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	<title>Comments on: Hollywood in Trouble: Screw The Writers (Again)</title>
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	<link>http://pjmedia.com/rogerlsimon/2007/07/13/hollywood-in-trouble-screw-the-writers-again/</link>
	<description>The blog of the mystery writer, screenwriter and CEO of Pajamas Media</description>
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		<title>By: Andy Freeman</title>
		<link>http://pjmedia.com/rogerlsimon/2007/07/13/hollywood-in-trouble-screw-the-writers-again/#comment-88768</link>
		<dc:creator>Andy Freeman</dc:creator>
		<pubDate>Mon, 16 Jul 2007 15:38:24 +0000</pubDate>
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		<description>Perhaps it&#039;s time for writers, actors, etc. to start owning.
</description>
		<content:encoded><![CDATA[<p>Perhaps it&#8217;s time for writers, actors, etc. to start owning.</p>
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		<title>By: Roger</title>
		<link>http://pjmedia.com/rogerlsimon/2007/07/13/hollywood-in-trouble-screw-the-writers-again/#comment-88767</link>
		<dc:creator>Roger</dc:creator>
		<pubDate>Sat, 14 Jul 2007 16:55:05 +0000</pubDate>
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		<description>Chuck, how residuals work is much more mysterious than it has to be (even to an old hack like me), but  the essence is this:  a small percentage of the revenues from the re-use of film and television shows (after their first run or runs... many caveats here) are remitted to the creators. This can include DVD sales and television syndication.  Typically residuals diminish with the age of the movie or show. If you are lucky enough to have had a big star in your film, the residuals are usually larger because the buyers (television networks in foreign countries, for example) rarely buy on quality.  They go on names.
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		<content:encoded><![CDATA[<p>Chuck, how residuals work is much more mysterious than it has to be (even to an old hack like me), but  the essence is this:  a small percentage of the revenues from the re-use of film and television shows (after their first run or runs&#8230; many caveats here) are remitted to the creators. This can include DVD sales and television syndication.  Typically residuals diminish with the age of the movie or show. If you are lucky enough to have had a big star in your film, the residuals are usually larger because the buyers (television networks in foreign countries, for example) rarely buy on quality.  They go on names.</p>
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		<title>By: chuck</title>
		<link>http://pjmedia.com/rogerlsimon/2007/07/13/hollywood-in-trouble-screw-the-writers-again/#comment-88766</link>
		<dc:creator>chuck</dc:creator>
		<pubDate>Sat, 14 Jul 2007 15:47:09 +0000</pubDate>
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		<description>I still don&#039;t understand how residuals work. Could you give some examples?
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		<content:encoded><![CDATA[<p>I still don&#8217;t understand how residuals work. Could you give some examples?</p>
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		<title>By: LarryD</title>
		<link>http://pjmedia.com/rogerlsimon/2007/07/13/hollywood-in-trouble-screw-the-writers-again/#comment-88765</link>
		<dc:creator>LarryD</dc:creator>
		<pubDate>Sat, 14 Jul 2007 14:43:16 +0000</pubDate>
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		<description>Hollywood hs declined a lot from the days when the three most important things were &quot;story, story, story&quot;.
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		<content:encoded><![CDATA[<p>Hollywood hs declined a lot from the days when the three most important things were &#8220;story, story, story&#8221;.</p>
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