We’ve made it to the end of our series on the 1964-65 World’s Fair and Disney’s influence on it. If you’ve missed the rest of the series here’s where you can find the rest:
Part 1: ‘The Kind Of Service We Can Offer’
Part 2: ‘Something No One Has Seen Or Done Before’
Part 3: ‘I Won’t Open The Fair Without That Exhibit!’
Part 4: ‘At The Intersection Of Commerce And Progress’
Part 5: ‘It Says Something Very Nice’
In this segment, we’re going to look at the legacy of the Fair on Disney’s theme parks. As we discussed in the first week of the series, Walt Disney used the New York World’s Fair as a sort of testing ground for an East Coast Disneyland concept. The success of the Disney-designed pavilions convinced the company that their secret land purchases in Florida would pay off. As Jeff Kurtti noted in Since The World Began, his (sadly out of print) account of Walt Disney World’s first 25 years:
Ninety-one percent of the guests at the 1964-65 New York World’s Fair attended at least one of the Disney shows. And although critics scoffed at Disney’s creations, their popularity convinced many in the Disney organization that the theme park concept was fundamentally reliable, regardless of geographic location.
Since the Fair, Disney has opened a resort with five theme parks in Florida, expanded Disneyland to a second theme park, opened a two-park resort in Tokyo and single-park resorts in Paris and Hong Kong – with a resort in Shanghai set to open in late 2015.
Each of the four pavilions that Disney designed and built for the Fair have left their mark on the Disney brand over the past 50 years. It’s A Small World, with its inimitable spirit and charm, has made its way to all five Magic Kingdom-style parks and has been consistently popular since its Disneyland debut. That attraction also inspired and informed the spirit of World Showcase, the half of Epcot in which various nations show themselves off to guests, living in harmony along World Showcase Lagoon.
Welcome to Part 5 of our series on Walt Disney’s contributions to the 1964-65 World’s Fair in New York City. If you need to catch up on the rest of the series, here’s where to look:
Part 1: ‘The Kind Of Service We Can Offer’
Part 2: ‘Something No One Has Seen Or Done Before’
Part 3: ‘I Won’t Open The Fair Without That Exhibit!’
Part 4: ‘At The Intersection Of Commerce And Progress’
This week we’re looking at an attraction that made its debut at the World’s Fair and is still beloved today – It’s A Small World. It’s one of the attractions that appears at every Disney resort, on three continents. Because of its ubiquity all over the world, according to Disney, the title song “is always playing somewhere around the world.” During the course of a 16 hour day in any one of the parks, the song plays 1,200 times. Love it or hate it, It’s A Small World is one of the quintessential Disney attractions, but it almost didn’t make it off the drawing board.
A scant nine months before the Fair, Pepsi approached the Disney Studios requesting that the Imagineers develop an attraction that the company would sponsor to benefit UNICEF. Bob Thomas picks up the story in Walt Disney: An American Original:
A Disney executive, believing that three projects were more than enough to occupy WED, sent the Pepsi-Cola people to an engineering firm that specialized in children’s playgrounds. Walt was angry when he heard about it. “I’m the one who makes those decisions!” he declared. “Tell Pepsi I’ll do it!”
Walt detailed to stunned Imagineers his plan for “a little boat ride” in which guests would see simple, childlike figures representing the cultures all over the globe. He enlisted some of his most trusted artists to design the attraction. Mary Blair, whom Walt called his “favorite artist,” imprinted her unique stamp on the look of the ride. Marc Davis oversaw the animatronics, while his wife Alice and Joyce Carlson designed the costumes for the dolls. Claude Coats engineered the layout of what Walt would call “the happiest cruise that ever sailed.”
Editor’s Note: This article was first published in April of 2013 as “10 Must-Read Books for Disney Nerds“ It is being reprinted as part of a weekend series at PJ Lifestyle collecting and organizing the top 50 best lists. Where will this great piece end up on the list? Visit tomorrow for the conclusion of the series.
The Walt Disney Company has provided quality entertainment to generations of fans for almost nine decades now. No other company has done what Disney did with such excellence — from animation to live-action films to television to totally immersive theme park experiences.
Disney fandom requires a certain level of passion, but there are some whose devotion to all things Disney rises to another level. I call them “Disney Nerds,” lovingly so, because I consider myself one. Actually, I debated whether to use the term. I prefer “Disney Aficionados,” but worried it sounded too pompous.
