Dirty Bird, a mainstay at music festivals and events across Wales, ruffled feathers with its new logo design, which appalled locals described as “completely inappropriate.”
“I was queueing up with my two young sons when I looked at the logo and realised what it represents,” unhappy Abigail Griffiths told Wales Online. “It is not the sort of thing that should be on display around children.”
“The food was finger-licking good, but when I saw the logo I was a bit shocked,” added Denise Leyshon, yet another unsatisfied customer. “It’s not really what you want to think about when you’re tucking into your meal.”
Dirty Bird’s boss Neil Young has defended the design, saying he won’t bow to public pressure to alter it. He also claimed he didn’t see any resemblance to the male anatomy.
Sounds to me like the company’s critics are just being crotchety.
Jeff Koons, whose pop art retrospective runs at the Whitney Museum in Manhattan through October 19, is controversial in a way different from most self-consciously “transgressive” artists. For one, he’s very popular among collectors, which is in certain circles unforgivable. Left-wing art critics (but I repeat myself) accuse him of vulgar capitalism and make hay off his history as a (gasp!) commodities trader. The Village Voice called Koons’ career “the triumph of stupidity,” and if that’s not a recommendation I don’t know what is. (How critics can denigrate Koons but exalt Andy Warhol, another artist who made a vast fortune by playing with America’s cultural iconography, is a deeper mystery.)
Blissfully ignorant of the current art scene, I found the camera-friendly exhibition, generously stocked with over 120 pieces, at the least amusing and occasionally amazing, with a couple of smiles guaranteed. I dare say it would be a great visit for children, though given that a Koons’ piece once sold for $58 million (making him the most expensive living artist) perhaps don’t let them get too close.
Even Koons’ most contemptuous critics are disarmed by his 10-foot tall Play-Doh sculpture on the 4th floor (that floor houses the newest, brightest, most childlike stuff). Who knew the world wanted to see tons of aluminum painstakingly crafted to look like the result of a toddler’s random play-date? An adjoining gallery is stocked with masses of stainless steel, painstakingly worried over for years by teams of artists to make it look identical to the inflatable floats available for $7.99 at Wal-Mart. “Art” or not, the technical achievement on display is undeniable.
Note: Some of the videos on this list are not safe for work.
Fresh off the conclusion of its third “season,” the ongoing YouTube production of Epic Rap Battles of History has established itself as an online phenomenon. What began as a clever collaboration between two musically inclined friends has ballooned into a prime example of how to produce viral videos. YouTubers Nice Peter and Epic Lloyd have created an interactive platform which has attracted the participation of fellow YouTube celebrities and even some mainstream stars. It’s been so successful that they were tapped to market the latest Assassin’s Creed video game and promote hit AMC television shows. They even got to meet with the president.
If you haven’t come across Epic Rap Battles of History before, here’s your chance to check them out. Personalities from pop culture, politics, and history collide in rhythmic battles to boast and belittle. The results are often hilarious. Here’s the Top 10 Epic Rap Battles of History.
#10. Moses vs Santa Claus
This had to be a big moment for Nice Peter and Epic Lloyd. Having Snoop Dogg (or Lion, or whatever he’s calling himself these days) featured in an epic rap battle lends a legitimacy which could not be acquired in any other way. He steps naturally into familiar territory. It would have been easy to let his presence overwhelm the project, but this back and forth between Moses and Santa Claus delivers enough laughs from each to succeed on its own merit.
Some stories are so weird you just can’t make them up. Take, for instance, the saga of a pine tree planted in honor or late Beatles member George Harrison near the famed Griffith Observatory in 2004.
According to the Los Angeles Times, the tree died as a result of an insect infestation. The culprit? Bark beetles and ladybug beetles that infested the tree, which had grown to more than 10 feet tall as of last year.
The tree was quietly planted a decade ago following Harrison’s death in 2001 as a tribute to the guitarist/singer spending his final days in Los Angeles and Harrison’s love of gardening.
I had no idea he loved to garden — or what else to do with this strange little story.
Pop culture has become as much of a religious powerhouse as Judaism, Christianity, Buddhism or any other faith. Don’t believe me? Sit in a college classroom. Better yet, attend a fan convention or simply rent the film Trekkies. Films, shows, bands, comic books and their like have become, for some, sources of spiritual nourishment. Do you feel the power?
12. What was once DVR-able is now weekly appointment television.
“Appointment TV” doesn’t begin to describe your weekly ritual. All pressing engagements are pushed aside, phones are silenced, and ritual food is laid out on the coffee table to be partaken in as the ceremony commences. You still DVR the show for good measure, being sure to re-watch at least once, if not multiple times in deep study so that you may discuss the meanings of both text and subtext with fellow fans.
