A few weeks ago, the potty-mouthed princesses came to the Internet. The pro-LGBT equality, anti-racism and anti-sexism advocacy group FCKH8 used the young girls to shock us out of our supposed reverie over our hateful ways. The little girls used the sassy black women stereotype (watch their body language, head bobs and all. I was surprised the cultural-appropriation guardians didn’t denounce it for that reason alone) and dropped f-bombs among repeatedly debunked facts.
As Julie Borowski asked in a parody video, “What’s more offensive? Having little girls drop f-bombs for shock value or using the same debunked facts over and over?”
The potty-mouth princesses have returned, this time to drop f-bombs on domestic violence. This new video is even more offensive than the first video, both for makeup and its stereotyping of men.
This past week a group of scientists from the European Space Agency landed a spaceship on a comet. Contemporary feminists commented on the happening, but not for the reason you’d think. Screw science. One of the guys on the team talked about the major breakthrough in an on-the-spot interview while wearing a shirt with barely-clad, busty women brandishing guns. Social media chaos ensued. The scientist cried out an apology over the Internet. Apparently the rather clever hashtag #shirtstorm is the real reason why Obama cancelled the space program.
And you wonder why Lana Del Rey would rather spend her time talking about Space-X and Tesla instead of associating herself with the pioneering movement for women that has turned into a forum for Dunham-loving yuppie nags. Celebrities are distancing themselves from the f-word because so-called feminists think the greatest thing they can do for womankind is to complain about a scientist’s tacky shirt. I’m sure that really inspired a teenage girl out there to forego joining ISIS and join in the fight against… dudes bearing busty broads?
Most things are not public policy issues, yet get turned into such. Obama’s letter is purely about taking a thriving enterprise — our wild and wonderful Internet — and turning it into a public utility (the legalistic details behind the scenes involve a “reclassification” of up-until-now free Internet services as a public utility).
Google, Yahoo, and the world of media are synergistic with service providers, and each is moving into the other’s territory in ways that foretell that none will escape this new regulatory regime. ISPs will holler today, but they’d all best beware.
It is irksome when politicians take credit for the creations of others, and set “rules” for the future that assure political involvement in what should be liberalized, non-politicized industries.
Microsoft spent the ’90s being proud of the fact that they never “paid to play” with Washington — and got whacked with an antitrust suit from which the company never recovered.
Now it’s the internet’s turn.
image illustration via shutterstock / Photosani
Some of you were probably too busy voting Democrats out of office to notice that a terrific new trailer for the Haunting Melissa sequel came out on YouTube last week. HM was director Neal Edelstein’s innovative ghost-movie-in-an-app that climbed the App Store bestseller list in 2013. The script to that film was by your humble correspondent as is the script to the sequel, Dark Hearts: The Secret of Haunting Melissa, which is due out later this month:
Download the free app here.
Netflix’s streaming service offers hundreds of comedies, but which ones are the best? Here’s one critic’s list of the ten finest laffers since 1990 that you can punch up tonight on Netflix.
10. Happy Gilmore (1996)
Adam Sandler has had his ups and downs, but in his early films his lost little kid act was inspired. The way the title character makes the world around him adapt to his skills (he’s a hockey player whose slap-shot style makes him a strangely gifted golfer, and he needs to win a tournament to save his grandma’s house) neatly jibes with how Sandler nudged Hollywood comedy to accommodate his peculiar persona. And who else would have been willing to fistfight Bob Barker?
I’m so sorry for your troubles this week. I hope this list can help. Here’s some streaming sunshine with potential to provoke more positive moods via a variety of genres.
20. New Girl
I was very shocked at just how effective, funny and likable this sitcom was. Starring Zooey Deschanel as a perky, klutzy young woman moving in with three guys, the show has a sense of lightness and Deschanel is immensely sympathetic and entertaining. I don’t really watch sitcoms these days, but New Girl is done so well and is so consistently funny episode-to-episode that it’s worth checking out.
Is the first Bond movie with Roger Moore the best one in which he starred? Was it all downhill from here? I tend to think so. Moore took over the series from Sean Connery with this fun 1973 spy thriller set in New Orleans and featuring a blaxploitation and Black Panther-inspired villains. My friend Chris Queen included the theme song on his list of best Bond songs in 2012:
Paul and Linda McCartney banged out a unique title tune for 1973’s Live And Let Die. While previous 007 themes fell into more of an easy listening vein, “Live And Let Die” blends bracing rock and intense orchestration by Beatles producer George Martin, who scored the film.
