Traffic was formed in 1967 by musicians Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. All had been professionally performing already; Winwood in particular had just abruptly departed the highly successful Spencer Davis Group.
Right from the word “go,” Traffic was on the US and UK charts. Although of the three popular singles they first released (Mr Fantasy), their biggest hit wasn’t really anything like what you would think of by them. Most of the band members thought it was “silly” and not like the sound they envisioned at all. They loathed the tune, refusing to ever perform the song live; Dave Mason, who wrote it and was getting intense criticism over it, quit the band in January of 1968.
1. “Hole in my Shoe” (1967)
At their very beginning, the Yardbirds were first the Metropolitan Blues Quartet, then briefly the Blue Sounds, finally settling on Yardbirds in the fall of 1963. This one band was responsible for starting the careers of three of the top 100 guitarists (Clapton #2, Page #3, Beck #5). Their original sound was all “classic” blues. Regrettably, there are no recordings of them from this time, so here’s a piece by the original artist that they played frequently, in smoky, ill-lit UK clubs.
1. The Eric Clapton Era: Howlin’ Wolf – “Smokestack Lightning” (1959)
In October of ’63, the original lead guitarist, Tony “Top” Topham resigned. You see, he was all of 16 years old, and his parents objected to him hanging around in clubs at his age (the newly named “Yardbirds” having succeeded as the house band for the Crawdaddy Club, replacing the Rolling Stones); also, he was scheduled to attend art school, so away he went. Once Topham had departed, a preciously young Clapton took over as lead guitar. Clapton was also enamored of the blues, although he took the ‘Birds in a somewhat different direction than the original “pure” sound.
10. Howdy Doody
I can hear you… “What? Are you nuts? How can you put a puppet on a list of the greatest influences on our nation’s largest, and presently most influential, generation?”
Well, ignoring the fact that Howdy Doody was not a” puppet” (he was a marionette), having Howdy Doody on the list makes perfect sense. The baby boomers are what sociologists call “a cohort group” — i.e., a group of people who share, and are bound together by, a common set of experiences during a defined period.
What was the first shared experience that the boomers – the cohort group born between 1946 and 1964 – uniquely had in common? Watching TV. And what was their earliest shared favorite television program? Howdy Doody. I rest my case.
10. Sullivan and Son
This working class comedy executive-produced by Vince Vaughn and Peter Billingsley is fraught with all the non-PC ethnic and sexual humor you’d hear in a working class, Irish-Korean, middle-American bar like the one in the show. Created by Korean American actor/comedian Steve Byrne and Cheers writer Rob Long, the TBS sitcom reminds you that some jokes are still OK to crack. The stellar cast features Dan Lauria (The Wonder Years) and comic genius Brian Doyle-Murray, along with Christine Ebersole and Owen Benjamin, who portray the drop-dead hysterical mother-son dependent duo Carol and Owen Walsh.
Few record albums have quite the same grasp on the soul of an aging “Baby Boomer” as does the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Ask “where were you when you first heard the album?” and their answer will be as detailed as would be the answer of a WW II veteran when asked where and how he first learned of the attack on Pearl Harbor, or a younger person, “where were you when you first heard about the Twin Trade Towers?”
It thus comes as some shock to most “boomers” when they learn that among younger generations Sgt. Pepper’s is not held in universally high esteem.
This aging rocker recently confronted that fact on a forum popular with guitarists of all ages. The negative comments about the album certainly called for a response. But what response? Can an older person who came of age during the sixties make one that is fair and unbiased? I had to try. But first I had to think.
Sgt. Pepper’s Lonely Hearts Club Band was, and is, to my generation, more than a record album or (later) CD. It was, and is, for many, the punctuation point that marked a major change in our society: the period at the end of the sentence that was the fifties.
To a younger audience this would have to be explained.
Are you a true child of the 1970s? See how many of these essential shoes you owned to find out!
10. Earth Shoes
Going from worst to first, I’m almost reluctant to name Earth Shoes to a list of “essential” anything because they were so completely unfortunate looking. The “negative heel technology” shoes represented one of those terrible moments when fashion tried to merge with health benefits. Anne Kalsø, a native of Denmark, invented the shoes in the 1950s. According to the Earth Shoes website:
Kalsø ‘s passion for yoga led her to study in Switzerland and eventually in Santos, Brazil. It was there, in 1957, that she observed the excellent posture of indigenous Brazilians, and the impressions left by their bare footprints as they walked through beach sand. She observed that the footprints laid were deeper in the heels than in the toes. This natural body position resonated with the thoughtful Kalsø. It echoed a formative yoga pose she knew well – Tadasana (the ‘Mountain’ pose). posture improved, and how her breathing passages opened. She was inspired.As she herself emulated the pose of the native Brazilians, she noticed how her own posture improved, and how her breathing passages opened. She was inspired.
