<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/"><title>PJ Media</title><link>https://pjmedia.com/spengler/2012/05/07/the-problem-of-evil-and-the-indispensable-mozart/feed/</link><description>PJ Media is a leading news site covering culture, politics, faith, homeland security, and more. Our reporters and columnists provide original, in-depth analysis from a variety of perspectives.</description><language>en-us</language><lastBuildDate>Wed, 10 Jun 2026 06:04:46 -0400</lastBuildDate><item><title>The Problem of Evil and the Indispensable Mozart</title><description>&lt;![CDATA[Why is high culture important to us? It is not a matter of refinement, although the collateral benefits of learning classical music or languages is indisputable. 36 million Chinese piano students can&amp;#8217;t be wrong, I argued in a post last week entitled &amp;#8220;Philistinism and Failure.&amp;#8221; In today&amp;#8217;s Spengler column at Asia Times Online, entitled &amp;#8220;Beautiful Evil: Mozart&amp;#8217;s Don Giovanni at the Mannes Opera,&amp;#8221; I suggest another reason why certain aspects of our high culture remain indispensable, if difficult to access: they provide a living link to a past that we ignore to our great detriment. Some excerpts from the essay:]]&gt;</description><pubDate>Mon, 07 May 2012 08:27:09 -0400</pubDate><creator xmlns="dc">&lt;![CDATA[David P. Goldman]]&gt;</creator><enclosure url="" type="image/jpeg" length="123" /><link>https://pjmedia.com/david-p-goldman/2012/05/07/the-problem-of-evil-and-the-indispensable-mozart-n130825</link></item></channel></rss>