According to The Billboard Book Of Number Two Singles, Wings almost missed out on the chance to record it, and subsequently the producers almost missed out on the song itself. Martin recalled that when he played the Wings track for producers Harry Saltzman and Cubby Broccoli, they complimented Martin on the song and asked who should record it.
The producers suggested future disco diva Thelma Houston, and otherwise insisted that a black woman perform the song because of the film’s New Orleans setting. Martin and McCartney held firm that there would be no song if Wings couldn’t perform it. Looking back nearly 40 years later, it’s hard to imagine anyone but McCartney belting those immortal words, “Live And Let Die.”
Did the Bond films just get too silly with Moore? Are they better when there’s more of a balance between tough spy action and the occasional jokes and clever gadgets?
I suppose in one sense, Netflix serves the same purpose as Facebook: perpetual high school reunion and never-ending nostalgia fests, reminders of a time before adulthood and the weight of responsibilities.
Nowadays when I go back and watch some film that was fun or memorable from childhood or adolescence I tend to see it more from the parents’ perspective, relating to those characters, rather than the kids. I wonder how Honey, I Shrunk the Kids will hold up when rewatching it. Rather than experiencing it as a child wandering through the grass and inner-tubing in a cheerio, I’ll consider it as the father searching for his lost children…
10. Amish Mafia
I think it’s with Amish Mafia that the “reality TV” trend jumped the shark. It was at this point that premises for shows had to start becoming so outlandish and ridiculous that viewers could no longer be expected to put up with the charade that they’re watching something “real.” With Amish Mafia the show has to be upfront about the fact that the footage is all actually “reenactments.” It’s the TV version of non-alcoholic beer.
The show’s amusing novelty — hearing the Pennsylvania Dutch spoken by some Amish subtitled and saying thuggish things — wears off quick.
Actually, the debate should be whether PJ Media has “jumped the shark” by giving Mr. Swindle the opportunity to post cute dog photos. What’s next–PJ LOL Cats?
Ask and you shall receive. We’re now taking suggestions for any other PJ Lifestyle ____ bylines in the style of Music at Midnight, Cartoon at Noon, Sunshine and our Cute Animal Videos to start organizing the best of internet memes and viral videos by categories.
In partnership with the new fiction publishing platform Liberty Island, PJ Lifestyle is going to begin promoting and co-hosting a series of debates and discussions about popular culture. The goal is to figure out what works and what doesn’t so that in the future we can promote and create better fiction and culture of our own. These are public brainstorming sessions for writers and culture advocates interested in developing a more vibrant popular culture. You’re invited to submit your answers to any of these questions — or a related one of your own! — that interests you:
A) in the comments
C) at your blog, then let us know in the comments or via email.
The most interesting answers may be linked, cross-posted, or published at PJ Lifestyle.
Also check out Monday’s question: “Which Science Fiction Novels Should Be Made into Films and TV Miniseries?,” Tuesday’s question: “Lord of the Rings Vs. Harry Potter: Which Film Series Better Captured their Books’ Spirit?,” and Wednesday’s question: What Are the 10 Most Disastrous Comic Book Adaptations? the previous weeks’ writing prompts and email in your thoughts on any questions that strike your fancy: 5 Questions So We Can Figure Out the Cream of the Crop In Popular Music Genres, 5 Geek Questions To Provoke Debates About the Future of Sci-Fi and Fantasy, 5 Controversial Questions To Inspire Spirited Debates About Music.
This week we’ll begin a discussion about the best — and worst — ways to adapt stories from one medium to another. Your ideas and suggestions are always appreciated.
Allen Mitchum: How Netflix Made Watching TV Like Reading a Novel
Would Watchmen have been better as a miniseries?
This week we’ll begin a discussion about the best — and worst — ways to adapt stories from one medium to another. Your ideas and suggestions are always appreciated.
Networks are adjusting to the changed world of how people watch their programs: hours or weeks later on DVR, online or on-demand. But the industry’s financial structure hasn’t caught up yet, so viewers who watch when a program is first aired – once the only way to watch – are considered more valuable.
That’s why Fox is putting on a live production of “Grease” and NBC is remaking “The Music Man.” Fox is recreating an Evel Knievel motorcycle jump. ABC touts its Oscars telecast and other awards shows. NBC locked up Olympics rights through 2032, and CBS won a bidding war to show NFL football on Thursday night.
Sports usually gets little or no attention in network sales pitches to advertisers. Not this year. ABC, CBS, NBC and Fox all gave sports a starring role. Why? Very few people DVR sports events.
