Jewish women are fierce. We carry many arrows in our quiver including love for life, command of the situation, determined opinions, and freedom of expression. We are not lithe and unfettered. We do not “go with the flow”. We don’t wait until we are on our deathbeds to express our emotions, resolve hurt feelings, or pursue our passions.
Ultra-Orthodox men pray thanks to God that they were not created a woman. This is only because they don’t have ovaries enough to take on our mantle.We are mothers, daughters, sisters, wives, prophetesses, administrators, investors, and the greatest security blanket men will ever know. But perhaps what shocks these religious men the most is that we regret none of it. This is why they need to hide behind sheets to protect themselves from their own animal lust for us, that is precisely how powerful we are.
Thank God we are women; someone has to be in charge of this mess. And that is precisely why we are the objects of fear and scorn. Because what you cannot control, you try to contain and what you cannot contain you either love or hate with reckless abandon.
Hence, Jewish women are constantly the brunt of jokes in the entertainment world. Whether it’s yet another good Jewish boy succumbing to shiksappeal or Lena Dunham berating her Jewish boyfriend’s mother, Hebrew women just can’t win. Our intellect becomes neurosis, our love becomes smothering, our agility becomes goofiness, our sexiness our comedy. In Freudian terms we are the mother from which no man can escape. In pop culture terms we’re the JAP, Jewish American Princess, to whom guilty Jewish men are obligated to commit in misery forever. When God commanded circumcision we’re the ones who didn’t stand in the way and now we’re doomed to forever pay the price for our holy allegiance.
But, don’t be fooled for one second into thinking we’re slaves. Dunham blames her boyfriend’s failings on his mother’s supposed cultural weaknesses:
…he comes from a culture in which mothers focus every ounce of their attention on their offspring and don’t acknowledge their own need for independence as women. They are sucked dry by their children, who ultimately leave them as soon as they find suitable mates. …As a result of this dynamic, he expects to be waited on hand and foot by the women in his life, and anything less than that makes him whiny and distant.
She offers the asinine complaint of feminism, the pagan belief that a woman cannot ever be truly independent because she is umbilically tethered to fostering life. It is a bizarre notion, one that makes no sense if we’re talking power and authority. A child cannot survive without its mother. Said mother not only nurtures and carries life within her body, she is the primary influence on that child from the moment they are born until the day they die. For better or worse, a mother’s relationship with her child has the greatest impact on their social, emotional and character development. Dunham acknowledges this concept in the negative only because she rejects her own womb as a burden instead of the greatest source of a woman’s power on earth.
Statistically Jewish women enjoy having children. Stereotypically, we have lovingly been dubbed “smothers“. Weaklings like Dunham who reject their womb power find humor in these stereotypes because their own egos are a poor substitute for the authority intrinsic to motherhood. They must constantly jab under the guise of humor in order to recharge their power source. Real women thrive on building up the ones they love. Lost women who have surrendered their biological power to political leadership are left seeking to offend. In the end, it is their only reward.
So if you ever wonder why feminists are stereotyped as bitter hags, look no further than the angst-ridden humor of Lena Dunham, feminism’s pop goddess who has sacrificed her wedding on the altar of gay marriage, her womb on the altar of Planned Parenthood. She has not chosen life, therefore death becomes her.
VIDEO: What’s More Sexist, Meghan Trainor Singing to Her Future Husband, or JCPenney’s Butt-Firming Jeans for Teens?
You have to admit the retro stylings of YouTube star Meghan Trainor make for some catchy little tunes. But in her latest video, Dear Future Husband, the siren dons pinup-wear while scrubbing the floor of a 50′s kitchen and warning her husband he’d better compliment her every day and buy her jewelry. Contemporary feminists are in an uproar over the classic imagery, but does Trainor have a better grip on the inherent power of her sexuality than the teenage girls who feel the need to buy “butt-enhancing jeans” at JCPenney?
The national department store catalog includes:
The “YMI Wanna Betta Butt Skinny Jeggings” boasts: “With a slight lift and shift and contouring seams, our wanna betta butt skinny jeggings hug you in just the right places to give you a firmer, more flattering look.”
“Rewind Smoothie Super Stretch Booty Buddy Skinny Jeans” features “rear-end-enhancing structure” designed to “augment your jean collection — and your backside” and comes in an acid wash finish.
Penney’s isn’t alone. Several online stores including Modaxpress, Hourglass Angel, and even Amazon offer butt enhancing denim to a teenage crowd. Where’s the feminist outrage over a wardrobe enhancement specifically targeted to those vulnerable teen girls suffering all those dreaded body-image issues? Perhaps they’re too busy in Trainor’s kitchen arguing over who gets to make the pie.
