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HBO’s The Newsroom Thinks America Sucks

Tuesday, July 17th, 2012 - by Sunny
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Here I provide you with a seven word refutation to this speech from HBO’s new show The Newsroom.

“Which way are all the rafts going?”

Discuss.

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Related at PJ Lifestyle: Critics Hammer Aaron Sorkin’s Newsroom: ‘So Naive it’s Cynical’

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How Aaron Sorkin Plagiarizes Himself Over and Over Again

Tuesday, June 26th, 2012 - by PJ Lifestyle Humor
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Via Slate, “When Aaron Sorkin Repeats Himself”:

It’s no secret that Aaron Sorkin likes to re-use his favorite lines. Though, to be honest, even I would not have guessed that he had used the derisive phrase “You think?” roughly 20 times, as the video below rather impressively demonstrates.

Kudos, too, to drfunky17, as this particular YouTube user calls himself, for bringing in Bulworth(the work Sorkin did on that script is uncredited, but widely acknowledged)

 

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Critics Hammer Aaron Sorkin’s Newsroom: ‘So Naive it’s Cynical’

Friday, June 22nd, 2012 - by PJ Lifestyle News

via 10 vicious reviews of ‘The Newsroom’ – Patrick Gavin – POLITICO.com.

The critics have weighed in on Aaron Sorkin’s new drama, “The Newsroom,” starring Jeff Daniels as a news anchor struggling to put together a successful news program despite the obligatory pressures and obstacles.

The consensus? It’s not Sorkin’s finest work.
Here are the 10 harshest reviews of “Newsroom,” which debuts Sunday on HBO:
1. “‘The Newsroom’ had me contemplating that which is so feared in my industry: changing the channel. And I was watching it on DVD.” — ABC’s Jake Tapper, The New Republic
2. “…an exponentially tedious undertaking for the viewer…” — Hank Stuever, Washington Post
3. “It’s so naive it’s cynical.” — Emily Nussbaum, New Yorker
4. “…it all feels over-overwrought.” — Joanne Ostrow, Denver Post

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Five TV Shows That Didn’t Get the Chance They Deserved

Wednesday, January 4th, 2012 - by Chris Queen

Over the years I’ve had the misfortune of falling head over heels for a new TV show only to see brilliant network executives cancel it before an audience could appear. It seems to be an issue more often these days. New series come and go, shattered by the network hammer long before they have a chance to garner fans and viewers.

It wasn’t always this way. Shows like Seinfeld and Taxi took years to develop a following, while networks often keep “prestige” shows like 30 Rock on the air despite poor ratings. Recently in The Hollywood Reporter, columnist Tim Goodman posed an interesting question: “Do TV Series Get or Deserve Second Chances?” Before basically answering “yes and no,” Goodman noted:

The fact is, it’s getting harder and harder to cultivate a hit series on television and keep the numbers steady. Already the mythological 500-channel universe is rapidly becoming a reality, diluting the available audience. It’s a wider, not deeper world now. Consequently, the definition of a hit, particularly for network television, continues to nosedive. Any series above 10 million total viewers is a massive hit – when, in the not-too-distant past, that was a number that could get you canceled.

Here are five shows that didn’t get the chance they deserved. I’ve limited myself to the last 20 years in compiling this list. The nice thing is that, with modern technology like DVDs, Netflix, and YouTube, people can become fans of these shows all over again.

We’ll start with a show that tackled one of the most divisive eras in our nation’s recent history…

5. I’ll Fly Away (1991-1993)

The networks rarely choose to portray the civil rights era on series television, but one drama tried in the early ‘90s: I’ll Fly Away. Much of the show, which ran for two seasons on NBC, was filmed in and around my hometown, so I have a bit of a personal connection with it.

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I’ll Fly Away tells the story of the nascent civil rights movement through two parallel stories. Small town attorney Forrest Bedford (Sam Waterston) is a widower raising three children. His law practice is successful, but when he begins to take on civil rights cases, his view of the world changes. Meanwhile, his black nanny (Regina Taylor) also sees the sea change taking place in the South, inspiring her own political activism.

Filmed on location in small towns in Georgia, the show’s Southern details hit the mark (as did the accents). The writing and directing were excellent, in spite of an earnest, left-leaning bent. The children on the show were precocious and thoughtful without being saccharine. Both Waterston and Taylor played their roles with a quiet intensity that contrasted with the stormy nature of the times.

The cast of I'll Fly Away

I’ll Fly Away won two Emmys and several other awards in its short run. After NBC cancelled the show, PBS made a TV movie to tie up the loose ends. PBS also reran the entire series one time. I’ll Fly Away has never been released on DVD, and it seemed as though it would be a series lost to the past. However, one YouTube user has made all of the program’s episodes available in a playlist. Thanks to modern technology, viewers can seek out I’ll Fly Away again.

Next we’ll look at a heartfelt comedy set in the world of sports media…

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