Tuesday, March 11th, 2014 - by PJ Lifestyle Music at Midnight
Here’s a really cool instrumental jazz take on “I Want To Hold Your Hand” by guitarist Grant Green, courtesy of my friend, PJ Lifestyle’s own Susan L.M. Goldberg…
If you want to submit a song for PJ Lifestyle Music at Midnight, hit me up at firstname.lastname@example.org. Your requests don’t have to fit into any theme – we just love great music, so keep those requests coming!
Saturday, February 15th, 2014 - by PJ Lifestyle Music at Midnight
Over the past few days we’ve been looking at some of the best Beatles cover tunes. That’s because 50 years ago this week, the Beatles first appeared in New York City, ushering Beatlemania in the USA.
Some covers of Beatles songs actually came out while the Beatles were at the height of their career. The Mamas & The Papas recorded their version of “I Call Your Name” on their seminal debut, If You Can Believe Your Eyes And Ears. While the Beatles’ version was a ska-influenced rocker, Mama Cass and company gave the song a Vaudeville treatment. Here’s a recording from the Monterrey Pop Festival.
Friday, February 14th, 2014 - by PJ Lifestyle Music at Midnight
Fifty years ago this week, the Beatles first appeared on The Ed Sullivan Show. This week, we’re saluting that anniversary by checking out some of the best covers of Beatles classics.
In 1995, Liberty Records released a compilation entitled Come Together: America Salutes The Beatles. They may as well have called it Nashville Salutes The Beatles, as the album’s artists came from the world of country and Contemporary Christian music. Christian singers Susan Ashton and Gary Chapman teamed up to give “In My Life” a pleasant country sheen.
Wednesday, February 12th, 2014 - by PJ Lifestyle Music at Midnight
To commemorate the 50th anniversary of the Beatles’ first appearance on The Ed Sullivan Show, we’re looking at some great cover versions of Beatles songs.
On his 2009 album Goodbye Hello, singer-songwriter Peter Mayer put his own spin on a collection of Beatles classics. His version of “Blackbird” shows off his virtuoso guitar skills and his amazing voice.
Wednesday, February 12th, 2014 - by Susan L.M. Goldberg
Gay at a time when homosexuality was a felony and Jewish in an era of “polite” antisemitism, one Liverpool lad broke into entertainment management at a time when the Anglo Lords in London ruled the biz. 50 years later the music world is only beginning to acknowledge that there’d be no Beatles without their manager, Brian Epstein.
This past weekend, Vivek Tiwary, the Gen-X producer that brought Green Day’s American Idiot to Broadway, spoke to an enthusiastic crowd at The Fest for Beatles Fans about his mission to bring Epstein’s little known story to life via a critically acclaimed graphic novel, The Fifth Beatle, released by Dark Horse Comics.
What I unearthed after much difficult research (there is a paltry amount of information readily available on Brian, which is part of why I want to bring his story to the world) was not just an inspirational business story and a blueprint for what I wanted to accomplish with my career, but also a very human story, as summarized above. It’s a story I could relate to—and wanted to relate to—on so many levels. Brian became my “historical mentor”, if you will. A person from whose history I’ve tried to learn from—both what to do and what NOT to do. Brian was certainly a flawed and imperfect hero, but a hero all the same.
Tiwary has drawn inspiration from Epstein’s trailblazing ingenuity, citing that without Epstein’s persistence, Ed Sullivan never would have brought The Beatles to America. “People scoffed when I brought Sean Combs to Broadway in A Raisin in the Sun because they didn’t believe that Broadway attracted a black audience. I told them that was ridiculous; if we gave them a product they wanted, they would come.” Like Epstein decades before, Tiwary’s was a winning gamble.
Tuesday, February 11th, 2014 - by PJ Lifestyle Music at Midnight
As the world looks back on the 50th anniversary of the Beatles’ first appearance on The Ed Sullivan Show, we’re taking some of the best Beatles covers out for a spin.
On their 2000 release Abandoned Shopping Trolley Hotline, British band Gomez included a cover of “Getting Better,” which features the smoky vocals of Ben Ottewell. The Philips corporation used a snippet of this one in a series of commercials several years ago.
Tuesday, February 11th, 2014 - by Susan L.M. Goldberg
Beatles-themed sensory overload: That is how to describe The Fest for Beatles Fans in New York City, held from February 7-9 to commemorate the 50th anniversary of the Fab Four’s appearance on TheEd Sullivan Show. What’s it like roaming a Fest that fills four floors of a New York hotel with musicians, historians, artists, authors, yogis, meditators, the famous and well over 8,000 fans from 40-odd states and five continents? Take a look at a day in the life of The Fest.