Camille Paglia sits with Reason TV’s Nick Gillespie to discuss the failings of contemporary feminism, specifically in relation to the contemporary feminist obsession with gender politics which Paglia dubs “gender myopia.” Tagging the culture’s current obsession with viewing the world through the lenses of “race, class and gender” (what Gillespie titles “the holy trinity”) as a “distortion of the 1960s,” Paglia, a self-described atheist, explains that “Marxism is not sufficient as a metaphysical system for explaining the cosmos.”
The powerful dialogue should be required viewing for all college freshmen and women, of course. A general in the culture wars, Paglia continues to be the only academic unafraid to conquer Marxist ideology and its subsequent theoretical fields on its own turf.
The UK Daily Mail has concluded that even nice guys are evil, publishing research conducted by a series of Boston academics who have discovered a new misogyny dubbed “benevolent sexism”:
If you’re the sort of gentleman who holds the door open for a lady – or the sort of woman who expects him to – then be warned.
Such acts of chivalry may actually be ‘benevolent sexism’ in disguise, according to researchers.
Experts say this type of sexism is harder to spot than the ‘hostile sexism’ we are more familiar with – because it often masquerades as gallantry. It is typified by paternal and protective behaviour, from encouraging smiles to holding doors open.
US researchers argue that while women may enjoy being showered with attention, benevolent sexism is ‘insidious’ and men who are guilty of it see women as incompetent beings who require their ‘cherished protection’.
Professor Judith Hall, of Northeastern University in Boston, said: ‘Benevolent sexism is like a wolf in sheep’s clothing that perpetuates support for gender inequality among women.
‘These supposed gestures of good faith may entice women to accept the status quo in society because sexism literally looks welcoming, appealing and harmless.’
Other telltale signs of benevolent sexism include frequent smiling as well as the ability to engage in warm, friendly chit-chat.
Wayne Goss is a 37-year old makeup artist with 15 years of experience and nearly a million YouTube followers. Lately he’s been receiving a lot of requests from female clients to make them up drag queen style, in large part due to the popularity of the drag queen look on television and social media. As Goss illustrates, drag queens use makeup to create the feminine look already inherent in female faces. Essentially, he’s been asked to mask natural femininity with a false face, leading him to question how we interpret the female look and concepts of natural female beauty.
Last year the UK police refused to respond to video footage of doctors agreeing to perform sex-selective abortions that target female babies, claiming that prosecution would “not be in the public interest.” In response to law enforcement’s blind eye, MK Fiona Bruce presented an amendment before Parliament that would ban gendercide in the UK. Originally received with an overwhelmingly positive response, the amendment failed to become law this past week ironically thanks to the seemingly pro-feminist protests of the Labour Party and Trade Union Congress. The language and nature of their protests against this amendment act as yet another illustration of how contemporary feminist ethos, in this case motivated by demented multiculturalism, is actively working against the cause of women’s equality across the globe.
This afternoon, MPs are considering following Fiona Bruce into restricting abortion rights and giving foetuses more rights than people.
— Another Angry Woman (@stavvers) February 23, 2015
Breitbart London reports that the protest against the amendment was spearheaded by Yvette Cooper, the shadow home secretary, who referenced the language of the Trade Union Congress (TUC) in a letter to Labour party representatives. In the letter she claims that banning sex-selective abortions would lead to “troubling consequences” such as a limitation on abortions for “gender specific abnormalities.” She also opposed the amendment’s use of the term “unborn child” as “children” are granted more legal protection in the UK than “foetuses.”
Her pro-choice defense was so stereotypical it garnered criticisms dubbing it “at best ludicrous misinformation, and at worse pernicious scare mongering.” As to the “gender specific abnormalities” claim, the law contained a caveat permitting abortions for medical reasons, regardless of gender. For advocates of the amendment, Cooper’s preferential treatment of the word “foetus” over “unborn child” turned her argument into a pro-choice one, plain and simple. If only it were that easy.
The real perniciousness came in documents circulated by the TUC regarding the gendercide amendment that stated:
“The amendment does not attempt to address the root causes of deeply entrenched gender discrimination but rather has divided communities.” It also said that banning sex selective abortions might leave women vulnerable to domestic abuse.
