SHOCKING NEWS FROM THE WORLD OF TELEVISION: Sources: Chris Matthews Runs An Abusive Work Environment.

According to the two producers, whose combined time at the network nearly spans the existence of “Hardball,” Matthews frequently objectified his female guests and staffers, inappropriately commenting on their appearance and clothing. Matthews would allegedly use pet names like “cutie” and “sweetie pie” to refer to female guests and was constantly making uncouth and “boorish” remarks about women.

“He would eye down a woman who walked on set or comment on their features or what they were wearing,” one former producer said, explaining that it looked like Matthews was undressing the women with his eyes. “He would objectify them and interrupt them in a way that he would never do to his male guests. He has a very outdated view of women.”

The other producer likened his behavior to that of a “teenage boy,” alleging that Matthews would rate his female guests on a numerical scale, deciding which guest was the “hottest of the week,” and would talk about how “hot” various women in the office were, including herself.

One host on a CNBC show was allegedly on the receiving end of many of his comments and tried to avoid being around Matthews in the office.

“She didn’t want to be in the same room as him,” the former NBC producer claimed. “She wouldn’t want to get her makeup done if he was in there too.” . . .

In addition to the troubling behavior toward women, all five of the sources who spoke to TheDC about the workplace environment at “Hardball” described Matthews as verbally abusive. They claimed that Matthews’ outbursts went beyond normal or justifiable frustration, and former staffers apparently felt like they had to “walk on eggshells” around their “abusive” boss.

The two former producers independently referred to incidents involved screaming at staffers, throwing objects around, and generally demeaning guests and the people who worked for him.

Maybe they could replace him with someone young and fresh like Cenk Uygur . . . oops.