In partnership with the new fiction publishing platform Liberty Island, PJ Lifestyle is going to begin promoting and co-hosting a series of debates and discussions about popular culture. The goal is to figure out what works and what doesn’t so that in the future we can promote and create better fiction and culture of our own. These are public brainstorming sessions for writers and culture advocates interested in developing a more vibrant popular culture. You’re invited to submit your answers to any of these questions — or a related one of your own! — that interests you:
A) in the comments
C) at your blog, then let us know in the comments or via email.
The most interesting answers may be linked, cross-posted, or published at PJ Lifestyle.
The Iron Dream by Norman Spinrad. Nah, just kidding.
Seriously, I’d say The Screwtape Letters, which defines the mechanics of evil, told as advice from a senior demon to a junior demon on how to corrupt people and, upon successful corruption, devour their souls. Thematically there’s not much dif between devouring a soul and “owning” someone; when someone is owned, the owner is, in a sense, devouring that person’s life. Seeing it spelled out like that lets you recognize that kind of life-devouring evil when you see it in the real world — and motivates you to fight against it. Result: Fighting for freedom.
Who are other figures in books and movies who personify evil for you?
images via shutterstock / zebra0209
10. If guys didn’t look like heroin-addicted street dwellers…
Before committing suicide, musician Kurt Cobain copyrighted the grunge look that came to define Gen-X/millennial crossovers in the ’90s. A reaction to the preppie style made famous by ’80s yuppies, grunge involved a level of disheveled that transcended even the dirtiest of ’60s hippie looks. Grunge trademarks included wrinkled, untucked clothing complemented by greasy, knotted hair and an expression best defined as heroin chic. The style depicted an “I don’t care” attitude that took punk’s anti-authoritarian attitude to a darker, more disengaged level. Grunge became the look of resigned defeat among American males.
Jason Cordova writes a guest post on Sarah Hoyt’s blog that boils with justifiable outrage over liberal Fantasy authors and fans flocking to support their late High Priestess, Marion Zimmer Bradley, over revelations that she and her boyfriend were serial child abusers. If you’re not familiar with the story (and have a strong stomach) I urge you to check out these links and others.
As a boy, I enjoyed some of Zimmer Bradley’s works like Mists of Avalon, while others seemed to exist solely to score leftist political points — while these were often lost on my adolescent self, the sexual politics certainly detracted from the storyline. Knowing what I know now, I’ll never be able to pick up one of her works again without feeling dirty.
The publisher in me wonders what her editors and publishers knew at the time. Were they in the dark? Did they have an inkling, but decide to turn a blind eye in order to protect a valuable author? I don’t ask in order to judge, but because these questions are much tougher for a publisher than they are for a reader.
As a reader I can choose to tune out any author based on their politics or their character. But as a publisher, sometimes you wonder whether you have a responsibility to the work and to readers to give a work of substance and quality an audience — even if the author is otherwise odious.
My inclination is to apply a test of character as well as one of quality to authors I want to publish, but is that fair? Seldom is the case as clear cut as Zimmer Bradley’s. As a young editor I pursued Stephen Glass as an author before it became known that he was a phony, despite warnings from a couple of smart folks that his stories didn’t ring true. If I had succeeded in landing him, would I be complicit in his fabrications?
Here at Liberty Island we do our best to make sure the authors we publish are folks you would be happy to have as next door neighbors, but it seems inevitable that (being human) we’ll fail that test at some point. And when that happens people will have the right to question and judge us based on the decisions we made. It’s only fair.
Cross-posted from Liberty Island, image via wikipedia
image illusration via shutterstock/CURAphotography
He was the worst serial killer in American history, but when he went on trial, the courtroom press section was all but empty. No Hollywood studio has stepped up to make the movie. Why? Because Dr. Kermit Gosnell was an abortionist, and facing the truth about his crimes means facing the truth about abortion itself.
My friends Ann McElhinney and Phelim McAleer are trying to tell the story. The two talented filmmakers have mounted the biggest ever crowd funding campaign, hoping to raise the $2.1 million they need. They are so close, but the days are dwindling down and they still need about $200,000 more or else everything they have so far will be lost.
They used Indiegogo because KickStarter kept refusing to host them — putting them off with a series of clearly bogus excuses. That’s how much pressure there is to keep this story from being told, to keep the truth from being known.
Watch the video above, in which Ann struggles to read part of the grand jury report. It’s not one of the grisly sections so you should be able to stand it — and you’ll know why Ann had to fight to control her emotions in order to get through it. It’s heartbreaking. No wonder the abortion industry wants this case buried in silence.
Hit the link. Chip in. This movie should be made.
The Introduction to Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
Part 1: The Mask of Marxism
Part 3: Who Needs a Brain?
Part 4: Are Conservatives Cowards?
“The August 1991 coup in Moscow collapsed three days after it had started, providing the ultimate, ironic proof that nothing, not even a coup, could succeed any more in a society whose vital arteries had been calcified by 70 years of disinformation and dismal feudalism. The main loser was the Communist Party.”