Sex-selective abortion is rooted in specific cultural beliefs. That’s right: Stop everything and sound the multiculturalist alarm bells, lest we step on anyone’s toes, child, foetus or otherwise. In a 2012 report titled “Why do feminists ignore gendercide,” the Heritage Foundation details:
“Son preference is a symptom of deeply rooted social biases and stereotypes about gender,” a representative of the National Asian Pacific American Women’s Forum said in congressional testimony. “Gender inequity cannot be solved by banning abortion.”
Jonathan V. Last, who writes about cultural and political issues, begs to differ. The choice is clear, he argued last summer in the Wall Street Journal. “Restrict abortion,” Last wrote, “or accept the slaughter of millions of baby girls and the calamities that are likely to come with it.”
— Stop Gendercide Now (@SGNIreland) January 27, 2014
Let her walk uncovered down a Saudi street and come back and tell us how about feminism in Islam. pic.twitter.com/yz57JlCX8R
— Tommy Robinson (@TRobinsonNewEra) February 5, 2015
Owen Jones opines in the UK Guardian that women are “taken less seriously than men” and, as a result, the “pandemic of violence against women will continue.” Coming on the heels of the famed Arquette faux pas at the Oscars, his essay easily reads as more of the same old “War on Women” schtick, and to a great extent it is. However, his opening argument is worth noting for what it does say and for what Jones does not. Somehow, like most contemporary feminists with a platform, he manages to acknowledge the grotesque abuses of women living in Islamic cultures while completely refusing to point out that radicalized Islam is the number one serious threat to women across the globe.
— Revolution News (@NewsRevo) February 21, 2015
Jones begins by recounting the story of Özgecan Aslan a 20-year-old Turkish college student who was tortured, raped and murdered, her body then burned as evidence, by a bus driver.
Across Twitter, Turkish women have responded by sharing their experiences of harassment, objectification and abuse. But something else happened: men took to the streets wearing miniskirts, protesting at male violence against women and at those who excuse it or play it down. Before assessing how men can best speak out in support of women, it’s worth looking at the scale of gender oppression. The statistics reveal what looks like a campaign of terror. According to the World Health Organisation, over a third of women globally have suffered violence from a partner or sexual violence from another man. The UN estimates that about 133 million girls and women have suffered female genital mutilation, and believes that nearly all of the 4.5 million people “forced into sexual exploitation” are girls and women.
He stops there, short of pointing out that the WHO statistics cited clearly show that the greatest threat of violence against women exists in primarily Islamic countries. While he mentions female genital mutilation, he again neglects to tie in the fact that FGM is most commonly practiced in Muslim countries and among extremist Islamic cultures.
Jones bases his argument in a story of a Muslim girl tortured and murdered by a man in a Muslim country that is growing more religious by the day, only to devolve into the same demeaning politically correct tropes of contemporary gender feminism. He finds it ironic that men dare to call themselves feminists and decides “…men will only stop killing, raping, injuring and oppressing women if they change.” Change what? Their gender? For Jones, as it is for so many other feminist activists, it is easier to just throw a blanket of blame onto men than to confront the source of evil that exacts a real “campaign of terror” against women: radical Islam.
What’s worse, Jones doesn’t hesitate to make his case for women all about gay men. In yet another ironic twist, after accusing men of co-opting the feminist movement for their own egotistical needs, he uses gender feminist theory to defend a tangent on gay rights:
And while men are not oppressed by men’s oppression of women, some are certainly damaged by it. Gay men are a striking example: we are deemed to be too much like women. But some straight men suffer because of an aggressive form of masculinity too. The boundaries of how a man is supposed to behave are aggressively policed by both sexism and its cousin, homophobia. Men who do not conform to this stereotype – by talking about their feelings, failing to objectify women, not punching other men enough – risk being abused as unmanly. “Stop being such a woman,” or “Stop being such a poof.” Not only does that leave many men struggling with mental distress, unable to talk about their feelings; it also is one major reason that suicide is the biggest killer of men under 50.
If gender stereotypes are a cause of male suicide, they only have gender feminists to blame. Wait – wasn’t this supposed to be an argument in favor of feminism and the female voice?
For the last several weeks the mainstream media has been promoting the movie Fifty Shades of Grey as if their life depended on it. For NBC Universal, perhaps it does. As Roger Sterling on Mad Men said, “Hollywood isn’t happy unless things are extreme.”
After the Today show on NBC spent weeks building up the movie with exclusive clips, interviews and insight on its presumptive popularity, it’s no surprise that millions of women flocked to theaters over the three-day weekend.
However, I’m worried that men may think that Christian Grey is what women want.
