Dame Stephanie “Steve” Shirley, while a wife and a mother of a special needs child, pioneered an all-female staffed software company in England in the 1960s. Fascinated by technology, she also had a head for business. Possessing an interest in employing working mothers, her staff were able to work from home in a variety of capacities, including as coders and programmers. A self-made millionaire, Shirley turned many of her employees into millionaires as well by opening stock options to them at a time when that was a relatively unheard of benefit.
Adopting the nickname “Steve” in order to get her foot in the door with male clients, she employed “extraordinary energy, self-belief and determination” in a pre-second wave feminist era. Shirley didn’t wait for bras to be burned or Gloria Steinem to appear in her bunny suit before taking charge. In fact, the UK’s Sex Discrimination Act of 1975, a direct result of the second wave feminist backlash, required that Shirley hire more men into what she was proud to make a nearly all-female company.
This pioneering businesswoman’s story flies in the face of second wave feminist tropes regarding female business owners, women in the workplace, equal pay and women in STEM. Which demands the question: If feminism seeks to be an empowering voice for women, what can it learn from the ideologies, like capitalism, that it chooses to berate or ignore?
Jewish women are fierce. We carry many arrows in our quiver including love for life, command of the situation, determined opinions, and freedom of expression. We are not lithe and unfettered. We do not “go with the flow.” We don’t wait until we are on our deathbeds to express our emotions, resolve hurt feelings, or pursue our passions.
Ultra-Orthodox men pray thanks to God that they were not created a woman. This is only because they don’t have ovaries enough to take on our mantle.We are mothers, daughters, sisters, wives, prophetesses, administrators, investors, and the greatest security blanket men will ever know. But perhaps what shocks these religious men the most is that we regret none of it. This is why they need to hide behind sheets to protect themselves from their own animal lust for us, that is precisely how powerful we are.
Thank God we are women; someone has to be in charge of this mess. And that is precisely why we are the objects of fear and scorn. Because what you cannot control, you try to contain and what you cannot contain you either love or hate with reckless abandon.
Hence, Jewish women are constantly the brunt of jokes in the entertainment world. Whether it’s yet another good Jewish boy succumbing to shiksappeal or Lena Dunham berating her Jewish boyfriend’s mother, Hebrew women just can’t win. Our intellect becomes neurosis, our love becomes smothering, our agility becomes goofiness, our sexiness our comedy. In Freudian terms we are the mother from which no man can escape. In pop culture terms we’re the JAP, Jewish American Princess, to whom guilty Jewish men are obligated to commit in misery forever. When God commanded circumcision we’re the ones who didn’t stand in the way and now we’re doomed to forever pay the price for our holy allegiance.
But, don’t be fooled for one second into thinking we’re slaves. Dunham blames her boyfriend’s failings on his mother’s supposed cultural weaknesses:
…he comes from a culture in which mothers focus every ounce of their attention on their offspring and don’t acknowledge their own need for independence as women. They are sucked dry by their children, who ultimately leave them as soon as they find suitable mates. …As a result of this dynamic, he expects to be waited on hand and foot by the women in his life, and anything less than that makes him whiny and distant.
She offers the asinine complaint of feminism, the pagan belief that a woman cannot ever be truly independent because she is umbilically tethered to fostering life. It is a bizarre notion, one that makes no sense if we’re talking power and authority. A child cannot survive without its mother. Said mother not only nurtures and carries life within her body, she is the primary influence on that child from the moment they are born until the day they die. For better or worse, a mother’s relationship with her child has the greatest impact on their social, emotional and character development. Dunham acknowledges this concept in the negative only because she rejects her own womb as a burden instead of the greatest source of a woman’s power on earth.
Statistically Jewish women enjoy having children. Stereotypically, we have lovingly been dubbed “smothers.” Weaklings like Dunham who reject their womb power find humor in these stereotypes because their own egos are a poor substitute for the authority intrinsic to motherhood. They must constantly jab under the guise of humor in order to recharge their power source. Real women thrive on building up the ones they love. Lost women who have surrendered their biological power to political leadership are left seeking to offend. In the end, it is their only reward.
So if you ever wonder why feminists are stereotyped as bitter hags, look no further than the angst-ridden humor of Lena Dunham, feminism’s pop goddess who has sacrificed her wedding on the altar of gay marriage, her womb on the altar of Planned Parenthood. She has not chosen life, therefore death becomes her.
