“There was music in the cafés at night
And revolution in the air”
- Bob Dylan, “Tangled Up in Blue”
Finally, a movie has arrived that treats the story of the New Left honestly and in a realistic, mature manner. That film is not Robert Redford’s dreadful The Company You Keep, a paean to the Weather Underground, but the movie by the French director Olivier Assayas, Something in the Air. It takes place in various European locales in the summer of 1971, when the hopes of the European revolutionaries were shattered after the failure of 1968 to lead to revolution. Assayas’ film covers an assorted group of European New Leftists and some American tourist counterparts as they attempt to both get on with their lives and, for some, to keep alive their crushed hopes in a period of ideological and political retreat.
Assayas, who made the quintessential and powerful biographical movie Carlos about Carlos the Jackal, the Left’s most well-known ’70s and 80’s terrorist, now turns his attention in particular to the plight of the young graduating high school student Gilles, played by Clement Metayer, and his new girlfriend, Christine, played by Lola Creton. Each takes different paths. Gilles is guilt ridden over his desire to become an artist and study painting instead of serving the revolution, while Christine, plagued with guilt over her bourgeois existence, opts instead to live with an older man in a revolutionary collective and to devote herself to the task of organizing the proletariat in France and Italy. (All she does, we learn, is shop, cook and clean for the male comrades, as well as provide sex.)
The power of Assayas’ movie is that it takes place in real time, instead of flashbacks and narrative based in the present, as aging radicals try to come to terms with their past. We see these young people facing the options in front of them, each deciding which way to turn, as they experience the pulls to go one way and the warning signs that they had better think twice before acting on their impulses.
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A funny thing happened “on the way” as I was contemplating writing this piece. While listening to a Christian radio station the announcer said, “Jesus is the reason for the season.”
At that moment this very familiar phrase hit me like a thunderbolt. For not only is “Jesus the reason for the season,” but Jesus is the reason our world, nation, history, culture and society are the way they are.
So regardless of whether you believe in Jesus, practice another faith, or are devoid of faith, Jesus has impacted you by virtue of the fact that you are alive.
For no person has affected mankind – past, present and future –more than this Jewish teacher who lived over 2000 years ago, whose birth we will celebrate with great fanfare.
Although Jesus’ life, death and resurrection were the impetus behind His followers’ establishing Christianity, the world’s largest religion itself is only the starting point for the influence Jesus spawned in countless non-religious venues as people over the centuries were moved and motivated by Him to express themselves in a multitude of ways that we continue to see played out everyday across the planet.
With so many examples of Jesus Christ’s effect on mankind it is impossible to even mention them all in this short piece — the purpose of which is to not only enhance your celebration of “the reason for the season” but to also increase your awareness of just how much Jesus impacts the world around you every day of the year.
If after reading this piece you are moved to delve deeper into this topic, I recommend a book published in 1994 that has since become a “modern classic,” What If Jesus Had Never Been Born?, co-authored by the late Dr. D. James Kennedy and the still very much alive Jerry Newcombe.
This book had a profound influence on me as it oriented my thinking about Jesus in ways that I had never contemplated.
So here in alphabetical order is only a short, incomplete list of the most obvious “non-religious” aspects of how Jesus Christ has impacted the world.
I recently returned from Vienna, Austria, and was intrigued to see this report from Reuters that the Leopold Museum has decided to self-censor posters throughout the city advertising its exhibit on male nudity. As it happens, I encountered these posters during my stay: they depict three male soccer players, naked except for their socks, standing in the middle of a confetti-filled stadium, facing the camera in full-frontal glory.
The first time I saw this poster, as I walked from my hotel to the U-Bahn station at Schottenring, I did a double-take. I realized that, while I don’t know exactly what the laws are in New York regarding nude advertisements, I certainly had never seen one walking down Broadway. I wouldn’t call it culture shock — more of a quick poke, actually. Austria generally has a more lax attitude toward nudity, despite being a nation that is very particular about etiquette and manners (and this despite its more well known reputation as a laid-back version of Germany).
Those attitudes notwithstanding, the Viennese public was evidently perturbed by the posters, and the museum agreed to cover the men’s genitals with a large red bar (running horizontally, in case you’re wondering).
“Many people told us that they wanted to or had to protect their children,” said a museum spokesman. Some Viennese warned that “if we won’t cover it they would go there with a brush and they would cover it with colour. Already somebody did that.”
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