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The Top 10 Gods of the Pop Culture Pantheon

Sunday, July 27th, 2014 - by Susan L.M. Goldberg

Whether you’re seeking salvation or inner peace, a god to worship or add to your home-made altar, the pop culture pantheon is at your disposal so that you may pick and choose the gods and tools of worship to service your every emotional, spiritual, and even material need.

10. Harry Potter

When they aren’t re-reading their holy texts, Potterheads commune at MuggleNet to chat about their god, study their faith and perform the usual acts of tithing. According to the Facebook page “Being a POTTERHEAD” (which is classified as a non-profit organization),

Harry Potter has reached out to 200 countries, spoke out in 69 languages, and has touched the lives of 400 million people. It is the phenomenon that ignores race, age, gender and religion and has brought us all together despite our differences.

Also known as Potterholics, Potterites and Pottermaniacs, Potterheads should never be confused with potheads as their allegiance is strictly Wizard, not weed.

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What Matters Most in Life?

Wednesday, July 9th, 2014 - by Prager University

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10 of Walter Hudson’s Greatest Hits

Saturday, April 26th, 2014 - by Walter Hudson

 

Editor’s Note: For years now Walter Hudson has been a perpetual inspiration and a joy to edit. His articles, lists, blog posts, and now podcasts dance across the fault lines of politics, culture, and religion with an always encouraging sense of optimism and clarity. See this compilation today here of his most recent podcasts: Ready For An Argument? 15 of Walter Hudson’s Fightin’ Words Podcasts Not To Miss. Also follow him on Twitter here. For more of of his work check out this collection of PJ Lifestyle’s Top 50 List Articles of 2013, which includes several more Hudson hits. This selection of 10 articles here showcases some of Walter’s most popular and engaging pieces. Please consider adding Walter to your list of #ReadEverythingTheyWrite writers. He’s been on mine for some time now…

Dave Swindle

1. March 2, 2012:

American Immaturity: How We Grow Up After We Grow Old

2. May 9, 2013:

Walter Hudson’s Guide For Making Peace Between Christians and Objectivists

3. April 18, 2013:

The Anti-Gospel of Bioshock Infinite 

4. July 17, 2012:

Eight Ways Blacks Perpetuate Racism and the Only Way to Thwart It

5. July 6, 2013:

The Red Placebo: Confessions of a Former Conspiracy Dabbler

6. July 13, 2013:

Folly of the Jedi

7. January 29, 2013:

Five Ideas You Need to Rise From Poverty to the Middle Class

8. January 31, 2012

Hunkered Between Santorum and Paul Lies Peace Through Total War

9. September 2, 2013:

Six Ways Activists Sabotage Their Cause

10. March 7, 2013:

Five Tips for Coming Out as a Black Conservative

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Ready For An Argument? 15 of Walter Hudson’s Fightin’ Words Podcasts Not To Miss

Saturday, April 26th, 2014 - by Walter Hudson

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Editor’s Note: Check out Walter Hudson’s podcast Monday-Friday here at PJ Lifestyle and stop by on weekends to get caught up on any you may have missed. Each Saturday we’ll expand this compilation updating it with the newest episodes. What would you like to hear Walter discuss in future podcasts? Please leave you suggestions in the comments.

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1. ‘Shelter In Place’ or Lay Down and Die?

2. Christianity’s Contribution to Progressive Politics

3. Who Owns Compassion in Politics?

4. Is Jeb Bush Right on Immigration?

5. Don’t Fear the Future (Interview with Bonnie Ramthun)

6. Making Racism Impotent

7. The Danger of Utopia

8. What Is ‘The Right’ Anyway? (Part 1 of a dialogue with Dave Swindle)

9. Anarchists Among Us (Part 2 with Dave Swindle)

10. Battling for the Conservative Soul (Part 3 concluding with Dave Swindle)

11. We’re All Minorities Now

12. Daring to Be Different

13. Sotomayor’s Confused Dissent in Affirmative Action Case

14. One Issue to Rule Them All (Interview with Minnesota State House candidate Matthew Kowalski)

15. What If Your Neighbor Acted Like Government?

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The Difference Between Happiness and Joy

Sunday, April 20th, 2014 - by Chris Queen

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Last week here at PJ Lifestyle, we saw a lively debate over the difference between altruism and giving out of love — particularly in a Judeo-Christian context. My colleagues Walter Hudson and Susan L. M. Goldberg eloquently shared their thoughts on the nature of altruism in a series of compelling posts:

April 6: Altruism Has No Place In Christianity

April 8: Altruism In Religion’s Free Market

April 9: Love And Altruism Prove Opposite

Walter, Susan, our editor David Swindle, and I continued the discussion on Facebook, which morphed into a bigger exploration of faith and religion. At one point, Susan brought up the notion we often hear from secularists that “God doesn’t want us to be happy.” I replied:

I don’t think God wants us to be happy, either. He wants us to be filled with joy. Happiness is temporal and circumstantial, while joy is sustained.