Beatles author and historian Bruce Spizer opened Saturday with a presentation on how the Beatles conquered America, no thanks to Dave Dexter, Jr., the Capitol Records guy who rejected hits like ”Love Me Do” and “Please Please Me” because they had “too much harmonica.”
Dear Prudence Farrow spoke about her spiritual journey in India with the Maharishi and the Beatles before leading an introductory transcendental meditation session. The room, dubbed the Ashram for the occasion, was so packed that more chairs had to be brought in for the standing room only crowd.
Good Ol’Freda Kelly, secretary to Brian Epstein, manager of the Beatles, and president of the original Beatles fan club, is signing autographs! Quick, get in line!
Still down to earth after all these years, Freda hates being the center of attention but enjoys being with the fans. Her grandson, a toddler, was happily drawing next to her. “Would you like Nile’s autograph?” she casually asked, to which I happily agreed. Good Ol’Freda is the Queen of Beatles Fans: regal, royal, lovely. Her documentary Good Ol’ Freda is a must-watch.
Monday, February 10th, 2014 - by PJ Lifestyle Music at Midnight
In honor of five decades of the Beatles’ influence on America’s music, we’re looking at some of the best covers of the Beatles’ songs.
On his 2001 album Poses, singer-songwriter Rufus Wainwright covered “Across The Universe.” I have to admit: I wasn’t crazy about this song until I heard this version, with its layered harmonies and acoustic pop drive.
Sunday, February 9th, 2014 - by PJ Lifestyle Music at Midnight
This week, in honor of the 50th anniversary of the Beatles’ debut on American shores, we’re taking a look at some of the best Beatles cover tunes.
Peter Mayer has played guitar and sang in Jimmy Buffett’s Coral Reefer Band for 25 years, but his solo music blends folk, pop, and jazz in some truly unique ways. In 2009, Mayer recorded an album of Beatles covers entitled Goodbye Hello. On this album, he took “We Can Work It Out” and turned it into a duet with Nadirah Shakoor, also of the Coral Reefers and formerly with Arrested Development.
Upon the show’s conclusion, I distinctly recall my father saying with complete confidence that “the Beatles are just a passing fad.”
His prediction was totally expected from someone born in 1922, but Iknew otherwise. For the Beatles had a sound that was so unique, engaging, modern, young, hip and vibrant, I knew right then that my world was going to be radically different from that of my parents.
Sunday, February 9, 1964, was when a “cultural earth mover” began digging the divide that would later be called “the generation gap.”
Monday on the school bus my friends and I yelled Beatles’ songs out the window. When we arrived in our third-grade classroom there was talk of nothing else. How could there be when clearly something monumental had happened the night before?
All of us were emotionally affected but not capable of articulating exactly what happened. All I remember talking about with my friends was which of the four Beatles was the “cutest,” but instinctively we knew it went much deeper.
Now, viewing the Beatles’ performance through a 50-year historical, musical, cultural and celebratory lens, I ask myself, “Was I exaggerating the importance of the evening?”
That question demanded answers. Fortunately, “valid” scientific research was just an email away and about to be provided by a good friend.
My friend was also born in 1955, just a month before me. (He is well-known in media circles and asked that his name be withheld.)
Furthermore, he grew up clear across the country from where I was in Boston. So, for all those reasons, I was keenly interested in comparing our impressions, which I’ll do on the next page.
Tuesday, February 4th, 2014 - by Susan L.M. Goldberg
As the world mourned the loss of Soviet evangelist Pete Seeger last week, I encountered stories of real Soviets who found God, not in the hammer and sickle of the USSR, but in the smuggled bootleg lyrics of the Beatles.
How the Beatles Rocked the Kremlin is a fascinating narrative detailing Soviet Baby Boomers’ covert love affair with the Fab Four. Interviewing a variety of Russian Beatlemaniacs, including many post-Communist music scene movers and shakers, over the course of nearly two decades, British filmmaker Leslie Woodhead discovered that The Beatles were much more than a band in the U.S.S.R. For many Soviet teens, The Beatles were a glimpse at independence, freedom, and even God.