A male friend emailed me:
The majority of women have spoken as to what they want out of a man. I’m not interested in competing with the character in 50 Shades because I actually have a conscience. Do the majority of women who are fans have a conscience? At this point I’m not convinced they do.
The worst lesson men could take from the movie’s temporary and forced success is to think it represents the real desires of women.
All of the attention the media is giving to Fifty Shades of Grey reminds me of the fervor for Sex and the City. For years women have been told by the media that it is cosmopolitan to consume sex-obsessed entertainment and pursue casual, and physically and emotionally dangerous sex.
Now that Fifty Shades of Grey has surpassed The Passion of the Christ’s opening weekend the media is drooling. Have women finally embraced the message Hollywood and the mainstream media have been feeding them?
Ultimately, I’m not worried about what women take away from Fifty Shades of Grey because it’s fantasy. Also, the media seem to leave out of their reporting on casual sex as entertainment and “mommy porn” that the endings [SPOILER] usually portray a traditional relationship. The women of Sex and the City ended up with significant others and all but one married. Would Fifty Shades of Grey be as popular if the female character lived the rest of her days as a sex slave? Women might imagine life with a billionaire in a helicopter, but not life in a dungeon as a kept woman.
There is one movie in theaters that tells an amazing love story. Speaking of Fifty, this movie recently became one of only 50 movies in history to surpass over $300 million in domestic ticket sales. This feat was done without the mainstream media begging the public to see it. That love story is American Sniper.
Though you wouldn’t know it by the coverage, American Sniper had far less blood-thirst than Fifty Shades of Grey and a much more realistic depiction of a romantic relationship that women and men should want to emulate. Though a majority of the movie is devoted to Chris Kyle’s four tours in Iraq, the story of Chris and Taya’s relationship is significant.
Chris ultimately decided to retire and focus on strengthening their marriage and raising their children. While Fifty Shades of Grey is about a transactional relationship, American Sniper is one of a love greater than oneself. It shows love for another person, love for country, and love for family.
In a recent interview with People, Taya Kyle said,
I miss him so much. I loved being in his arms. I loved holding his hand. But what I miss most about Chris is the feeling when he was in the room. He just changed the feeling whenever he walked in. I missed him even when he was just gone from the room.
Taya went on to say of Chris, “He was a man with a huge heart and charisma and kindness.”
This year you could spend your Valentine’s Day in a theater full of middle-aged women oozing over a hot-bodied twenty-something whipping his blindfolded secretary to the point of striking blood in the name of “love.” Daytime television loves to play up to the Soccer Mom demographic (a title first dubbed to describe Clinton fans, ironically) seeking fantasy fulfillment in the form of sexual fiction. It was corny enough when shirtless Fabios graced the covers. Now that the most popular sex trilogy focuses on a woman who willingly allows herself to be sexually abused, is pop culture humoring those bored housewives too much?
While the majority of Fifty Shades fans are typical middle-aged marrieds dissatisfied with their partners (or even themselves), anywhere from 5-25% of Americans “show affinity” for BDSM (Bondage/Domination-Discipline/Sadism/Masochism) in the bedroom. On an issue that poses a particular sexual threat to women, feminists are split 50-50 between being against sexual abuse and for a narcissistic “if it feels good, do it” sexual ethos. Hence, a pervert who trolls Fanfiction.net (the original home of Hobbit-inspired Elvish/Dwarf porn) can turn her twisted sexual fantasies into an overnight sensation. After all, it’s all about love in the end. Or is it?
Self-dubbed “meninists” have gone on defense after a Superbowl commercial inspired women to proclaim to the world the power of being #LikeAGirl. Ironically, the sexism inherent in their response pales in comparison to the gender bias expressed in defense of the commercial. Once again, gender feminists out themselves as a group bent on erasing gender, specifically female gender, from American culture. The problem is that they are so bloody brainwashed in indoctrination that they don’t even realize they’re doing it.
In an attempt to defend the pride a woman should take in acting #LikeAGirl, gender feminists only manage to uphold the notion that women are weak and oppressed and need public approval in order to be “empowered.” Moreover, in order to gain that much sought-after public approval, women must take on androgynous appearances, hobbies or careers that require them to leave their femininity at home under lock and key.