– Lt. Gen. Ion Mihai Pacepa
Both the Democrat and Republican parties have been disinformed by Marxism. The Liberal wing of the Democrat Party has been duped into putting their faith in Marxism’s many forms (socialism, economic determinism, progressivism), while the Republican Party has legitimized Marxism as a form of party politics instead of a murderous, atheistic religion that empowers despots. The Conservative movement, by and large, is slow to recognize Marxism’s true nature, because we are a nation that has been drugged by Disinformation. Pacepa continues:
At the end of the 2001 summit meeting held in Slovenia, President George W. Bush said: “I looked the man [Putin] in the eye. I found him to be very straightforward and trustworthy.” Unfortunately, even President Bush was deceived by disinformation. Putin consolidated Russia into an intelligence dictatorship, not a democracy. During the Cold War, the KGB was a state within a state. Under Putin, the KGB, rechristened the FSB, is the state. Three years after Putin enthroned himself in the Kremlin, some 6,000 former officers of the KGB—that organization responsible for having slaughtered at least 20 million people in the Soviet Union alone—were running Russia’s federal and local governments.
…Is it too far-fetched to suggest that this new Russia calls up the hypothetical image of a postwar Germany being run by former Gestapo officers, who reinstate Hitler’s “Deutschland Über Alles” as national anthem, call the demise of Nazi Germany a “national tragedy on an enormous scale,” and invade a neighboring country, perhaps Poland, the way Hitler set off World War II?
That is the secret power of disinformation.
Pacepa share these thoughts with me mere weeks before the Ukranian revolution and secession of the Crimea to Putin’s Russia. Disinformation is wielding its power on the American homefront as well. In his critique of Thomas Piketty’s new book Capital in the Twenty-First Century, David Brooks embraces Piketty’s idea of a tax on the wealthy’s investment capital in order to create intellectual equality among the classes:
Think of how much more affordable fine art would be. Think of how much more equal the upper class would be.
His musings aren’t that far off from those of Russian intellectuals, who are “making do” with their government’s clampdown on free media and the right to protest. In exchange for their rights, these Russians whose intellectual arteries have been “calcified by disinformation” are being doted upon by their increasingly despotic government:
All sorts of entertainment is being lavished on Russia’s hipsters. Their favorite public parks have splashy, beautifully designed restaurants and clubs, comfortable biking areas and luxurious places to chill. Sanctions or not, Fedoseyev’s friends can still dine out at restaurants full of expats, take shopping trips to Milan, or buy their electronic gadgets online. Fashion Week this weekend was another party blooming with charming models and celebrities; the usual hipsters clubs, Solianka, Simachev, Oldich Dress and Drink or Strelka, felt as cuddly and crowded as ever.
To paraphrase Brooks, it would seem that the fine art is quite affordable in Russia these days. Like junkies seeking a quick fix, Russian intellectuals pursue disinformation at the expense of their freedom. Is Brooks suggesting we do the same, or have we already succumbed to the addiction? In either case, what we need to know now is: What is the antidote to disinformation?
Most East European governments concealed their road to Communism by posting innocuous nameplates at the door, such as People’s Republic or Popular Republic.
Lt. Gen. Ion Mihai Pacepa
“People’s Republic” is such a chummy term. In fact, Marxism in general, with all it’s “redistribution of wealth” sounds so compassionate, at least to a Western, Judeo-Christianized mind. A Chinese mind familiar with Mao’s Great Leap Forward, for instance, may have a different take on the benevolent-sounding idea of a “People’s Republic” given the facts:
“State retribution for tiny thefts, such as stealing a potato, even by a child, would include being tied up and thrown into a pond; parents were forced to bury their children alive or were doused in excrement and urine, others were set alight, or had a nose or ear cut off. One record shows how a man was branded with hot metal. People were forced to work naked in the middle of winter; 80 per cent of all the villagers in one region of a quarter of a million Chinese were banned from the official canteen because they were too old or ill to be effective workers, so were deliberately starved to death.”
Mao couldn’t lie his way past a free press in the West. Nor could Khruschev, as Pacepa explains,
The 1963 missile crisis generated by socialist Cuba gave the socialist mask of Marxism a dirty name in the West, and few Marxists wanted to be openly associated with socialism anymore.
But, socialism is still hot. China is still The People’s Republic and “we’re all socialists now,” right? The last installment ended with the question: How have intellectual Wizards manipulated Marxism to acculturate the American mind leftward? Pacepa answers:
[Marxists] therefore began hiding their Marxism under a new cover called “economic determinism,” …a theory of survival rooted in Marx’s Manifesto (another theory of survival), but it pretends that the economic organization of a society, not the socialist class war and the socialist redistribution of wealth, determines the nature of all other aspects of its life.
When economic determinism lost credibility because of the devastating economic crisis in Greece, our Democratic Party began replacing it with “progressivism,” which has become the latest cover name for Marxism. …Today’s Progressive Movement was born in New York’s Zuccotti Park. It was first known as the “Occupy Wall Street” movement, which advocated the abolition of “capitalist America.”