Ten years later, Earth Shoes were born in Copenhagen. The company claimed that many people reported that the shoes eased chronic foot and body problems. It wasn’t until April 1st, 1970 — coinciding with the first Earth Day — that the first ”Kalsø Earth Shoes” store opened in the United States. The shoes became wildly popular, even appearing on the Tonight Show and in TIME Magazine. They’re still available, by the way, in case you’re feeling nostalgic or feel the need to have your breathing passages opened.
We’ve all heard of the horrors of Cop Rock and Manimal, but after receiving a reader tip on one of their worst TV shows of all time, I did some digging and uncovered these utterly classic samples of bad television that would make great material for Joel McHale or the cast of Mystery Science Theater 3000.
10. Bucky and Pepito (1959)
Produced by Sam Singer, “The Ed Wood of Animation,” Bucky and Pepito was a typical story of an “ambitious” white cowboy and his “lazy” (literally, they sing about it in the theme song) Mexican buddy trolling the old west on a zero budget. According to Toonopedia, “Cartoon historian Harry McCracken once said the pair ‘set a standard for awfulness that no contemporary TV cartoon has managed to surpass. They were great at what they did, which was being bad.’” Thanks to Bucky and Pepito, cartoonists have debated creating a Sam Singer Award for truly bad animation.
1. Ford Mustang
Where does one even start when talking about the Ford Mustang? This car has become the embodiment of America’s love affair with speed and muscle. This iconic Ford instigated the creation of the “pony car” classification of automobiles and prompted competing car manufacturers to crank out America’s other favorite muscle cars. For Ford, the Mustang was (and continues to be) a smash hit.
The first Mustang debuted at the New York World’s Fair in April of 1964. It was originally equipped with a 260-cubic-inch (4.3L) V8 but was quickly upgraded to a 289-cubic-inch (4.7L) V8 in its first year. By 1968, the Mustang was outfitted with a 302-cubic-inch (4.9L) V8. The following year, Ford released several performance packages for the Mustang including the Boss 302, Mach 1, and Boss 429. The speed and power had arrived.
As it turns out, the decade wasn’t all bad!
Here are a few things we remember fondly from the 1970s:
1. Department Store Gift-Wrapping
As a child I was completely enchanted by the dazzling array of bows and shiny gift wrap displayed on the wall in the gift-wrapping department at the May Company department store near my home in suburban Cleveland. The ladies were expert wrappers, with perfectly creased corners and stripes that lined up at every seam. The bows and gift cards were like icing on the tops of beautiful cakes. It was like watching magic happen before my eyes to see an ordinary salad bowl transformed into a sparkly work of art piled high with ribbon and lace. These days, most stores no longer offer gift-wrapping service (though a handful still do). More often than not you’ll be directed to the wrapping paper aisle and told to fend for you ham-handed self — explaining the exponential growth of the gift bag industry.
You don’t normally think “cultural commentary” when you watch a Paul McCartney video. But, with his latest video release for the song Appreciate, the septuagenarian King of Rock continues to pull new tricks from up his sleeve. This time, a catchy song and dance number transcends the usual McCartney fantasyland, providing some smart commentary on human culture in an increasingly technological environment. In McCartney’s museum, the humans doing everyday things are the displays to be studied by a robot known as “Newman”. An artistic interpretation of left and right brain segments is displayed as McCartney walks this New Man (get it?) through the exhibit, counselling him on human behavior and how to groove. By the end of the video, even the humans are getting into the act, dropping their technological fancies in favor of dancing to the beat.
The robot itself shouldn’t come as a surprise to hardcore McCartney fans. Back in October, when he graced the cover of Rolling Stone McCartney commented on visions of a robot, possibly influenced by one of his favorite stories shared with his 10 year old daughter, Beatrice, is The Iron Giant. In press for the video’s release, McCartney commented:
“I woke up one morning with an image in my head of me standing with a large robot. I thought it might be something that could be used for the cover of my album ‘NEW,’ but instead the idea turned out to be for my music video for ‘Appreciate’. Together with the people who had done the puppetry for the worldwide hit ‘War Horse,’ we developed the robot who became Newman.”
Having developed a keen interest in filmmaking when he was still one of the Beatles, McCartney has come a long way with his films from his first directorial foray, 1967′s Magical Mystery Tour. Far from the acid-induced country bus tour, Appreciate provides an up-tempo perspective on the 21st century from the guy who, not long ago, was singing about his Ever Present Past.
Yet it isn’t Microsoft that’s keeping Macca relevant among Generation Hashtag; cultural commentary aside, McCartney still knows how to rock a beat. Dubbed a “remarkable album” by POPMatters, NEW was ranked the 4th best album of 2013 by Rolling Stone. Transcending the pop fluff that perpetuated so many of his hits in the 70′s and 80′s, McCartney has entered a new era as much motivated by experimentation as reflection.