Arthur Chu wrote a wandering epithet over at Salon on “bitter nerd” Scott Aaronson’s rant against feminism. Aaronson’s complaints as detailed in Chu’s piece are far from new. As a graduate teaching assistant I had many male students (rather nerdy types) walk out of film theory classes declaring they were “horrible people” and “secret rapists” because they were born male. In the wake of the campus rape lies of 2014, who can blame these guys for believing feminism is conducting its own War Against Men:
This is not a debate about gender roles. It is not about economics or the esoterica of hateful radicals in an ivory tower. This is a war, an ideological campaign to smear all men as moral monsters. It is not a war against “patriarchy” or some imagined evil rich guy. This is a war on men as such – of all races and social classes. It is a war against your brothers, sons, fathers, friends and relatives. And right now, the bad guys and girls are winning.
— s.a.d. anne geddes (@zannekamp) November 19, 2014
“…[H]ow could [Aaronson] be targeted by books written by second-wave feminists when he was a toddler?” Chu asks incredulously. Camille Paglia answers Chu in her book Vamps and Tramps, and most recently in her Time magazine piece on the overblown campus rape epidemic. Second-wave feminists believe themselves to be superior human beings through a pseudo-science that negates biology, psychology and religion in favor of a sterile view of the world as a grand social order which must be maintained and controlled through Marxist politics. To put it rather simply, the second wave threw out biology and psychology and mocked God, making a target of every man like Scott who reads feminist literature only to walk away convinced that he’s an inherent rapist because he was born male. As Paglia explains:
The horrors and atrocities of history have been edited out of primary and secondary education except where they can be blamed on racism, sexism, and imperialism — toxins embedded in oppressive outside structures that must be smashed and remade. But the real problem resides in human nature, which religion as well as great art sees as eternally torn by a war between the forces of darkness and light.
Paglia details that Marxist feminists “…simplistically project outward onto a mythical ‘patriarchy’ their own inner conflicts and moral ambiguities.” Men have no such external myth on which to blame what Chu calls “internal demons” which is why for men these moral struggles are easily chalked off as “slippery things.” Chu writes
I do know that what could help women… is to find the guys who are doing bad things to her and stop those guys from doing that. That’s why feminism is more focused on women’s issues than men’s, because women’s issues are the things happening out in the world where we can do something about them.
This absurdity is an outgrowth of the second wave’s politicization of male rape. Female rape, highly eroticized in the ’70s, was legitimized by the feminist movement as sexual fantasy only to become an illicit crime when acted out by a male counterpart. Paglia notes, “…the illicit is always highly charged,” which is why the issue of campus rape has become the most highly charged issue of feminism today. This also explains why rape has become the source for such incredible moral ambiguity and why men, the mythical figures onto which the moral ambiguities of the female sex are projected, are increasingly blamed for women’s bad sexual decision-making.
The story of Molly Morris and Corey Mock is nothing new to the campus rape scene. Having met on Tinder, a social media app designed to fulfill hook-up scenarios, Mock pursued classmate Morris, who played hard to get until agreeing to a breakfast date. Morris took Mock up on his invitation to a party, but wound up not arriving until 2 a.m., only to find a bunch of male wrestlers with few female faces in the crowd. Partaking in plenty of booze, Morris implies she was drugged and woke up the next day naked in bed with Mock. She decided not to go to the police because “she was not emotionally ready to enter a criminal justice system that would scrutinize her life and choices.”
Her’s is a pathetic excuse that permits the consequences of her bad decision-making to be projected onto the mythical patriarchy represented by Mock and the criminal justice system. When Morris finally did approach their university’s administration Mock was found innocent, then guilty, then granted a stay and finally expelled from the school in what amounted to a politically motivated public relations debacle. Mock’s side of the story is only given by his father via the comment field at the end. He explicitly details his son’s sexual encounter to make it clear that it was, indeed, consensual. After explaining what happened to his son, he concludes, “Morally and ethically I want to say, don’t have sex until you get married. We all know that would be naive.”
— David Mastio (@DavidMastio) September 23, 2014
Would it? The reality is that abstinence has become the only 100% guaranteed way to avoid being falsely accused of sexual assault. That reality check highlights the long-forgotten intrinsic value of abstinence culture. The moralists who promoted that antiquated agenda understood that the allure of sexuality and the power of sex needed to be contextualized through marriage so societal order could be maintained. When society rejected marriage culture, it implicitly accepted the second-wave feminist alternative. Hence, every man is a rapist and every woman a victim.
Paglia argues that “rape will not be understood until we revive the old concept of the barbaric, the uncivilized.” Likewise, the problem of campus rape – that is, second-wave feminism’s grotesque predilection for falsely accusing male sex partners of assault in an attempt to soothe their own wounded pride and troubled souls – will not cease until moral order, built on a solid biological and psychological understanding of the individual and an acceptance of moral responsibility on the part of both parties, is restored.