Marxists in the West successfully propagate progressivism under the guise of “social justice“ that demands the redistribution of wealth to the less fortunate. Ironically, most people of the Judeo-Christian West accept this Marxist notion out of the goodness of their hearts. However, putting faith in the Marxist lie that human beings don’t have a heart (and therefore are incapable of compassionate decision making) requires handing over all financial power to the Marxist Wizards who proceed to dole out your funds as they see fit.
This speaks to the heart of the question, but how have the Marxist Wizards rendered us so seemingly brainless?
Editor’s Note: See the introduction to this series here: Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
“Seen through the perspective of history, Marxism was actually such a raw, ill-defined and malleable philosophy that one could make of it whatever one wished.”
- Lt. Gen. Ion Mihai Pacepa
For Lenin, Marxism was a tool to enact his own version of the Russian autocracy his Communist Party claimed to destroy. Lenin exercised his autocratic power in much the same way as the Czars: through his own secret police, the Cheka. “Lenin’s new political police was the fastest expanding Soviet organization after the Revolution: it had started out with only 23 men, but within a couple of years it had numbered over 200,000 employees.”
Stalin, who had grown up under the watchful eye of the Czar’s secret police, was so acculturated to the concept that he embraced it with full fervor, crafting Lenin’s brigade into the GPU, a secret police force answerable only to Stalin himself. The GPU deported Trotsky. Re-christened the OGPU, it weeded out Lenin’s Bolshevik party. Then, re-named the NKVD, the secret police force liquidated the Red Army and Supreme Military Council. 3 name changes and 7 million lives later, the NKVD (later to be re-named ”KGB”) secured a firm stranglehold on Soviet Russia. Yet Stalin, adored by his people, remained above the fray, the “Little Father” to his people, thanks to the disinformation campaign mounted and executed by the intelligence wing of the NKVD.
The malleability of Marxism explains why, despite mounds of physical evidence, Marxist ideology is still ardently defended by those who claim to be Marxists, but who haven’t had the “privilege” of living under Marxist rule. An architectural plan can look great on paper to an unskilled eye. The most ardent voices who speak out against Marxist regimes are the ones who’ve had the unfortunate experience of living under them. They’re the skilled eyes who can easily tell that the blueprints will generate a crumbling structure.
If acculturation is the key to an individual’s interpretation of Marx, it is easy to understand why Marxism is so popular among the young upper-classes who have never struggled, nor suffered economically. It’s easy to be a Marxist when you’ve got the latest smartphone and can Tweet out your wants, needs, and location of the nearest FedEx where you can pick them up. It becomes harder to defend the philosophy when you’re living under the autocratic ruler who you empowered, whose government and economy have rendered technology unaffordable and/or unaccessible, and who has stripped your town of its grain and redistributed it to more productive, and therefore more worthy, citizens.
So, what of this side of the globe where Marxism walked down the yellow brick road of liberalism? How have intellectual Wizards manipulated Marxism to acculturate the American mind leftward? Stay tuned for the next seed of knowledge from Pacepa.
Pilot Episode, Scarecrow & Mrs. King (1983)
I dig spy movies. TV shows, too. Most kids growing up in the last decade before the fall of the Berlin Wall have fond memories of their first TV heroine being Jem or She-Ra. Mine was Amanda King. At 8 years old I wanted to partner up with an ultra-cool spy like Scarecrow (code named as a member of the Oz Network - as in Wizard of) and take down the Evil Empire in our midst. So, of course, when my editor Dave Swindle approached me with the opportunity to partner up with KGB defector Lt. Gen. Ion Mihai Pacepa for a little intelligence gathering, how could I refuse?
Pacepa’s latest book, Disinformation reads like a Russian epic. The chronicle of facts detailing the Soviet disinformation campaign that disarmed American intellectual, political and academic circles over the course of the 20th century should be a must-read in any conservative’s common core. Having relied on it heavily for my PJ Lifestyle series on the Intellectual Love Affair with Marxism, I finished the book wanting to understand exactly where America is at on the road to socialism, and if the facts fit, why so many conservative outlets hesitated to give Pacepa’s book the time of day. So, I began my interview with 15 questions; a few weeks later Pacepa sent me a 12 page reply to the first question on the list. Tolstoy would’ve been proud. ”I’m out of touch with this generation… you speak their language,” he commented rather poetically. He also gave me an assignment: to decode his knowledge into what the Dude would call “the parlance of our times.”
Like Jay Carney, I have an affinity for the Soviet spectrum. Unlike Jay Carney, the goal of my interest is to avoid becoming a citizen of the next socialist empire to tear apart the globe. So, in the interest of achieving that goal, I seek out primary sources who can give me real information on the warning signs that appear within a culture whose political and popular leadership are driving them dangerously close to the brink of socialism with the goal of autocracy in mind.