McCartney is set to tour with Newman in Japan. Perhaps a Godzilla mashup is already in the works.
What is wrong with my children? Why won’t they let me completely immerse myself in their lives?!
Beverly Goldberg, The Goldbergs
Last week, my husband and I fell over laughing at the best line in the entire first season of ABC’s The Goldbergs. Just renewed for a second season, the autobiographical series created by Adam F. Goldberg (no relation) features, in his own words, “the orginial sMother” Beverly Goldberg, archetype of Jewish moms the world over. In his comic genius (complemented by Wendi McLendon-Covey’s masterful performance) Goldberg has managed to take a figure much-maligned over the past few decades and craft her into a clan leader who is as lovable as she is obnoxious. With her ballsy, brash bravado, Beverly is the living, breathing Jewishness in a show otherwise lacking in Jewish culture. For The Goldbergs, Jewish is not about kashrut, holidays or simchas; it is about a mother who smothers her children with equal parts love, confidence, and overprotection.
Thanks to Freud and Friedan, Jewish moms have taken a beating over the past few decades. Friedan used her own mother’s discontent with being a housewife as the impetus for her brutal criticisms of motherhood and housewifery, going so far as to describe the latter using Holocaust imagery. What Friedan failed to note early on was the antisemitic influence on her mother’s behavior. Not only was her educated mother forced to become a housewife the minute she married, she was also the victim of lifelong antisemitic prejudice. This attitude, something internalized by both mother and daughter, would later come out in brute force through Friedan’s feminist critiques of the Jewish mother. It was a position that Friedan would eventually come to regret. According to historian Joyce Antler:
…in later life [Friedan] has joined the modern aspirations of feminism with the popular emblems of her Jewish heritage, understanding that the myth of a controlling, aggressive Jewish mother has been as dangerous to the self-esteem of Jewish women (including her own) as the earlier “feminine mystique” was to all women.
The real-life Beverly Goldberg views her son’s television show as a “validation of everything she’s ever done.” I’d take her observation a step further; I believe Adam F. Goldberg’s seemingly simple, humorous portrayal of “the original sMother” is a much-needed cultural validation of the Jewish mother figure at large. Beverly Goldberg may not have the zaftig figure of her televisual predecessor Molly, but she has a zaftig heart, one that infuses the kind of family love into a sitcom setting that hasn’t existed since the Huxtables went off the air. In the midst of intense cultural debates on the value and future of motherhood, Beverly Goldberg’s intense devotion, undivided attention, and proclivity for jaws-of-life hugs are refreshing.
Happy sMother’s Day to Jewish moms around the globe. Just please remember to let your kids come up for air once in a while.
The Introduction to Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
Part 1: The Mask of Marxism
Part 3: Who Needs a Brain?
Part 4: Are Conservatives Cowards?
“The August 1991 coup in Moscow collapsed three days after it had started, providing the ultimate, ironic proof that nothing, not even a coup, could succeed any more in a society whose vital arteries had been calcified by 70 years of disinformation and dismal feudalism. The main loser was the Communist Party.”
– Lt. Gen. Ion Mihai Pacepa
Both the Democrat and Republican parties have been disinformed by Marxism. The Liberal wing of the Democrat Party has been duped into putting their faith in Marxism’s many forms (socialism, economic determinism, progressivism), while the Republican Party has legitimized Marxism as a form of party politics instead of a murderous, atheistic religion that empowers despots. The Conservative movement, by and large, is slow to recognize Marxism’s true nature, because we are a nation that has been drugged by Disinformation. Pacepa continues:
At the end of the 2001 summit meeting held in Slovenia, President George W. Bush said: “I looked the man [Putin] in the eye. I found him to be very straightforward and trustworthy.” Unfortunately, even President Bush was deceived by disinformation. Putin consolidated Russia into an intelligence dictatorship, not a democracy. During the Cold War, the KGB was a state within a state. Under Putin, the KGB, rechristened the FSB, is the state. Three years after Putin enthroned himself in the Kremlin, some 6,000 former officers of the KGB—that organization responsible for having slaughtered at least 20 million people in the Soviet Union alone—were running Russia’s federal and local governments.
…Is it too far-fetched to suggest that this new Russia calls up the hypothetical image of a postwar Germany being run by former Gestapo officers, who reinstate Hitler’s “Deutschland Über Alles” as national anthem, call the demise of Nazi Germany a “national tragedy on an enormous scale,” and invade a neighboring country, perhaps Poland, the way Hitler set off World War II?
That is the secret power of disinformation.