Don’t let the stereotypical G.I. lunks distract you with their butt-smacking, “don’t you need to file something” portrayal of 1940s masculinity. Marvel’s Agent Carter is far from your oh-so-played-out second wave feminist portrayal of manhood – and womanhood, for that matter. Which is why it’s the best show going on television for feminism today.
For every lunk there’s a hero, Carter’s colleague Agent Sousa being one of them. One brilliant expository exchange sets the tone, demonstrating exactly how appealing real men find Carter’s fearless independence:
Carter: “I’m grateful. I’m also more than capable of handling whatever these adolescents throw at me.”
Sousa: “Yes, ma’am. Doesn’t mean I have to like it.”
Carter: “Well that’s another thing we have in common.”
Carter is a fully empowered female. Sousa knows it, respects it, and likes it. And Carter likes him for it. This kind of His Girl Friday exchange gets equity feminism the screen time our culture so desperately needs. Unlike her Avengers’ counterpart the Black Widow, Agent Carter isn’t squished into slicked up body suits and forced to perform gymnastic feats in order to intrigue her male audience. And unlike gender feminists, Carter draws authority from her sex and uses it to save the day.
Take one look at Mic’s list of feminist triumphs for 2014 and you’ll get the feeling that most of us have over the course of this rather petty year: American feminism doesn’t know what to do with itself. Sure, it pays lip service to international women with its only PC figurehead, Malala Yousafzai, taking the list’s lead. And yes, the editors made sure to include a proportional number of women of color on the list, even if they included Ferguson protestors, leading one to ask why the feminist movement would want to associate itself with the kind of race riots we haven’t seen in this nation in nearly 50 years. But when your greatest triumphs include hashtag activism, conquering “manspreading,” and harassing Bill Cosby over decades-old alleged rape accusations, you illustrate how pathetic you’ve become.
A few of these so-called feminist triumphs were listed among the top feminist fiascos of 2014 in the L.A. Times, along with some real head-hanging, shame-filled moments stretching from #ShirtStorm to #BanBossy. One item on the list, however, strikes a sobering note: Rotherham. The complete lack of American feminist response to the sex trafficking of women in this British town for over two decades should be enough to shame feminists into pursuing a new direction in 2015. Feminism as a biblically grounded, non-sectarian movement for women’s independence can once again play a vital role in American and global culture, as long as its gaze is redirected from the navel to the critical issues facing women today.
Corinne Fisher and Krystyna Hutchinson, two wannabe-famous New York twenty somethings, teamed up to talk sex via their “running soap opera,” “almost reality TV show” podcast Guys We F*cked. Broadcasting under the “anti-slut shaming” banner makes Guys We F*cked appealing to the contemporary feminists at Salon who never turn down the chance to normalize twisted sexuality. Salon assistant editor Jenny Kutner sat down with the comedy duo more commonly known as “Sorry About Last Night” who, as they enter season 2 of their famed podcast, are looking to crowdsource funds from fans while noting that their careers are “…getting better because of the podcast, which is really exciting.”
Performing an editorial feat, Kutner defines the duo’s narcissism as “comedy with a purpose” in her attempt to define the two as feminists. In doing so, the assistant editor at Salon exposes exactly why contemporary feminism is failing 21st century women: Today’s feminists have worked to sever feminism from its historical roots as a biblically-grounded movement for women’s independence. What they’re replacing it with, a “social media feminism” as artist and feminist April Bey has dubbed it, is a mere mask for narcissistic, death-obsessed, goddess worship.
This past week a group of scientists from the European Space Agency landed a spaceship on a comet. Contemporary feminists commented on the happening, but not for the reason you’d think. Screw science. One of the guys on the team talked about the major breakthrough in an on-the-spot interview while wearing a shirt with barely-clad, busty women brandishing guns. Social media chaos ensued. The scientist cried out an apology over the Internet. Apparently the rather clever hashtag #shirtstorm is the real reason why Obama cancelled the space program.
And you wonder why Lana Del Rey would rather spend her time talking about Space-X and Tesla instead of associating herself with the pioneering movement for women that has turned into a forum for Dunham-loving yuppie nags. Celebrities are distancing themselves from the f-word because so-called feminists think the greatest thing they can do for womankind is to complain about a scientist’s tacky shirt. I’m sure that really inspired a teenage girl out there to forego joining ISIS and join in the fight against… dudes bearing busty broads?
First off: I’m a longtime fan of Crowder, for what it’s worth.
But sometimes we conservatives are a little too eager to be “Not Progressives™,” and his new “catcalling” video — made in response to the real one everyone’s talking about — is an example of this phenomenon.