The prophet said, “Stop at the crossroads and look around. Ask for the old, godly way, and walk in it. Travel its path, and you will find rest for your souls.” God has designed a path; we choose to walk down it and eventually realize what we’ve been preparing for all along. My path began in front of a TV and wound up here, in front of a screen that connects millions today with seemingly ancient truths. I invite you now to walk this yellow brick road with me as we study Pacepa’s seeds of truth and, perhaps, get a chance to plant a few of our own so that we can all find the rest we so desperately need.
Editor’s Note: “Part 1: The Mask of Marxism” is scheduled for Monday at 8:00 PST.
Commentary has printed some brilliant feminist insights by Jonathan S. Tobin on Brandeis University’s refusal to award an honorary degree to Ayaan Hirsi Ali:
We have heard a great deal in the last couple of years from liberals about a “war on women” that was supposedly being waged by American conservatives. That meme played a crucial part in President Obama’s reelection and Democrats hope to repeat that success in this year’s midterms. Liberals have tried to mobilize American women to go to the polls to register outrage over the debate about forcing employers to pay for free contraception, a Paycheck Fairness Act that is more of a gift to trial lawyers than women, and attempts to limit abortions after 20 weeks. These are issues on which reasonable people may disagree, but what most liberals seem to have missed is the fact that there is a real war on women that is being waged elsewhere around the globe where Islamist forces are brutalizing and oppressing women in ways that make these Democratic talking points look trivial. It is that point that Hirsi Ali is trying to make in her public appearances.
But instead of rising in support of Hirsi Ali’s efforts to draw attention to these outrages, leading American feminists are silent. The only voices we’re hearing from the left are from men who are determined to justify Brandeis.
I recently commented on the nastiness that occurs when political passion jumps the shark into idol-worshiping territory. One need look no further for evidence as to how ugly and narrow-minded political idol worshipers can get than the quotes Tobin pulls from left-wing sources hellbent on defending Brandeis’s decision. A search of both Jezebel and Bitch Magazine websites turned up zip on the controversy, once again proving the theory that feminism really is all about white, upper class “rich” chicks and their pop culture fanaticism.
I stand before you as someone who is fighting for women’s and girls’ basic rights globally. And I stand before you as someone who is not afraid to ask difficult questions about the role of religion in that fight.
The connection between violence, particularly violence against women, and Islam is too clear to be ignored. We do no favors to students, faculty, nonbelievers and people of faith when we shut our eyes to this link, when we excuse rather than reflect.
The fact that the mainstream feminist movement has no use for Hirsi Ali’s brave fight for women’s rights should come as no surprise. Her global campaign against Female Genital Mutilation (FGM) and abuse of women within radical Islam is so far out of the realm of #FirstWorldProblem Feminism that it doesn’t even ping on their radar. Which is precisely why feminism is a joke and women continue to be the laughingstock whipping boys of Democrat men who keep them well oiled and distracted during election season before shoving them back under Oval Office desks where they belong. What can I say except submission sells.
Perhaps Muslim women aren’t the only ones who are being targeted and abused because of their gender after all.
David Swindle has entered the ongoing discussion on altruism, religion and politics here at PJLifestyle. In doing so, he’s issued a number of great questions I’ve been wrestling with over the past few weeks. Jumping back in, I’d like to address them one by one, beginning with:
Walter, Susan, Lisa, and anyone else who’d like to join the discussion: am I going too far when I say that for a good number of people “Conservatism” is a form of idolatry?
No. I’ve had a hard, sad reminder of that through some of the commentary I’ve received on a number of articles in the past few weeks. There are some wonderful, insightful people out there who I’d love to have dinner with some day. And then there’s the passionate base who has time to issue verbose rants: Contradict popular line and you can “F-off”. You know this segment of the population; they are the reason stereotypes exist. But, they also prove the point that there are people out there who worship Conservatism above all else. Ironically, they’re as abusively passionate as those “liberals” they are taught to hate.
A Democrat-appointed Delaware judge one-upped the Texas judge who let a drunk driving teen off for “affluenza.” Judge Jan Jurden came up with a unique reason to let a convicted rapist out of having to go to prison for his crime.
A Superior Court judge who sentenced a wealthy du Pont heir to probation for raping his 3-year-old daughter noted in her order that he “will not fare well” in prison and needed treatment instead of time behind bars, court records show.
Judge Jan Jurden’s sentencing order for Robert H. Richards IV suggested that she considered unique circumstances when deciding his punishment for fourth-degree rape. Her observation that prison life would adversely affect Richards was a rare and puzzling rationale, several criminal justice authorities in Delaware said. Some also said her view that treatment was a better idea than prison is a justification typically used when sentencing drug addicts, not child rapists.
Richards is 6’4″ and over 250 pounds. He is a scion of the du Pont family. He is not ill or suffering from any ailments. He is unemployed, living on his family’s wealth. He owns two homes, one for which he paid $1.8 million in 2005. He’s doing quite well outside of prison.
He raped a little girl. And according to filings in his divorce, he admits to sexually abusing his infant son. Judge Jurden gave him 8 years in prison, then suspended the entire sentence with probation, and ordered him to get treatment. The entire 2009 case never made any news media until Richards’ wife filed a civil case against him this year.
