August 16, 2015

IT’S GRIM UP NORTH KOREA: EYE-OPENING PICTURES SHOW HOW ORDINARY PEOPLE GET BY WHILE LIVING IN THE WORLD’S MOST SECRETIVE STATE: The photos in this London Daily Mail article recall Theodore Dalrymple’s classic tale of his visit to one of Pyongyang’s Potemkin department stores in 1989. Dalrymple’s story is filled with cargo cult tales of kabuki faux-capitalism, before the good doctor notes, “Department Store Number 1 was a tacit admission of the desirability of an abundance of material goods, consumption of which was very much a proper goal of mankind:”

Such an admission of the obvious would not have been in any way remarkable were it not that socialists so frequently deny it, criticising liberal capitalist democracy because of its wastefulness and its inculcation of artificial desires in its citizens, thereby obscuring their ‘true’ interests. By stocking Department Store Number 1 with as many goods as they could find, in order to impress foreign visitors, the North Koreans admitted that material plenty was morally preferable to shortage, and that scarcity was not a sign of abstemious virtue; rather it was proof of economic inefficiency. Choice, even in small matters, gives meaning to life. However well fed, however comfortable modern man might be without it, he demands choice as a right, not because it is economically superior, but as an end in itself. By pretending to offer it, the North Koreans acknowledged as much; and in doing so, recognised that they were consciously committed to the denial of what everyone wants.

But the most sombre reflection occasioned by Department Store Number 1 is that concerning the nature of the power that can command thousands of citizens to take part in a huge and deceitful performance, not once but day after day, without any of the performers ever indicating by even the faintest sign that he is aware of its deceitfulness, though it is impossible that he should not be aware of it. One might almost ascribe a macabre and sadistic sense of humour to the power, insofar as the performance it commands bears the maximum dissimilarity to the real experience and conditions of life of the performers. It is as if the director of a leper colony commanded the enactment of a beauty contest – something one might expect to see in, say, a psychologically depraved surrealist film. But this is no joke, and the humiliation it visits upon the people who take part in it, far from being a drawback, is an essential benefit to the power; for slaves who must participate in their own enslavement by signalling to others the happiness of their condition are so humiliated that they are unlikely to rebel.

Of course, North Korea’s government can also hypnotize useful idiot outsiders into performing these rituals as well.