Have you ever held a grudge against someone to the point where it caused you emotional, or even physical anguish? Do you, at this moment, find it hard to forgive or just let go of the pain that someone you trusted once caused you? In this five-minute video, with UCLA psychiatrist Dr. Stephen Marmer, you can learn the three types of forgiveness (exoneration, forbearance, and release). Rather than adopting the somewhat simplistic adage, “Forgive and forget,” learn from a professional therapist how to deal with a particularly bitter type of pain–the one that comes when a person you trust, or even love, hurts you.
Doesn’t it feel like we are living this Monty Python sketch? The Sensible Party has lost to the Silly Party. The normally sensible country has “gone completely nuts.” Or, what’s probably more true, the Slightly Silly Party has lost to the Silly Party. What we need is a real Sensible Party.
The story of the United Nations and Israel is not only about the United Nations and Israel. The UN was founded on the ashes of the Jewish people and, according to its Charter, on the equal rights of nations large and small. But it has turned its back on its debt and its purposes, and instead become the leading global sponsor of antisemitism today. It is no longer possible – in good faith – to legitimize and financially underwrite the organization, and especially its “human rights” apparatus, and to care seriously about the virulent campaign conducted from its midst to destroy its Jewish member. The 21st century cries out for an alternative multilateral forum for countries that refuse to build an edifice of equality and justice on the inequality of the Jewish people.
Colorado was one of two states to legalize marijuana for recreational purposes last November, but that doesn’t mean residents are free from prosecution for possession of pot. John Phillips speaks with Chris Utterback, a journalism student at Metro State University in Denver, Colorado about why a large majority of students backed Amendment 64 (pot legalization). Hear why Utterback believes drug laws have been responsible for ruining the lives of young people, and why college students still have reason to fear the law.
I know you all want to pretend like 2012 never happened, but if you do you’ll miss out on a little fun because once again it’s time to recap the funniest videos of the year with a politically Right (and by “right” I mean correct) point of view. I thought about writing The Top 10 Ways the 2012 Election Screwed Us Over, but I think this will be more fun. Besides, we did it last year and you really liked it.
These are in order of awesomeness, ending with the most awesome, so if you get bored be sure to jump to the last page for the best. Some of these might be by leftists, but as long as it promoted a Rightist viewpoint I included it for consideration.
Once again I look forward to your blunt, rude, angry comments pointing out videos I’ve overlooked or how I have the order completely wrong, etc. Please, don’t hold yourself back on account of my fragile ego.
So here we go!
# 10. Conan Campaign Slogans
Coming in at 10 — because it’s not technically a video — is a hilarious clip from Conan on TBS. Late-show humor is usually rank with leftist philosophy, and worse, they have a lot of talent on their side. But once in a while that talent betrays the evil empire and comes to the assistance of the rebel forces. This is one of those times.
# 9. It’s a Wonderful Life (with Capitalism)
I found this video amusing, but more importantly, very professionally done. It’s not a laugh-out-loud video, but it’s got some humor and sells the message of capitalism well. Let’s face it, most Right-sided humor is produced in somebody’s shed with a crappy webcam and bad lighting, so this is a rare treat.
hat tip: Buzzfeed
Related at PJ Lifestyle:
Hat tip: Nat Attack
Related on video games at PJ Lifestyle:
More science at PJ Lifestyle:
My fellow ghost story addicts can feed their jones at this cool site called Bxx Haunted. It’s an interactive haunted house with cameras in every room. It’s created by Daniel Knauf, who also created the HBO cult hit Carnivale. Knauf is one of the Hollywood good guys and, entertainment value aside, giving him some eyeballs and support will help him get the funding he needs for more projects like this.
If you prefer, you can also watch Haunted in narrative fashion on YouTube in several segments. Here’s the first. The rest are easy to find, searching Bxx Haunted.
The whole thing is a major ghostly blast. Worth going here.
More on Video Games at PJ Lifestyle:
Bryan Preston: On Atari’s 40th Birthday: The 10 Greatest Atari 2600 Games
Walter Hudson: Will the Xbox 360 Be Banned in America?
Dave Swindle: Why I Stopped Playing Video Games
When a non-Catholic, churchgoing friend sent me this video the message said: You don’t have to be Catholic to appreciate this ad, peaking my interest.