There’s a clear difference between happiness and joy. Circumstances and relationships determine our happiness. An ice cream cone can make you happy. A great comedy can make you happy. An upbeat song (even that ubiquitous Pharrell Williams tune) can make you happy. But happiness is transitory and momentary — and ultimately external. Psychologist Sandra A. Brown writes (particularly in the context of relationships):

Happiness is external. It’s based on situations, events, people, places, things, and thoughts. Happiness is connected to your hope for a relationship or your hope for a future with someone….

Happiness is future oriented and it puts all its eggs in someone else’s basket. It is dependent on outside situations, people, or events to align with your expectations so that the end result is your happiness.

And happiness can disappear as quickly as it comes. The same people who make us happy one moment can hurt us or let us down the next. That great meal you ate can give you unbearable heartburn. You can grow tired of the songs, films, and shows you once loved. A storm can ruin that perfect trip to the beach. The happiness we seek can often disappear without warning.

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Is Income Inequality a Problem?

Wednesday, March 26th, 2014 - by Walter Hudson

Here, Ayn Rand Institute executive director Yaron Brook addresses the campaign against income inequality. What are the philosophical roots of this concern?

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Glenn Beck, The Church & the Real Secret to Disney’s Success

Monday, March 24th, 2014 - by Susan L.M. Goldberg

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Last week, alternative media mogul Glenn Beck announced that he was going to focus on “taking back” American culture through the power of nostalgia:

In the future, Glenn Beck’s focus is going to be more on influencing culture and less on politics and news. After all, news is only “what the culture allows,” he said in a recent interview with National Review’s Eliana Johnson.

…“Beck is nostalgic for an America of decades past, and his cultural projects will aim to resurrect and revive it,” Johnson writes. “It’s an America where duty trumped desire and Americans were bound together by a sort of civic religion created by that sense of duty. ‘I want to impact the culture in the way that people see good again,’ [Glenn] says.”

Beck’s goal is admirable, to a fault. The period he seeks to resurrect was one in which concepts like “good” and “duty” were defined by a Biblical religion, not a civic one. Any history student will tell you that Marx had his own take on the American Revolution; you can show someone Frank Capra movies until you’re blue in the face and they’re still going to see Mr. Smith as the ultimate community organizer if that’s their moral outlook.

As Amy Kenyon notes, there are pitfalls to what passes for nostalgia these days:

…the historical meanings and usages associated with nostalgia were finally mangled beyond recognition until its chief purpose became the performance of sentimentalism, the parceling out of discount memory via television, advertising, heritage theme parks, and souvenir markets, all aspects of what we might call the “nostalgia industry.” As such, nostalgia became kitsch, trivial and reactionary: hardly the stuff of a meaningful engagement with the past or the workings of memory.

Simply put: Glenn Beck needs to do more than embrace the facade of America, circa 1940. Beck needs to dig deeper, to America’s Biblical heritage, to understand what re-taking the culture truly means.

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Crispin Glover’s Gripe with Back to the Future

Friday, February 28th, 2014 - by Walter Hudson

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Back to the Future actor Crispin Glover sat down with IGN recently to talk about his experience filming the classic time-travel adventure. Glover only worked on the first film in the franchise, though his likeness and select footage from the first film was used in the second.

In his interview with IGN, posted above, Glover explained some of the creative differences which contributed to his leaving the franchise. He objected to what he called “propaganda” in the film promoting “corporate interests.” Specifically, Glover felt that the ending of the first film, portraying the McFly family as happier and notably wealthier than when it began, sent the wrong message.

The happier was fine to me. And the idea of the characters being in love, I thought was excellent. But I thought – I saw that if there was a kind of a financial reward, where the son character cheers because he has a truck in the garage – I thought that the moral aspect ends up being that money equals happiness. And I questioned that, and that was met with a lot of hostility and upset.

Glover recalls watching old movies in revival houses as a teenager in Los Angeles, films which he felt “were questioning things.” He apparently did not want to be complicit in a film which takes for granted that “money equals happiness,” a message he felt deceived moviegoers into sacrificing their interests to that of corporations.

Propaganda is essentially fooling people into believing that there’s something good for them, but it’s actually in the interests of the corporations. I mean, you can call anything propaganda. You can say what I’m saying right now is propaganda. I mean, you’re saying – it’s propagating an idea. But the kind of propaganda that I’m speaking of, that I think is very damaging, is the propaganda that is making people at large feel that what’s being put forth to them is good for their own interests. But in fact, it’s actually best for the corporate interests and it ends up hurting the people at large.

And unfortunately, I think – even though there are very positive things about Back to the Future – there’s very good story structure. There was good writing within it. My argument was, if we just take out the element of wealth as a reward – and it was only that the characters were in love, I would like the film altogether wholly.

The philosophical notion fueling Glover’s objection was that money should not matter if you pursue those things which you love.

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The 10 Best Conservative Columnists of 2013

Thursday, December 26th, 2013 - by Dave Swindle

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This is Week 12 of Season 3 in my 13 Weeks of Wild Man Writing and Radical Reading Series. Every week day I try to blog about compelling writers, their ideas, and the news cycle’s most interesting headlines. This Top 10 list is the series’ climax for this year, a project I’ve been planning since first asking the question December 5, 2012.