My wife enjoys make-up videos a lot. They help her become creative with her make-up, trying new things, and improving her overall look. Yes, yes, it’s probably a bit pathetic that I, as her husband, am actually focused on it because of her as well, but what can I say? Marriage changes you – and not always for the better.
In any case after seeing these photos on Instagram, I’ll tell her to use that social network for inspiration as well. Isn’t this awesome?
Be sure to follow Tal on Instagram. She’s truly the Picasso of modern make-up artists.
Anita Sarkeesian, self-dubbed “social justice activist,” details that, had she not engaged with the sphere of contemporary feminist academia, she would not have become a feminist. A convert to the faith, it was only by adopting the “systemic and institutional framework” depicted by modern feminist writers that Sarkeesian was able to “see how oppression manifests in many subtle ways under the systems of what bell hooks calls white supremacist, capitalist patriarchy.”
Sarkeesian’s feminism wouldn’t exist without this systemic framework, a mode of thinking that has caused her to question the individualism she sees inherent within the “neo-liberal worldview.” Therefore, “choice feminism” empowers oppression, because a choice good for one woman isn’t necessarily good for all women.
Sarkeesian believes that “choice feminism obscures the reality that women don’t have a choice.” The real question is, if women refuse to believe in the “systemic and institutional framework” preached by feminist academics, are they free to embrace the reality of having more choices than they’ve previously been led to believe? What would a feminism free of oppression look like? Could it function outside the walls of the academic temple?
A group of students from Siena College protested in front of a billboard in Newtonville, New York, saying the sign is sexist and promotes gender stereotypes.
The advertisement on the billboard, from Teakwood Builders, Inc., features a luxury kitchen with the text, “Your wife wants me.”
Siena student Delaney Rivers said in an e-mail to News10.com:
[The billboard] implies that men are the primary financial supporters of women and that women are materialistic and portrayed as having no other value outside of the kitchen. This is especially egregious towards students at our institution as many of us are working towards financial independence in hopes to have successful careers and equality in our relationships.
The feminist protesters held up signs with slogans like, “I can buy my own kitchen,” “Women left the kitchen decades ago,” and “Men can make their own sandwiches.”
Jim Sasco, president of Teakwood Builders, issued a response to the protesters:
Thank you for the message regarding the report on our billboard in Newtonville. A vast majority of Teakwood’s clients are women. Frequently they are the decision makers about major expenditures. This billboard – and the entire “Your wife wants me” campaign is good-natured, tongue in cheek fun meant to appeal to women who have a sense of humor, a sense of history and healthy self-esteem.
We applaud the students involved in the protest for their excitement about their cause.
And we thank them for drawing attention to the gorgeous Teakwood kitchen on the billboard.
I don’t have any statistics to back this up, but I’m guessing that there is some correlation between those three things — a sense of humor, a sense of history, and a healthy self-esteem. The strongest women I know — those with the highest self-esteem — generally also have a well-developed sense of humor.
There’s a lesson in there somewhere for the “concern trolling” crowd.
— Olivia Emigh (@SoooOblivias) March 21, 2015
@SoooOblivias BUT THOSE ARE MARBLE COUNTERTOPS WHAT IS WRONG WITH YOU?!
— Lyndsey Fifield (@lyndseyfifield) March 25, 2015
— Paula Bolyard (@pbolyard) March 25, 2015
Need further proof that Israeli Jews are anything but racist towards their Arab counterparts? Listen to the music. A-WA brings the Yemeni folk beats made famous by Ofra Haza into the 21st century with style. They put a new twist on classic Barbie Jeep imagery, and as far as those fez baseball caps? Yes, please.
Read more about A-WA (pronounced Ay-wa, Arabic for ‘Yes’) here.
VIDEO: What’s More Sexist, Meghan Trainor Singing to Her Future Husband, or JCPenney’s Butt-Firming Jeans for Teens?
You have to admit the retro stylings of YouTube star Meghan Trainor make for some catchy little tunes. But in her latest video, Dear Future Husband, the siren dons pinup-wear while scrubbing the floor of a 50′s kitchen and warning her husband he’d better compliment her every day and buy her jewelry. Contemporary feminists are in an uproar over the classic imagery, but does Trainor have a better grip on the inherent power of her sexuality than the teenage girls who feel the need to buy “butt-enhancing jeans” at JCPenney?
The national department store catalog includes:
The “YMI Wanna Betta Butt Skinny Jeggings” boasts: “With a slight lift and shift and contouring seams, our wanna betta butt skinny jeggings hug you in just the right places to give you a firmer, more flattering look.”
