Assassin's Veto: Our Muhammad Ad Spurs D.C. Metropolitan Area Transit Authority to Ban All 'Issue' Ads
The winner is clear, and to the winner be the laurels. There is one man only that all people -- regardless of race, creed, color, political perspective, nationality, and whatever else -- must respect: Muhammad, the prophet of Islam. The Washington, D.C. Metropolitan Area Transit Authority has moved to prevent our American Freedom Defense Initiative (AFDI) ads, which feature a cartoon of Muhammad, from being featured on city buses. With this, Muhammad’s ascendancy is complete: he is the man of the hour.
On CNN, Chris Cuomo demonstrated the fealty we all owe to the messenger of Islam in a Thursday morning interview with my colleague, AFDI President Pamela Geller (I am vice president of AFDI). Cuomo repeatedly referred to “the prophet Muhammad.” As far as I know, Cuomo is not a Muslim and does not believe that Muhammad is a prophet. Also, CNN is not an Islamic organization, yet CNN’s chyron read: “PROPHET MOHAMMED ADS SUBMITTED TO BUSES, TRAINS.”
Cuomo and CNN are not the only ones offering this respect to Muhammad alone. Bill O’Reilly, Megyn Kelly, and Sean Hannity are not Muslims, yet during their coverage of the jihad attack on our Muhammad Art Exhibit and Cartoon Contest in Garland, Texas -- Hannity and Kelly did defend our right to freedom of speech -- they all referred to “the prophet Muhammad.”
How often do you hear the media refer to “the Lord and Savior Jesus Christ?” Muhammad is the man whom all must respect, whether they actually accept that he is a prophet or not.
Now, the taxpayer-funded Washington, D.C. Metropolitan Area Transit Authority has shown us what that respect is all about. To avoid losing a First Amendment lawsuit over our ad featuring the winning Muhammed cartoon from Garland along with the caption “SUPPORT FREE SPEECH,” the MTA has chosen to no longer accept all "issue-related" ads.
The cartoon is not obscene or profane. It simply lampoons Muslims’ attempt to intimidate the West into submitting to Sharia blasphemy laws. The cartoon depicts Muhammad shouting: “You can’t draw me!” and the cartoonist responding, “That’s why I draw you.”
The WMATA’s decision was motivated -- solely -- by fear. It was motivated by the kind of respect that Bob Dylan described in his film Masked and Anonymous: “I got a lot of respect for a gun.” The DWMATA recognizes that if they run ads featuring a Muhammad cartoon on their buses, the buses could be -- and probably would be -- targeted by murderous Islamic jihadists. Realizing that, they have two choices: a) protect the buses and their passengers, and in doing so protect freedom of speech as the cornerstone of a free society, or; b) refuse to run the ads, thereby signaling to murderous jihadists that being a murderous jihadist is a successful position in a growth industry.
The WMATA has shown that its respect for Muhammad can be obtained at the point of a gun. This action ensures that other Islamic jihadists will be encouraged to press American non-Muslims to show more respect for Muhammad and Islam. They will press for that respect in exactly the same way they have before: with threats of more violence. The WMATA, with the eager support of the mainstream media, has canonized the assassin’s veto and assured that the veto will be exercised more than ever.