Second, just to preempt any, well, shouting by strange men in the comments:
I am 50 years old and have probably been genuinely catcalled about six times in my life.
I’ve been more apt to be called ugly and/or a lesbian, or — because I have “bitchy resting face” — ordered to “Smile!!!”
The last time a strange man shouted something complimentary to me was about 18 months ago, when a construction worker (no less!) said, “I like your shirt.”
I was wearing my red “It’s Not Racist If It’s True” tee — on the streets of downtown Toronto in broad daylight, I’ll have you know.
He made my week.
But that wasn’t catcalling.
And neither are the actions Crowder portrayed in his video:
The wonderfully amusing thing about progressivist thought is how old and played-out it is. The #GamerGate controversy is a perfect example. On one side are the #GamerGate folks, video game enthusiasts like me. We basically just want to be left alone in our basements to blow up computerized helicopters. On the other side are militant feminists like Anita Sarkeesian. They think video games brainwash little boys into becoming the violent sociopaths that, according to “rape culture” theory, they already are anyway. Essentially, progressives want to sanitize stories about unsavory behavior for the good of society. That idea goes back at least 2300 years, to ancient Greece, where it was also a failure. For a movement that defines itself as the wave of the future, that’s a pretty hackneyed approach.
I’m talking here about #GamerGate in the broadest terms. I’m not talking about Chelsea Van Valkenburg, the mentally unstable pseudo-designer whose dysfunctional relationship somehow started this whole mess. I’m not talking about internecine squabbles over gaming journalism. I’m talking about the bigger fight, between gamers and the radicals who want to sterilize games.
Debbie Harry’s ex-boyfriend and Blondie co-founder Chris Stein has just released a photography collection, featuring his lifelong muse.
And why not? No less an authority than rock photography guru Bob Gruen famously said, “You can’t take a bad picture of Debbie Harry.”
Unfortunately, Stein marrs the collection with a stunningly multi-level-stupid comment, regarding his famous picture, above.
UK tabloids don’t push the limits of credibility any more than their American counterparts, but in a way they got there first. Here, Debbie is reading about sexism under the ayatollah.
Get it? Decades of well-documented, sharia-inspired violence against women in Iran was probably exaggerated, according to Stein, because it was reported by a lower class “red top” English tabloid back in the 1970s.
Stein further ingratiates himself with his British host by slagging stupid, hysterical American “yellow journalists,” too, for no apparent reason.
Factor in the word “sexism” as his mealy-mouthed synonym for “rape, torture and murder,” and it’s quite breathtaking how much smug “enlightened” ignorance Stein managed to squeeze into two just sentences.
Especially the same week that Iranian authorities executed a woman for killing her rapist.
All this from a man I feel safe in presuming voted for Obama twice, and whose views on every subject are reliably, predictably “progressive.”
But of course!
Halloween was always a point of contention in our house growing up. Naturally theatrical, I loved dressing up and relished in making my own costumes. And what kid turns down free candy? Sure, Jewish kids have Purim for these things and more, but when you’re in a mainly gentile neck of the woods, it’s a struggle not to be allowed to join in the party. As I grew into adulthood and took a deeper look at Halloween, however, I began to understand my parents’ objections quite clearly. There are definite reasons why Jews and Christians who base their faith in the Bible should re-think introducing and encouraging their child’s participation in this, the most pagan of American holidays.
Twenty-four percent of married couple families with children under 15 have a stay-at-home mom. Ninety-nine percent of stay-at-home moms in the movies get a really bad rap. Search “Best Movie Moms” and you’ll get lists that include Shirley MacLaine in Terms of Endearment, Sigourney Weaver in Aliens, Shelly Duvall in The Shining, and more than a few mentions of Psycho. The majority of movie mothers are either widowed or divorced, careerists or working class, alcoholics or impregnated by UFOs. The closest you’ll get to a stay-at-home mom in post-1940s cinema is Kathleen Turner playing the psychotic Serial Mom or Michael Keaton taking on the role so his wife can pursue her career in Mr. Mom.
In fact, outside of Sandra Bullock in The Blind Side there hasn’t been a truly admirable middle-class, white, stay-at-home mother on the silver screen in over 50 years. Which is probably why Mom’s Night Out received such a negative critical reception when it premiered last spring. We have been acculturated out of believing in the power and purpose of stay-at-home moms. Yet, the criticisms leveled at Mom’s Night Out for its “depressingly regressive” spirit and “archaic notions of gender roles” were not applied to a similar film about a stay-at-home mom released only two years prior. This Is 40 received mixed reviews, but praise for yielding “…some of [Judd] Apatow’s most personal observations yet on the feelings for husbands, wives, parents, and children that we categorize as love.”