What is the future of conservatism? Which voices should define the priorities of the movement in the coming decades? Who are its most skilled proponents today? How should the movement evolve to face the threats most endangering America?

This list is my effort to advocate for both my favorite writers contributing to answering these questions and the ideas they champion.

5 quick ground rules first:

- I’m being strict with the “columnist” title – no bloggers, journalists, or feature writers. A “columnist” is one who writes a 700-1400+ word polemical article on a regular basis for an established publication or syndication.

- I’m likewise being strict with the “conservative” title – other various right-of-center ideologies (neoconservatism, libertarianism, Christian theocrats, and paleo-con conspiracists) warrant their own lists. (Which perhaps they might get next year as I continue mapping out today’s most important ideological advocates in the contests of politics, ideas, and culture…)

[UPDATE: Confused why some of your favorites aren't on this list? See: 3 Basic Differences Between Conservatism and Neoconservatism]

- In selecting these individuals, I am including them and the ideas they champion in what I’m calling Conservatism 3.0. This isn’t just a stand-alone list, it’s part of the bigger, ongoing project of my attempt to encourage ideological debate and dialogue. The columnists on this list each write books too and I’m adding their titles to my reading lists at the Freedom Academy Book Club. In next year’s installment of my “radical reading regimen” I’ll blog through their titles too.

- I’m excluding writers that I edit. All of PJM’s columnists and freelancers have been going on a separate list of my favorite writers, which I’ve been accumulating over the last six months and you can read on the last page of this post. And as an extra mention I have to go out of my way to recommend Instapundit Glenn Reynolds’s USA Today columns too. Blogging isn’t the only medium that Glenn’s mastered.

I’m including excerpts from some of my favorite columns. Fair warning: this article today is over 13,000 words, highlighting some of the year’s best op/eds. (UPDATE: And apparently that means it’s too big for the view-as-single-page or print-this-post feature to work. I’m sorry. I assure you that was not intentional.) It’s really more of a free online e-book — a late Christmas present to all the readers, writers, activists, and patriots who have inspired and encouraged me in my own journey across the political spectrum…

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10. Ross Douthat

Back in 2009 the New York Times editorial page made the very rare great decision. They replaced corporatist neoconservative baby boomer William Kristol (born December 23, 1952) with cultural conservative millennial-leaning Gen-Xer Ross Douthat (born November 28, 1979.)

Gone was the D.C.-insider establishment man, symbolic of — and in some ways a contributor to — the Republican Party’s and conservatism’s failures todays, and in was a sunny National Review writer with a film critic background and religious interests to reinvent center-right arguments with a fresh, optimistic voice. A few highlights from this year, on Reza Aslan’s Jesus recycling, the celebration of tribal criminality in Breaking Bad, and lessons for the JFK cult:

August 3, “Return of the Jesus Wars“:

The fact that Aslan’s take on Jesus is not original doesn’t mean it’s necessarily wrong. But it has the same problem that bedevils most of his competitors in the “real Jesus” industry. In the quest to make Jesus more comprehensible, it makes Christianity’s origins more mysterious.

Part of the lure of the New Testament is the complexity of its central character — the mix of gentleness and zeal, strident moralism and extraordinary compassion, the down-to-earth and the supernatural.

Most “real Jesus” efforts, though, assume that these complexities are accretions, to be whittled away to reach the historical core. Thus instead of a Jesus who contains multitudes, we get Jesus the nationalist or Jesus the apocalyptic prophet or Jesus the sage or Jesus the philosopher and so on down the list.

There’s enough gospel material to make any of these portraits credible. But they also tend to be rather, well, boring, and to raise the question of how a pedestrian figure — one zealot among many, one mystic in a Mediterranean full of them — inspired a global faith.

October 1, “Walter White’s Dream”:

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The knights on the conservative chessboard are writers, editors, bloggers, and activists capable of moving in creative and versatile directions.

The allure for Team Walt is not ultimately the pull of nihilism, or the harmless thrill of rooting for asupervillain. It’s the pull of an alternative moral code, neither liberal nor Judeo-Christian, with an internal logic all its own. As James Bowman wrote in The New Atlantis, embracing Walt doesn’t requiring embracing “individual savagery” and a world without moral rules. It just requires a return to “old rules” — to “the tribal, family-oriented society and the honor culture that actually did precede the Enlightenment’s commitment to universal values.”

Those rules seem cruel by the lights of both cosmopolitanism and Christianity, but they are not irrational or necessarily false. Their Darwinian logic is clear enough, and where the show takes place — in the shadow of cancer, the shadow of death — the kindlier alternatives can seem softheaded, pointless, naïve.

Nor can this tribal morality be refuted in a laboratory. Indeed, by making Walt a chemistry genius, the show offers an implicit rebuke to the persistent modern conceit that a scientific worldview logically implies liberalism, humanism and a widening circle of concern. On “Breaking Bad,” that worldview just makes Walt a better kingpin, and the beautiful equations of chemistry are deployed to addict, poison, decompose.

