We don’t see a whole lot of genuine faith in the movies or on TV these days. Instead, characters who exhibit religious faith on fictional films and programs are more likely to show up as fodder for mocking or as social deviants in disguise. Obviously, we can easily forget that the concept of faith played a much greater role in Hollywood’s earlier days, even in the films made by the Disney Studios.
Walt Disney held a deep, private faith in Jesus Christ, though he was not an outwardly religious man. His parents raised him in the theology of the Congregational Church, and he firmly believed in the power of prayer and Bible study. Rarely, if ever, did Disney attend church, but he made sure his daughters were involved in Sunday School programs, even allowing them to choose the denomination that suited them best in their teen years. Walt also said:
I ask of myself, “Live a good Christian life.” Towards this objective I bend every effort in shaping my personal, domestic, and professional activities and growth.
I believe firmly in the efficacy of religion, in its powerful influence on a person’s whole life. It helps immeasurably to meet the storm and stress of life and keep you attuned to the Divine inspiration. Without inspiration, we would perish.
Clearly, Disney understood the importance of faith as part of the American cultural fabric. Another quote of his underscores this fact:
I have watched constantly that in our movie work the highest moral and spiritual standards are upheld, whether it deals with fable or with stories of living action.
We can see these moral and spiritual standards at work in Disney’s classic films. In fact, the concept of faith plays a role in many of the great films of the Disney canon. Today, I’m going to look at five examples of the value of faith in Disney’s classic films: I’m taking a look at two of the big themes that emerge, and then we’ll delve into three characters who exhibit faith in different ways. These movies are not necessarily religious in nature, nor do I claim that they are theologically accurate in any sort of way. With that said, let’s dive in…
Week 8 of my second 13 week season: low carb diet and more exercise, tracking my weight, blood glucose, and body fat. You can follow me at my 13 Weeks Facebook page for daily updates, and you can join Fitocracy (free!) and follow my daily exercise, and maybe even start tracking your own.
A few days ago, PJ Lifestyle ran an excerpt from Leonard Mosely’s book Disney’s World, in which Walt Disney, in a letter to his partner Ub Iwerks, expressed his frustration with the his first sound cartoon, the now-iconic Steamboat Willie.
He’s pretty depressed. he doesn’t like Hollywood, he doesn’t like being away from home, and he’s losing confidence in the still-unfinished film. You can see why, when he was having trouble selling the idea, and animation is a frustrating process anyway. This was in the days of the most primitive hand-drawn animation, where every frame of the film had to be hand drawn on clear acetate, with tiny changes from frame to frame. Twenty-four times for each second of film. In this 7 minute 23 second film, that’s something like 10,600 frames. He was tired, and he was bored, and he had trouble seeing any progress.
Why did this strike me, he asked rhetorically? Well, it reminds me of my ongoing glucose/bodyfat/weight project. Here I am, eight weeks into my second season, 147 days since I first started tracking this, and it’s a little frustrating and hard. I’ve been less diligent about the exercise, and I do find myself missing things I used to eat. Like chocolate. And pasta. And bread. And while I have lost some weight, it’s slow and the day to day variations make it hard to see. It’s like Disney must have felt — another 24 frames, another day’s work, and what did he have? Another lousy second of film. That no one wanted to distribute. He was past the initial excitement and into the slog.
Right now, this project feels much the same. I’m actually losing weight, and I can see changes — more muscle coming back to my arms, and to put it bluntly, my boobs are smaller. I’ve lost six inches around my waist, and I can feel that every time I put on a pair of pants that were in the back of the closet because I hadn’t been able to wear them. But at the same time, the progress is a little slow and hard to see, and it’s a little hard to explain why it should matter to anyone — especially me.
But then I got thinking, and a little Excel-fu got me this. Here’s my actual weight, charted over the last sixty days, with a trend line. This is very much like the other charts I’ve been posting.
Trend line is down. This is good. It’s not down very fast, and the added muscle certainly explains that — but also notice that individuual weights vary pretty wildly around that trend line. So here’s another chart.
Over 17 years and a dozen feature films Pixar revolutionized computer animation. Today no other studio even comes close.
Pixar’s films have innovated not just with their technological expertise but in the realms of characterization, plot development, and creativity. With Brave debuting last week, Disney and Pixar raised the bar even higher, reaching astonishing new heights.
Fiery-haired Merida (Kelly Macdonald) is the daughter of King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson) of the DunBroch clan in 10th century Scotland. Merida loves riding through the countryside and practicing her archery. She longs to choose her own fate and bristles at her mother’s attempts to school her in the ways of living like a princess. When Elinor invites the heads of the other clans to DunBroch to compete for Merida’s hand in marriage, the princess rebels, leading to a heated argument.
Merida takes off into the woods, where she follows will-o’-the-wisps to a witch’s cabin. She asks for a spell that will both change her fate and her mother. The result: Elinor transforms into a bear. Merida must then reverse the curse by repairing her relationship with Elinor. Along the way mother and daughter restore the bonds between the four clans and help Fergus face the legendary demon bear Mor’du, who took his leg in a battle years before.
Looks to be Toy Story meets Monster’s Inc. with John C. Reilly bringing to life a Donkey Kong-style video game villain who’s tired of being the bad guy.
Hat tip: Buzzfeed.
Updated with a corrected headline thanks to commenters smarter than me. This isn’t a Pixar movie. Like Tangled, it’s a Disney-branded film.