O’Neill said the way the Richards case was handled might cause the public to be skeptical about “how a person with great wealth may be treated by the system.”
It’s just more evidence that there is one system of justice for the rich and connected, and another for everyone else — which is deeply un-American.
Darren Aronofsky’s take on the classic tale of Noah is the Jewish guy’s Bible movie. The narrative, which does remain true to the textual account of Genesis, is crafted in the style akin to a scholarly drash. In another lifetime you might imagine this story to have been generated by a minyan of Talmud scholars poring over the story in their classes. Perhaps that is why the Christian audience has reacted so poorly to the film; it is not, in the words of Walter Hudson, told “from a Christian theological standpoint.” The audience is treated to a wrestling, not recounting, of the text for two very good reasons: A four-chapter story would make for a very short film and Aronofsky, for however religious he may or may not be at the moment, is most definitely 100% a Jew.
Aronofsky’s Noah remains, first and foremost, a story of redemption as it was interpreted thousands of years ago when paired with Haftarah portions in Isaiah (42-43 and 54-55) for the weekly Torah reading. Like the patriarch Jacob, Noah wrestles with God: the battle is a question of original sin and free will. Redemption, Aronofsky illustrates, is a choice entered into by covenant with God. It is not simply a no-strings-attached gift granted to perfectly bad people by a perfectly good looking guy who tests well with focus groups.
Contrary to most Bible epics, a faceless, voiceless God communicates His redemptive plan to Noah through the Biblically prophetic device of a metaphoric dream. “You must trust that He speaks to you in a way you understand,” Noah’s grandfather Methuselah advises. Reminiscent of the Tanakh prophecy “your old men will see visions, your young men will dream dreams,” Aronofsky engages Noah with his aged, wise grandfather, who advises him of Enoch’s prophecy that God would, one day, annihilate the world by fire.
Last week, alternative media mogul Glenn Beck announced that he was going to focus on “taking back” American culture through the power of nostalgia:
In the future, Glenn Beck’s focus is going to be more on influencing culture and less on politics and news. After all, news is only “what the culture allows,” he said in a recent interview with National Review’s Eliana Johnson.
…“Beck is nostalgic for an America of decades past, and his cultural projects will aim to resurrect and revive it,” Johnson writes. “It’s an America where duty trumped desire and Americans were bound together by a sort of civic religion created by that sense of duty. ‘I want to impact the culture in the way that people see good again,’ [Glenn] says.”
Beck’s goal is admirable, to a fault. The period he seeks to resurrect was one in which concepts like “good” and “duty” were defined by a Biblical religion, not a civic one. Any history student will tell you that Marx had his own take on the American Revolution; you can show someone Frank Capra movies until you’re blue in the face and they’re still going to see Mr. Smith as the ultimate community organizer if that’s their moral outlook.
As Amy Kenyon notes, there are pitfalls to what passes for nostalgia these days:
…the historical meanings and usages associated with nostalgia were finally mangled beyond recognition until its chief purpose became the performance of sentimentalism, the parceling out of discount memory via television, advertising, heritage theme parks, and souvenir markets, all aspects of what we might call the “nostalgia industry.” As such, nostalgia became kitsch, trivial and reactionary: hardly the stuff of a meaningful engagement with the past or the workings of memory.
Simply put: Glenn Beck needs to do more than embrace the facade of America, circa 1940. Beck needs to dig deeper, to America’s Biblical heritage, to understand what re-taking the culture truly means.
Via the Daily Mail: Bill Clinton identified in lawsuit against his former friend and pedophile Jeffrey Epstein who had ‘regular’ orgies at his Caribbean compound that the former president visited multiple times
A new lawsuit has revealed the extent of former President Clinton’s friendship with a fundraiser who was later jailed for having sex with an underage prostitute.
Bill Clinton’s relationship with Jeffrey Epstein, who served time in 2008 for his illegal sexual partners, included up multiple trips to the onetime billionaire’s private island in the Caribbean where underage girls were allegedly kept as sex slaves.
The National Enquirer has released new details about the two men’s friendship, which seems to have ended abruptly around the time of Epstein’s arrest.
Tales of orgies and young girls being shipped to the island, called Little St. James, have been revealed as part of an ongoing lawsuit between Epstein and his former lawyers Scott Rothstein and Bradley Edwards.
It is unclear what the basis of the suit is, but they go on to call witness testimony from some of the frequent guests at Epstein’s island to talk about the wild parties that were held there in the early 2000s.
Flight logs pinpoint Clinton’s trips on Epstein’s jet between the years 2002 and 2005, while he was working on his philanthropic post-presidential career and while his wife Hillary was a Senator for their adopted state of New York.
‘I remember asking Jeffrey what’s Bill Clinton doing here kind fo thing, and he laughed it off and said well he owes me a favor,’ one unidentified woman said in the lawsuit, which was filed in Palm Beach Circuit Court.