Whatever you call us, I’ve compiled a list of ten essential books for Disney Nerds. Think of this list as summer reading for the die-hard Disney fan. The books you’ll see in this post run the gamut from theme park guides to historical chronicles to the ultimate biography of the man himself, Walt Disney. Each book will expand your knowledge (and hopefully love) of Disney culture in its own unique way.
Get ready to dig in and feast your eyes on some great Disney reading. For the list, I’ve tried to choose books that are readily available, and have provided links to order or download them for Kindle apps where applicable. So here we go.
Walt Disney and the 1964-65 New York World’s Fair, Part 4: ‘At The Intersection Of Commerce And Progress’
In case you’ve missed the rest of the series:
Welcome back to our series where we’ve looked back at the 50th anniversary of the 1964-65 New York World’s Fair and Disney’s input into it. This week, we’ll see how Disney teamed up with one of the country’s most recognizable corporations to create a pavilion that celebrated American ingenuity and free enterprise.
In Disneyland’s early days, Walt devised the idea for a side street offshoot from Main Street, U.S.A. At the Edison Square attraction, Disney would team up with General Electric (which had its genesis in Edison’s company) to present the story of how electricity benefited a typical American family from the turn of the 20th century, through the present, and into the future. Disneyland’s souvenir maps listed Edison Square among the park’s coming attractions, but by 1959, General Electric (GE) requested that Disney use their idea in a pavilion at the forthcoming World’s Fair in New York City. They called the exhibit General Electric Progressland.
GE knew they had partnered with the right organization, and their promotional materials for the Fair touted Walt’s involvement:
Walt has used all his resources to make Progressland the number one attraction at the Fair. He has filled it with surprising, often startling, and always pleasing evidences of his great ability to entertain.
But the purpose is never lost sight of — to tell the story of electricity and the way it is changing the world — past, present and future . . . to showcase a great industry, the electrical industry, and tell how it has grown and prospered (and helped the nation to grow and prosper) in a free, competitive society.
Editor’s Note: This article was first published in September of 2013 as “The 5 Most Underrated Walt Disney World Experiences“ It is being reprinted as part of a new weekend series at PJ Lifestyle collecting and organizing the top 50 best lists. Where will this great piece end up on the list? Reader feedback will be factored in when the PJ Lifestyle Top 50 List Collection is completed soon… Click here to see the top 40 so far and to advocate for your favorites in the comments.
A Walt Disney World vacation offers a ton of truly special experiences — from thrills and chills to charming family attractions. The resort has truly lived up to its reputation as the “Vacation Kingdom of the World.” Every year millions from all over the world travel to central Florida to enjoy popular attractions like It’s A Small World, Big Thunder Mountain Railroad, Expedition Everest, and Mission: SPACE.
First-time guests — and even a few seasoned guests — often miss out on off-the-beaten-path attractions and little underrated gems throughout Walt Disney World. Sometimes these experiences go unnoticed because they’re older and don’t take advantage of flashy new technology. Others wind up being “best kept secrets” for guests who stay on property. Occasionally, guests just walk by others without even noticing them.
Here I’m presenting a list of my top 5 most underrated experiences at Walt Disney World. They include a couple of Tomorrowland attractions that are retro-fantastic, a quaint getaway from the bustle of Adventureland, an entire resort that guests often overlook, and a special nighttime treat. The common thread between all of them — besides that fact that I think they’re underrated — is that they’ve all been around practically since Walt Disney World opened.
Without further ado, here are the top 5 underrated experiences at Walt Disney World. Enjoy…
5. Carousel of Progress
The Imagineers — going all the way back to Walt Disney’s day — have taken pride in their ability to tell stories in unique ways. One prime example of a quintessential Disney storytelling innovation is the Carousel of Progress.
Walt personally supervised the development of the Carousel of Progress for the 1964-65 World’s Fair. The attraction employs an inventive theater-in-the-round concept and one of the earliest examples of Audio-Animatronics to tell the story of how “industrial advances over the past century have changed everyday living for an American family.” Even the theme song, the Sherman Brothers’ “There’s A Great Big Beautiful Tomorrow,” reflects a certain nostalgic exuberance.
Is it corny? Yes. Are the old-school Audio-Animatronics a bit outdated? You bet. Is it worth checking out? Without a doubt. At the very least, the Carousel of Progress is an air-conditioned respite from Florida’s often oppressive heat. But if you’re willing to let its message sink in, you’ll get an infectious glimpse into Walt Disney’s optimistic futurism. Let’s face it — the chance to see the future through Walt’s eyes makes the Carousel of Progress worth the ride.