The idea that a rock and roll band could provoke the understanding of the intertwining of God and freedom, let alone inspire a search for the divine, is one that is largely lost on an American audience. After all, as Soviet teens risked Kremlin hellfire to listen to Beatles tracks, their American counterparts in the Bible Belt were throwing their records on bonfires, forced by a religious hierarchy that saw John Lennon and his band as a threat to Christ. Rock music then became the stuff of hippies, the class that scoffed at religious institutions and, like The Beatles, sought divine encounters and self-empowerment through eastern religions.
Arguably, the advocates of Beatles burnings did more to harm Christ’s reputation and following than John Lennon ever could. After all, as he explained, his ironic quip about Jesus was more of a warning than a declaration:
“I’m not anti-God, anti-Christ or anti-religion. I was not saying we are greater or better. I believe in God, but not as one thing, not as an old man in the sky. I’m sorry I said it, really. I never meant it to be a lousy anti-religious thing. From what I’ve read, or observed, Christianity just seems to be shrinking, to be losing contact.”
Ironically, it’s a warning that post-Soviet leaders like Vladimir Putin have heeded with their own political purposes in mind.
I almost didn’t watch the Grammy Awards. The last few years, I’ve debated watching — largely because my music tastes have become less mainstream over the years but for other reasons as well. But, since I’m a sucker for the awards themselves, I wound up watching Sunday night’s ceremony. I walked away from the telecast with these four quick observations:
1. Beatlemania Is Alive and Well.
The 50th anniversary of the Beatles’ arrival on U.S. shores takes place next week, and it’s clear that Beatlemania is still a force to reckon with. Ringo Starr performed “Photograph,” and he sounded pretty good. Paul McCartney performed “Queenie Pie,” a quirky, Beatlesque song off his new album, with Ringo on drums. Additionally, Sir Paul picked up a pair of awards at the ceremony. CBS will air a special on February 9 to commemorate the 50th anniversary. As a longtime fan, all this Beatles love makes me happy.
2. Daft Punk’s Costume Shtick Doesn’t Translate Well to an Awards Show.
French Electronic duo Daft Punk picked up four trophies, including the the two biggest prizes: Record of the Year and Album of the Year. They took the stage three times to accept awards and once to perform. The group is famous for their costumed performances, part of their attempts to maintain their anonymity (which I understand), but their futuristic robot getup didn’t work so well on the awards show stage.
Each time they entered the stage after a win, one of the featured performers had to give a speech for them. Each one began with, “I guess the robots wanted me to say…” The speeches were some of the most surreal moments of the night (even in light of Katy Perry’s performance.)
Sunday, January 26th, 2014 - by Susan L.M. Goldberg
America is celebrating The Beatles’ Jubilee. 50 years ago this year The Fab Four landed on this side of the Atlantic and the ’60s officially began. (At least, that is, according to PBS.) With the announcement that Paul McCartney and Ringo Starr, the two surviving Beatles, will reunite at the Grammys on January 26 and perform a concert to air on February 9, 50 years to the day of their Ed Sullivan premiere, it would seem that Beatlemania (unlike much of organized religion) is making a resurgence in pop culture. Think the Fab Four are so yesterday? Think again:
A 2009 Pew Research Center survey placed the Beatles in the top four favorite music acts of Americans ages 16 to 64 — suggesting the band that helped create the 1960s Generation Gap ultimately helped us come together. Perhaps that’s the Beatles’ greatest gift: music that can be shared not only across the universe, but across generational lines.
Imagine a mathematician trying to quantify each Beatles’ album with Martha Stewart-like graphics. Wait, you don’t have to, just check out one Millennial’s 4 Simple Charts Visualizing The Beatles’ Major Albums and you’ll find out that The Beatles aren’t just for rock n’rollers, they’re for nerds, too. ”A new project on Kickstarter aims to tap into the passion of teenyboppers young and old withVisualising the Beatles, a book of infographics about each of the Fab Four’s major records.” Seriously: If that doesn’t make you want to start a Revolution, nothing will.
“Thanks to a book by Enzo Gentile and Fabio Schiavo, appropriately titled “The Beatles in Comic Strips,” we’ve been enlightened on the Fab Four’s history of comic book appearances. From subtle cameos to entire issues, the group managed to squeeze their iconic faces and psychedelic style into more than a few works of comic art.”
