<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/"><title>PJ Media</title><link>https://pjmedia.com/rogerkimball/2008/03/14/post_1/feed/</link><description>PJ Media is a leading news site covering culture, politics, faith, homeland security, and more. Our reporters and columnists provide original, in-depth analysis from a variety of perspectives.</description><language>en-us</language><lastBuildDate>Thu, 11 Jun 2026 00:30:22 -0400</lastBuildDate><item><title>The Persisitence of Rubbish, or How to Wreck a Civilization Without Really Trying</title><description>&lt;![CDATA[Future anthropologists, pouring over the ruins of our civilization, are going to come up with some curious hieroglyphics. Consider what is happening at the Clark Art Institute in Williamstown, Massachusetts. The Clark, as anyone who has visited it knows, is a fetching small museum set in a picture-perfect New England town. It has a handful of important pictures and quite a few agreeable if second-rate ones.  Alas, like most other institutions entrusted with preserving and transmitting the cultural patrimony of our civilization, it now operates as a sort of wrecking ball. Consider this bulletin about an upcoming event at the Clark:]]&gt;</description><pubDate>Fri, 14 Mar 2008 04:11:53 -0400</pubDate><creator xmlns="dc">&lt;![CDATA[Roger Kimball]]&gt;</creator><enclosure url="" type="image/jpeg" length="123" /><link>https://pjmedia.com/roger-kimball/2008/03/14/post_1-n114632</link></item></channel></rss>