“Rewind Smoothie Super Stretch Booty Buddy Skinny Jeans” features “rear-end-enhancing structure” designed to “augment your jean collection — and your backside” and comes in an acid wash finish.
Penney’s isn’t alone. Several online stores including Modaxpress, Hourglass Angel, and even Amazon offer butt enhancing denim to a teenage crowd. Where’s the feminist outrage over a wardrobe enhancement specifically targeted to those vulnerable teen girls suffering all those dreaded body-image issues? Perhaps they’re too busy in Trainor’s kitchen arguing over who gets to make the pie.
Lily James and Kenneth Branagh provided truly thoughtful, eloquent answers to the question of how Disney’s newest Cinderella embodies the reinvention of the princess in a 21st century feminist light.
Contrary to popular culture’s interpretation of sex as power through the crowning of figures like Queen Bey, the star and director of Cinderella each proffer the concept of a feminism that draws its power from a woman’s spirit rather than her body. It is Cinderella’s graceful attitude and her desire to treat others with goodness that is the source of both her beauty and ultimately her power as a woman.
The real question is, in a world full of Dunhams and Kardashians, is feminism ready to go spiritual to find the purpose it so desperately needs?
Every now and then, if you can forget about the catastrophic damage that radical feminism has inflicted upon women across the world, it’s nice to just take a step back and laugh uproariously at the whole imbecilic thing. No, seriously: it really is just one hilarious absurdity after another.
That is, if you ignore the fact that feminists have fought spiritedly against the development of anti-rape technology, encouraged women to degrade themselves physically and emotionally at every possible opportunity, and relentlessly hounded any woman who dares to disagree with radical dogma. Let’s put all that aside for a minute and enjoy the incessant torrent of hostility and illogic that is radical feminism’s latest contribution to world discourse.
I’m talking about the recent “study” conducted at Northeastern University by Judith Hall and Jin Goh, which claims to prove that men who exhibit chivalrous behavior are probably “benevolent sexists.” “Benevolent sexism is like a wolf in sheep’s clothing that perpetuates support for gender inequality among women,” explains Hall. In other words, if a man holds the door for you or picks up the tab on your first date, watch out!! You can be certain he’s secretly plotting all the while to perpetuate the patriarchy and enslave you in domestic bliss. He might even tell you he thinks you look nice in that dress! The nerve!
Here’s how the study worked (and oh, man, this really is rich). Men were given a survey designed to detect signs of “hostile sexism” and “benevolent sexism.” As a public service for the general edification of our readership, I’ll print some warning signs of hostile sexism here. Hostile sexists “love topless calendars.” They “leave the housework to their wives.” And horror of horrors, they even “ban women from sports clubs”! That’s right, these slack-jawed toads actually enjoy looking at women’s breasts! They have the gall to conduct their home lives in a manner of their choosing agreed upon between them and their spouses! And they hate women so much, they don’t even want to be forced to beat them at basketball or wrestle them to the ground! Perhaps worst of all, these reprehensibly hostile sexists “say most women interpret innocent remarks as sexism.” Where on earth did they get that idea?!
But even more insidious are the “benevolent sexists.” These brainwashed sociopaths probably don’t even know they’re sexists — that’s how steeped in sin they are. Benevolent sexists are those who “hold doors open for women,” “call women ‘love’ or ‘dear,’” and “offer women their jacket if they look cold.” That’s right, there are actually some neanderthals out there who are so mired in patriarchal slime that they not only exhibit a healthy sexual response towards women, but even treat women respectfully and address them with terms of endearment. Truly, there is no justice in this world.
So, the intellectual giants at Northeastern kicked off their genius undertaking by classifying the entire gamut of normal male behavior and sexuality as sexism. Hall and Goh based their definitions on a paper that literally lists “heterosexuality” as one cause of sexism. The study then showed that “benevolent sexists” were guilty of such abhorrent behavior as smiling often, waiting patiently, and behaving warmly. Naturally, the conclusion drawn was that men who smile at women, extend patience towards them, and treat them kindly are probably also sexist.
Let’s just review, for our own entertainment, what the study actually proved. First, it defined kindly behavior towards women as sexist. It then used this definition to prove that men who admitted to behaving kindly towards women were sexist. QED, the study affirmed, kind men are more likely to be sexist.
Here, in other words, is the logic of this study, conducted at a major research institution in the United States of America which receives hundreds of millions of dollars in tuition from promising high school graduates each year:
Nice men are sexist, and therefore nice men are sexist.