The woman went on to say how orgies were a regular occurrence and she recalled two young girls from New York who were always seen around the five-house compound but their personal backstories were never revealed.
At least one woman on the compound was there unwillingly, as the suit identifies a woman as Jane Doe 102.
She ‘was forced to live as one of Epstein’s underage sex slaves for years and was forced to have sex with… politicians, businessmen, royalty, academicians, etc,’ the lawsuit says according to The Enquirer.
An event that went largely unnoticed by the mainstream media in 2012 perked up the ears of the Obama administration when it sparked a movement that ignited the hearts of 40,000 young evangelicals. Today the “End It” movement, fueled by a new generation of social conservatives, could impact the culture in ways their elders only dreamed.
Louie Giglio, a pastor in Atlanta, is the founder of the annual Passion Conference that launched “End It.” The young people behind the movement are a new brand of abolitionist. They don’t need to stand on a Bible to raise awareness that slavery is wicked. Nor do they have to convince the general public that kidnapping young girls and selling them into the sex trade is wrong. This is an opportunity for the church to shed a light into the darkest corners of the earth in a way that impacts lives.
“End It,” along with a coalition of 12 other non-profits like LOVE146, are raising awareness, and the money needed to do something about it–like wading through the darkest cavities of human depravity to rescue these girls. Reaching those lost without hope is a chance to bring everyone to the table and put right vs. left aside. That is, if both sides truly care about real justice.
However, that’s not always the case.
From a recent article over at BuzzFeed titled, ”A New Mission for the Religious Right“:
“The event received only marginal press coverage, but the White House took notice. A few weeks later, senior Obama adviser David Plouffe sat down in the White House with Joshua Dubois and Michael Wear, the president’s ambassadors to America’s believers. Plouffe had seen data that suggested young Evangelical voters were up for grabs in the upcoming election, and he wanted to know how the president could appeal to that demographic, according to someone with direct knowledge of the meeting. They discussed a range of tactics, and at the end of the meeting Plouffe asked which single issue could make the biggest difference in courting young Christians.
“Human trafficking,” Wear responded.”
There’s this great story in the Torah that goes a little something like this. The leaders of Israel went up on a mountain for a private conference with God, per His request. With the bosses away, the Israelites decided to throw a party. Grateful to their God for freeing them from slavery, they shaped a golden calf to symbolize Him, worshipped the calf as God, and partied on. When the leaders came back down from the mountain, they were less than pleased. Tablets were smashed, God rained justice, there were a lot of irreversible layoffs. The common understanding of the tale says that God destroyed the Israelites because they worshipped the calf as a god. In reality, their sin was creating an image of God that suited their own liking, then worshipping Him as they wished.
Hollywood, and American culture in general, suffers from Golden Calf Syndrome. Whether you blame it on the instant gratification of social media or simple human impatience, God doesn’t communicate every 5 seconds in 140 characters or less. That’s not enough for us as a culture, so we’ve made a nasty habit out of satiating our need for the Almighty by forcing Him into a box of our own liking. Habit has become trend to the point that we don’t even realize when we’re trying to force God into our mold.
Take, for instance, the conservative Christian idol-worship of Matthew McConaughey for “daring” to use the name “God” in a sentence at the Oscars. Upon remarking on the huge stretch of the imagination performed by Christians (and some Jews, I’m sure) in thinking that McConaughey’s use of the G-word somehow referenced the God of scripture, the common, rather lackluster response I received was best phrased as, “Take it where you can get it.”
One comment, however, caught my eye.
There are a lot of great lines in the megillah of Esther. The one most often quoted comes from Mordecai: “Who knows whether you didn’t come into your royal position for such a time as this.” It smacks of drama and makes for an excellent movie poster catchphrase. But, it wouldn’t hold half its meaning without the point-blank observation of evil Haman’s wife, Zeresh.
Upon listening to his frustration over Mordecai’s refusal to bow to him, Zeresh tells her husband to hang Mordecai. But, when she finds out Mordecai is a Jew, she does a complete 180 and admits:
If Mordecai, before whom you have begun to fall, is a Jew, you will not get the better of him; on the contrary, your downfall before him is certain.
And this is before Esther convinced the King not to massacre the Jews. It’s refreshing to know our reputation precedes us. But it isn’t a reputation we Jews are always glad to have; we aren’t exactly in it for the fame. In fact, like Esther, our first instinct is to keep our heads down and fit in with the rest of the crowd.
Speaking of “the crowd”, modern feminists have managed to twist the humble Jewess into the villain of the tale, instead opting to celebrate the Persian Queen Vashti for her refusal to appear before the King at his whim. Think: Her body, her self, Persian style. Docile, compliant Esther, meanwhile, is a mere pawn whose beauty comes in handy to persuade the patriarchy to let her live another day. This simplistic interpretation, totally ignorant of the promise and perspective of God, relies on the feminist myth that a woman’s worth is in her ability to manipulate her body to her advantage. Esther could never be considered a hero to these women, because she was inspired by a sense of purpose that outweighed the importance of her own skin.