Pacepa share these thoughts with me mere weeks before the Ukranian revolution and secession of the Crimea to Putin’s Russia. Disinformation is wielding its power on the American homefront as well. In his critique of Thomas Piketty’s new book Capital in the Twenty-First Century, David Brooks embraces Piketty’s idea of a tax on the wealthy’s investment capital in order to create intellectual equality among the classes:
Think of how much more affordable fine art would be. Think of how much more equal the upper class would be.
His musings aren’t that far off from those of Russian intellectuals, who are “making do” with their government’s clampdown on free media and the right to protest. In exchange for their rights, these Russians whose intellectual arteries have been “calcified by disinformation” are being doted upon by their increasingly despotic government:
All sorts of entertainment is being lavished on Russia’s hipsters. Their favorite public parks have splashy, beautifully designed restaurants and clubs, comfortable biking areas and luxurious places to chill. Sanctions or not, Fedoseyev’s friends can still dine out at restaurants full of expats, take shopping trips to Milan, or buy their electronic gadgets online. Fashion Week this weekend was another party blooming with charming models and celebrities; the usual hipsters clubs, Solianka, Simachev, Oldich Dress and Drink or Strelka, felt as cuddly and crowded as ever.
To paraphrase Brooks, it would seem that the fine art is quite affordable in Russia these days. Like junkies seeking a quick fix, Russian intellectuals pursue disinformation at the expense of their freedom. Is Brooks suggesting we do the same, or have we already succumbed to the addiction? In either case, what we need to know now is: What is the antidote to disinformation?
Hiding the ugly face of Marxism has become a real science.
– Lt. Gen. Ion Mihai Pacepa
We get it: Intellectuals who fall to the Left of the political spectrum dig Marx. Cultural critics like Ben Shapiro and Ben Stein have already made the excellent argument that academia is ideologically corrupted by said intellectuals, arguments that can be backed up by practically every conservative college graduate in the country. Now the focus has turned to public education, specifically the battle over Common Core Curriculum Standards (CCCS). You know what I’m talking about: Those crazy grammar assignments or math problems-cum-memes that pepper your Facebook and Twitter feed, usually accompanied by sarcastic comments like “Common Core is making me stupider.”
From a governmental point of view, Obama’s CCCS look like Bush’s No Child Left Behind on steroids: high-impact grant funding legislation that increases federal influence at the local level. Public school districts must report boatloads of data showing quantifiable achievements if they are to be rewarded with government funds. Many Americans doubt that a quality education can be quantified, but as Stalin was fond of saying: “Bureaucracy is the price we pay for impartiality.”
Which brings to mind Pacepa’s remark:
After the Kremlin expelled Romania’s King and declared the country a Popular Republic, the new government nationalized the school system, and decided to create its own type of intellectual — the “new man”.
Romania had its intellectuals before the Revolution. Most fled to Western Europe with death sentences hanging over their heads, still more wound up in gulags, and yet others elected to support the communist regime. A new generation of intellectuals would grow up behind the Iron Curtain, cultivating a subculture all their own filled with bootleg records and western media. They’d take menial bureaucratic jobs that would give them enough time to think and write – secretly of course – and maintain the culture their government denied them. Today’s Russian intellectuals have inherited the complacency of their parents’ generation, willing to “make do” as the government clamps down on free speech. It would seem, as Pacepa puts it, that their “vital arteries [have] been calcified by 70 years of disinformation and dismal feudalism.”
The harsh reality is that most citizens of the former Soviet Union do not know how to defend freedom because they’ve been educated to live without it. As the Wizard so kindly explained, the Scarecrow didn’t need a brain; he needed his intelligence to be quantified through a degree conferred by an authoritative source. This doesn’t mean that public education is a sham; on the contrary, this should illustrate how powerful an education can be in the hands of the educators as well as the minds of the educated.
We’ve discussed Marxist influences in our contemporary culture, but do we have the courage to confront Marxism in our daily discourse? Stay tuned for the next installment of Pacepa’s Seeds of Knowledge.
Most East European governments concealed their road to Communism by posting innocuous nameplates at the door, such as People’s Republic or Popular Republic.
Lt. Gen. Ion Mihai Pacepa
“People’s Republic” is such a chummy term. In fact, Marxism in general, with all it’s “redistribution of wealth” sounds so compassionate, at least to a Western, Judeo-Christianized mind. A Chinese mind familiar with Mao’s Great Leap Forward, for instance, may have a different take on the benevolent-sounding idea of a “People’s Republic” given the facts:
“State retribution for tiny thefts, such as stealing a potato, even by a child, would include being tied up and thrown into a pond; parents were forced to bury their children alive or were doused in excrement and urine, others were set alight, or had a nose or ear cut off. One record shows how a man was branded with hot metal. People were forced to work naked in the middle of winter; 80 per cent of all the villagers in one region of a quarter of a million Chinese were banned from the official canteen because they were too old or ill to be effective workers, so were deliberately starved to death.”
