Commentary: Commentary Adds New Literary-Themed Blog
Today marks the 103rd birthday of William Maxwell, novelist (They Came Like Swallows, The Folded Leaf) and fiction editor of the New Yorker for forty years, along with the 91st birthday of the American poet Charles Bukowski (“as the poems go into the thousands/ you realize that you’ve created very/ little”).
Today also marks the debut of Literary Commentary, the magazine’s new book blog. The coincidence may be fitting, since this blog — its interests and loyalties, its voice and point of view — will probably be found somewhere between Maxwell’s graceful kindly wisdom and Bukowski’s rough self-pitying intimacy.
To those who are already familiar with it, my nearly three-years-old Commonplace Blog is relocating here, with a new focus on the current literary scene to go along with its new venue and affiliation. To those who will be reading it for the first time, I should explain that, while this blog will be a source for book reviews and reconsiderations, Literary Commentary is intended to be something more. It represents the literary side of what John Podhoretz, its fourth editor, defined as COMMENTARY’s mission.
Literary Commentary too is an “act of faith — faith in the power of ideas, in tradition and the value of defending tradition, and faith in America and the West.” It too is an “expression of faith in the act of reading itself, in its unparalleled capacity to enlarge the perspective and knowledge of those for whom reading is an activity as central to their lives as the drawing of breath.” In particular, it places faith in the reading of literature and the power of literature, not merely to kill the time softly, but to instruct and move, to frighten and uplift, to change forever the way men and women think.





More power? That is part of his failure! He did have more power. For his first two years, he could push through whatever he or his pimps wanted. His greatest failure was to fail to realize this. Our salvation was/is this very failure. Thank God for the Tea Party. Were it not for taking the House in 2010, most of us white, middle-class, centrists would be in reeducation camps run by unionized North Koreans.
Don’t leave us in suspense…where did the name “Blade Runner” come from? I loved everything about this film. It left me with many questions, ranging from how come so many denizens of Los Angeles were Chinese, why the continuous rain, what happens to the beautiful Replicant; and above all, why the term “Blade Runner?”
This is absolutely true!!! My husband is a self-taught gourmet cook and many times, I will have seconds just because it tastes good, not because I’m still hungry. He started cooking a little “extra” so I’d have a nice lunch the next day and I can attest to the fact that I will eye the leftovers to make sure there’s enough for tomorrow. It’s a great little bonus.
The commentary linkage must be broken. My comment above was meant as a response to another commenter on the M Fox article “I Saved $230 A Month…”.
Exactly!
Selling out is an inevitability for the long haul. At some point for a successful band (meaning national airplay and recognition), the creative well will run dry. Also fan expectations may put a straight jacket on the band’s future output. At that level, the band becomes a business entity with other non-musician people in the decision process. To stay in the top requires more than raw talent. Other players have to be brought on board.
It is a rare band that can buck all the outside influences and more or less do their own thing and stay relevent in the music scene. I’m referring here to super groups. Granted there are a lot of bands on the edge of greatness, that still call most of their own shots.
Back in 1973 at the tender age of 17, a few friends and I went to a bar in Long Island to see the the Billy Cobham band. Andy Kaufman was the opening act. As soon as he went into his Mighty Mouse crap he was booed off the stage. Never liked his act and avoided him whenever I was able.
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