“Don’t suppose that merely because you happen to be in the royal palace you will escape any more than the other Jews. For if you fail to speak up now, relief and deliverance will come to the Jews from a different direction; but you and your father’s family will perish,” Mordecai warns before adding, “Who knows whether you didn’t come into your royal position precisely for such a time as this.”
Vashti Feminists like to think the story is about Esther using her body to pursue the King’s favor. In reality, Esther pursues God’s purpose for her life and the life of her nation, Israel. She didn’t choose to sacrifice her body to the Persian King’s whims. On the contrary, Esther chose to devote herself, body, mind and spirit, to the living promises of God. The King, the death decree, even evil Haman, all of them were nothing more than plot devices in the ongoing love story between God and Israel. Esther, Queen of the Shadchans (Matchmakers) arrived on the scene as a reminder that “relief and deliverance will come”.
Esther was just a regular Jewish girl, redirecting her focus away from herself and onto the bigger picture of God’s plan for humanity. Crowned with the desire and humility to walk in faith, she is remembered as a Queen among her people. Vashti-feminists are oblivious to this plan and the honor it bestows, because their focus remains on the image in the mirror, not the person within, let alone the others who may be around.
Thank God, Esther decided that fitting in with the crowd was a bad idea. Had Esther followed feminist mantra, she would have dismissed Mordecai’s warning and followed the example of Queen Vashti, only to wind up exiled or dead. Instead, she trusted that God’s plan involved every part of her, including her beauty, and used all of her gifts to that end. Typical feminists favor Vashti because they worship tragic beauty; Biblical feminists admire Esther because she plays to win.
German prosecutors have ruled that a 92-year-old former Auschwitz guard is fit to stand trial for being an accessory to the murder of tens of thousands of Jews sent to their deaths at the infamous Nazi extermination camp during the Second World War.
Oskar Groening, a former Nazi sergeant, admits serving at Auschwitz for two and a half years but he claims to have merely guarded doomed prisoners’ possessions at the camp and insists that he did not commit war crimes there.
However state prosecutors in Hanover announced on Thursday that they had completed an initial investigation against Groening and pronounced that he was fit to stand trial. He is likely to become the first former death camp guard to appear before a German court in decades.
Evil is still evil, even when it is presented in a doddering, grandfatherly package.
The MSM’s latest fetish, college girls-turned-porn stars for tuition money, smacks of the rotten legacy of second-wave feminism’s “our bodies, our selves” mantra. Take the story of Belle Knox, a Duke University fresh-girl forced to do porn for the tuition money. While her sleaze-bag of an agent attempts to milk her 15 minutes with stories of a poor girl turned out by multimillionaire parents (a story she later changed when chatting with Piers Morgan), Belle Knox views herself as anything but a victim.
The 18-year-old appeared on front pages across the globe and sat down with Piers Morgan for a CNN interview using only her stage name and claiming that she was not ashamed of what she was doing and, in fact, felt ‘empowered’ by her career.
I’m not being exploited. I love what I’m doing and I’m safe,’ insists the women’s studies major.
Women’s studies major. Good thing she’s in porn, considering her future career choices at this point don’t rise far above McDonald’s worker (and we all know how poorly they’re paid). Seriously, though, paying for your women’s studies degree by doing porn? Has anyone stopped being sucked in by the rich-girl lifestyle to consider that glaring irony? Or the fact that her women’s studies major has justified her career choice?
She told her student newspaper in an interview last week: ‘My entire life, I have, along with millions of other girls, been told that sex is a degrading and shameful act. When I was five-years-old and beginning to discover the wonders of my body, my mother, completely horrified, told me that if I masturbated, my vagina would fall off.
‘The most striking view I was indoctrinated with was that sex is something women “have,” but that they shouldn’t “give it away” too soon -– as though there’s only so much sex in any one woman, and sex is something she does for a man that necessarily requires losing something of herself, and so she should be really careful who she “gives” it to.’
The vapid meanderings of Belle Knox illustrate the very scary impact of the second-wave feminist notion that our bodies really are our selves. Beyond our physicality, we have nothing left, no brain, no feeling, to “lose” or invest in a sexual encounter.
First exhibited at the prestigious Paris Salon in 1765, Jean-Baptiste Greuze’s ”A Girl With a Dead Canary” was designed to evoke much the same emotion as PETA member Sarah Segal’s proposed memorial to chickens who were killed in a truck accident last month in Georgia. It seems like a tacky comparison that may even be read as an insult to a well-done and even pretty (if bizarre) work of 18th century art, but the bottom line is that both pieces were created for the same purpose: To tug at viewers’ heartstrings while affirming the moral superiority of a particular cultural class.
According to British historian Simon Schama, ill-fated French King Louis XVI introduced the “cult of nature” to the throne, “replacing couches and courtisans with [the] tenderness and simplicity” of Marie Antoinette’s toy farm and the well-crafted embrace of wildlife in art. “Tears were especially prized as evidence of feeling,” Schama explains, noting that, “people wept when they saw” Greuze’s painting. “Feelings …the shallow kind were embraced by the fashionable elite.” It was the attempt of a king and class to portray themselves as perfect, superior human beings.