November 23, “Puddleglum and the Savage“:

What exhausts skeptics of the Kennedy cult, both its elegiac and paranoid forms, is the way it makes a saint out of a reckless adulterer, a Camelot out of a sordid political operation, a world-historical figure out of a president whose fate was tragic but whose record was not terribly impressive.

But in many ways the impulses driving the Kennedy nostalgists are the same ones animating Lewis’s Puddleglum and Huxley’s Savage — the desire for grace and beauty, for icons and heroes, for a high-stakes dimension to human affairs that a consumerist, materialist civilization can flatten and exclude.

And one can believe J.F.K. is a poor vessel for these desires, and presidential politics the wrong place to satisfy them, without wishing they would disappear.

“It is a serious thing,” Lewis wrote, describing the implications of his religious worldview, “to live in a society of possible gods and goddesses, to remember that the dullest and most uninteresting person you talk to may one day be a creature which, if you saw it now, you would strongly be tempted to worship.”

It is obviously a serious mistake, from this perspective, to deify someone prematurely or naively, as too many of Kennedy’s admirers have done.

 ”To deify someone prematurely or naively…” – in continuing on this list, picking writers, activists, and thinkers who have influenced my thinking for years, I want to emphasize that this is not a list of conservative heroes. These are not the gods of right-wing writing circa 2013, but rather something more mundane: a chessboard. Both in specific arguments and in tactics they each simply model the methods for how to do battle.

Douthat is a knight. His approach of leading with deeper discussions of religion and culture then eschewing cliche ideological talking points is a great way to begin the discussion with skeptical or even hostile non-conservative friends and family. As the dialogue gets deeper into specifics — as you make progress in provoking others to rattle their chains in Plato’s cage by taking politically incorrect ideas seriously — it’s time to get focused on the facts about the nature of the enemies who most threaten our ability to have these free debates about God and life. I suspect that over the coming years more will make the journey from Left to Right as I and many other post-9/11 conservatives did: through recognizing the nature of the jihad declared against us and then responding in the same way that previous generations vanquished Nazism and fascism.

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Next: 2 Voices for a hawkish foreign policy.

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Judeo-Christian Themes in the Smashing Pumpkins’ Oceania, Part 8: The Way

Sunday, November 17th, 2013 - by Chris Queen

This Way

Here we are in Week 8 of my series looking at Judeo-Christian themes in the Smashing Pumpkins’ brilliant 2012 album Oceania. Check out the previous posts if you want to catch up.

Track 8 on Oceania is the title track, and it’s more of a challenge musically or lyrically than any of the previous songs. “Oceania” is a nine-minute opus that shifts time signatures and tempos reminiscent of progressive rock. I’ll confess that I had a difficult time figuring out the lyrics and finding something worth writing about – until my mind stuck on the last few lines. You can’t really call it a stanza or verse, since the song doesn’t have a traditional structure, but in these lyrics Corgan tries to convince another person to:

Try the way

Skirt the cliffs of your illusion

Find the faith of me

My mistake as the last remaining soldier

Was to take the place of you

Love the way

Love the way and learn

Try the way

Cast off your indecision

Corgan sounds as though he’s found something truly life-changing and wants to share it with the woman to whom he’s singing.

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Hope & Change… And Disinformation & Glasnost

Thursday, November 14th, 2013 - by Chris Queen

Hope Posters

I just finished one of the most eye-opening political books that I’ve read in a long time. In Disinformation, former Romanian Lt. General – and current PJ Media columnist – Ion Mihai Pacepa and cowriter Ronald Rychlak shed light on the Soviet technique of disinformation, and they demonstrate how we’ve seen it throughout history and even today. The authors define disinformation as “a secret intelligence tool, intended to bestow a Western, nongovernment cachet on government [i.e., Soviet] lies.”  Pacepa shares plenty of examples of how Soviet, Eastern Bloc and Russian leaders from Stalin to Khrushchev to Ceausescu to Putin have employed disinformation to change public perception of the West and even alter the course of history.

In one particular chapter, Pacepa delves into the 2008 and 2012 presidential campaigns to demonstrate how a senator from Illinois used the same type of disinformation techniques to catapult himself to the presidency. Pacepa admits that “the 2008 election campaign for the White House was, for me, a major case of deja vu” as he witnessed how the Democratic Party, and Barack Obama in particular, used the mainstream news media to paint redistribution of wealth as the solution to our country’s problems:

In the same way, the establishment US media painted America as a decaying, racist, predatory capitalist realm unable to provide medical care for the poor, rebuild her “crumbling schools,” or replace the “shuttered mills that once provided a decent life for men and women of every race,” and promised all this could be changed by redistributing the country’s wealth.

[...]

…the quintessence of Marxism is change, which is built on the dialectical materialist tenet that quantitative changes generate qualitative transformations. Thus, “change,” through the redistribution of wealth, became the electoral slogan in all Soviet bloc countries.

Alas, change through wealth redistribution also became the electoral slogan of the Democratic Party during American’s 2008 electoral campaign.

Obama and his camp continued to use disinformation techniques to denigrate capitalism into the 2012 campaign cycle until, in Pacepa’s words, “Capitalism lost elections for the first time in the history of the United States.”