“Weird Al” Yankovic is America’s favorite musical parodist. His latest album is titled Mandatory Fun and it features such songs as “Tacky,” which is a parody of Pharrell Williams’s “Happy,” and “Word Crimes,” a send-up of both Robin Thicke’s “Blurred Lines” and poor grammar.
But, if you’re a fan of “Weird Al,” you don’t only like the songs. You like the videos, too. So, in honor of all that, here are the top ten “Weird Al” music videos.
Twenty-five years ago, a sitcom pilot titled The Seinfeld Chronicles debuted on NBC. A year later, the network gave the show, retitled Seinfeld, a try. Unlike what usually happens today, NBC nurtured the series and let it build a following. Today many critics and fans see Seinfeld as a high-water mark in television comedy, and in honor of its 25th anniversary, here are the ten funniest episodes.
10. “The Puffy Shirt”
By its fifth season, Seinfeld was at a bit of a crossroad. The fourth season had raised the bar creatively (one of the show’s writers referred to it as “our Sgt. Pepper year”), and the show was more popular than ever. Could they top themselves? After an uneven debut, the season’s second outing, “The Puffy Shirt,” showed that the team had plenty of creativity left in them.
In this episode, Jerry politely agrees with Kramer’s “low-talking” fashion designer girlfriend, not hearing what she said. Next thing he knows, he’s stuck wearing one of her creations on the Today show – a ridiculous pirate-inspired puffy shirt.
Naturally, Jerry embarrasses himself on national television, and the design goes nowhere. But in between are some memorable moments – Jerry whining, “But I don’t want to be a pirate”; Bryant Gumbel’s incredulous reaction to Jerry’s shirt; and two homeless men in the final scene wearing the shirts that have been donated to charity. “The Puffy Shirt” proved that the series still had plenty of life in it.
10. We’re so fiercely independent that the only thing we need to be happy… is a man.
Post-second wave feminist romantic comedies rely on the Sheryl Sandberg boilerplate: upper-middle class, successful career woman with an impossibly huge apartment in big city stuffed with everything she could ever want. (See: Reese Witherspoon in Just Like Heaven.) The genre gives the image one slight twist: our heroine is secretly one step away from cultivating her very own cat collection. (See: Meg Ryan in You’ve Got Mail.) True to Hollywood fashion, who better than the big, strong male superhero to fly in to save the day?
Vacations can be wonderful experiences, but all too often they start out at an airport, which can be one of the most frustrating, uncomfortable, and stressful places on earth. Here’s the top ten ways to make your airline travel a good experience. Or at least not a nightmare.
10. Pack a small refreshment bag for the end of the flight.
Purchase the wisp toothbrushes that come with toothpaste already installed. Buy a packet of facial wipes. Take a last visit to the bathroom before landing to wash up, brush your teeth, comb your hair and prepare for your day. No matter how tired you are or how long the flight, the refreshment of a small amount of grooming helps energize you and get you ready to face your journey’s destination. Just avoid changing clothes. It never turns out well unless you’re David Spade in Tommy Boy…
10. Sullivan and Son
This working class comedy executive-produced by Vince Vaughn and Peter Billingsley is fraught with all the non-PC ethnic and sexual humor you’d hear in a working class, Irish-Korean, middle-American bar like the one in the show. Created by Korean American actor/comedian Steve Byrne and Cheers writer Rob Long, the TBS sitcom reminds you that some jokes are still OK to crack. The stellar cast features Dan Lauria (The Wonder Years) and comic genius Brian Doyle-Murray, along with Christine Ebersole and Owen Benjamin, who portray the drop-dead hysterical mother-son dependent duo Carol and Owen Walsh.
It’s wedding season, which means my roommate and I have been shopping for gifts to give our female friends at their bachelorette parties. It’s a fine line to walk — you want to give her something racy that everyone can giggle at (and that she might realistically wear), but not SO outrageous that it makes her and everyone around uncomfortable. We’re not prudes, but we’re not getting anyone a ball gag, either.
Fortunately it’s also the season of the lingerie sale (probably not coincidentally) so we’ve had ample browsing opportunities. A few items, though, just made me scratch my head. How do you put it on, or get it off? How is that remotely comfortable, or sexy? What does it mean?! I invite you, dear readers, to investigate each case with me. Can you explain this lingerie to me?