Mao couldn’t lie his way past a free press in the West. Nor could Khruschev, as Pacepa explains,
The 1963 missile crisis generated by socialist Cuba gave the socialist mask of Marxism a dirty name in the West, and few Marxists wanted to be openly associated with socialism anymore.
But, socialism is still hot. China is still The People’s Republic and “we’re all socialists now,” right? The last installment ended with the question: How have intellectual Wizards manipulated Marxism to acculturate the American mind leftward? Pacepa answers:
[Marxists] therefore began hiding their Marxism under a new cover called “economic determinism,” …a theory of survival rooted in Marx’s Manifesto (another theory of survival), but it pretends that the economic organization of a society, not the socialist class war and the socialist redistribution of wealth, determines the nature of all other aspects of its life.
When economic determinism lost credibility because of the devastating economic crisis in Greece, our Democratic Party began replacing it with “progressivism,” which has become the latest cover name for Marxism. …Today’s Progressive Movement was born in New York’s Zuccotti Park. It was first known as the “Occupy Wall Street” movement, which advocated the abolition of “capitalist America.”
Marxists in the West successfully propagate progressivism under the guise of “social justice“ that demands the redistribution of wealth to the less fortunate. Ironically, most people of the Judeo-Christian West accept this Marxist notion out of the goodness of their hearts. However, putting faith in the Marxist lie that human beings don’t have a heart (and therefore are incapable of compassionate decision making) requires handing over all financial power to the Marxist Wizards who proceed to dole out your funds as they see fit.
This speaks to the heart of the question, but how have the Marxist Wizards rendered us so seemingly brainless?
David, in your last response in our ongoing dialogue about Lisa De Pasquale’s new book Finding Mr. Righteous, you cited another disturbing passage from the book (shown above) and paired it with some of your own relationship experiences:
Some of the women I dated would shift the foreplay into one disturbing realm or another, either incorporating pain and degradation into how they treated me or requesting I act that way toward them. Never was it just “for fun” or “to be kinky” or to “spice things up”– always behind these outward expressions some inner emotional wounds ached, unhealed by a spiritual practice.
Or rather, as it turns out, the sex and the pain was their substitute for a religion. …The main takeaway that I’ve gotten from Paglia, supplemented by additional reading from books like A History of Sexual Customs and James C. Bennett and Michael Lotus’s America 3.0, is that throughout human history the Judeo-Christian conception of monogamous marriage is actually the “deviant,” unnatural way to live. History shows that the more “normal” way for both men and women to treat each other is the same way animals do in the wild — as disposable meat. Humans’ default setting is not to love just one person forever. When we do we are rising above our nature; do I go too far that Love itself is not natural?
David, I must congratulate you on your epiphany. You have discovered a truth that many in the mainstream Bible-believing sphere have tried to avoid for years: Those who put their faith in the Bible are the cultural deviants. How hilarious is it that a self-proclaimed atheist can state this so clearly? Then again, one of the reasons Paglia has been blacklisted by liberals is that she is so willing to discuss the difference between pagan and Godly behaviors. Liberals, especially the Marxists in the bunch, long ago learned that it’s much easier to behave badly when you do it under the guise of being Godly. In this case, Paglia’s too honest for her own good.
Pilot Episode, Scarecrow & Mrs. King (1983)
I dig spy movies. TV shows, too. Most kids growing up in the last decade before the fall of the Berlin Wall have fond memories of their first TV heroine being Jem or She-Ra. Mine was Amanda King. At 8 years old I wanted to partner up with an ultra-cool spy like Scarecrow (code named as a member of the Oz Network - as in Wizard of) and take down the Evil Empire in our midst. So, of course, when my editor Dave Swindle approached me with the opportunity to partner up with KGB defector Lt. Gen. Ion Mihai Pacepa for a little intelligence gathering, how could I refuse?
Pacepa’s latest book, Disinformation reads like a Russian epic. The chronicle of facts detailing the Soviet disinformation campaign that disarmed American intellectual, political and academic circles over the course of the 20th century should be a must-read in any conservative’s common core. Having relied on it heavily for my PJ Lifestyle series on the Intellectual Love Affair with Marxism, I finished the book wanting to understand exactly where America is at on the road to socialism, and if the facts fit, why so many conservative outlets hesitated to give Pacepa’s book the time of day. So, I began my interview with 15 questions; a few weeks later Pacepa sent me a 12 page reply to the first question on the list. Tolstoy would’ve been proud. ”I’m out of touch with this generation… you speak their language,” he commented rather poetically. He also gave me an assignment: to decode his knowledge into what the Dude would call “the parlance of our times.”