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Judeo-Christian Themes in the Smashing Pumpkins’ Oceania, Part 4: The Unfaithful Lover

Sunday, October 20th, 2013 - by Chris Queen

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Welcome back to our series on Judeo-Christian themes and values in the Smashing Pumpkins’ 2012 album Oceania. If you haven’t been following this series, here’s a quick recap, along with links to the prior posts. We’ve looked at the concept of the seeker of God in “Panopticon,” at the Sacred Name of God in “Quasar,” and at the idea of sharing wisdom in “The Celestials” (and of course I was on vacation last week).

This week, we’re checking out track 4, “Violet Rays.” This track doesn’t rock as much as the prior songs — in fact, it’s downright subdued by comparison. Over a 6/8 time signature and a haunting beat, Corgan sings from the point of view of a lover with a wandering eye and heart.

Faithless moors
Pulling up your oars
From rivers I have crossed
In magic no heart’s lost

And I’ll leave with anyone this night
And I’ll kiss anyone tonight

Am I the only one you see?
Raised from the path of revelry

Spells fall frail
Webs catching sail
In eternal eternities
Divine purpose catching free

And I’ll leave with anyone this night
And I’ll kiss anyone tonight

Clearly, this person is looking to cheat or has cheated — or both. I’ve read suggestions that Corgan wrote this song about a girlfriend who cheated on him, but he has apparently refused to confirm or deny.

Interestingly enough, the Bible employs the metaphor of the unfaithful lover to describe God’s people — particularly the nation of Israel — as they wander and stray from Him.

In Deuteronomy 30, as the Israelites are on the verge of taking the Promised Land, God warns the nation of the consequences of both faithfulness and unfaithfuness to Him:

15 See, I set before you today life and prosperity, death and destruction. 16 For I command you today to love the Lord your God, to walk in obedience to him, and to keep his commands, decrees and laws; then you will live and increase, and the Lord your God will bless you in the land you are entering to possess.

17 But if your heart turns away and you are not obedient, and if you are drawn away to bow down to other gods and worship them, 18 I declare to you this day that you will certainly be destroyed. You will not live long in the land you are crossing the Jordan to enter and possess.

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After Shutdown, Be Careful Whom You Call a Hypocrite

Friday, October 18th, 2013 - by Walter Hudson

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As the federal government shutdown drama wrapped up, I asked if the Tea Party just wants to watch the world burn. Motivating that question was an observed division among activists on the Right between those seeking to work within the system to elect majorities and those seeking to “fight” at any electoral cost.

The latter faction claims exclusive title to principle. Over and over again, leading up to and during the shutdown, we were told that a vote for a continuing resolution which did not defund Obamacare was “a vote to fund Obamacare.” In other words, we were told that you cannot claim to oppose a policy on principle if you take an action which acquiesces to it.

As logical as it may sound on first pass, that premise deserves to be challenged. If universally applied, it establishes a standard which precisely no one can meet. No elected official, including Tea Party darling Senator Ted Cruz, can claim to have never taken an action which supports an institution or policy violating their principles. No resident of this country can either.

As a libertarian purist, if you’ve received and spent Federal Reserve notes, if you’ve paid a tax, if you’ve driven on public roads, if you attended or sent your children to a public school, if you’ve dialed 9-1-1, if you’ve claimed unemployment, if you’ve watched television or seen a movie or turned on a radio, if you’ve flown, if you’ve bought a product produced and distributed under our American system of coercive regulations — if you’ve lived in this country, then you have supported institutions and policies which violate your sacred principles.

A common attack upon the integrity of Ayn Rand cites that she took Social Security and Medicare benefits. She was a hypocrite, critics charge, because she railed against such programs throughout her career. Missed in such criticism is acknowledgement of the fundamental difference between acting as an individual under the system in which you live and condoning the specific rights-violating policies and institutions which make up that system. Being philosophically opposed to the way things are does not create some obligation to act against your own interest in a futile attempt to keep your hands clean of the system.

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Yes, There Are Judeo-Christian Themes in the Smashing Pumpkins’ Oceania, Part 3: The Dispenser of Wisdom

Sunday, October 6th, 2013 - by Chris Queen

Wisdom

Welcome to the third installment in my series examining Judeo-Christian values and ideas in the Smashing Pumpkins’ album Oceania. Last week, I delved into the album’s opening track, “Quasar” and Billy Corgan’s use of the abbreviation of the sacred Hebrew name of God.

This week I’m looking at the third track, “The Celestials,” and I have to admit that I had a difficult time understanding the song – much less finding some meaning in it – until I searched the lyrics and found a comment on one of those lyric sites. The commenter wrote:

Billy Corgan, in the interview “From Mellon Collie to Oceania” with Matt Pinfield, said…that this song is almost as if the same guy that was singing on Mellon Collie, is singing to a kid from today with the experience he has, almost sort of warning him of what to do.

Then it hit me. I imagined Corgan today, singing these lyrics to a young, idealistic rocker, set on wearing the Zero t-shirt and singing lyrics about being a “rat in a cage.” Or perhaps he is speaking as a father to his child. In this light, he is imparting wisdom and sharing experience in small nuggets, almost like fortune cookies – or proverbs.