Do you hear that? It’s the sound of my manic and giddy laughter as I choke back the tears I’m trying not to cry for the lost dignity of American academia.
Let us be clear for just one moment. Academic authority comes with a responsibility to tell the truth. Engineering a study that characterizes the male sexual response as filthy and violent from the word go is therefore a drastically irresponsible thing to do. It encourages boys and men to react to their own psyches with self-loathing and shame. The reassuringly erudite tone in which this study publishes its laughable “findings” only makes them more deceitful and damaging.
Let’s also not forget that this is a fallen world in which women are quite genuinely vulnerable to unconscionable oppression and unspeakable violence. Around the world, women are raped, mutilated, and treated like property. Western chivalry is one of the few cultural systems ever, in history, to make principles of respect and gentility towards women an expected commonplace of male behavior. Things like holding open doors and picking up the bill are the product of a centuries-long effort to condemn and prevent the mistreatment of women wholesale. Trying to dismantle that system in the process of fighting an imaginary wage gap is as insane as it will eventually be disastrous.
But hey, if we discount those facts for a second, the whole thing is really, really funny. I mean, it takes a special kind of idiocy to try to obliterate the civilization that allowed you to conduct your asinine studies in the first place. If you see Dr. Hall around, go ahead and thank her from me for adding a little bit of comic relief to this farcical horror show known as progressivism. But whatever you do, don’t hold the door open for her. You sexist pig.
Want to see Girls in a PG-13 nutshell? Check out last night’s sketch from Late Night With Seth Meyers in which Lena Dunham portrays her on-screen alter-ego Hannah Horvath working a pitch meeting in the writer’s room of the late night talk/sketch show. She essentially mocks the standard tropes of Girls, horrifying her fellow writers with her weird concepts of sexual humor and turning everything into a form of feminist victimization. Think Larry David in Curb Your Enthusiasm only not funny. Which is probably why the best line came from a fellow female writer who requested, ”Please do not group my pitch with yours.”
The award for most obnoxious line goes to: ”Aren’t you predominately Jewish male comedy writers supposed to be stuffing your gross faces with bagels constantly?”
While the award for most ignorant observation goes to: ”Seth lets a woman or person of color host a late night talk show for the first time ever, because that’s never happened and that’s f’d up!” Tell it to Joan Rivers or Arsenio Hall. Although this line proved the most instructive of how small Dunham’s bubble truly is.
Camille Paglia sits with Reason TV’s Nick Gillespie to discuss the failings of contemporary feminism, specifically in relation to the contemporary feminist obsession with gender politics which Paglia dubs “gender myopia.” Tagging the culture’s current obsession with viewing the world through the lenses of “race, class and gender” (what Gillespie titles “the holy trinity”) as a “distortion of the 1960s,” Paglia, a self-described atheist, explains that “Marxism is not sufficient as a metaphysical system for explaining the cosmos.”
The powerful dialogue should be required viewing for all college freshmen and women, of course. A general in the culture wars, Paglia continues to be the only academic unafraid to conquer Marxist ideology and its subsequent theoretical fields on its own turf.
A&E’s “docuseries” Married at First Sight had its second season premiere last night. The theory: arranged marriage cultures have a radically lower divorce rate than non-arranged marriage cultures. Therefore, a group of four experts (a psychologist, a sexologist, a sociologist and a spiritual advisor) conduct thorough testing to match up couples who will literally meet each other at the altar.
With a 66% success rate in its first season, the matchmaking panel appears to have a lower divorce rate than America at large. In the era of Tinder-generated fruitless casual sex, is trusting your romantic future to a pre-arranged scenario a logical alternative to a series of dead-end one night stands?
With Cinderella (2015), director Kenneth Branagh and screenwriter Chris Weitz have done the almost unimaginable. They’ve displayed sincere affection between a prince and a servant girl, without post-modern angst or politically correct messaging.
The angst-ridden feminists have obviously reached the same conclusion — and they’re not going to stand for it. They’re swarming social media to promote a sad, angry — and they say honest — trailer of the Disney classic, produced by Screen Junkies. Taking nearly five torturous minutes to spout feminist talking points about how Cinderella teaches girls “to be pushovers, do all the housework, and that their problems will disappear if they’re hot enough to land a rich husband,” the “Honest Trailer” is a humorless attempt to suck every last drop of fun out of childhood make-believe, imagination, and the enduring joy of fairy tales.