ABC made the point explicit with a message on a wide video screen: “Your DVR can’t handle live.”
“We’re obsessed with trying to eventize everything we can – even episodes of our scripted shows,” said Robert Greenblatt, NBC’s entertainment chief.
“It’s about the urgency to view,” said Fox’s Kevin Reilly.
When Lucy and Desi went live to tape in the 1950s, the audience revolved around the celebrity’s schedule. Now, with the power of recording in the hands of the viewers, the networks are scrambling to get their celebrities ready for something TV actors haven’t needed to do in a long time: Go live.
Reality TV changed the way networks styled television in the early 2000s. Now, social media is changing the way networks market their product. Being a part of the “cultural conversation” is paramount; unfortunately, it also means a steady diet of imitation and near-naked chicks, as Bauder’s quick quiz illustrates:
Which of the following lines was NOT uttered at a network presentation last week:
A) “A lot of people called `Battlestar Galactica’ one of the best shows ever.”
B) “This series is `Game of Thrones’ meets `The Borgias’ meets `The Bible.’”
C) “We have two hours of bloody, sexy drama.”
D) “Some of our new shows will disappear before you even realize they’re on the air.”
If you answered anything other than D, then you have something to learn about the atmosphere of hype and hope that accompanies this week every year.
Can the Big Three really compete with streaming services like Netflix who are willing to invest in original programming and dish it out in an a la carte fashion? Or, will the thrill and nostalgia of live television force even the most radical of new service providers to push the Internet to its streaming capacity?
Recent surveys highlight the fact that seniors lag behind the younger generation in the adoption and usage of technology. Based on interviews with more than 1500 adults age 65 and over, Pew researchers found they could roughly divide senior citizens into two groups. The first group is “younger, more highly educated, or more affluent.” They are far more technologically connected and demonstrate more positive attitudes toward the benefits of the modern digital world. In fact, this group uses the internet at rates approaching — or even exceeding — the general population. The second group is “older, less affluent, often with significant challenges with health or disability.” They are less connected and more wary of the Brave New World of digital platforms. Internet use drops off dramatically after age 75.
Here are some other facts about seniors and technology use:
1. 59% of Seniors Use the Internet
In 2012, 59% of seniors were internet users, up six percentage points from the previous year. In 2014, 47% of seniors have a high-speed broadband connection at home and 77% have a cell phone (up from 69% in 2012). According to the Brookings Institute, seniors spend most of their time online communicating with friends, shopping, and searching for health information.
Comparing watching television to reading a book sounds ridiculous. Especially to those of us raised in a world where TV watchers are derided as couch potatoes and reading is deemed an enlightened activity. So I’m prepared for bibliophiles and even casual readers will take issue with the title of this post. But technology advancements and the improved sophistication and structure in television programming has turned watching TV into an experience very similar to reading a novel.
As an avid reader and author, it took me a while to fully appreciate this new phenomenon, though I’ve fully embraced it now as a regular video content consumer (see, Justified and Breaking Bad). In other words, I have, finally given into binge watching – the practice of consuming numerous episodes of a TV show in a short period of time. An activity that was once ridiculed, binge watching is now a social norm.
There are four primary factors for the rapid change in the consumption and format of TV programming that led to it resembling a live action novel. Each occurred independently, but combined, created the conditions necessary to set in motion the evolution:
(1) high speed internet made the distribution of large video files relatively easy;
(2) services like Netflix secured licensing deals for TV programs and then efficiently and conveniently allowed users to access the content on their schedule, for their chosen duration and at their preferred location;
(3) an increase in the sophistication of TV programs, which has created a “golden age of television” that is supplanting film as the preferred visual entertainment for adults; and
(4) TV shows transitioning to a chapter format more similar to a novel where individual shows need to be watched in order
These factors have combined to make watching TV an experience increasingly similar to reading a novel. TV viewers no longer need to wait weeks or months to watch the next installment of their favorite program. They can continue onto the next episode (i.e. a chapter) at their leisure and convenience. “Binge reading” is a luxury that readers have enjoyed for centuries. Technology now enables TV viewers to do the same.
Taking this transition to the next level was the switch to a chapter format for TV programming, which is almost the norm in today’s most acclaimed dramas and even some comedies. Consider the contrast with Law & Order, or one of my favorite shows, Magnum PI. Those types of shows were designed for episodes to be watched in isolation and out of order without affecting the viewers experience. Each installment is effectively a short story. That’s not the case with much of today’s programming, which are structured like novels, with each episode in a season equivalent to an individual chapter. You can’t watch Breaking Bad or Game of Thrones out of order. Even the Sopranos would be difficult as each season has a running theme that infiltrates each episode. Just as picking up a copy of The Firm and reading random chapters wouldn’t make sense, the same applies to shows like Breaking Bad.