Disney’s animated hit Frozen has turned into quite the phenomenon. The film, starring the voice talents of Idina Menzel and Kristen Bell, recently passed the billion dollar mark in worldwide box office. It has become the highest grossing animated movie of all time and entered the top ten among films overall.
The Walt Disney Studios’ seventh billion-dollar release, “Frozen” has earned an estimated $398.4 million at the domestic box office and $674 million internationally.
“Frozen” is the first billion-dollar film for Walt Disney Animation Studios and its first film to receive the Academy Award® for Best Animated Feature. “Frozen” opened wide domestically on November 27, 2013, posting the #1 all-time Thanksgiving debut ($93.6M five-day, $67.4M three-day) and Walt Disney Animation Studios’ biggest opening ever. It remained in the top 10 films at the domestic box office for 16 consecutive weeks, the longest run by any film since 2002.
Other records that Frozen has claimed include:
- The biggest Thanksgiving debut weekend.
- The biggest debut weekend for a Disney film.
- The highest grossing Disney or Pixar film in 27 countries, including Russia, China, and Brazil.
- The highest grossing foreign film in South Korea.
- The highest grossing animated film in Venezuela and Denmark.
- The fastest selling home video in digital format.
In its first day, Frozen sold 3.2 million DVDs and Blu-Rays. Additionally, the soundtrack has topped the Billboard 200 charts for seven nonconsecutive weeks, selling 1.6 million copies along with 5 million individual track downloads. The soundtrack has also approaching 110 million streams worldwide on Spotify. The movie’s hit song “Let It Go” won an Oscar for writers Robert Lopez and Kristen Anderson-Lopez. Menzel’s version of the song has reached #5 on Billboard‘s Hot 100 as of last week, selling 2.6 million copies and besting by far the “pop” version by Demi Lovato, which only reached #38. The video of the song’s sequence from the film has garnered over 166 million views on YouTube.
What other records are left to break? With a track record like this in just a few months, we can safely bet that Frozen will join the pantheon of Disney classics.
At a surprise press conference this morning, Disney CEO Bob Iger made the special announcement that the company will thaw out the cryogenically frozen body of Walt Disney to make appearances at both American theme parks. The once-in-a-lifetime appearances will take place Independence Day Weekend.
“We’re thrilled to announce that Walt will come back to life this summer at Disney Parks,” said Iger. “He will appear at Disneyland on Saturday, July 5. We’ll fly him to Orlando over night, and he’ll appear at Walt Disney World on Sunday, July 6.”
Iger did not take questions from the media, but he remarked that the corporate board decided on Independence Day Weekend because of Walt’s patriotism. The CEO also acknowledged the unprecedented nature of the upcoming events.
“We’ve been aware of the urban legends, and we’re proving that the legends are true,” he said. “We’ve never tried this before, so we’re hoping the thawing process isn’t messy, especially in the Florida summer heat.”
A spokesperson followed Iger’s remarks to announce that the company will release details on the appearances in June.
“We’re counting on everything going according to plan because we know just how much it will piss Michael Eisner off,” the spokesperson added.
Welcome to the third week of our series celebrating the 50th anniversary of Disney’s involvement in the 1964-65 New York World’s Fair. If you missed last week, we looked at Ford’s Magic Skyway pavilion and Disney’s spellbinding work on it. This week we’re talking a look at another pavilion that allowed Walt to raise the bar on one of his newest innovations: Audio Animatronics.
Walt became interested with animatronic figures when he brought a mechanical toy bird back from a trip to New Orleans. He took the toy apart to see how it worked and to figure out how he could improve on it. His work on the mechanical bird led Walt to task Roger Broggie and Wathel Rogers to create a “dancing man” animatronic, and they did so using a film of actor Buddy Ebsen singing a vaudeville song on a proscenium stage as a guide. An entire attraction built around Audio Animatronic figures – The Enchanted Tiki Room – opened at Disneyland in 1963, but Walt had even bigger ideas.
Walt and the Imagineers began to develop the concept for a side street off Disneyland’s Main Street, U.S.A. called Liberty Street. The area would center around the founding principles of the United States, and its key attraction would be One Nation Under God, a celebration of America culminating in a Hall of Presidents.