Like Jay Carney, I have an affinity for the Soviet spectrum. Unlike Jay Carney, the goal of my interest is to avoid becoming a citizen of the next socialist empire to tear apart the globe. So, in the interest of achieving that goal, I seek out primary sources who can give me real information on the warning signs that appear within a culture whose political and popular leadership are driving them dangerously close to the brink of socialism with the goal of autocracy in mind.
The prophet said, “Stop at the crossroads and look around. Ask for the old, godly way, and walk in it. Travel its path, and you will find rest for your souls.” God has designed a path; we choose to walk down it and eventually realize what we’ve been preparing for all along. My path began in front of a TV and wound up here, in front of a screen that connects millions today with seemingly ancient truths. I invite you now to walk this yellow brick road with me as we study Pacepa’s seeds of truth and, perhaps, get a chance to plant a few of our own so that we can all find the rest we so desperately need.
Editor’s Note: “Part 1: The Mask of Marxism” is scheduled for Monday at 8:00 PST.
This excerpt is from the book Rules for Radical Conservatives by the noted Leftist radical, “David Kahane.” If you don’t know who David Kahane is, click here. And here. Buy it, read it, weep, and enjoy it if you can:
Despite all the evidence of the past several decades, you still have not grasped one simple fact: that, just about a century after the last one ended, we engaged in a great civil war, one that will determine the kind of country we and our descendants shall henceforth live in for at least the next hundred years – and, hopefully, a thousand. Since there hasn’t been any shooting, so far, some call the struggle we are now involved in the “culture wars,” but I have another, better name for it: the Cold Civil War
In many ways, this new civil war is really an inter-generational struggle, the War of the Baby Boomers. America’s largest generation, the famous “pig in the python,” has affected everything it’s touched, from the schools of the 1950s (not enough of them) through the colleges of the 1960s (changed, changed utterly), through the political movements of the 1970s and ‘80s (revolution and counter-revolution), and into the present, where the war is still being waged. For the dirty little secret is that all those fresh-faced kids, crammed together in public-school classrooms, have hated each other almost from the moment they first drew breath, and realized that they were to be locked in lifelong, mortal competition with the dozens, hundreds, thousands, millions of other kids their same age. From their first moment of self-consciousness, they were aware that they would have to fight for everything they got: for the love of their parents, for a desk in the classrooms, for a place in the elite colleges, for a job, for a title, for money, for everything.
It was back then, shoulder to shoulder in those crowded, stinky classrooms, benighted places where there was scarcely a grief counselor ever to be seen, where Attention Deficit Disorder and the whole host of other imaginary diseases we have since inflicted on you had not yet been invented (any kid claiming ADD would have been laughed at and, in Catholic school, probably slapped upside the head by the nuns), and where the idea of filing a lawsuit on just about any pretext would have been considered trashy, that our respective sides developed our deep antipathy for one other. My crew was resentful that we had to share space, not only in the classroom but on the planet, with inexplicably happy alien beings like you, who, at best, ignored us as you got on with your lives in pursuit of the chimerical “American Dream,” or worse, treated us with contempt as we whined, moaned, bitched and complained about the awful unfairness of life and the vast evil all around us and all that jazz. Just because you happened to be the so-called “majority” at the time didn’t mean we couldn’t start planning ways to take you down, to change things, to effect a fundamental transformation of your society. Which, in case you haven’t noticed, is now ours.
You admired strength, resolve and purposefulness; we were stuck with weakness and indecision. You saw the world as something to be conquered; we saw the world as a hostile force needing to be appeased. You dealt with life head-on, never complaining and never explaining; we ran home and told our mommies. You cheered when macho neanderthals like John Wayne or Steve McQueen kicked some “bad” guy’s butt, and swelled with pride at that whole faked “moon landing” charade, while we ogled Jane Fonda as Barbarella atop that anti-aircraft gun in Hanoi, and rolled around naked in the mud at Woodstock. Think of us as Cain to your Abel, hating you from practically the moment we were born, hating you for your excellence and your unabashed pursuit thereof while we were the ugly stepchildren. Well, Cinderfella – how do you like us now?
Michelle Goldberg over at the Nation published an excellent article on the #CancelColbert controversy arising out of what she has dubbed the “New Political Correctness”:
It’s increasingly clear that we are entering a new era of political correctness. Recently, we’ve seen the calls to #CancelColbert because of something outrageous said by Stephen Colbert’s blowhard alter ego, who has been saying outrageous things regularly for nine years. Then there’s the sudden demand for “trigger warnings” on college syllabi, meant to protect students from encountering ideas or images that may traumatize them; an Oberlin faculty document even suggests jettisoning “triggering material when it does not contribute directly to the course learning goals.” At Wellesley, students have petitioned to have an outdoor statue of a lifelike sleepwalking man removed because it was causing them “undue stress.” As I wrote in The Nation, there’s pressure in some circles not to use the word “vagina” in connection with reproductive rights, lest it offend trans people.