Endlessly they’ll set you free
Give you reason to believe

[...]

Never let the summer catch you down
Never let your thoughts run free
Even when their numbers draw you out
Everything I want is free
‘Til the end

[...]

Take a chance if you should go
Face upon your happy home…
You were always on your own
You can’t escape

[...]

Never let the summer catch you down
Never let your thoughts run free
Even while their numbers call you out

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Yes, There Are Judeo-Christian Values in the Smashing Pumpkins’ Oceania, Part 1: The Seeker

Sunday, September 22nd, 2013 - by Chris Queen
Presidio Modelo, a panopticon-styled abandoned prison in Cuba.

Presidio Modelo, a panopticon-styled abandoned prison in Cuba.

Last week, I wrote about the spiritual journey of Billy Corgan, the lead singer, guitarist, and songwriter for Smashing Pumpkins. His journey has taken him from a nihilistic lack of faith to a spirituality that embraces many faiths – including elements of Christianity. The band’s excellent 2012 album Oceania reflects Corgan’s spiritual state, and Judeo-Christian themes run throughout the songs.

Track 2 of Oceania has an odd title. I’ll admit I had to look up what a panopticon was. Wikipedia explains the concept of a panopticon this way:

The Panopticon is a type of institutional building designed by English philosopher and social theorist Jeremy Bentham in the late 18th century. The concept of the design is to allow a watchman to observe (-opticon) all (pan-) inmates of an institution without their being able to tell whether they are being watched or not…

The design consists of a circular structure with an “inspection house” at its centre, from which the managers or staff of the institution are able to watch the inmates, who are stationed around the perimeter. Bentham conceived the basic plan as being equally applicable to hospitals, schools, sanatoriums, daycares, and asylums, but he devoted most of his efforts to developing a design for a Panopticon prison, and it is his prison which is most widely understood by the term.

In the song, Corgan may not be in a prison, though he speaks of “rest[ing] in the shells I’ve designed.” Rather, I see him as the observer in the tower (perhaps the tower on the album’s cover), looking out into the world around him. And he is seeking – seeking God.

Rise! Love is here
Oh, don’t make me wonder
Life’s never clear where choice is a gift
To use and abuse
To build on proof

[...]

Oh don’t make me wonder
To ask on behalf of you
Of you, where are you?
Where are you in you?*

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Compassion and Idiot Compassion

Sunday, August 25th, 2013 - by Charlie Martin

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About eight years ago, I had to take my 18 year old Siamese, Vashti, to the vet for what I knew was her last time. She had lymphoma, and I’d been taking care of her as she failed slowly, until finally I was feeding her baby food with an irrigation syringe. Still, she’d always seemed grateful; she purred, however faintly, when I petted her, and she woulld sleep for hours on her special sheepskin rug, which I kept in my lap. But one morning I looked at her, and I heard her say, as clearly as if she’d spoken in words, that she was ready. So we went to the vet, and I held her, and as the vet was putting the needle into her vein, she died peacefully, before the vet even gave the injection.

Afterward, there were people who scolded me for waiting so long; and there were people, New Age hipsters, who said that as a Buddhist I should not have taken her to the vet, shouldn’t have participated in killing another sentient being. And I wondered myself if I’d waited too long, out of selfishness — but Vashti wasn’t just my cat, she was like my familiar, and you could make a good case that she’d been the only really successful relationship with a female of any species I’d ever had.

In any case, I was no longer uncertain after she’d died, because I was sure that I’d done as Vashti had wanted.

So last week we talked about metta, “good will” or “lovingkindness”, one of the virtues exhibited by the Buddha that we try to learn to recognize in ourselves through metta practice. If you’ll remember, in metta practice, you try to invoke that feeling of metta in yourself, and then direct it toward yourself and toward others, even people toward whom you feel hatred and anger.

Metta has another virtue, karuna or “compassion”, with which it is paired. Metta is wishing good to others; karuna is understanding the suffering of others. Buddha, when he was Enlightened, could have chosen simply to reside in nirvana, but because of his feelings of metta and karuna chose to teach the Way of Liberation instead. The two things together are really the basis of Buddhist notions of morals: your good will to others goes along with your recognition that the other person is really, at heart, another person like yourself, and so you try to avoid causing suffering and try to help them also avoid suffering.

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Buddha and the Elephant

Sunday, August 18th, 2013 - by Charlie Martin

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There is a story in the Jatakas about the time a mad elephant, released by the Buddha’s enemies, charged down the street toward the Buddha. People are screaming and running, the elephant is tearing up shopkeepers’ displays and smashing things, and Buddha’s disciple Ananda tried to drag him out of the way. Buddha said “Relax, Ananda, I got this,” and stood in the elephant’s path. The elephant was used to people screaming and running, and here’s this guy in an orange bath sheet just smiling at him. Uncertain, confused, the elephant — his name is Nalagiri, by the way — Nalagiri hesitated, and the Buddha walked closer, confidently, like the king of mahouts. He gestured, and Nalagiri knelt, his madness gone, and presented his head to be scratched.

You might as well remember Nalagiri, he’s one of my favorite characters and I’m sure he’ll be back again.