So, what made This Is 40 palatable in a way that Mom’s Night Out wasn’t? Is there, perhaps, a culturally acceptable way to be a stay-at-home mom?
Ashe Schow has an an interesting article at the Washington Examiner: “Feminist hysteria is causing the infantilization of women”:
When did female empowerment become female infantilization?
Women once were encouraged to be strong and independent, to brush aside insensitive words and actions and to emerge stronger. But now, politicians, pundits, even celebrities are feeding an outrage machine by telling women they should be offended by anything and everything….
This shift toward telling women they need help at every stage of their lives (remember the Obama campaign’s “Life of Julia”?) might raise funds for feminist causes or gain votes for politicians, but it’s not empowering. It’s infantilizing.
People often tell me that feminist dogma often backfires and makes women look ineffective. But looking ineffective is not a problem for many women. They see it as an asset and it is a form of power. Denying personal responsibility for themselves may be infantilizing to the majority of women in this country in a moral sense (yes, people should take responsibility for themselves) but in the current political climate, it is empowering. Society helps women when they plead for help and seem/look helpless. Even white knights are rushing to help women in need for whatever reason, whether just or not. Society rarely helps those who help themselves these days.
Conservative columnist Ross Douthat has declared his love for Lena Dunham. It hardly comes as a surprise that a New York Times writer, even one who dwells to the right of the aisle, would find the Girls prodigy appealing. What makes Douthat’s devotion disturbing is that he has managed to transform a goddess chained to a slew of liberal causes into a sacrificial lamb for conservative culture. In his struggle to do so, his misses the mark in what could have been one of the most culturally relevant critiques of Girls to date.
The critic defends Dunham’s showpiece Girls, writing,
She’s making a show for liberals that, merely by being realistic, sharp-edge, complicated, almost gives cultural conservatism its due.
It’s a seemingly ironic observation, based in the idea that Girls “often portrays young-liberal-urbanite life the way, well, many reactionaries see it…” That is, a subculture on the verge of self-destruction due to excessive amounts of what sociologist Robert Bellah dubbed, “the view that the key to the good life lies almost exclusively in self-discovery, self-actualization, the cultivation of the unique and holy You.”
In other words, as Gawker so simply put it:
He likes watching the show because it allows him to feel superior to Dunham and her fellow sluts.
By employing a rote, traditionalist perspective, Douthat argued himself into a hole, turning his love into judgement and burying his point in poorly-worded theory and equally bad theology.
I didn’t fully appreciate how spiritually free I am as an American woman until I set foot on an El Al plane.
“Do you speak Hebrew?” the fretting woman in front of me asked.
“No, not really.”
“It’s okay, I speak English,” she hurriedly replied, obviously looking for a friendly face. “These Orthodox,” she motioned to the people sitting next to her, “they don’t like sitting next to women.”
“Well, that’s their problem.” My response was pointed, matter-of-fact, American.
She smiled as if a light bulb went off in her head. “You’re right!” Her expression grew cloudy. “But what if I take off my sweater? They won’t like that I expose my shoulders with my tank top.”
Again, I simply replied, “That’s their problem.”
She smiled, empowered. Removing her sweater, she took her seat and stood her ground.
And at that moment I thanked God I was raised in pluralistic America, and realized, oddly enough, that the Holy Land was giving me my first chance to practice the biblical feminism I’ve preached.
Israel is a Western nation in that women have equal rights by law. Israel is also a confluence of religious and ethnic cultural attitudes, not all of which are friendly to women. Two days into our trip to Jerusalem, a family member who also happens to be a retired journalist explained the latest story to hit the nightly news. A man accused of spousal abuse was released to return home. Later that evening, police found his wife had been shot dead. The husband confessed to the murder. Apparently, domestic violence and death is a relatively small but significant problem in Israel. When I asked my former journalist why, he pointed to the influence of Middle Eastern (both Arabic and radical Islamic) patriarchal culture as the primary source.
Yet, even religious Jews in Israel (and around the world), despite their insular nature, are far from immune to sexual abuse. Sex scandals among the Haredim (ultra-Orthodox) show up frequently on the evening news. In this case it’s not the Arab/Muslim influence, but perverted behaviors that arise from rabbinic abuse of biblical teachings. How do you expect a man to relate to a woman sexually when he’s not even allowed to look her in the eye?