last 50 years, race-talk has primarily been the tool of gentry-left whites against their political and class enemies. That’s breaking down, along with a lot of other things that they took for granted. But having relied on this crutch for so long, together with the stranglehold they’ve had on the media and academia, they’re poorly prepared to respond.

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