WEST SIDE INTERSECTIONALITY STORY: “The Left’s favorite playwright, Tony Kushner, is in a bind,” Ben Shapiro writes:

Kushner, you’ll recall, is the author of such politically radical travesties as Angels in America and Munich — and the author of far more mature works, such as Lincoln and Fences. Kushner is the type of fellow who says: “The founding of the State of Israel was for the Jewish people a historical, moral, political calamity. . . . I wish modern Israel hadn’t been born.” But he still likes to stand on his Jewish ethnicity as a crutch for his leftism. He’s an anti-capitalism radical who has earned millions of dollars and summers in a Provincetown vacation home.

And now, Kushner has a problem.

His problem: He’s a Jewish gay guy remaking West Side Story — a musical about Polish and Puerto Rican gangs, originally written by four Jews. This violates the core tenet of intersectionality, which maintains that it’s cultural appropriation when people of one culture write about another culture, and that it’s “white privilege” when too many members of “white America” (which now includes Jews) earn money on a particular endeavor. Kushner declares himself a “big believer in identity politics and political correctness.”

So how will he square this circle?

By tap dancing faster and much more artfully around his fellow leftists’ faddish intersectionality obsession than any of the choreography that will be in the film. Read the whole thing.