One of the first things that attracted me to Buddhism was that it treats animals as first-class citizens. I’m one of those people who never met an animal he didn’t like (although I’m a little jittery about spiders) and I never really got why the pastor said my dog didn’t have a soul but the obnoxious kid sitting behind me in Sunday School did. I had also learned, even at eleven, that someone who treated animals badly usually didn’t treat people very well either. But it wasn’t until much later — really, it wasn’t until the months after 9/11 — that I understood how important that feeling toward animals is.

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Ghost? Angel? Mass Hallucination?

Sunday, August 11th, 2013 - by Sarah Hoyt
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What if one of your favorite books seemed to be happening in real life?

This story from the USA Today once more proves that truth is not only weirder than fiction — if you wrote this as fiction, no one would believe it:

Emergency workers and community members in eastern Missouri are not sure what to make of a mystery priest who showed up at a critical accident scene Sunday morning and whose prayer seemed to change life-threatening events for the positive.

Even odder, the black-garbed priest does not appear in any of the nearly 70 photos of the scene of the accident in which a 19-year-old girl almost died.

Perhaps it is because I grew up reading Giovanni Guareschi’s Don Camillo stories, after watching the movies and loving them, that I can’t help but be charmed by that image.  In the real world of rationality, one finds it hard to believe in the supernatural, and all sorts of explanations spring to mind about this story.  But for just now I’m going to think of the Don Camillo stories, where the wall between the living and the dead is very thin indeed, the Christ over the altar speaks to the village priest (who speaks back, sometimes not very politely), and miracles happen when they are truly needed — and I’m going to let this story be, just as it is.

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Why Coolidge Matters: an Interview with Charles C. Johnson

Sunday, May 26th, 2013 - by J. Christian Adams

Charles C. Johnson is the author of Why Coolidge Matters: Leadership Lessons from America’s Most Underrated President. Coolidge presided over the roaring 1920s, which saw massive technological and economic expansion. He provided a model of the presidency squarely at odds with the current occupant of the White House. Charles sat down with PJ Media to discuss his book.

Why Coolidge?

Calvin Coolidge is one of our most underrated presidents and among our very best, both by what he achieved and by what he knew about the American republic. He was our last classically educated president and one of our most well spoken. And far from being Silent Cal, as so many think today, he was, in fact, silenced by New Deal historians like Arthur Schlesinger Jr., who disliked both his political philosophy and its attendant success. The thinking went that if Roosevelt was to be the hero of the Great Depression, Coolidge, who had presided over the roaring 1920s, must have been its villain. Of course it’s a lot more complicated than that, but that’s what we’re so often told in our public schools. Rather than rebut Coolidge, these historians tried to caricaturize him in much the same way they tried to with Reagan. It was only after the Berlin Wall fell and the Soviet Union collapsed that Reagan got his just place in history.

Far from being silent, Coolidge ran for office nineteen times and won election to eighteen offices, working his way all the up from city councilman of Northampton through the presidency of the Massachusetts state Senate and governorship, all the way to president of the United States. He was a career statesman who was always aware of the issues facing the local population because he worked and lived alongside them and admired them.

He wrote three interesting collections of speeches, gave over 500 press conferences, wrote a thoughtful autobiography, and wrote a very interesting post-presidential column.

I set out to write the sort of book about Calvin Coolidge that I wish I had read and to report faithfully what he did. As an investigative journalist, I love puncturing myths that are out there about the world, especially political history. To paraphrase Reagan, there’s so much we know that isn’t so and that’s principally because of how the political left controls our understanding of history.

cool

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5 Examples of the Value of Faith in Disney’s Classic Films

Friday, May 10th, 2013 - by Chris Queen

We don’t see a whole lot of genuine faith in the movies or on TV these days. Instead, characters who exhibit religious faith on fictional films and programs are more likely to show up as fodder for mocking or as social deviants in disguise. Obviously, we can easily forget that the concept of faith played a much greater role in Hollywood’s earlier days, even in the films made by the Disney Studios.

Walt Disney held a deep, private faith in Jesus Christ, though he was not an outwardly religious man. His parents raised him in the theology of the Congregational Church, and he firmly believed in the power of prayer and Bible study. Rarely, if ever, did Disney attend church, but he made sure his daughters were involved in Sunday school programs, even allowing them to choose the denomination that suited them best in their teen years. Walt also said:

I ask of myself, “Live a good Christian life.” Towards this objective I bend every effort in shaping my personal, domestic, and professional activities and growth.

And:

I believe firmly in the efficacy of religion, in its powerful influence on a person’s whole life. It helps immeasurably to meet the storm and stress of life and keep you attuned to the Divine inspiration. Without inspiration, we would perish.

Clearly, Disney understood the importance of faith as part of the American cultural fabric. Another quote of his underscores this fact:

I have watched constantly that in our movie work the highest moral and spiritual standards are upheld, whether it deals with fable or with stories of living action.

