3 Stunning Indictments of Obama and Hillary in Benghazi Movie

Michael Bay’s 13 Hours: The Secret Soldiers of Benghazi is a fantastic film, no less excellent for its surprisingly subtle political commentary. Far better than any direct attack ad, this film blasts President Obama and former Secretary of State Hillary Clinton while telling a compelling story of terror and heroism.

Cinekatz reviewer Vivek Subramanyam declared that “Michael Bay was born to make this movie.” Despite its hyperbole, this statement captures the combination of the action director behind “Transformers” and the tragic but thrilling tale of the September 11, 2012 terror attacks in Benghazi, Libya.

The film, based on the Mitchell Zuckoff book 13 Hours: The Inside Account of What Really Happened in Benghazi, tells the story of six ex-military security contractors working for a secret CIA base near the diplomatic compound which housed U.S. Ambassador Chris Stevens. The movie shows how difficult it was for these men to tell friend from foe -- were the native Libyans on their side, or waiting for the perfect moment to kill them?

A nail-biter from start to finish, 13 Hours shows events in what seems like real time, jumping from location to location. The film has a purposefully disorienting feel, heightened by ominous music and stunning cinematography -- each shot captures incredible detail of a city at war with itself.

The movie is surprisingly funny despite the grave circumstances. (One commando asks another: “You’re going to fight the Holy War in your shorts? Strong move.”) The acting mostly takes a backseat to the action, but John Krasinski (Navy SEAL Jack Silva) and James Badge Dale (Navy SEAL Tyrone Woods) nail their characters' courage. Woods’ disobeyal of direct orders (“None of you have to go, but we are the only hope they have”) is powerful.


Unavoidably political, the film bears three themes that condemn the leadership of Barack Obama and Hillary Clinton:

“The Dark Shadow Of Tyranny Has Been Lifted”

After announcing dictator Muammar Gaddafi’s death, President Obama declared: 

This is a momentous day in the history of Libya. The dark shadow of tyranny has been lifted.

The movie begins with a clip of this statement, immediately followed by images of street militias getting their hands on the old regime’s weapons, and scenes of bloody violence thereafter. The carnage and death that characterizes the city of Benghazi throughout the film itself stands as a strong rebuke to Obama’s decision -- advocated by Secretary of State Hillary Clinton and others -- to aid the overthrow of Gaddafi’s government. Warfare, not an "Arab Spring," followed the fall of the old regime; the September 11, 2012 attack was only the slightest American taste of the country’s bloodshed.

Obama's speech did not end with “the dark shadow of tyranny has been lifted.” He continued, placing the ultimate outcome in the hands of the Libyan people:

With this enormous promise, the Libyan people now have a great responsibility to build an inclusive, and tolerant, and democratic Libya that stands as the ultimate rebuke to Gaddafi’s dictatorship.

Obama horribly miscalculated this possibility. It was not just the Libyan people who achieved the defeat of Gaddafi -- the continued American presence in the country presented a difficult political problem, illustrated by the armed Libyans who both attacked and defended Americans throughout the film.