So it goes with the Roadkill Memorial, albeit in a much more blatantly political format. A tombstone designed to dwarf roadside memorials to mere human victims of vehicular death, the proposed memorial is intended to remind all drivers to approach all of their animal relations with reverence:
Cascada said the tombstone’s visibility would make drivers’ more wary of people and chickens alike, thereby helping to avoid unnecessary accidents and preserve the lives of chickens in transport. …But Cascada acknowledged the reality of the chickens’ final destination, making the “Go Vegan” phrase a key takeaway.
“The more people who go vegan, the fewer chickens are in this situation to begin with,” she said.
Simply stating that “meat is murder” isn’t enough anymore. For PETA, the time for mere sloganeering is over. Humans are animals, don’t you get it? You’re all slabs of meat now, and some are much more important than others.
No one in the entertainment industry bears the brunt of ire like Disney. For decades, Walt Disney the man and the company he founded have taken hits from critics, reporters, and historians. On far too many occasions Disney has come up against agents of disinformation trying to tarnish its founder, and the company at large finds itself the target of media hatred. From the antics of its former child stars – as if the studio could be responsible for their personal behavior – to the recent attempts to deface Walt Disney that seem to come from out of nowhere, members of the media try to attach any scandal they can to Disney, manufacturing a type of guilt by association.
Two recent stories in the UK’s Daily Mail signal this trend. In one article, a trio of would be child molesters work for Walt Disney World, while in the other, a Disney voice actor displays his anti-Israel hatred for the world to see. Disney has no direct involvement in either case, yet the authors of both pieces go out of their way to make the Disney connection in the headlines and in opening paragraphs.
Disney fired the Arabic voice of Donald Duck after he published an anti-Israel tweet:
Disney has dropped the voice of Donald Duck in the Middle East after he said Israel should be demolished.
Wael Mansour no longer works for the global corporation – whose founder Walt Disney was famously accused of being racist and anti-semitic – after he tweeted: ‘I truly wish #Israel is demolished, I hate Zionism, I have so much hate inside me with every single child they murder or land they seize’.
He insisted his message was ‘anti-Zionist‘, claiming Israelis were ‘just a bunch of Polish / Ethiopian immigrants roughly 70 years old‘.
Note the dig at Walt in the second paragraph there – more on that later. Mansour sent the initial tweet in August of 2013, and he announced his firing earlier this month, also via Twitter.
He told his 5,000 Twitter followers: ‘Disney decided I am no longer the official voice of Donald Duck in it’s middle-east dubbed cartoons because of an anti Zionism tweet. Proud!’
His total has since rocketed to 30,000 followers.
Bethany Mandel’s article on the irony of permitted homophobia in the African-American rap community rightly highlighted the Left’s patronizing racism towards both African and Hispanic Americans. She smartly pointed out pop culture’s double standard when it comes to reacting to anti-gay statements from Christian whites versus blacks or Hispanics. But the argument needs to be pushed further, lest we fall into the Progressive Left’s divisive Minority trap.
The underlying racism of the Progressive Left is the kind of upper-class willful ignorance rooted in eugenic supremacist theory that’s currently being swept under the rug of “progressivism,” a fanciful term for 21st century Marxism. No one could possibly believe that the same people who promote marriage equality, affirmative action, and amnesty are subconsciously racist. Unless, of course, they looked at the philosophy underlying those seemingly righteous political beliefs.
One need look no further than the Grammys for proof. Macklemore and Ryan Lewis, white boys with bad rapping skills being lathered up with awards by an audience righteously congratulating themselves for marrying gays on stage to the tune of Same Love. Macklemore and Ryan Lewis, the white messiahs saving rap from its inherent anti-gay nature with cornball lyrics referring to his beloved genre as “a culture founded from oppression.” What next? Rapping about the ironies of 40 acres and a mule with a prop carpetbag?
1. The New York Daily News: Golden Globe Awards 2014: Ronan Farrow takes shot at Woody Allen tribute on Twitter
Woody Allen‘s Cecil B. DeMille lifetime-achievement tribute at the Golden Globes drew one big criticism — from his estranged son, Ronan Farrow.
2. At Tablet: Who Is Responsible for Dylan Farrow’s Pain?
Imagine if Mia Farrow had pressed charges and Allen had been convicted and gone to prison. Does anyone think, for one second, that he’d be the recipient of a Golden Globes lifetime achievement award?
And indeed, if anyone abrogated their civic duty, it was not the public. “That he got away with what he did to me haunted me as I grew up,” Farrow writes. “I was stricken with guilt that I had allowed him to be near other little girls.” She has one thing wrong here: *She* did not allow this; she was a child. But indeed, if we are to believe this story, her mother did—perhaps for entirely understandable reasons. But still: the person who, inadvertently or not, protected Allen from facing public judgment is the person who prevented him from ever being formally judged.