“The most expensive of the bunch, the Sk8-Hi Reissue, features stylized portraits of all four Beatles running up the ankles apropos to cartoon portraits of each as they were animated for the film. The other shoes each feature psychedelic tableaus from the film. The Classic Slip-Ons play off the movie’s Sea of Monsters, showing trippy marine life swimming in an ocean of pink. The Era shoes depict all four band members, some wearing rainbow pants, hanging out in a yellow garden. And the final pair, a model called Authentic, is adorned with a pattern that reads “Allyouneedislove” running over and over again and into itself in purple, yellow and green.”
Thousands of people spend their Christmas vacation at Walt Disney World each year. Nearly 40 years ago, one of those vacationers was John Lennon – and that trip included a historic event.
In 1974, John was in the midst of his 14 month separation from Yoko Ono – a period he called his “Lost Weekend” – and he decided on a whim to take son Julian and assistant/girlfriend May Pang to the Magic Kingdom. He booked a room at the Polynesian Village Hotel, now called Disney’s Polynesian Resort.
After years of red tape and millions of dollars spent, the official dissolution papers were drawn up and ready to be signed off on at the Plaza Hotel in New York in 1974. George and Paul had arranged to fly in and be present, while Ringo signed the necessary documents at an earlier time, while still in England.
So as George, Paul, Apple lawyers and business managers grouped around a large table to dissolve the partnership, Ringo was on the phone to confirm that he was alive. Meanwhile, everyone in the room was curious about John’s whereabouts. This seemed especially ironic, given Lennon lived within walking distance of the Plaza Hotel.
The attorneys furiously worked to determine John’s whereabouts. May Pang picks up the story:
On December 29, 1974, the voluminous documents were brought down to John in Florida by one of Apple’s lawyers.
“Take out your camera,” he joked to me. Then he called Harold to go over some final points.
When John hung up the phone, he looked wistfully out the window. I could almost see him replaying the entire Beatles experience in his mind.
He finally picked up his pen and, in the unlikely backdrop of the Polynesian Village Hotel at Disney World, ended the greatest rock ‘n’ roll band in history by simply scrawling John Lennon at the bottom of the page.
And that’s how Walt Disney World bore witness to rock history.
Thursday, October 3rd, 2013 - by Susan L.M. Goldberg
When I turned 16 I had a choice: A Sweet Sixteen Party or a trip to London. Unlike the rest of my peers I chose the latter. Not for the Spice Girls, but for the Beatles. I had spent the past year and a half papering my walls with photocopies my Dad would make on his lunch hour from books I’d checked out of the library. While most of my fellow classmates were crying along with Jewel, I was blasting the likes of The Supremes, Frankie Valli and the Four Seasons, and the Mamas and the Papas. Backstreet Boys versus NSYNC lunchroom arguments baffled me as I tried to explain to my friends how Yoko Ono busted up my favorite boy band of all time.
Thanks to Brad Pitt I was beginning to think I had some kind of mental Benjamin Button syndrome until the other week when I came across the Pew Center’s “How Millennial Are You?” quiz (h/t Becky Graebner). Technically I fall into David Swindle’s Millennial-X’er Blend generation, but according to the Pew Center, I’m a Baby Boomer verging on Generation X.
No wonder I tend to gravitate towards my elders, especially when it comes to entertainment. Of course, being Jewish, I blame it all on my Mother. At 7 our first video rental was the Amy Irving film Crossing Delancey. Years later I married a good Jewish boy with curly hair and New York roots, and I still have a thing for Peter Riegert. Unlike fellow high schoolers obsessed with Ross and Rachel, my teen years were defined by Rupert Holmes‘s much under noticed classic Remember WENN, a dramedy set at a Pittsburgh radio station in the days before World War II. I scoffed at fellow film students in college who balked at the idea of watching anything in black and white. The other day, when I found out that Jason Alexander would be performing live in my neck of the woods, I scrambled online to get tickets. I am a middle-aged woman stuck in a Gen X/Millennial body. How did this happen?
Over the years we’ve heard so many stories about the Beatles and just when it seems we’d heard it all, one woman who was involved with the band throughout their entire career is speaking out for the first time.
Beatles manager Brian Epstein hired an unassuming teenage girl from Liverpool to serve as the secretary to his musical charges, and Freda Kelly filled that role for the band’s entire career and even for a year after their 1970 breakup. She’s going public in a new documentary.
A film, titled “Good ol’ Freda,” was financed through crowd funding site Kickstarter, which raised almost $60,000 from 660 backers. McCartney even gave his blessing to the project, approving the licensing of four original Beatles songs – something that seldom happens in film – and audiences are able to visually feast on never-before-seen photographs.
