<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/"><title>PJ Media</title><link>https://pjmedia.com/rogerkimball/2009/01/08/why-satire-suffers-a-example-from-the-adult-entertainment-industry/feed/</link><description>PJ Media is a leading news site covering culture, politics, faith, homeland security, and more. Our reporters and columnists provide original, in-depth analysis from a variety of perspectives.</description><language>en-us</language><lastBuildDate>Wed, 10 Jun 2026 23:24:41 -0400</lastBuildDate><item><title>Why Satire Suffers: a Example from the "Adult Entertainment" Industry</title><description>&lt;![CDATA[I have often had occasion to bemoan the sad lot of the satirist in contemporary society. Satire depends for its bite on a discrepancy between the satire and reality. The satirist presents an exaggerated, over-the-top caricature of some state of affairs in order to highlight a recognizable element of failure, hypocrisy, turpitude, or pomposity.  It&amp;#8217;s one thing for a critic to satirize some elements of modern art as pre-packaged excrement. But what&amp;#8217;s the critic to do when faced with Piero Manzoni&amp;#8217;s &amp;#8220;Artist&amp;#8217;s Shit,&amp;#8221; a series of 90 numbered cans each containing 30 grams of the artist&amp;#8217;s own feces? In May 2007, a single can fetched 124,000 euros at Sotheby&amp;#8217;s. Can you beat that?]]&gt;</description><pubDate>Thu, 08 Jan 2009 06:16:32 -0500</pubDate><creator xmlns="dc">&lt;![CDATA[Roger Kimball]]&gt;</creator><enclosure url="" type="image/jpeg" length="123" /><link>https://pjmedia.com/roger-kimball/2009/01/08/why-satire-suffers-a-example-from-the-adult-entertainment-industry-n115465</link></item></channel></rss>