In 1962, World’s Fair mastermind Robert Moses visited Disneyland to check on the progress of Walt’s exhibits for the Fair, and Walt showed him the Hall of Presidents concept, inviting Moses to “meet Mr. Lincoln.” Moses found himself taken aback by the animatronic Abraham Lincoln that he declared, “I won’t open the fair without that exhibit!” By the following summer, Moses had convinced the State of Illinois to include the Lincoln show in their pavilion.
The Fair’s guidebook describes the attraction, entitled Great Moments With Mr. Lincoln, like this:
After watching a brief sound and slide presentation, “The Illinois Story,” visitors enter a comfortable theater where the figure of Lincoln rises from its chair and recites excerpts from some of the speeches of the Civil War President. The figure is capable of more than 250,000 combinations of actions, including gestures, smiles and frowns; the facial features were taken from Lincoln’s life mask.
Last week, alternative media mogul Glenn Beck announced that he was going to focus on “taking back” American culture through the power of nostalgia:
In the future, Glenn Beck’s focus is going to be more on influencing culture and less on politics and news. After all, news is only “what the culture allows,” he said in a recent interview with National Review’s Eliana Johnson.
…“Beck is nostalgic for an America of decades past, and his cultural projects will aim to resurrect and revive it,” Johnson writes. “It’s an America where duty trumped desire and Americans were bound together by a sort of civic religion created by that sense of duty. ‘I want to impact the culture in the way that people see good again,’ [Glenn] says.”
Beck’s goal is admirable, to a fault. The period he seeks to resurrect was one in which concepts like “good” and “duty” were defined by a Biblical religion, not a civic one. Any history student will tell you that Marx had his own take on the American Revolution; you can show someone Frank Capra movies until you’re blue in the face and they’re still going to see Mr. Smith as the ultimate community organizer if that’s their moral outlook.
As Amy Kenyon notes, there are pitfalls to what passes for nostalgia these days:
…the historical meanings and usages associated with nostalgia were finally mangled beyond recognition until its chief purpose became the performance of sentimentalism, the parceling out of discount memory via television, advertising, heritage theme parks, and souvenir markets, all aspects of what we might call the “nostalgia industry.” As such, nostalgia became kitsch, trivial and reactionary: hardly the stuff of a meaningful engagement with the past or the workings of memory.
Simply put: Glenn Beck needs to do more than embrace the facade of America, circa 1940. Beck needs to dig deeper, to America’s Biblical heritage, to understand what re-taking the culture truly means.
Via the Daily Mail: Bill Clinton identified in lawsuit against his former friend and pedophile Jeffrey Epstein who had ‘regular’ orgies at his Caribbean compound that the former president visited multiple times
A new lawsuit has revealed the extent of former President Clinton’s friendship with a fundraiser who was later jailed for having sex with an underage prostitute.
Bill Clinton’s relationship with Jeffrey Epstein, who served time in 2008 for his illegal sexual partners, included up multiple trips to the onetime billionaire’s private island in the Caribbean where underage girls were allegedly kept as sex slaves.
The National Enquirer has released new details about the two men’s friendship, which seems to have ended abruptly around the time of Epstein’s arrest.
Tales of orgies and young girls being shipped to the island, called Little St. James, have been revealed as part of an ongoing lawsuit between Epstein and his former lawyers Scott Rothstein and Bradley Edwards.
It is unclear what the basis of the suit is, but they go on to call witness testimony from some of the frequent guests at Epstein’s island to talk about the wild parties that were held there in the early 2000s.
Flight logs pinpoint Clinton’s trips on Epstein’s jet between the years 2002 and 2005, while he was working on his philanthropic post-presidential career and while his wife Hillary was a Senator for their adopted state of New York.
‘I remember asking Jeffrey what’s Bill Clinton doing here kind fo thing, and he laughed it off and said well he owes me a favor,’ one unidentified woman said in the lawsuit, which was filed in Palm Beach Circuit Court.
The woman went on to say how orgies were a regular occurrence and she recalled two young girls from New York who were always seen around the five-house compound but their personal backstories were never revealed.
At least one woman on the compound was there unwillingly, as the suit identifies a woman as Jane Doe 102.
She ‘was forced to live as one of Epstein’s underage sex slaves for years and was forced to have sex with… politicians, businessmen, royalty, academicians, etc,’ the lawsuit says according to The Enquirer.