Kelly basically gave away all her memorabilia (likely worth millions now) to desperate and devastated fans in 1974. She went above and beyond during her time to ensure that fans were given the real deal. That involved sneaking threads from McCartney’s shirts, arranging for hair snippets and making sure Starr really did sleep on a pillowcase before returning it to an overjoyed fan – but apparently she drew the line at fulfilling requests to send along fingernail clippings. So intent on being honest, the secretary once let go of a whole crew of assistants who were exposed for trying to pass off a girl’s hair for that of a Beatle.
Kelly opens up on plenty of topics in the documentary, holding back about very little. She additionally helped take care of Ringo Starr’s parents, a part of her job she remembers with great fondness in the film.
And as candid as Kelly became throughout the filming process, there was still one topic in particular that was off-limits.
“I asked if she dated any of the Beatles,” [director Ryan] White said. “And she stared me down in her charming way.”
Kelly does, however, confess to zipping her lips about such things as Lennon’s wandering eyes while married to college sweetheart, Cynthia Powell. Yet she had no qualms about putting the boys’ in their place when the occasion called for it.
The public will hear many of the tales in Good ol’ Freda for the first time when it opens – Kelly’s own daughter admits to not knowing “95 percent” of her mother’s stories.
Good ol’ Freda opens in select theaters today, and will release simultaneously via video on demand and iTunes. Here’s the trailer:
Recently a former college roommate of my husband’s requested that once again I write about classic rock music; so Bob Z. from Pittsburgh, PA this column is for you!
Like many of my past classic rock pieces this one is meant to foster group discussion at social gatherings or stimulate some “deep” personal thinking after imbibing an adult beverage or two.
And nothing stimulates deep personal thinking more than the question: What are your top 10 favorite Beatles songs?
Before I reveal my list, I can almost hear my Father saying, “The Beatles are just a passing fad.” That was his response in 1964 after watching them perform on the Ed Sullivan Show, reflecting an opinion commonly held by many parents at the time.
Except that “passing fad” dramatically affected culture, helped impact world events and changed music forever, along with the hearts, minds and souls of every baby boomer born in the first wave from 1946 to 1955.
So with all that in mind, here are my top 10 favorite Beatles songs.
With a legacy dating back to the 1870s and Greek luthier Anastasios Stathopoulos, the Epiphone brand name takes its name from two components — the nickname of Anastasios’ son, Epaminondas, and the word “phone,” which, in the 1920s when the brand Epiphone was launched, competed with the word “radio” to symbolize high-tech and modernity. (See also: Gramophone, the Radio Flyer, etc.)
Epiphone has had several twists and turns in its history. Until the mid-1950s, it competed neck and neck (pardon the pun) with Gibson for sales of arch-top jazz guitars. Ted McCarty, who built up Gibson as a music instrument powerhouse in the mid-2oth century, said that “when I came to Gibson, the biggest competition we had was Epiphone.” But the death of Epi in 1943, followed by squabbles among the surviving Stathopoulos family during the following decade, caused the value of their business to plummet. McCarty acquired Epiphone for Gibson’s parent company at a bargain rate, and production of Epiphone guitars switched in-house to Gibson’s Kalamazoo, MI plant, during the 1960s. The new brand name gave Gibson certain advantages: they could protect the exclusive arrangements their dealers had with Gibson, but sell Epiphone to nearby music dealers, positioning it as a slightly lower brand — the Buick or Oldsmobile to Gibson’s Cadillac.
In the mid-1960s, Epiphone models were played by a little-known cult act called the Beatles — “Everybody but Ringo,” as Carter told me. McCartney played an Epiphone Texan acoustic on “Yesterday,” George Harrison played his Epiphone Casino on Sgt. Pepper, and John Lennon played his own Casino on the rooftop of Apple Records during their legendary last concert at the conclusion of Let It Be.
In the early 1970s, Gibson sent production of Epiphone guitars overseas. Today, it exists, in part, as an entry-level brand for new guitarists (and as such, there are likely more Epiphones in circulation than Gibsons) and there’s some controversy between those who own traditional made-in-America Gibson guitars such as the Les Paul, and those who own Les Pauls and other models also sold under the Epiphone name.
Carter discusses all that and much more in our 21-minute interview. Click here to listen:
(21:23 minutes long; 19.5 MB file size. Want to download instead of streaming? Right click here to download this show to your hard drive. Or right click here to download the 6MB lo-fi edition.)