Hi lovely readers! I’m so happy, I wanted to share the news with all of you: I’ve just entered freelance life. Yes, I actually chose this — worked quite hard, in fact, to earn this freedom. My mom has been sharing with me the lessons she’s learned over several decades of freelance work: don’t undersell yourself; create a schedule for your day; put your clothes and makeup on every morning to make yourself feel focused and ready to work.
So no, I haven’t been living the pants-optional life. Okay, I’m wearing shorts most days. Sometimes yoga leggings. This has raised the question among some of my brilliant colleagues here on the blog: what do Hannah’s business pants do without her?
Rather than leave their curiosity unsatisfied, I present the world with the following list. Think of it as a day in the life of Hannah’s pants.
That the Onion decided to launch this site shows how much the Internet has changed – and whether that change is good or bad has yet to be determined. Still, it’s a good thing that it’s getting satirized — especially since the “content” style of blogging can generate some, well, amusing posts, such as when this writer discovered the existence of genre conventions.
We’ve all heard of the horrors of Cop Rock and Manimal, but after receiving a reader tip on one of their worst TV shows of all time, I did some digging and uncovered these utterly classic samples of bad television that would make great material for Joel McHale or the cast of Mystery Science Theater 3000.
10. Bucky and Pepito (1959)
Produced by Sam Singer, “The Ed Wood of Animation,” Bucky and Pepito was a typical story of an “ambitious” white cowboy and his “lazy” (literally, they sing about it in the theme song) Mexican buddy trolling the old west on a zero budget. According to Toonopedia, “Cartoon historian Harry McCracken once said the pair ‘set a standard for awfulness that no contemporary TV cartoon has managed to surpass. They were great at what they did, which was being bad.’” Thanks to Bucky and Pepito, cartoonists have debated creating a Sam Singer Award for truly bad animation.
The CW is planning to add Jane the Virgin to its fall lineup. Based on a Venezuelan telenovela of the same name, Jane the Virgin is about an intentionally virginal girl who is “accidentally artificially inseminated” by her OB-GYN:
Jane stars Gina Rodriguez (Filly Brown) as a hard-working, devout Latina who is kind of hoping her boyfriend proposes — though she’s a little worried he’ll get down on one knee so she’ll finally agree to do the deed. When a mix-up at the OB-GYN leads to that artificial insemination plot line, Jane must choose whether to keep the baby — and whether to let the handsome father into her life.
Aside from containing a number of Spanish stereotypes, including the paranoid grandmother putting the fear of God into her pre-teen daughter (“Once you lose your virginity, you can never go back!“) to a cast of overtly sexualized Latinas, the show appears to be a platform for some long overdue, serious conversation regarding abortion. However, the show sounds eerily like one of the most famously influential and revered plot lines in the West’s repertoire, leaving one to wonder how a primarily Protestant audience might handle a story that’s been a hit in a Catholic country.
When it comes to the primarily pathetic representation of Latinas on television (does Sofia Vergara have to do it all?) at least Jane the Virgin appears to lack the typical trashiness of Devious Maids.
The senior quote. You only get one chance to encapsulate your high school career in a few words. Do you go with something profound? Or funny? Do you make the Oscar speech you’ll never otherwise get to make? Do you quote a famous movie character or historical figure? Do you go with something clever and awesome, or do you just express your desire to party?
The biggest problem with the senior quote is that it’s forever. If you say something dumb, it’s right there in the yearbook for the school to remember forever. (For some reason, the yearbook staff inadvertently left mine out. I had gone all literary with a quote from Laurel Lee’s Godspeed*.)
Then there’s Paris Gray. The senior at Mundy’s Mill High School in Clayton County, just south of Atlanta, went with a little “nerd humor” for her quote, which wound up getting her in trouble.
Her quote? “When the going gets tough, just remember to Barium Carbon Potassium Thorium Astatine Arsenic Sulfur Uranium Phosphorus.” For those of you who aren’t up on your periodic table, the symbol for those elements translate to:
CNN reports on Eretz Nehederet, Marcus’s first creation.
Omri Marcus is the #1 TV Geek you’ve never heard of. An Israeli journalist-turned-hit TV comedy writer, Marcus made it big thanks to his scientific understanding of comedy, a theory he delves into in a recent interview with Tablet magazine. The dialogue provides a fascinating look at Israeli television, an industry still cutting its teeth thanks to decades of gross nationalization. Until the introduction of foreign channels, the country lived off of one government-run station that began broadcasting in 1968. Color transmissions, a topic of great bureaucratic battles, didn’t begin until 1983. Hitting the industry on the cusp of change, Marcus, 34, helped launch the nation’s greatest comedy hit Eretz Nehederet (This Wonderful Country – think: SNL meets The Daily Show) from a hall closet next to a ladies’ bathroom. Now he’s sought out by TV execs around the globe.
