THE PHILISTINE DESTRUCTION OF JOHNNY DEPPRolling Stone’s hatchet job shows little understanding of what makes a great artist:

The ‘reputation takedown’ has become the default of lazy journalists and Gawker-esque, click-driven media. The fact is, there is not an artist worth his or her salt who could not be damaged by revelations about their transgressive personality and their addictions. There is something medieval about the way our society seems to take pride in destroying the achievements of era-defining geniuses, especially when it comes cloaked in judgemental gossip and public shaming.

Bill Hicks once said that anyone who has a problem with drug-taking should collect all their favourite records and burn them, as great rock ’n’ roll is the product of dangerous lifestyles. Something similar can be said of an actor like Depp. His edgy sensitiveness, his weirdo, dreamlike on-screen creations come at a cost, and that cost is a manic and unstable personality. To moralise about his failings is to show a complete ignorance of the psychological trapeze act that great artists need to perform.

Underneath the piety and condemnation of Depp is a deep, self-congratulating philistinism. How we treat our artists is a sign of our values as a culture. Given all the superciliousness contained in Depp’s Rolling Stone interview, it appears that we value virtuous posturing over the flamboyant, risk-taking genius that is necessary for great art.

It’s particularly rich considering the err…unruly life that Rolling Stone’s founder has led.