We can see these moral and spiritual standards at work in Disney’s classic films. In fact, the concept of faith plays a role in many of the great films of the Disney canon. Today, I’m going to look at five examples of the value of faith in Disney’s classic films: I’m taking a look at two of the big themes that emerge, and then we’ll delve into three characters who exhibit faith in different ways. These movies are not necessarily religious in nature, nor do I claim that they are theologically accurate in any sort of way. With that said, let’s dive in…

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How Can We Reconcile Rational Thinking and Religious Faith?

Sunday, May 5th, 2013 - by Dennis Prager

The atheist movement has always contended that reason and logic are on its side. Faith, atheists argue, is the sole domain of those who believe in God. The truth is the opposite. It is the belief that everything created itself that is irrational; not the belief in a Creator. It is belief that Bach, the Eiffel Tower, and the iPhone are the culminations of literally nothing that requires far more faith than belief in a Designer. Reason and logic are on our side, not theirs.

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Image illustration courtesy shutterstock / Vitaly Korovin

PJ Lifestyle features each new video from Prager University and encourages dialogue and debate about their ideas. Check out some of the previous weeks’ discussions about religion, philosophy, and ideas:

Why Is Atheism so Appealing?

How Does Daily Life Transform When One Chooses to Perceive Humanity’s Existence as a Miracle?

Why You Should Stop Wasting Your Time ‘Doing Philosophy’

Why Is Human Sacrifice Evil?

What Does the Totalitarian Temperament Look Like?

What Is the Meaning of the Mysterious Phrase, ‘It Is What It Is’?

What Happens When God is Made in Man’s Image?

6 Reasons Why Rational Thinkers Choose to Believe in God

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Obey the Establishment: Shepard Fairey’s Subliminal Art Message

Thursday, May 2nd, 2013 - by Oleg Atbashian

Shepard Fairey, the creator of the famous Obama “Hope” poster, made news recently with another piece of bizarre visual propaganda, this time denouncing America’s habit of clinging to guns and religion.

He produced the poster last month in support of the failing anti-gun legislation, and most recently had it printed on hundreds of protest signs in anticipation of a massive anti-gun rally in Washington. From sympathetic Buzzfeed.com: “Artist Shepard Fairey will paper downtown D.C. Thursday with copies of a new work aimed at reigniting the push for gun control.” Reality check: the advertised Occupy The NRA rally attracted only about 60 participants.

That the anti-NRA poster looks Orwellian is not a coincidence. Fairey probably believes he has a spiritual channel directly to George Orwell: after all, he had designed book covers for Penguin’s Animal Farm and 1984, in addition to a series of nightmarish posters collectively titled Nineteeneightyfouria. His Orwellian connection, however, is very unflattering. Lacking the depth and, apparently, the slightest understanding of Orwell’s actual message, Fairey rather channels some mind-numb Party functionary out of George Orwell’s novel as he manufactures establishment propaganda that facilitates the takeover of the individual by the all-powerful state.

The gallery page gives this blurb about Nineteeneightyfouria, likely written from the artist’s own words:

Shepard’s artwork both scrutinizes and distorts the narrative of the modern American Dream. Commenting on underpinnings of what Shepard terms the ‘capitalist machine’, it aims to critique those who support blind nationalism and war. Fairey addresses monolithic institutional authority, the role of counter culture, and independent individuals who question the cultural paradigm.

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What Role Did Queen Elizabeth’s Spymaster John Dee Play in the Creation of America?

Sunday, April 28th, 2013 - by PJ Lifestyle Daily Question


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Why Does Classical Music Make You Smarter?

Tuesday, April 23rd, 2013 - by David P. Goldman


Thirty-six million Chinese kids now study classical piano, not counting string and woodwind players. Chinese parents pay for music lessons not because they expect their offspring to earn a living at the keyboard, but because they believe it will make them smarter at their studies. Are they right? And if so, why?

The intertwined histories of music and mathematics offer a clue. The same faculty of the mind we evoke playfully in music, we put to work analytically in higher mathematics. By higher mathematics, I mean calculus and beyond. Only a tenth of American high school students study calculus, and a considerably smaller fraction really learn the subject. There is quite a difference between learning the rules of Euclidean geometry and the solution of algebraic equations: the notion that the terms of a convergent infinite series sum up to a finite number requires a different kind of thinking than elementary mathematics. The same kind of thinking applies to playing classical music. Don’t look for a mathematical formula to make sense of music: what higher mathematics and classical music have in common is not an algorithm, but a similar demand on the mind. Don’t expect the brain scientists to show just how the neurons flicker any time soon. The best music evokes paradoxes still at the frontiers of mathematics.

In an essay for First Things titled “The Divine Music of Mathematics,” just released from behind the pay wall, I show that the first intimation of higher-order numbers in mathematics in Western thought comes from St. Augustine’s 5th-century treatise on music. Our ability to perceive complex and altered rhythms in poetry and music, the Church father argued, requires “numbers of the intellect” which stand above the ordinary numbers of perception. A red thread connects Augustine’s concept with the discovery of irrational numbers in the 15th century and the invention of calculus in the 17th century. The common thread is the mind’s engagement with the paradox of the infinite. The mathematical issues raised by Augustine and debated through the Renaissance and the 17th-century scientific revolution remain unsolved in some key respects.

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