As a person of faith here is my interpretation of the “ad” and its underlying message.
The use of fire — a biblical symbol of God’s awesome power – is a demonstration by the Almighty of His intent to destroy or conversely to show His approval of man’s behavior.
In this video God’s people, i.e. the Catholic Church (but really all believers), must triumph over the anti-biblical social policies of the Obama administration (that are ultimately more important to fix than our nation’s economic problems in the eyes of God). But this important victory will only occur if HIS people rise up and vote Obama out of office. Otherwise our nation will be consumed by the fires of hell.
The video with over 1.3 million views is starting to go viral which means its strong message and imaging will be up for much political, social and religious interpretation.
As usual, I expect the comments of PJ Media readers to be among the most insightful.
The late, great Etta James singing “I’d Rather Go Blind” with B.B. King & Friends, live in 1987 at the Ebony Showcase Theatre in Los Angeles. That’s Dr. John on keys and then joining in the singing at the halfway mark. What a performance.
It’s been a while since we’ve done a video of the day, but this was one was too much fun to pass up. A 1973 clip of David Bowie performing — not miming “Jean Genie” on the BBC’s Top of the Pops series, that was thought lost, until a copy of the videotape showed up recently in a BBC cameraman’s archives. He apparently took it home after the shoot and forgot about it, as did everybody else. Today, it’s a great look back at Bowie at the tail-end of his Ziggy Stardust persona:
Long before it became the theme song of the Blues Brothers, Booker T and the MGs remind us (and I think Creedence Clearwater Revival, who look to be in the audience) that “Time is Tight” — and with a rhythm section like that, what else could it be?
Wanna a whole lotta…well, something?
Stop what you’re doing this instant and check out the above video of comedian and actor Michael Winslow from Police Academy fame doing an amazing rendition of Led Zeppelin’s “Whole Lotta Love” using his unique vocal sound effects.
I remember all the amusing and amazing noises he was able to create back in the 80′s, but this musical rendition is simply unreal! We here at The Feed would like to take a moment to give a triple-rainbow salute to your talent, Mr. Winslow.
I saw Jimmy Page live three times in the 1980s (twice with the Firm, once on his solo “Outrider” tour). Winslow — huffing through a Shure microphone — has a better lead guitar tone than Page did back then.
“I Can’t Wait,” by Nu Shooz, the finest video ever made on the intricacies of repairing an intergalactic coffee pot:
Pardon the freakout screen capture of Gabriel in the above clip of “Shock the Monkey” from his fourth album, but by the early 1980s, he somehow managed to combine just about all of the elements that would drive rock and pop music for the next decade: African polyrhythms, drum machines, gated drums, the Fairlight CMI synthesizer, sampling, it was all there on Gabriel’s third and fourth albums, at about the same time as MTV was concurrently launching.
It was around that time that England’s South Bank Show began shooting an episode which documented Gabriel’s lengthy efforts to first plan and then record his fourth album, Security. For anyone interested in home music recording, watching these early attempts at what Gabriel calls “electronic skiffle” is certainly fun, especially when you realize how far technology has advanced since then: the Fairlight that Gabriel demonstrates in the video below cost something like $35,000 back then; today the PC by your desk has much more computing power, and with the right software and soundcard, can do anything it could. (including replicating all of its preset sounds.)
The whole episode of the South Bank Show is online at YouTube, and in case it gets disappeared down the memory hole, there’s also a version online here in AVI format. But to whet your appetite, here’s a clip of Gabriel demonstrating the Fairlight, from a French rebroadcast of the show that’s been online at YouTube for ages, so hopefully it won’t vanish by tomorrow. It’s all in English once you get past the brief intro:
Russ Ballard’s “Voices,” available in two options, each with plenty of high-MTV style:
Ballard’s original video:
Or the Miami Vice version, from one of the series’ earliest episodes:
I’ll take door number two myself. How about you?
Here’s a post doing double-duty. First, the video of the day:
And now, a related rant, which I wrote back in April after visiting family in South Jersey, and running into the ShopRite in Mt. Laurel to pick up a few provisions.
Attention, ShopRite management: The Scorpions are a fine heavy metal group.* They are not a fine example of supermarket muzak. The same can be said for AC/DC, the Georgia Satellites, and Elvis Costello, all of whom I heard while making a quick expedition to one of your stores today. Regarding Mr. Costello, “Pump It Up” ** is one of the finest songs about masturbation ever written; for that same reason, it is also not a fine example of supermarket muzak.
