Monday's HOT MIC
If you think this has a happy ending, you haven't been paying attention.
Peggy Noonan's latest at The Wall Street Journal hits on America's polarization and the Scalise shooting.
And was anyone surprised? Tuesday I talked with an old friend, a figure in journalism who’s a pretty cool character, about the political anger all around us. He spoke of “horrible polarization.” He said there’s “too much hate in D.C.” He mentioned “the beheading, the play in the park” and described them as “dog whistles to any nut who wants to take action.”
“Someone is going to get killed,” he said.
That was 20 hours before the shootings in Alexandria, Va.
The gunman did the crime, he is responsible, it’s fatuous to put the blame on anyone or anything else.
But we all operate within a climate and a culture. The media climate now, in both news and entertainment, is too often of a goading, insinuating resentment, a grinding, agitating antipathy. You don’t need another recitation of the events of just the past month or so. A comic posed with a gruesome bloody facsimile of President Trump’s head. New York’s rightly revered Shakespeare in the Park put on a “Julius Caesar” in which the assassinated leader is made to look like the president. A CNN host—amazingly, of a show on religion—sent out a tweet calling the president a “piece of s—” who is “a stain on the presidency.” An MSNBC anchor wondered, on the air, whether the president wishes to “provoke” a terrorist attack for political gain. Earlier Stephen Colbert, well known as a good man, a gentleman, said of the president, in a rant: “The only thing your mouth is good for is being Vladimir Putin’s c— holster.” Those are but five dots in a larger, darker pointillist painting. You can think of more.
And how Trump broke the media:
We have been seeing a generation of media figures cratering under the historical pressure of Donald Trump. He really is powerful.
They’re losing their heads. Now would be a good time to regain them.
They have been making the whole political scene lower, grubbier. They are showing the young what otherwise estimable adults do under pressure, which is lose their equilibrium, their knowledge of themselves as public figures, as therefore examples—tone setters. They’re paid a lot of money and have famous faces and get the best seat, and the big thing they’re supposed to do in return is not be a slob. Not make it worse.