Radicals thrive on crisis. The crises they are generating are evidence of how truly free we are as a nation. Panicking over statuary is as #FirstWorldProblem as you can get. Yet we should not be fooled: The chaos of radicals always has a serious motive.
Nor is this just happening here. In England’s left-wing New Statesman, Sarah Ditum wrote of the spread of no-platforming—essentially stopping people whose ideas are deemed offensive from speaking publicly. She cites the shouting down of an opponent of the BDS movement at Galway University and the threats and intimidation leveled at the radical feminist Julie Bindel, who has said cruel things about trans people. “No platform now uses the pretext of opposing hate speech to justify outrageously dehumanising language, and sets up an ideal of ‘safe spaces’ within which certain individuals can be harassed,” wrote Ditum. “A tool that was once intended to protect democracy from undemocratic movements has become a weapon used by the undemocratic against democracy.”
Whether it is in a public forum or a private business (as with last week’s case of Mozilla CEO Brendan Eich) “no-platforming” is the desired outcome of the radical-induced chaos. Whether it is used against the presumed liberal (feminism) or conservative (anti-BDS) cause, the outcome is the same: a clampdown on free speech and individual expression, marketed as kind-hearted, feel-good social legislation. Orwell would not be surprised.
The hypocrisy of the intellectual elite is finally being called onto the cultural carpet. This past Tuesday, Jennifer Rubin at the Washington Post observed: “There has been so much political turmoil among Republicans that it is easy to lose sight of the intellectual disarray on the left.” PJM’s Ed Driscoll quoted The Daily Beast‘s Lloyd Grove speaking of modern liberals: ”…Think aesthetics as politics, and academic credentials as peerage. Think of a latter-day Americanized version of Downton Abbey—where everyone knows his or her place, and our betters look best.”
It is amazing to see how quickly the liberal/socialist/Marxist wing of the political spectrum has imploded. Only one generation ago they donned tie-dye and preached “Damn The Man.” Today, their Gen-X children (Barack and Michelle included) have embodied The Man to their own damnation and that of the middle class, the working poor, and all those for whom they claim to care so much (at least during election season).
Driscoll cited Grove’s observation that contemporary liberals are living
…a world away from job-craving America, and light years from the mid-twentieth century Democratic Party.
Indeed, this gap gives added credence to Professor Fred Siegel’s critique that “today’s liberal gentry see the untamed middle classes as the true enemy,” …It’s not that the Democrats don’t know that they have a problem with the non-government employee middle class, but it’s just that they really are not bothered by it. As the New York Times framed the issue, “many in the party pay so little attention to white working-class men that it suggests they have effectively given up on converting them.”
Last week, alternative media mogul Glenn Beck announced that he was going to focus on “taking back” American culture through the power of nostalgia:
In the future, Glenn Beck’s focus is going to be more on influencing culture and less on politics and news. After all, news is only “what the culture allows,” he said in a recent interview with National Review’s Eliana Johnson.
…“Beck is nostalgic for an America of decades past, and his cultural projects will aim to resurrect and revive it,” Johnson writes. “It’s an America where duty trumped desire and Americans were bound together by a sort of civic religion created by that sense of duty. ‘I want to impact the culture in the way that people see good again,’ [Glenn] says.”
Beck’s goal is admirable, to a fault. The period he seeks to resurrect was one in which concepts like “good” and “duty” were defined by a Biblical religion, not a civic one. Any history student will tell you that Marx had his own take on the American Revolution; you can show someone Frank Capra movies until you’re blue in the face and they’re still going to see Mr. Smith as the ultimate community organizer if that’s their moral outlook.
As Amy Kenyon notes, there are pitfalls to what passes for nostalgia these days:
…the historical meanings and usages associated with nostalgia were finally mangled beyond recognition until its chief purpose became the performance of sentimentalism, the parceling out of discount memory via television, advertising, heritage theme parks, and souvenir markets, all aspects of what we might call the “nostalgia industry.” As such, nostalgia became kitsch, trivial and reactionary: hardly the stuff of a meaningful engagement with the past or the workings of memory.
Simply put: Glenn Beck needs to do more than embrace the facade of America, circa 1940. Beck needs to dig deeper, to America’s Biblical heritage, to understand what re-taking the culture truly means.
Barack and Michelle are all of our parents now http://t.co/304nAa14MG
— ThinkProgress (@thinkprogress) March 17, 2014
Barack and Michelle Obama are fine parents, they really are. They have two gorgeous and well-behaved daughters, and the Obamas have kept them mercifully free of the spotlight. I can’t say any more about them than that, because I don’t know any more than that — which is exactly how it should be.