Plus it’s insulting to the musicians. How must it feel to walk out of a recording studio knowing that your group just nailed the dirtiest, nastiest, rudest heavy metal song ever recorded in the history of man, and then 20 years later hear it on the speakers of a suburban supermarket walking down the frozen food aisle? Back when I was a kid, rock and roll was something hard and bracing with a veneer of still being slightly “underground” that you had to seek out; supermarket muzak was all syrupy strings and soothing melodies.
At some point in the mid-1990s, I guess, that all went out the window. Back in 2007, in a meditation on “Present-Tense Culture” and Alan Bloom’s The Closing Of The American Mind, Mark Steyn quoted Bloom’s statement that “It may well be that a society’s greatest madness seems normal to itself,” and added that in terms of music for public consumption, “We are all rockers now.” And when your local supermarket’s muzak is indistinguishable from your local Classic Rock FM station, despite having a much more diverse clientele, both statements are more true than ever:
Bloom is writing about rock music the way someone from the pre-rock generation experiences it. You’ve no interest in the stuff, you don’t buy the albums, you don’t tune to the radio stations, you would never knowingly seek out a rock and roll experience—and yet it’s all around you. You go to buy some socks, and it’s playing in the store. You get on the red eye to Heathrow, and they pump it into the cabin before you take off. I was filling up at a gas station the other day and I noticed that outside, at the pump, they now pipe pop music at you. This is one of the most constant forms of cultural dislocation anybody of the pre-Bloom generation faces: Most of us have prejudices: we may not like ballet or golf, but we don’t have to worry about going to the deli and ordering a ham on rye while some ninny in tights prances around us or a fellow in plus-fours tries to chip it out of the rough behind the salad bar. Yet, in the course of a day, any number of non-rock-related transactions are accompanied by rock music. I was at the airport last week, sitting at the gate, and over the transom some woman was singing about having two lovers and being very happy about it. And we all sat there as if it’s perfectly routine. To the pre-Bloom generation, it’s very weird—though, as he notes, “It may well be that a society’s greatest madness seems normal to itself.” Whether or not rock music is the soundtrack for the age that its more ambitious proponents tout it as, it’s a literal soundtrack: it’s like being in a movie with a really bad score. So Bloom’s not here to weigh the merit of the Beatles vs. Pink Floyd vs. Madonna vs. Niggaz with Attitude vs. Eminem vs. Green Day. They come and go, and there is no more dated sentence in Bloom’s book than the one where he gets specific and wonders whether Michael Jackson, Prince, or Boy George will take the place of Mick Jagger. But he’s not doing album reviews, he’s pondering the state of an entire society with a rock aesthetic.
Related to the notion of an entire society with a rock and roll aesthetic, a couple of years earlier, after hearing The Cars’ “Drive” on his local supermarket’s muzak, James Lileks wrote:
Not their best song, and I believe it was one of those “let the bassist get one out of his system” numbers. Still, this represented victory. In my skinny-tie days we had the conceit that our music stood in opposition to THE SYSTEM, whatever that was. The grocery stores played Muzak versions of songs that were muzak to begin with – I mean, you don’t truly understand the banality of the melody of “Horse with No Name” until it’s played by a string section. In retrospect I miss the Muzak; I really do. Part of me now wants a grocery store that’s brightly lit with big googie graphics and chipper music-to-seduce-Stepford-wives songs percolating away in the rafters. But that’s over; we won. There’s no alternative to the old alternatives anymore.
Or as Lileks wrote last year, “In fact if I managed a store today I’d play the old Muzak; some could enjoy it Ironically, others could enjoy it for what it was, cool and distant, a soundtrack of idle consumerism.”
Plus with the whole Mad Men early-’60s fad, it would seem pretty cool to shop in a store that looks like this — and sounds like it, too. Maybe it could be called…Samuel’s, to coin an upscale, yet retro brand name.
* I saw the Scorpions in concert at the Philadelphia Spectrum around 1985; my hearing finally returned at 3:27 PM on Tuesday of last week.
** My old rock group played “Pump It Up” once or twice back then; the chromatic main riff was certainly lots of fun to bash out. Before it become music to shop for Fresca.