If the above Flash audio player is not compatible with your browser, click below on the YouTube player below, or click here to be taken directly to YouTube, for an audio-only YouTube clip. Between one of those versions, you should find a format that plays on your system.
In 1967 the Beatles song “When I’m Sixty-Four” appeared on the now iconic Sgt. Pepper album, and many, including this writer, considered age 64 “old.” (Of course, I was only 12, but 64 was old at that time.)
So what happened to change my view of when old age begins?
Well for starters, I got old along with the 76 million Americans born between 1946 and 1964 who are affectionately known as “baby boomers.” Boomers transformed America at every stage of life. Unfortunately, our nation was totally unprepared for all the change we brought every step of the way and now is no different.
Last year at an Aging in America conference, Ken Dychtwald, CEO of the consulting firm AgeWave, summed it up like this:
“We weren’t prepared for the boomers,” he said. “There weren’t enough hospitals or pediatricians. There weren’t enough bedrooms in our homes. There weren’t enough schoolteachers or textbooks or playgrounds. The huge size of this generation has strained institutions every step of the way.”
Then Dychtwald compared his New Jersey high school, with such overcrowding that students had to go to classes in shifts, to what’s in store for aging baby boomers in the coming decades.
“The boards of education had 13 years to see this coming. What was the surprise there?” said Dychtwald. “But it’s the same today with senior care and geriatric medicine and continuum of care. It’s staggering how unprepared we are.”
Yes, it is staggering indeed — and, as the saying goes, “we ain’t seen nothin’ yet.”
My new car comes equipped with a three month trial subscription to Sirius XM radio and when Patriot Channeltalk gets repetitive, I occasionally switch to 60′s on Channel 6, where I know the words to every song.
So the other day I happened to hear a song which really jolted my memory bank. It was A Taste of Honey by Herb Albert and the Tijuana Brass, but while listening, all I could think about was the album cover.
And if you are of a certain age, you know exactly what I mean.
In 1965 when the album, Whipped Cream and Other Delights, was released the cover was considered “veddy” racy.
And here is the hit song, A Taste of Honey from the album.
Whipped Cream was my parent’s album, but even as a Beatles loving 10-year-old I enjoyed it along with them. However, it was the cover that really made animpression. I even remember spreading whipped cream all over my arms in tribute to the girl on the cover.
This Sirius XM Radio childhood flashback got me thinking about what other album covers made lasting, even mind blowing visual impressions. So here is that small stack of album covers which came tumbling off a dusty shelf in the far reaches of my brain — presented in chronological order.
In the middle of 1966 Beatlemania, this album by the Mamas and the Papas was released. To me, the music and the cover were equally impactful, for sitting in a bathtub fully dressed struck me as rather extreme. Chiefly responsible for the brain dent was Michelle Phillips, who was one of the most beautiful women I had ever seen, wearing those jeans and cowboy boots. I remember getting into our dry bathtub pretending to be her. Yes, I was an impressionable pre-teen!
Of course the most famous album cover in history absorbed hours of 1967 summer time fun for me and my friends as we tried in vain to identify all the faces on the cover. Since we were stumped by so many, I remember having to ask my parents. (Oh the horror of asking your parents to explain a Beatles album cover!) But I had no choice since Google was 31 years in the future. Now, in one Google second here is the complete list. (How I love the modern age!)
Psychedelic flower power anyone? Released in November of 1967, this album cover fascinated me. On the inside I loved Cream’s music too, but something about the album design with all the fuchsia colors, totally blew my 12-year-old mind and opened doors of endless creative possibilities.
This 1971 album by Traffic was so graphically unique with its die-cut design, it truly broke new ground and decades later the title song is still one of my favorite classic rock tunes. So here is a 1972 live version to enjoy, especially if it has been awhile since you have heard Low Spark of High Heeled Boys.
We must not fret about the passing of album cover art for it now lives on the net with many sites dedicated to its greatness. There are also numerous cover art quizzes that will be used as “game time” trivia at nursing homes around 2040 when I am in my 80’s. (Now at my mother’s nursing home they play trivia contest games with Broadway show tunes and my mother is often the proud winner of a new fluffy nap blanket.)
Speaking of getting old, here is the Whipped Cream girl from that famous 1965 album cover now age 76.
So what classic rock covers blew your mind at a tender age?
And if you can recall them now, remember them for later when a new fluffy nap blanket is at stake.