It took 3.5 seasons, but finally I found something culturally relevant in Girls.
The latest episode, Free Snacks raised barely a blip in the world of Girls criticism, most likely because it played more like a Woody Allen movie than your typical Girls episode rife with awkward sex and lunatic meltdowns. In fact, for the first time ever the few sex scenes featured in this episode were actually relevant to character exposition and development. I’ve thoroughly criticized Dunham for being a sacrificial goddess on the altar of pop culture, but this episode has left me hoping that perhaps Lena Dunham isn’t that kind of girl after all.
The episode opens with Hannah quitting her job at Ray’s coffee shop to become an advertorial writer at GQ. Thrilled after her first day’s success, she arrives home to find that Adam walked out of another audition because he didn’t like the direction he was given. The moment foreshadows the following day, when Hannah is confronted by the fact that her co-workers, who are more accomplished writers than she, turned their backs on their “spiritually fulfilling” writing for corporate jobs with steady salaries, health benefits and perks. Hannah’s nervous breakdown moment is priceless: Dunking her head under the bathroom sink, she walks her wet head into her boss’s office, responding to the compliment “you remind me a lot of myself,” with “I quit.”
When her boss doesn’t fight for her to stay on, Hannah rethinks her decision and asks to stay on. By this point, her boss brushes her off: “Email me when you make a decision.” Later that evening Hannah arrives home to find out that Adam, who stuck to his guns, crushed an audition and is one step closer to fulfilling his career dreams. Now it’s Hannah who has compromised herself for her dreams. “I’m going to write for 3 hours every night, no matter what,” she explains to Adam before passing out on the couch, exhausted.
No meltdowns. No emotional crises. No meandering self-obsession. And Hannah managed to convey a range of emotion without once getting naked. She also confronted a totally relevant issue that every 20-something college graduate is forced to face: The earth-shattering compromise of career dreams with economic realities. This theme resonates with Hannah, who realizes that the joy in paying her bills may come at the price of her personal writing aspirations. Yet, it is also relevant to Shoshanna in an emotional sense when she begins to believe that her ideal mate is a whim to be sacrificed at the altar of “relationship”.