Kiev in in flames and Caracas is rioting.
Here are some pictures from protests happening around the world via Instagram.
Change is in the air.
Having a bad day? Need something to make you smile or chuckle? Love animals?
Instagram has become my new source for “cuteness.” Here are some of the cutest “must-follow” animals on Instagram. Check them out and enjoy!
1. Biddy the Hedgehog
Instagram Account Name: biddythehedgehog
Watch Biddy explore the world, take a bubble bath, or run his hilarious little hedgehog butt through leaves and grass. I really want a hedgehog now…
Editor’s Note: Spend your Valentine’s Day with Frank Underwood! Catch up on Netflix’s House of Cards with this collection of articles Washington D.C.-based Becky Graebner wrote analyzing the first season, concluding with her predictions of the highly-anticipated season 2 that becomes available on February 14.
Here’s a table of contents for the nine articles Becky wrote last summer and her season 2 preview from January; jump to the ones that interest you or just dive in from the beginning in this 9000-word collection:
Part 4: Why We Love to Hate Politicians
Part 5: Can Evil Sometimes Be Good?
Part 6: A Cast of Master Obfuscators
Remember House of Cards? Well, lucky fans, season 2 will premiere on Netflix on Valentine’s Day 2014. I know, such a sweet holiday for such a sweet show! *Snort*
You may recall that I closed my series on season 1 with a few predictions for season 2. (Click here to read the original article.) After watching the trailer for the upcoming season, I decided that I needed to make a few more. Like season 1, season 2 is going to be brutal and people are likely to get whacked by the Underwood Power machine. I decided to take a leaf out of Beatrix Kiddo’s book and write my own “Death List Five” for season 2. My “Death List” is composed of the characters that, in my opinion, are most likely to end up dead by the final episode. I am open to suggestions.
Becky’s Death List Five:
1. AN ANNOYING OBSTACLE: Mr. Raymond Tusk
After watching the trailer, it looks like this man is going to find himself in Frank’s cross-hairs. Nobody comes between Frank and power.
Being BFFs with the President might make him seem untouchable, but nobody says “no” to Doug Stamper… there might be an unfortunate chain-saw accident on Tusk’s property. You just never know…
2. KARMA SUCKS: Zoe Barnes
One of my fellow, HoC watchers submitted Zoe as a possible dead body for season 2. They argued that “there was no way she could walk away from Frank (alive) after being in so deep.”
I could be persuaded to agree.
3. NICE BUT NOT A PIVOTAL CHARACTER: Lucas Goodwin
Lucas is a likable character, but with Janine as Zoe’s other sounding board and accomplice in “Operation Sink Underwood,” it wouldn’t be too upsetting to the plot if Lucas kicked the bucket. We all know the writers like to keep things interesting…
Would Zoe even bat an eyelash? Meh, maybe.
4. DANGEROUS WITH A PEN: Janine Skorsky
I think Janine is fairly likely to die because she is a) a nosy, outspoken journalist, b) already on Stamper’s radar, and c) underestimates the bad guys she is trying to expose.
Stamper and Underwood wouldn’t allow her to live long enough to write a juicy, tell-all story…
5. LOOSE ENDS GET SNIPPED: Rachel Posner
Of all the characters, I think Rachel is the most likely to end up dead. The trailer shows Rachel brandishing a butcher knife in front of Stamper (or, at least, it looks like Rachel). This might be a sneak peek of Rachel’s demise. Rachel is what Stamper calls “a loose end”–and we all know Stamper’s track record when it comes to cleaning up loose ends…
As introduced and curated today by PJ Lifestyle contributor Becky Graebner:
1. Poncho the Dachshund who decided to go into the “family business” and become a hot dog
James Varga, a 25-year-old professional gamer who goes by the screenname of PhantomLOrd, had quite an interesting day on Monday. What started out as a normal day (normal for a pro-gamer) would take a sudden turn into a dramatic cat-and-mouse game with the Derp hacker group and end with police and pizza delivery men swarming his L.A. area home.
James “PhantomL0rd” Varga gets paid to play video games — and apparently he’s quite good at them, including League of Legends, one of the most popular games on the internet. He often plays on Twitch.tv, a streaming service that allows gamers to share their experience live with others. According to Varga, he was achieving an unusually high score in League of Legends (LoL) on Monday when the server went down. He switched to another game with the same result. And then another. Eventually he figured out that the Derp hacking group was following him from game to game and not only knocking him off the sites, but also shutting down the games for all other players worldwide.