Predictably, the feminist opinion leaders are helping to promote the Cinderella deconstruction video, just to make sure our impressionable daughters are gobsmacked with their sad, un-fun worldview before they ever get a chance to dream about princesses, glass slippers, fairy godmothers, and talking mice.
— ELLE Magazine (US) (@ELLEmagazine) March 16, 2015
The honest trailer for Cinderella is spot on: Starring "I Ain't Saying She a Gold Digger"! http://t.co/YKo3htKJnP
— Emiliya Shtraus (@EmiliyaShtraus) March 16, 2015
— Seventeen Magazine (@seventeenmag) March 16, 2015
This honest trailer for ‘Cinderella’ reminds us how sexist the original story really is http://t.co/qTaXkPKSR4
— TIME.com (@TIME) March 11, 2015
— Disney Trends (@Disneylizer) March 16, 2015
Melissa McGrath, an undergraduate student at Ohio State University, was invited to participate in her college’s TEDx Talk, because, although not in possession of a doctorate, McGrath has “a valid story to tell, and (she thinks) that will shine through.” Her thesis: Feminism proffers salvation.
Her “valid story” plays like a tent-revival testimonial about how feminist theory, reinforced by college professors, informed her that it was not her fault that she was sexually assaulted on campus. Avoiding the details of her assault, McGrath instead focuses on feminist liturgy as a method for teaching “intersectionality” that is, how the human race is tied together in a Marxist state of oppressor and oppressed.
Pulling all the approved contemporary feminist buzzwords from “white privilege” to “rape culture” McGrath weaves the kind of soap box narrative trademarked by the best faith-based snake oil salesmen (and women) of the 20th century. Her’s is a speech proving that feminism isn’t just ideology, but idolatry; a religion whose places of worship are in university classrooms, whose holy texts are available at your nearest bookstore, and whose icons live on “Pinterest boards” and social media outlets.
Cover image “Female Jesus” by Juno.
In last night’s episode of HBO’s Girls, Hannah’s father came out of the closet.
Blah, blah, blah, right? At least until the end of the episode when Hannah confronts her father and says, gay or straight, she doesn’t want to know about his sex life.
Wait a minute? Is there something slightly traditionalist about Ms. Dunham after all?
No kid in her right mind wants to consider that her parents have sex. Yet for Ms. Dunham, who grew up around a considerable amount of father-generated sexual art, scripting a character who makes such a pedestrian proclamation is actually out of the ordinary.
Where is the line drawn in the progressive mind when it comes to loved ones and their sexual exploits? Could it be that the Queen of Sharing doesn’t want to share so much after all? Or is it more like others aren’t allowed to share as much as she does?
The UK Daily Mail has concluded that even nice guys are evil, publishing research conducted by a series of Boston academics who have discovered a new misogyny dubbed “benevolent sexism”:
If you’re the sort of gentleman who holds the door open for a lady – or the sort of woman who expects him to – then be warned.
Such acts of chivalry may actually be ‘benevolent sexism’ in disguise, according to researchers.
Experts say this type of sexism is harder to spot than the ‘hostile sexism’ we are more familiar with – because it often masquerades as gallantry. It is typified by paternal and protective behaviour, from encouraging smiles to holding doors open.
US researchers argue that while women may enjoy being showered with attention, benevolent sexism is ‘insidious’ and men who are guilty of it see women as incompetent beings who require their ‘cherished protection’.
Professor Judith Hall, of Northeastern University in Boston, said: ‘Benevolent sexism is like a wolf in sheep’s clothing that perpetuates support for gender inequality among women.
‘These supposed gestures of good faith may entice women to accept the status quo in society because sexism literally looks welcoming, appealing and harmless.’
Other telltale signs of benevolent sexism include frequent smiling as well as the ability to engage in warm, friendly chit-chat.
Wayne Goss is a 37-year old makeup artist with 15 years of experience and nearly a million YouTube followers. Lately he’s been receiving a lot of requests from female clients to make them up drag queen style, in large part due to the popularity of the drag queen look on television and social media. As Goss illustrates, drag queens use makeup to create the feminine look already inherent in female faces. Essentially, he’s been asked to mask natural femininity with a false face, leading him to question how we interpret the female look and concepts of natural female beauty.