But the Obamas aren’t my parents, and they aren’t your parents. But ThinkProgress represents the repressive and reactionary mode of thought that we are wards of the Great Men who rule over us.
We are not their children. Our politicians, left and right, serve us at our pleasure — and it’s high time we reminded them of it.
(God, I hate that word…)
This week back in 1972, the stunt was described in less lofty terms:
It’s hard to come up with a contemporary parallel, since nowadays, the permanent daytime hosts are already “John and Yoko”:
Rosie O’Donnell, Whoopie Goldberg, Ellen DeGeneres and their colleagues reflexively dole out that week’s trendy received liberal wisdom, normalizing formerly taboo topics and opinions.
You see, that week in 1972 is usually remembered as “historic” and brave and radical — a laudable if inevitably awkward attempt on everyone’s part to bridge the “generation gap.”
That the voting age had just been slashed from 21 to 18 energized millions of young people, and no doubt frightened some of their elders.
(Who had nothing to worry about: That year, with the Democrats running radical anti-war candidate George McGovern, and the hippie movement supposedly ascendant and crushing everything in its cultural path, Nixon won anyhow. That didn’t turn out so well, of course, but it proves once again that the eventuality you’re most worried about is usually nothing compared to whatever actually occurs…)
We’re also informed that John and Yoko’s chosen guests were rarely seen on American television, and that Mike Douglas was a good-natured if bewildered old fuddyduddy throughout.
You know what’s coming next…
Beatles-themed sensory overload: That is how to describe The Fest for Beatles Fans in New York City, held from February 7-9 to commemorate the 50th anniversary of the Fab Four’s appearance on The Ed Sullivan Show. What’s it like roaming a Fest that fills four floors of a New York hotel with musicians, historians, artists, authors, yogis, meditators, the famous and well over 8,000 fans from 40-odd states and five continents? Take a look at a day in the life of The Fest.
Beatles author and historian Bruce Spizer opened Saturday with a presentation on how the Beatles conquered America, no thanks to Dave Dexter, Jr., the Capitol Records guy who rejected hits like ”Love Me Do” and “Please Please Me” because they had “too much harmonica.”
Dear Prudence Farrow spoke about her spiritual journey in India with the Maharishi and the Beatles before leading an introductory transcendental meditation session. The room, dubbed the Ashram for the occasion, was so packed that more chairs had to be brought in for the standing room only crowd.
Good Ol’Freda Kelly, secretary to Brian Epstein, manager of the Beatles, and president of the original Beatles fan club, is signing autographs! Quick, get in line!
Still down to earth after all these years, Freda hates being the center of attention but enjoys being with the fans. Her grandson, a toddler, was happily drawing next to her. “Would you like Nile’s autograph?” she casually asked, to which I happily agreed. Good Ol’Freda is the Queen of Beatles Fans: regal, royal, lovely. Her documentary Good Ol’ Freda is a must-watch.
Fifty years ago tonight, as a nine-year-old girl living in a Boston suburb, I — along with 73 million Americans — watched the Beatles perform on the popular Ed Sullivan Show.
After watching I knew (as much as a nine year old was capable of knowing) that I had witnessed a MAJOR cultural and historic event.
How did I know this?
How could I NOT have known?
President John F. Kennedy famously said in his 1961 inaugural speech that “the torch has been passed to a new generation,” and on that night the Beatles became the musical torch.
Upon the show’s conclusion, I distinctly recall my father saying with complete confidence that “the Beatles are just a passing fad.”
His prediction was totally expected from someone born in 1922, but I knew otherwise. For the Beatles had a sound that was so unique, engaging, modern, young, hip and vibrant, I knew right then that my world was going to be radically different from that of my parents.
Sunday, February 9, 1964, was when a “cultural earth mover” began digging the divide that would later be called “the generation gap.”
Monday on the school bus my friends and I yelled Beatles’ songs out the window. When we arrived in our third-grade classroom there was talk of nothing else. How could there be when clearly something monumental had happened the night before?
All of us were emotionally affected but not capable of articulating exactly what happened. All I remember talking about with my friends was which of the four Beatles was the “cutest,” but instinctively we knew it went much deeper.
Now, viewing the Beatles’ performance through a 50-year historical, musical, cultural and celebratory lens, I ask myself, “Was I exaggerating the importance of the evening?”
That question demanded answers. Fortunately, “valid” scientific research was just an email away and about to be provided by a good friend.
My friend was also born in 1955, just a month before me. (He is well-known in media circles and asked that his name be withheld.)
Furthermore, he grew up clear across the country from where I was in Boston. So, for all those reasons, I was keenly interested in comparing our impressions, which I’ll do on the next page.