David Birti, a computer science student a Cedarville University, explained what happened:
Derp is a hacking collective that started out taking down small private game servers, but has recently moved on to much bigger targets. Starting on Monday, they claim to have taken down League of Legends and EVE Online (the two most-played games in the world), along with EA.com, Club Penguin, KCNA (a North Korean news agency), World of Tanks, Guild Wars 2, a private high school’s website, Runescape, and a Westboro Baptist Church site; all of this was done “for the lulz” (just for fun).
They accomplished this using a distributed denial of service attack (DDOS), which can take down servers for short periods of time by flooding them with nonsense traffic. This is usually accomplished with a botnet, which is a group of normal computers that are under the attacker’s control (usually via a virus). Since there are so many computers contributing to the flood, blocking all of them is infeasible. The larger a target is, the larger a botnet needs to be to take it down. And judging from the high-profile targets they’ve taken out, their botnet is undoubtedly very large.
Throughout the DDOS attacks Varga made several attempts to contact Derp representatives through online chat rooms. At one point Varga said, “The whole server is depending on us winning this game.” Reddit documented the entire drama, including screenshots of the chats. At one point Varga’s personal information was posted on the gaming sites — called DOXing — and pizzas started to arrive at his house.
That moment… pic.twitter.com/3c4zz9nbQm
— Stephen Green (@VodkaPundit) December 10, 2013
Maybe the Germans have a word for something which amazes you without shocking you.
The end of the report also stuck out:
Meanwhile, file sharing continued emaciating on many fixed-access networks as streaming video options like Netflix, YouTube, and others proliferate.
File sharing now accounts for less than 10 percent of total daily traffic in North America, down from the more than 60 percent it netted in Sandvine’s first Global Internet Phenomena Report released more than 10 years ago.
Five years ago, it accounted for more than 31 percent.
So it turns out, if you make movies and TV shows readily and easily available at a decent price, people don’t pirate them nearly so much.
For most of our adult lives, television at the Robinson household consisted of a large antenna in the attic. We jokingly called it “farm vision.” Then we did what all old people do when their children are grown–we moved into town. I really enjoyed the luxury of cable–that is for about two years. Then I started to feel a bit cheated.
This past year forced us to reevaluate almost every aspect of our lives: our health, our lifestyle and our spending habits. When assessing the cost of cable, and the value it brings–cutting it was a no-brainer.
However, my husband and I both have favorite programs we enjoy. I’m not going to lie, as an information-junkie, my withdrawals from news and commentary hit fairly hard.
We’ve had AppleTV, and enjoyed streaming Netflix and routinely mirrored videos or live streaming church services or breaking news. But it really doesn’t offer a whole lot more than what’s on your computer or iPad.
Pronounced Row-Koo. If you’re considering Apple TV as an alternative to cable or DVD rentals checkout Roku first.
Roku is a little black device about the size of the palm of your hand and it streams Internet “channels” to your television. Roku comes loaded with access to over 1000 channels.
It’s a mixed bag of hundreds of free content and paid subscriptions. The best part about it, is you can add the channels you want and you’re not forced to weed through hundreds of channels to get to the couple you prefer. You can get Netflix, Hulu Plus, VUDU, Amazon Instant Video, PBS, The Blaze and Fox News. There are no fees connected with the device itself after the initial purchase. You will have to have wi-fi of course, as it is a streaming device.
Roku currently offers four different devices starting at $49.99. You can add a few bells and whistles at a time.
Currently, we have a yearly subscription to Amazon Prime, and are in the process of comparing Redbox (which offers four DVDs and unlimited streaming for $8.00 monthly) and Netflix. The subscriptions or combination you choose all depend on your viewing habits.
We have enjoyed the ability to watch entire seasons of television shows, watching episodes back to back without commercial interruption. Who cares if they are last year’s season–I’m no longer subjected to ED commercials or dating sites no matter how late we stay up.
You now have several options.
That’s from Derek Thompson who asks, “How long can Netflix’s amazing run last?”
But I think that’s the wrong question.
The right question might be, Why is HBO’s subscriber base nearly static?
HBO has seen Netflix grow and grow, yet have clung to their same old model. There was some brief excitement here at Casa Verde when they announced HBO Go, but the excitement quickly subsided when we found out it’s a “halfway pregnant” effort. Even at that HBO Go is available only to existing cable subscribers. Their growth model is… well, it’s there on the chart.