Not ironically (he is a comedian, after all) Marcus made a funny observation about the one thing all TV writers’ rooms have in common:
“One of the best things about my work is that I’ve been to so many writer’s rooms all around the world and they’re basically the same anywhere,” Marcus said. “They are all dominated by a group of neurotic Jews. You know, my dream is to create the world’s largest Jewish writers’ room: German Jews and British Jews and American Jews and Israelis, all sitting together and writing jokes about how they’re not getting laid.”
So, do Jews run TV? Not quite:
“The fact that the world is this global village allows you to reduce the risks in making TV,” Marcus said. “You learn a lot from other countries, and we are all, after all, just storytellers. The stories we tell may differ in details, but they should all be appealing, with well-crafted characters, leaving viewers feeling as if they’ve spent their time wisely watching your show. By learning from each other, we’re able to create great, longer-lasting, and more meaningful content.”
Along with developing a rather scientific dating game involving Google glasses, the Huff-Po contributor maintains BizarreTV, a Facebook page where he chronicles the strangest television shows he’s encountered around the globe. My personal favorite is While You Were Sleeping:
How would you feel if you woke up in the middle of the night and discovered that you’re in the middle of a TV game show? ‘While You Were Sleeping’ is the first game show that gives you money while you’re fast asleep! In each episode one couple plays for a chance to win a cash prize. The twist – only one partner knows what’s going on! To stay in the game they must answer the trivia questions correctly, or risk performing a crazy and hilarious challenge – without waking up their partner!
Other shows featured include The Shower, in which contestants sing in the shower before a live studio audience, Guys in Disguise, a dating show that requires a woman to choose from 2 secret admirers dressed in bizarre costumes and I Wanna Marry “Harry” a new FOX dating game featuring a Prince Harry lookalike.
Currently working under an exclusive, multi-year deal with European media conglomerate ProSieben, chances are Marcus’s shows will be hitting American shores for decades to come.
Or, as Anthony Ha says, “There’s An Upcoming TV Show Called Selfie And I Hate Everything About It“:
Executive: God, I hate millennials.
Showrunner: Yeah, but they’d totally watch a show called Selfie.
Executive: A show … about taking photos?
Showrunner: No no no, that’s just hook, see? It’s really a way to talk about our modern condition as a technological society.
Executive: Forget millennials, I hate you.
Showrunner: (quickly) Not as a serious drama. As a comedy.
Executive: Really? How many jokes can you tell about … whatever the hell they’re called?
Showrunner: That’s the beauty of it. You don’t need jokes, because technology is inherently funny. We’ll just throw in lots of smartphone screenshots and random buzzwords like “Insta-famous” and “oh-em-gee” and the kids will laugh and laugh. You won’t have to hire any actual writers!
One of the funniest (fictional) prospective pitch dialogues I’ve read in a while, Ha’s attack on ABC’s horrible (and horribly over-promoted) new sitcom for the fall is only one of the many signs that Selfie promises to be about as big of a hit as Viva Laughlin, the CBS non-starter based on a BBC series titled Blackpool. But hey, two episodes is better than nothing, right? And in the words of The Soup‘s Joel McHale, “Why would you cancel that? We need that.” After all, a millennial non-starter pilot that rips off one of the most popular classic movies of all time does make great material for those of us who prefer to MST our TV shows.
The real loser in this is Karen Gillan, formerly of Doctor Who, now the “Eliza Doolittle” of Selfie, who will be yet another reminder to British actors (alongside Downton‘s Dan Stevens and Call the Midwife‘s Jessica Raine) that Hollywood plays a totally different game than does the BBC. I doubt that even the Doctor could save this network bomb.
Joel Hodgson, on the other hand….(watch video on next page)
What is wrong with my children? Why won’t they let me completely immerse myself in their lives?!
Beverly Goldberg, The Goldbergs
Last week, my husband and I fell over laughing at the best line in the entire first season of ABC’s The Goldbergs. Just renewed for a second season, the autobiographical series created by Adam F. Goldberg (no relation) features, in his own words, “the orginial sMother” Beverly Goldberg, archetype of Jewish moms the world over. In his comic genius (complemented by Wendi McLendon-Covey’s masterful performance) Goldberg has managed to take a figure much-maligned over the past few decades and craft her into a clan leader who is as lovable as she is obnoxious. With her ballsy, brash bravado, Beverly is the living, breathing Jewishness in a show otherwise lacking in Jewish culture. For The Goldbergs, Jewish is not about kashrut, holidays or simchas; it is about a mother who smothers her children with equal parts love, confidence, and overprotection.