Last year the UK police refused to respond to video footage of doctors agreeing to perform sex-selective abortions that target female babies, claiming that prosecution would “not be in the public interest.” In response to law enforcement’s blind eye, MK Fiona Bruce presented an amendment before Parliament that would ban gendercide in the UK. Originally received with an overwhelmingly positive response, the amendment failed to become law this past week ironically thanks to the seemingly pro-feminist protests of the Labour Party and Trade Union Congress. The language and nature of their protests against this amendment act as yet another illustration of how contemporary feminist ethos, in this case motivated by demented multiculturalism, is actively working against the cause of women’s equality across the globe.
This afternoon, MPs are considering following Fiona Bruce into restricting abortion rights and giving foetuses more rights than people.
— Another Angry Woman (@stavvers) February 23, 2015
Breitbart London reports that the protest against the amendment was spearheaded by Yvette Cooper, the shadow home secretary, who referenced the language of the Trade Union Congress (TUC) in a letter to Labour party representatives. In the letter she claims that banning sex-selective abortions would lead to “troubling consequences” such as a limitation on abortions for “gender specific abnormalities.” She also opposed the amendment’s use of the term “unborn child” as “children” are granted more legal protection in the UK than “foetuses.”
Her pro-choice defense was so stereotypical it garnered criticisms dubbing it “at best ludicrous misinformation, and at worse pernicious scare mongering.” As to the “gender specific abnormalities” claim, the law contained a caveat permitting abortions for medical reasons, regardless of gender. For advocates of the amendment, Cooper’s preferential treatment of the word “foetus” over “unborn child” turned her argument into a pro-choice one, plain and simple. If only it were that easy.
The real perniciousness came in documents circulated by the TUC regarding the gendercide amendment that stated:
“The amendment does not attempt to address the root causes of deeply entrenched gender discrimination but rather has divided communities.” It also said that banning sex selective abortions might leave women vulnerable to domestic abuse.
Sex-selective abortion is rooted in specific cultural beliefs. That’s right: Stop everything and sound the multiculturalist alarm bells, lest we step on anyone’s toes, child, foetus or otherwise. In a 2012 report titled “Why do feminists ignore gendercide,” the Heritage Foundation details:
“Son preference is a symptom of deeply rooted social biases and stereotypes about gender,” a representative of the National Asian Pacific American Women’s Forum said in congressional testimony. “Gender inequity cannot be solved by banning abortion.”
Jonathan V. Last, who writes about cultural and political issues, begs to differ. The choice is clear, he argued last summer in the Wall Street Journal. “Restrict abortion,” Last wrote, “or accept the slaughter of millions of baby girls and the calamities that are likely to come with it.”
— Stop Gendercide Now (@SGNIreland) January 27, 2014
Today’s female metal rocker is not your ’80s Lita Ford. Modern metal women are classically trained opera singers whose wide-ranging, breathtaking vocals embody heavy metal with an extraordinary resonance that soars up and down the scales with beautiful dramatic coloratura, demonstrating the musical capability of the human body that indeed defies gravity.
This musical style is called symphonic rock. These women perform heavy metal as epic opera recitatives. They sing each piece in aria fashion, their bands open with overtures, and background singers perform in traditional operatic chorus. The new metal woman is Puccini-meets-Metallica on the set of Game of Thrones.
This is grand opera.
Ranking these women is difficult, because all are extremely gifted with gorgeous vocals. Some of the women are lyric soprano (the highest operatic range, capable of soaring beyond the high C to D, E and F ranges), while others are mezzo soprano (able to sing in the high C range and lower alto actives) and dramatic soprano (the most powerful operatic vocal with the widest range: mezzo through lyric).
No matter the vocal range, these women are listed according to classical music standards, each able to sing every operatic level, proving they are heavy metal at its best.
10. Katra Solopuro
One of the newest symphonic rock voices out there, the Finnish lyric soprano’s vocals are a combination of opera, jazz, and rock. Katra performs songs in her native Finnish as well as English. The bright vocals deliver a jazzier pop metal that appeals to music lovers of all genres. With her live performance of “Vaaratar,” sung in Finnish, and “One Wish Away,” sung in English, I believe this newest edition to the modern metal sound has much to offer those not quite ready for the heavier Wagner-esque sounds of symphonic rock.
9. Charlotte Wessels
The lyric soprano combines opera, rock, and pop. This compilation also introduces listeners to the lighter side of heavy metal. Here, with her live Christmas Metal Symphony performance, Wessels gives metal fans both the heavy and light.
8. Anette Olzon
The Swedish lyric soprano’s vocals make heavy metal sound angelic as her vocals flow like clean crisp air on a winter day: high, light, lilting. Olzon’s solo album is enjoyable on every level for both heavy metal and classical fans: “Like A Snow Inside My Head” and “Lies.”
7. Manda Ophuis
The Dutch lyric soprano’s vocals are lilting and beautiful. Ophius’s musical sound has a more gothic metal blended with rock and pop: “Angel in The Dark.” Ophius’s background vocals, like many symphonic rock bands, have the aggressive “La Fortuna” beat and chant, while Manda’s vocals drive home her high-pitched, lyric-soprano head voice heard in “Release Me.”
Don’t let the appearance of Rainn Wilson fool you. Everett Backstrom is no Dwight Schrute, nor is Backstrom yet another take on the Sherlock trend. This smart, funny detective series walks into dark territory to examine the human desire to look toward the light. It goes against formula and against the grain manipulating authority and questioning politically correct cultural norms in pursuit of truth, justice and, even more intriguingly, redemption from evil. Here are 7 reasons why Backstrom is trendsetting, essential counter-culture conservative television that demands a place on the air.
Let her walk uncovered down a Saudi street and come back and tell us how about feminism in Islam. pic.twitter.com/yz57JlCX8R
— Tommy Robinson (@TRobinsonNewEra) February 5, 2015
Owen Jones opines in the UK Guardian that women are “taken less seriously than men” and, as a result, the “pandemic of violence against women will continue.” Coming on the heels of the famed Arquette faux pas at the Oscars, his essay easily reads as more of the same old “War on Women” schtick, and to a great extent it is. However, his opening argument is worth noting for what it does say and for what Jones does not. Somehow, like most contemporary feminists with a platform, he manages to acknowledge the grotesque abuses of women living in Islamic cultures while completely refusing to point out that radicalized Islam is the number one serious threat to women across the globe.
— Revolution News (@NewsRevo) February 21, 2015
Jones begins by recounting the story of Özgecan Aslan a 20-year-old Turkish college student who was tortured, raped and murdered, her body then burned as evidence, by a bus driver.
Across Twitter, Turkish women have responded by sharing their experiences of harassment, objectification and abuse. But something else happened: men took to the streets wearing miniskirts, protesting at male violence against women and at those who excuse it or play it down. Before assessing how men can best speak out in support of women, it’s worth looking at the scale of gender oppression. The statistics reveal what looks like a campaign of terror. According to the World Health Organisation, over a third of women globally have suffered violence from a partner or sexual violence from another man. The UN estimates that about 133 million girls and women have suffered female genital mutilation, and believes that nearly all of the 4.5 million people “forced into sexual exploitation” are girls and women.
He stops there, short of pointing out that the WHO statistics cited clearly show that the greatest threat of violence against women exists in primarily Islamic countries. While he mentions female genital mutilation, he again neglects to tie in the fact that FGM is most commonly practiced in Muslim countries and among extremist Islamic cultures.
Jones bases his argument in a story of a Muslim girl tortured and murdered by a man in a Muslim country that is growing more religious by the day, only to devolve into the same demeaning politically correct tropes of contemporary gender feminism. He finds it ironic that men dare to call themselves feminists and decides “…men will only stop killing, raping, injuring and oppressing women if they change.” Change what? Their gender? For Jones, as it is for so many other feminist activists, it is easier to just throw a blanket of blame onto men than to confront the source of evil that exacts a real “campaign of terror” against women: radical Islam.
What’s worse, Jones doesn’t hesitate to make his case for women all about gay men. In yet another ironic twist, after accusing men of co-opting the feminist movement for their own egotistical needs, he uses gender feminist theory to defend a tangent on gay rights:
And while men are not oppressed by men’s oppression of women, some are certainly damaged by it. Gay men are a striking example: we are deemed to be too much like women. But some straight men suffer because of an aggressive form of masculinity too. The boundaries of how a man is supposed to behave are aggressively policed by both sexism and its cousin, homophobia. Men who do not conform to this stereotype – by talking about their feelings, failing to objectify women, not punching other men enough – risk being abused as unmanly. “Stop being such a woman,” or “Stop being such a poof.” Not only does that leave many men struggling with mental distress, unable to talk about their feelings; it also is one major reason that suicide is the biggest killer of men under 50.
If gender stereotypes are a cause of male suicide, they only have gender feminists to blame. Wait – wasn’t this supposed to be an argument in favor of feminism and the female voice?
For the last several weeks the mainstream media has been promoting the movie Fifty Shades of Grey as if their life depended on it. For NBC Universal, perhaps it does. As Roger Sterling on Mad Men said, “Hollywood isn’t happy unless things are extreme.”
After the Today show on NBC spent weeks building up the movie with exclusive clips, interviews and insight on its presumptive popularity, it’s no surprise that millions of women flocked to theaters over the three-day weekend.
However, I’m worried that men may think that Christian Grey is what women want.
A male friend emailed me:
The majority of women have spoken as to what they want out of a man. I’m not interested in competing with the character in 50 Shades because I actually have a conscience. Do the majority of women who are fans have a conscience? At this point I’m not convinced they do.
The worst lesson men could take from the movie’s temporary and forced success is to think it represents the real desires of women.
All of the attention the media is giving to Fifty Shades of Grey reminds me of the fervor for Sex and the City. For years women have been told by the media that it is cosmopolitan to consume sex-obsessed entertainment and pursue casual, and physically and emotionally dangerous sex.
Now that Fifty Shades of Grey has surpassed The Passion of the Christ’s opening weekend the media is drooling. Have women finally embraced the message Hollywood and the mainstream media have been feeding them?
Ultimately, I’m not worried about what women take away from Fifty Shades of Grey because it’s fantasy. Also, the media seem to leave out of their reporting on casual sex as entertainment and “mommy porn” that the endings [SPOILER] usually portray a traditional relationship. The women of Sex and the City ended up with significant others and all but one married. Would Fifty Shades of Grey be as popular if the female character lived the rest of her days as a sex slave? Women might imagine life with a billionaire in a helicopter, but not life in a dungeon as a kept woman.
There is one movie in theaters that tells an amazing love story. Speaking of Fifty, this movie recently became one of only 50 movies in history to surpass over $300 million in domestic ticket sales. This feat was done without the mainstream media begging the public to see it. That love story is American Sniper.
Though you wouldn’t know it by the coverage, American Sniper had far less blood-thirst than Fifty Shades of Grey and a much more realistic depiction of a romantic relationship that women and men should want to emulate. Though a majority of the movie is devoted to Chris Kyle’s four tours in Iraq, the story of Chris and Taya’s relationship is significant.
Chris ultimately decided to retire and focus on strengthening their marriage and raising their children. While Fifty Shades of Grey is about a transactional relationship, American Sniper is one of a love greater than oneself. It shows love for another person, love for country, and love for family.
In a recent interview with People, Taya Kyle said,
I miss him so much. I loved being in his arms. I loved holding his hand. But what I miss most about Chris is the feeling when he was in the room. He just changed the feeling whenever he walked in. I missed him even when he was just gone from the room.
Taya went on to say of Chris, “He was a man with a huge heart and charisma and kindness.”
— Jason (@Vision365) February 14, 2015
Last week social media jumped on the story of a woman who supposedly decided to have a late-term abortion specifically because she found out she was having a boy. Based on a near-anonymous comment posted on an Internet forum, the story is highly questionable at best. Nevertheless, both pro- and anti-abortion advocates pounced on the missive. The dialogue generated took on a life of its own, inspiring the following comment from feminist site Jezebel:
“The virality of this story is sort of a nice reminder about confirmation bias: when something fits our preferred narrative just a little too snugly, it’s probably time for skepticism,” wrote Jezebel’s Anna Merlan.
How, exactly, does gendercide “fit our narrative” in the West, especially in relation to boys?
This year you could spend your Valentine’s Day in a theater full of middle-aged women oozing over a hot-bodied twenty-something whipping his blindfolded secretary to the point of striking blood in the name of “love.” Daytime television loves to play up to the Soccer Mom demographic (a title first dubbed to describe Clinton fans, ironically) seeking fantasy fulfillment in the form of sexual fiction. It was corny enough when shirtless Fabios graced the covers. Now that the most popular sex trilogy focuses on a woman who willingly allows herself to be sexually abused, is pop culture humoring those bored housewives too much?
While the majority of Fifty Shades fans are typical middle-aged marrieds dissatisfied with their partners (or even themselves), anywhere from 5-25% of Americans “show affinity” for BDSM (Bondage/Domination-Discipline/Sadism/Masochism) in the bedroom. On an issue that poses a particular sexual threat to women, feminists are split 50-50 between being against sexual abuse and for a narcissistic “if it feels good, do it” sexual ethos. Hence, a pervert who trolls Fanfiction.net (the original home of Hobbit-inspired Elvish/Dwarf porn) can turn her twisted sexual fantasies into an overnight sensation. After all, it’s all about love in the end. Or is it?