The Giver: A Chilling Cinematic Peek into Hillary Clinton’s Infamous Village
“I like to say I’m more conservative than Goldwater. He just wanted to turn the clock back to when there was no income tax. I want to turn the clock back to when people lived in small villages and took care of each other.”
—Stalinist and banjo player Pete Seeger, during a 1995 interview with the New York Times.
“When people have the power to choose, they choose wrong. Every single time.”
—Meryl Streep’s “Chief Elder” character in The Giver.
Now out on DVD and Blu-Ray is The Giver, an adaptation of Lois Lowry’s hugely influential 1993 young-adult dystopian novel, which inspired The Hunger Games and other cautionary futuristic tales. Starring Jeff Bridges in the film’s title role, Meryl Streep, newcomer Brenton Thwaites, and blink and you’ll miss her Taylor Swift, it’s a film that conservatives and libertarians should take to heart and advise all of their friends to see, to understand what lurks at the bottom of an otherwise cheery, friendly and seemingly carefree nanny state. (Spoilers abound in this article. You’ve been warned.)
“Don’t Immanentize the Eschaton” was a bumper sticker phrase that was very popular among the early readers of National Review magazine in the 1960s. Coined in the previous decade by conservative sociologist Eric Voegelin, and popularized by William F. Buckley, the phrase warned that the goal of creating Heaven on Earth, a goal that ties together virtually all leftwing ideologies, from National Socialists in Germany to International Socialists in the Soviet Union and China to the Fabian Socialists of England to Democratic socialists in America, was invariably going to (a) end in failure and (b) very likely end with lots people loaded into boxcars on their way to becoming dead bodies.
And yet, crafting Heaven on Earth remains the goal of the left to this very day. Whether they’re based in Los Angeles or London, most actors and filmmakers have politics somewhere to the left of Mao. As James Lileks once joked, “Maybe directors like dictators because they understand the desire to have final cut.” So I’m always intrigued whenever a bunch of left-leaning filmmakers get together to produce a cautionary tale of a futuristic socialist dystopia, and I like to ask myself, what we’re they thinking they were filming?
I’ve read that the cast and crew of 1984 thought that they were taking a clever shot at Margaret Thatcher, never mind that the subjects of Orwell’s groundbreaking dystopia were dominated by an ideology he dubbed “Ingsoc,” short for English Socialism, Soviet-style Communism with a British accent. The following year, Terry Gilliam directed his similarly themed film Brazil, focusing on another slightly futuristic out-of-control socialist bureaucracy with a penchant for kidnapping, torture and murder. But then last year, Gilliam told an interviewer that Republicans “will always be a fungus and if I was running the country I would take them out and shoot them frankly, but that’s something else [laughs],” ret-conning his 1985 film from a warning into a how-to guide. Since 2012, Obama-fan Donald Sutherland has starred as the murderous President Coriolanus Snow in the Hunger Games franchise, despite doing his bit to usher in a real-life totalitarian government in Vietnam through his appearances alongside Jane Fonda in their infamous F.T.A. tour of US Army bases in 1971.
Hot on the heels of the success of the Obama-era Hunger Games franchise, last year, the Weinstein Company, not exactly known for its libertarian politics, released The Giver, starring Jeff Bridges and Meryl Streep, and directed by Phillip Noyce, whose previous films include 1989’s Dead Calm and the Tom Clancy adaptations starring Harrison Ford, Patriot Games and Clear and Present Danger.