Thanks to Freud and Friedan, Jewish moms have taken a beating over the past few decades. Friedan used her own mother’s discontent with being a housewife as the impetus for her brutal criticisms of motherhood and housewifery, going so far as to describe the latter using Holocaust imagery. What Friedan failed to note early on was the antisemitic influence on her mother’s behavior. Not only was her educated mother forced to become a housewife the minute she married, she was also the victim of lifelong antisemitic prejudice. This attitude, something internalized by both mother and daughter, would later come out in brute force through Friedan’s feminist critiques of the Jewish mother. It was a position that Friedan would eventually come to regret. According to historian Joyce Antler:
…in later life [Friedan] has joined the modern aspirations of feminism with the popular emblems of her Jewish heritage, understanding that the myth of a controlling, aggressive Jewish mother has been as dangerous to the self-esteem of Jewish women (including her own) as the earlier “feminine mystique” was to all women.
The real-life Beverly Goldberg views her son’s television show as a “validation of everything she’s ever done.” I’d take her observation a step further; I believe Adam F. Goldberg’s seemingly simple, humorous portrayal of “the original sMother” is a much-needed cultural validation of the Jewish mother figure at large. Beverly Goldberg may not have the zaftig figure of her televisual predecessor Molly, but she has a zaftig heart, one that infuses the kind of family love into a sitcom setting that hasn’t existed since the Huxtables went off the air. In the midst of intense cultural debates on the value and future of motherhood, Beverly Goldberg’s intense devotion, undivided attention, and proclivity for jaws-of-life hugs are refreshing.
Happy sMother’s Day to Jewish moms around the globe. Just please remember to let your kids come up for air once in a while.
When I’m watching late night talk shows, it’s generally Conan or Jimmy Kimmel. Fallon strikes me as lazy but he’s growing on me.
I caught last night’s Late Night with Seth Meyers show and, frankly, I wish I hadn’t. He’s terrible.
He should’ve lost me with the monologue, which was full of weak obviousness. He led with an Earth Day joke in which a guy scolded him about throwing away a banana peel.
Banana peels are biodegradable, but whatever. He did a joke about AOL, meatballs, the shrinking middle class, and a bunch of other totally forgettable one-liners. I challenge you to laugh at just one of his monologue jokes.
He did some canned bit about 1980s NFL pencils. I used to have several of those pencils, so I could identify with collecting them when you were a kid. But the bit was just bad.
He did a “Deep Google” bit which could’ve very been funny, but wasn’t funny at all. It came off as embarrassingly contrived. Maybe that’s his schtick?
He did a bit in which he got romantic with planet earth because of Earth Day. It was awful. Painfully unfunny. Here, watch it if you want to, but it’s 3:30 you’ll never get back.
Then he had Sofia Vergara on. She can light up a black hole, but Meyers’ segment with her — bad. No chemistry.
Then he had Natalie Dormer on. She’s on Game of Thrones and is now filming the next Hunger Games movie. Dormer has been on everything, from The Tudors to Elementary and now the most talked-about show on earth.
Meyers mostly talked with her about running.
So, Meyers had two gorgeous actresses who are at the top of their games on his set, one right after the other, and he still managed to not be very interesting. The show would have flowed better if he had been cut out of both of those interviews entirely.
I didn’t stick around after the Dormer interview.
We’ve seen to many changes in technology over the last generation or so that some of the greatest innovations from the childhood of a Generation X-er (like me) are completely obsolete today. For example, my nieces have been aware of what “listening to records” is for a long time because I have a record player at my house. But a couple of years ago, when the oldest of the girls, now 9, saw a record outside the sleeve for the first time, she said, “Wow! That’s a big CD!”
It’s fascinating to see kids react to older technology. The Fine Bros., who have created some of the funniest videos anywhere with the React Series on YouTube, have tackled that topic with their latest video, “Kids React To Walkmans.”
Of course the kids’ reactions are priceless. One girl immediately thinks she’s looking at a phone, while another, when she can’t figure out how to use it, exclaims, “I feel so judged right now!” The kids “ooh” and “ah” at the cassettes and laugh at the headphones — “My grandpa has some of these!” To a man – er, to a child – all of them prefer today’s digital technology to the old school cassette player. Then again, who wouldn’t? Check it out for yourself: