13. Bess Myerson
Recognizing a woman who appears to have parlayed her Miss America recognition into a minor-league acting gig may not seem logical, until you realize that Bess Myerson, the first Jewish Miss America, paved an uphill path for diversity in the pageant circuit. She was told by one Miss America exec that she ought to change her name to something “more gentile” and refused. Pageant sponsors refused to hire her as a spokeswoman and certain sites with racial restrictions refused to have her visit as Miss America. This was of no consequence to Miss Myerson, who was the first Miss America to win an academic scholarship. The racism she confronted was motivation for a lifetime’s work with organizations like the ADL, NAACP, and Urban League. She would go on to co-found The Museum of Jewish Heritage in New York and make boundless contributions to the city’s art community. Along with becoming a television personality, Myerson received several presidential appointments in the 1960s and ’70s and would receive two honorary doctorates.
When Lena Dunham can mock you effectively, you’ve hit rock bottom.
Time to sober up, bud.
-Your Friendly Neighborhood VodkaPundit
thumbnail photo via shutterstock / PAN Photo Agency
10. Sullivan and Son
This working class comedy executive-produced by Vince Vaughn and Peter Billingsley is fraught with all the non-PC ethnic and sexual humor you’d hear in a working class, Irish-Korean, middle-American bar like the one in the show. Created by Korean American actor/comedian Steve Byrne and Cheers writer Rob Long, the TBS sitcom reminds you that some jokes are still OK to crack. The stellar cast features Dan Lauria (The Wonder Years) and comic genius Brian Doyle-Murray, along with Christine Ebersole and Owen Benjamin, who portray the drop-dead hysterical mother-son dependent duo Carol and Owen Walsh.
We’ve all heard of the horrors of Cop Rock and Manimal, but after receiving a reader tip on one of their worst TV shows of all time, I did some digging and uncovered these utterly classic samples of bad television that would make great material for Joel McHale or the cast of Mystery Science Theater 3000.
10. Bucky and Pepito (1959)
Produced by Sam Singer, “The Ed Wood of Animation,” Bucky and Pepito was a typical story of an “ambitious” white cowboy and his “lazy” (literally, they sing about it in the theme song) Mexican buddy trolling the old west on a zero budget. According to Toonopedia, “Cartoon historian Harry McCracken once said the pair ‘set a standard for awfulness that no contemporary TV cartoon has managed to surpass. They were great at what they did, which was being bad.’” Thanks to Bucky and Pepito, cartoonists have debated creating a Sam Singer Award for truly bad animation.
About a decade ago at a friend’s party I began chatting with another guest who, in the course of our conversation, informed me that he was an Orthodox Jew.
This information gave me an opening to ask my favorite question, “Why was Jesus born Jewish?”
His answer was memorable, “Jesus wasn’t Jewish,” he replied.
My jaw dropped and I was almost speechless. Initially I thought he was kidding until realizing he was not.
Then, after a short conversation volley he said, “Well, that’s your opinion.”
Years later I have never forgotten that incident because the fact (not opinion) that Jesus was born, lived and died a Jew is one of the few universally accepted Biblical “facts.”
As one who was born and raised a Jew — but since 1975 has believed that Jesus was and is the Messiah — I have made a hobby out of asking traditional Jews, “Why was Jesus born Jewish?” The reason I continue asking this question is because the answers or I should say non-answers are always so intriguing.
Here are three examples (but you will have to read to the end for the most recent and intriguing example of all.)
A fews months ago, I posed “the question” to an old friend who is a secular Jew, not religious, but very proud of his heritage. His replied, “I don’t know. I guess Jesus had to be born of some religion so it just happened to be Judaism.”
My husband loves to tell this true story he calls, “How Myra Accosted a Rabbi at a Bar Mitzvah.” A few years back we attended a Bar Mitzvah of a friend’s son. Afterwards at the reception, using my sweet, inquisitive voice I asked the Rabbi, “Why was Jesus born Jewish?” My husband describes the Rabbi’s face as looking like he had just encountered Satan. After gaining his composure the Rabbi answered, “No one has ever asked me that question,” as he quickly excused himself and dashed to the opposite side of the room.
Then there was the time I was having a heated argument with my non-religious Jewish father (now deceased) about Jesus and my conversion to Christianity. My father had great disdain for ALL religion because he strongly believed that religion was the root cause of every war in human history. During the course of our discussion I asked him, “What was the religion of Jesus?” He replied confidently, “Jesus was Catholic.”
The CW is planning to add Jane the Virgin to its fall lineup. Based on a Venezuelan telenovela of the same name, Jane the Virgin is about an intentionally virginal girl who is “accidentally artificially inseminated” by her OB-GYN:
Jane stars Gina Rodriguez (Filly Brown) as a hard-working, devout Latina who is kind of hoping her boyfriend proposes — though she’s a little worried he’ll get down on one knee so she’ll finally agree to do the deed. When a mix-up at the OB-GYN leads to that artificial insemination plot line, Jane must choose whether to keep the baby — and whether to let the handsome father into her life.
Aside from containing a number of Spanish stereotypes, including the paranoid grandmother putting the fear of God into her pre-teen daughter (“Once you lose your virginity, you can never go back!“) to a cast of overtly sexualized Latinas, the show appears to be a platform for some long overdue, serious conversation regarding abortion. However, the show sounds eerily like one of the most famously influential and revered plot lines in the West’s repertoire, leaving one to wonder how a primarily Protestant audience might handle a story that’s been a hit in a Catholic country.
When it comes to the primarily pathetic representation of Latinas on television (does Sofia Vergara have to do it all?) at least Jane the Virgin appears to lack the typical trashiness of Devious Maids.
This past Sunday, American audiences finally had their chance to wave goodbye to Nurse Jenny Lee, the lead character in the famed Masterpiece series Call the Midwife. However sad it may be, the departure of the show’s Hollywood-bound lead actress Jessica Raine was, ironically, in no way a traumatic one.
Most American shows die when their lead actor disappears. Dan Stevens’ untimely departure from Downton Abbey still enrages fans over a year later. Yet, while Nurse Jenny Lee will be a much missed character, fans are far from outraged at her departure. Perhaps this is because Call the Midwife was never just about Jennifer (Lee) Worth, but about the many lives she encountered and a profession that is finally being given the credit it so sorely deserves. But there is more to the massive success of what began as a 6-episode BBC show about nursing in mid-century London’s bombed-out East End than giving credit where credit is due.
In an era of roughshod marketing tactics and semiotic overload, Call the Midwife, with its pure, heartfelt approach to the vicissitudes of life, is therapeutic television. We are a desensitized audience: No one cries when a pregnant mother is stabbed to death on Game of Thrones. Yet, everyone, including the burly guys on set, shed a tear at every birth on Call the Midwife. We are treated to an East End rife with chamber pots, not sexy chamber maids, and yet audiences are drawn to the show in droves. We love the midwives, even when they are dressed in habits and wimples; they are the ideal face of medicine, mother, and God in an era when we’ve been taught to doubt all three. Like a nurse checking our pulse, Call the Midwife reminds us that we are human after all, and perhaps not as sick as we’ve been led to believe.
And yet, while TV execs struggle with sex and violence in the name of Tweet power, they remain blind to Call the Midwife’s axiom for success: There is powerful endurance in simple truth. Call the Midwife will survive without the character of Jenny Lee because the show has embraced Jennifer Worth’s own mystical sense of timelessness. It is the stuff that fueled her memoirs of both London’s East End and her time as a nurse caring for the dying. Brilliantly captured in the season finale, this sense of the eternal in both life and death is what makes Call the Midwife a healing balm of a show and transcendental television in its finest form. Forget bloody battles and wild, nameless sex. Call the Midwife empowers its audience with the strength to face, not escape, life’s pressures, and the faith to believe that while “weeping may happen for a night, joy breaks forth in the morning.”
Now and then in life, love catches you unawares, illuminating the dark corners of your mind, and filling them with radiance. Once in a while you are faced with a beauty and a joy that takes your soul, all unprepared, by assault.
Networks are adjusting to the changed world of how people watch their programs: hours or weeks later on DVR, online or on-demand. But the industry’s financial structure hasn’t caught up yet, so viewers who watch when a program is first aired – once the only way to watch – are considered more valuable.
That’s why Fox is putting on a live production of “Grease” and NBC is remaking “The Music Man.” Fox is recreating an Evel Knievel motorcycle jump. ABC touts its Oscars telecast and other awards shows. NBC locked up Olympics rights through 2032, and CBS won a bidding war to show NFL football on Thursday night.
Sports usually gets little or no attention in network sales pitches to advertisers. Not this year. ABC, CBS, NBC and Fox all gave sports a starring role. Why? Very few people DVR sports events.
ABC made the point explicit with a message on a wide video screen: “Your DVR can’t handle live.”
“We’re obsessed with trying to eventize everything we can – even episodes of our scripted shows,” said Robert Greenblatt, NBC’s entertainment chief.
“It’s about the urgency to view,” said Fox’s Kevin Reilly.
When Lucy and Desi went live to tape in the 1950s, the audience revolved around the celebrity’s schedule. Now, with the power of recording in the hands of the viewers, the networks are scrambling to get their celebrities ready for something TV actors haven’t needed to do in a long time: Go live.
Reality TV changed the way networks styled television in the early 2000s. Now, social media is changing the way networks market their product. Being a part of the “cultural conversation” is paramount; unfortunately, it also means a steady diet of imitation and near-naked chicks, as Bauder’s quick quiz illustrates:
Which of the following lines was NOT uttered at a network presentation last week:
A) “A lot of people called `Battlestar Galactica’ one of the best shows ever.”
B) “This series is `Game of Thrones’ meets `The Borgias’ meets `The Bible.’”
C) “We have two hours of bloody, sexy drama.”
D) “Some of our new shows will disappear before you even realize they’re on the air.”
If you answered anything other than D, then you have something to learn about the atmosphere of hype and hope that accompanies this week every year.
Can the Big Three really compete with streaming services like Netflix who are willing to invest in original programming and dish it out in an a la carte fashion? Or, will the thrill and nostalgia of live television force even the most radical of new service providers to push the Internet to its streaming capacity?
These days, you can’t go too far in public without encountering profanity. From hip-hop songs blaring out of car windows to private conversations that aren’t so private to teenagers who don’t seem to possess more creativity than four-letter words, profanity has become increasingly prevalent. One beach town outside of Jacksonville, Florida may do something to try to stem that tide soon.
After a community Independence Day celebration last year that drew huge, boisterous crowds, David Sembach, Police Chief of Neptune Beach, is looking into an ordinance that would allow officers to issue citations for profanity in public when such language leads to violence.
Naturally, residents of Neptune Beach express divided opinions on the issue:
“There’s no place for that kind of stuff in a public forum,” beach-goer Ken Meadows said.
“I work with people a lot, so I kind of just ignore it when it’s unpleasant,” Kristen Nye said. “Just keep walking.”
As expected, some locals don’t like the idea; they think Freedom of Speech should always reign supreme.
“It’s a waste of time and taxpayer money to try and do something like that,” Edward Spear said.
The proposal is still in the infancy stage. In order for anything to officially get on the books, City Council will have to approve it. It will be discussed at the next workshop on May 19.
Sembach wants to go further in what he sees as ways to make his town safer:
In addition to pushing for citations if the aggressive language leads to fights, Sembach is also urging for ordinances that would result in penalties for blocking public passageways.
Here’s the reality check: Neptune Beach’s mayor is against the profanity ordinance because she knows it’ll be damn near impossible to pass it. Nice try, Neptune Beach.
What do you think? Is the city right in criminalizing profanity and abusive language when they lead to violence? Or is Sembach stepping on free speech?
This post includes an image courtesy of Shutterstock.
We had the honor of attending our son’s graduation from Hillsdale College last week on a picture-perfect May day with chairs lined up in tight rows on the east lawn of the beautiful campus. In addition to the joy of watching our eldest son walk across the stage to receive his diploma, we were blessed to hear the insightful commencement address from author Eric Metaxas. In addition to sharing stories from his youth and his faith journey, Metaxas, author of Bonhoeffer: Pastor, Martyr, Prophet, Spy, discussed at length the connection between faith, virtue, and freedom. You’ll find the video of the speech at the end of this post.
Here are ten incisive quotes from Metaxas’ address, “The Role of Faith in the Story of Liberty”:
1. Real faith is never something that can be forced by the state.
Real faith is never something that can be forced by the state. It’s something that either be encouraged and smiled upon or discouraged and frowned-upon. Or, simply crushed, as it has been in every Communist country…Religious freedom, which was at the very heart of the Founders’ vision for America, cannot be compromised without all our liberties being compromised and America as we know her being redefined into non-existence.
You don’t normally think “cultural commentary” when you watch a Paul McCartney video. But, with his latest video release for the song Appreciate, the septuagenarian King of Rock continues to pull new tricks from up his sleeve. This time, a catchy song and dance number transcends the usual McCartney fantasyland, providing some smart commentary on human culture in an increasingly technological environment. In McCartney’s museum, the humans doing everyday things are the displays to be studied by a robot known as “Newman”. An artistic interpretation of left and right brain segments is displayed as McCartney walks this New Man (get it?) through the exhibit, counselling him on human behavior and how to groove. By the end of the video, even the humans are getting into the act, dropping their technological fancies in favor of dancing to the beat.
The robot itself shouldn’t come as a surprise to hardcore McCartney fans. Back in October, when he graced the cover of Rolling Stone McCartney commented on visions of a robot, possibly influenced by one of his favorite stories shared with his 10 year old daughter, Beatrice, is The Iron Giant. In press for the video’s release, McCartney commented:
“I woke up one morning with an image in my head of me standing with a large robot. I thought it might be something that could be used for the cover of my album ‘NEW,’ but instead the idea turned out to be for my music video for ‘Appreciate’. Together with the people who had done the puppetry for the worldwide hit ‘War Horse,’ we developed the robot who became Newman.”
Having developed a keen interest in filmmaking when he was still one of the Beatles, McCartney has come a long way with his films from his first directorial foray, 1967′s Magical Mystery Tour. Far from the acid-induced country bus tour, Appreciate provides an up-tempo perspective on the 21st century from the guy who, not long ago, was singing about his Ever Present Past.
Yet it isn’t Microsoft that’s keeping Macca relevant among Generation Hashtag; cultural commentary aside, McCartney still knows how to rock a beat. Dubbed a “remarkable album” by POPMatters, NEW was ranked the 4th best album of 2013 by Rolling Stone. Transcending the pop fluff that perpetuated so many of his hits in the 70′s and 80′s, McCartney has entered a new era as much motivated by experimentation as reflection.
McCartney is set to tour with Newman in Japan. Perhaps a Godzilla mashup is already in the works.
CNN reports on Eretz Nehederet, Marcus’s first creation.
Omri Marcus is the #1 TV Geek you’ve never heard of. An Israeli journalist-turned-hit TV comedy writer, Marcus made it big thanks to his scientific understanding of comedy, a theory he delves into in a recent interview with Tablet magazine. The dialogue provides a fascinating look at Israeli television, an industry still cutting its teeth thanks to decades of gross nationalization. Until the introduction of foreign channels, the country lived off of one government-run station that began broadcasting in 1968. Color transmissions, a topic of great bureaucratic battles, didn’t begin until 1983. Hitting the industry on the cusp of change, Marcus, 34, helped launch the nation’s greatest comedy hit Eretz Nehederet (This Wonderful Country – think: SNL meets The Daily Show) from a hall closet next to a ladies’ bathroom. Now he’s sought out by TV execs around the globe.
Not ironically (he is a comedian, after all) Marcus made a funny observation about the one thing all TV writers’ rooms have in common:
“One of the best things about my work is that I’ve been to so many writer’s rooms all around the world and they’re basically the same anywhere,” Marcus said. “They are all dominated by a group of neurotic Jews. You know, my dream is to create the world’s largest Jewish writers’ room: German Jews and British Jews and American Jews and Israelis, all sitting together and writing jokes about how they’re not getting laid.”
So, do Jews run TV? Not quite:
“The fact that the world is this global village allows you to reduce the risks in making TV,” Marcus said. “You learn a lot from other countries, and we are all, after all, just storytellers. The stories we tell may differ in details, but they should all be appealing, with well-crafted characters, leaving viewers feeling as if they’ve spent their time wisely watching your show. By learning from each other, we’re able to create great, longer-lasting, and more meaningful content.”
Along with developing a rather scientific dating game involving Google glasses, the Huff-Po contributor maintains BizarreTV, a Facebook page where he chronicles the strangest television shows he’s encountered around the globe. My personal favorite is While You Were Sleeping:
How would you feel if you woke up in the middle of the night and discovered that you’re in the middle of a TV game show? ‘While You Were Sleeping’ is the first game show that gives you money while you’re fast asleep! In each episode one couple plays for a chance to win a cash prize. The twist – only one partner knows what’s going on! To stay in the game they must answer the trivia questions correctly, or risk performing a crazy and hilarious challenge – without waking up their partner!
Other shows featured include The Shower, in which contestants sing in the shower before a live studio audience, Guys in Disguise, a dating show that requires a woman to choose from 2 secret admirers dressed in bizarre costumes and I Wanna Marry “Harry” a new FOX dating game featuring a Prince Harry lookalike.
Currently working under an exclusive, multi-year deal with European media conglomerate ProSieben, chances are Marcus’s shows will be hitting American shores for decades to come.
1. How long have you been interested in music? When did you begin singing and writing songs?
I sang my whole life. I sang to the trees in my backyard before I had any friends, growing up in Virginia.
I always wrote songs in my head, but I didn’t pursue it formally until my late 20s.
2. Can you share with us a little about your faith journey?
Yes, gladly. I was raised in a Christian home by wonderful, believing parents. Singing was the way I accessed church and I always sang in church services – from about the age of 6. So Christianity for me was really about being able to sing at church.
I lived in NYC during 9/11 and witnessed that tragedy first-hand. Experiencing death like that – on such a large-scale shook me out of a spiritual slumber I was in. I went to Redeemer Presbyterian Church after 9/11 and sometime in October 2001 I had a powerful encounter with Jesus during a Redeemer service.
The rest is still the journey.
3. What is the songwriting process like for you?
Songwriting for me is mostly agonizing, painful, and something I try to avoid. This is not an overstatement.
What is wrong with my children? Why won’t they let me completely immerse myself in their lives?!
Beverly Goldberg, The Goldbergs
Last week, my husband and I fell over laughing at the best line in the entire first season of ABC’s The Goldbergs. Just renewed for a second season, the autobiographical series created by Adam F. Goldberg (no relation) features, in his own words, “the orginial sMother” Beverly Goldberg, archetype of Jewish moms the world over. In his comic genius (complemented by Wendi McLendon-Covey’s masterful performance) Goldberg has managed to take a figure much-maligned over the past few decades and craft her into a clan leader who is as lovable as she is obnoxious. With her ballsy, brash bravado, Beverly is the living, breathing Jewishness in a show otherwise lacking in Jewish culture. For The Goldbergs, Jewish is not about kashrut, holidays or simchas; it is about a mother who smothers her children with equal parts love, confidence, and overprotection.
Thanks to Freud and Friedan, Jewish moms have taken a beating over the past few decades. Friedan used her own mother’s discontent with being a housewife as the impetus for her brutal criticisms of motherhood and housewifery, going so far as to describe the latter using Holocaust imagery. What Friedan failed to note early on was the antisemitic influence on her mother’s behavior. Not only was her educated mother forced to become a housewife the minute she married, she was also the victim of lifelong antisemitic prejudice. This attitude, something internalized by both mother and daughter, would later come out in brute force through Friedan’s feminist critiques of the Jewish mother. It was a position that Friedan would eventually come to regret. According to historian Joyce Antler:
…in later life [Friedan] has joined the modern aspirations of feminism with the popular emblems of her Jewish heritage, understanding that the myth of a controlling, aggressive Jewish mother has been as dangerous to the self-esteem of Jewish women (including her own) as the earlier “feminine mystique” was to all women.
The real-life Beverly Goldberg views her son’s television show as a “validation of everything she’s ever done.” I’d take her observation a step further; I believe Adam F. Goldberg’s seemingly simple, humorous portrayal of “the original sMother” is a much-needed cultural validation of the Jewish mother figure at large. Beverly Goldberg may not have the zaftig figure of her televisual predecessor Molly, but she has a zaftig heart, one that infuses the kind of family love into a sitcom setting that hasn’t existed since the Huxtables went off the air. In the midst of intense cultural debates on the value and future of motherhood, Beverly Goldberg’s intense devotion, undivided attention, and proclivity for jaws-of-life hugs are refreshing.
Happy sMother’s Day to Jewish moms around the globe. Just please remember to let your kids come up for air once in a while.
For the first few months after I moved back to Texas, I got my hair cut at an Austin barber shop. It’s a family run place — the father and two of his sons own and operate it. The sons are in their 30s or so; the father may be in his 60s. Like many business owners around Austin, the owners of this barber shop are Hispanic.
I haven’t been there in a while, as it’s pretty far from where I live now. I used to go there because it was the first place I found around town, because they give a great no-nonsense man’s haircut, and because the sons are hilarious. They are constantly joking around with each other, joking with the customers, and just having fun. It’s like getting free entertainment while you get your hair cut. Although I used to worry a little that if they made me laugh too hard I would end up moving at the wrong time and mess up their work.
So I was in the shop in mid April, a few years back. I’m in the chair nearest the door as one of the sons is cutting my hair. Another man is in one of the other chairs, and the other son was cutting his hair. The father was around but I don’t think he was cutting anyone’s hair. There were a couple of guys waiting their turn, sitting in a line of chairs that extended from the area just inside the door. Typical barber shop set-up.
An older white man comes in, he seemed be someone that the father and sons knew pretty well.
The newcomer asks the nearest son, “So, are you excited about Cinco de Mayo?”
The sons laughed and the one nearest the door said, “Cinco de Mayo? Not really, man.” He kept cutting my hair.
The older man persisted: “Aren’t you excited about Cinco de Mayo? What are you planning to do to celebrate?”
The sons laughed again. The guys in the chairs near the door laughed too. The brothers kind of looked at each other, shrugged, and the one nearest the door said “Cinco de Mayo? Man, we celebrate the Fourth of July!” They laughed again. “I can’t wait for that! We’ll go to the parades, have some bar-be-cue, see some fireworks, drink some beer. Best day of the year!”
The newcomer just wouldn’t have it. He asked, again, “But aren’t you excited about Cinco de Mayo? It’s coming up! What are you and your family doing?”
Now the son nearest the door was a little bit angry, but he and his brother both laughed it off. “I told you, we celebrate the Fourth of July! My family has been in Texas forever. I’m from Lampasas, man! We’re not ‘Mexican-American’ or any other thing like that, we’re Americans! Fourth. Of. Ju. Ly. Not Cinco de Mayo.” Lampasas is northwest of Austin, near Killeen.
The newcomer finally seemed to give up. He started to sit down in one of the chairs by the door to wait his turn, but then seemed to change his mind, and he left.
The brothers just chuckled, and the one cutting my hair muttered “Cinco de Mayo? Whatever. We’re Americans. I’m from Lampasas.”
Then he asked me what I planned to do on Fourth of July. I told him that his plans sounded pretty good to me. Especially the bar-be-cue.
The Introduction to Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
Part 1: The Mask of Marxism
Part 3: Who Needs a Brain?
Part 4: Are Conservatives Cowards?
“The August 1991 coup in Moscow collapsed three days after it had started, providing the ultimate, ironic proof that nothing, not even a coup, could succeed any more in a society whose vital arteries had been calcified by 70 years of disinformation and dismal feudalism. The main loser was the Communist Party.”
– Lt. Gen. Ion Mihai Pacepa
Both the Democrat and Republican parties have been disinformed by Marxism. The Liberal wing of the Democrat Party has been duped into putting their faith in Marxism’s many forms (socialism, economic determinism, progressivism), while the Republican Party has legitimized Marxism as a form of party politics instead of a murderous, atheistic religion that empowers despots. The Conservative movement, by and large, is slow to recognize Marxism’s true nature, because we are a nation that has been drugged by Disinformation. Pacepa continues:
At the end of the 2001 summit meeting held in Slovenia, President George W. Bush said: “I looked the man [Putin] in the eye. I found him to be very straightforward and trustworthy.” Unfortunately, even President Bush was deceived by disinformation. Putin consolidated Russia into an intelligence dictatorship, not a democracy. During the Cold War, the KGB was a state within a state. Under Putin, the KGB, rechristened the FSB, is the state. Three years after Putin enthroned himself in the Kremlin, some 6,000 former officers of the KGB—that organization responsible for having slaughtered at least 20 million people in the Soviet Union alone—were running Russia’s federal and local governments.
…Is it too far-fetched to suggest that this new Russia calls up the hypothetical image of a postwar Germany being run by former Gestapo officers, who reinstate Hitler’s “Deutschland Über Alles” as national anthem, call the demise of Nazi Germany a “national tragedy on an enormous scale,” and invade a neighboring country, perhaps Poland, the way Hitler set off World War II?
That is the secret power of disinformation.
Pacepa share these thoughts with me mere weeks before the Ukranian revolution and secession of the Crimea to Putin’s Russia. Disinformation is wielding its power on the American homefront as well. In his critique of Thomas Piketty’s new book Capital in the Twenty-First Century, David Brooks embraces Piketty’s idea of a tax on the wealthy’s investment capital in order to create intellectual equality among the classes:
Think of how much more affordable fine art would be. Think of how much more equal the upper class would be.
His musings aren’t that far off from those of Russian intellectuals, who are “making do” with their government’s clampdown on free media and the right to protest. In exchange for their rights, these Russians whose intellectual arteries have been “calcified by disinformation” are being doted upon by their increasingly despotic government:
All sorts of entertainment is being lavished on Russia’s hipsters. Their favorite public parks have splashy, beautifully designed restaurants and clubs, comfortable biking areas and luxurious places to chill. Sanctions or not, Fedoseyev’s friends can still dine out at restaurants full of expats, take shopping trips to Milan, or buy their electronic gadgets online. Fashion Week this weekend was another party blooming with charming models and celebrities; the usual hipsters clubs, Solianka, Simachev, Oldich Dress and Drink or Strelka, felt as cuddly and crowded as ever.
To paraphrase Brooks, it would seem that the fine art is quite affordable in Russia these days. Like junkies seeking a quick fix, Russian intellectuals pursue disinformation at the expense of their freedom. Is Brooks suggesting we do the same, or have we already succumbed to the addiction? In either case, what we need to know now is: What is the antidote to disinformation?
In an entry titled, “Christian women: feminism is not your friend” published on his popular Matt Walsh Blog in April, the conservative Christian commentator concluded that Christian “women (and men)” needed to stop identifying with feminism because the movement is essentially all about abortion.
Embracing the stereotypical liberal definition of feminism as a movement dedicated to starting and waging the War on Women, Walsh discussed the feminist fight for equality:
This is a pretty convincing indication that feminism has, at the very least, outlived its good. There is nothing surprising about that, because feminism, unlike Christianity, is a human construct. It’s an ideology. It’s a political theory. It’s a label. It is not eternal, it is not perfect (there’s the understatement of the decade), and it is not indispensable.
Feminism, like ‘liberalism,’ like ‘conservativism,’ like the Republican Party, like the Democrat Party, is a finite thing that exists and serves a certain purpose in a certain set of circumstances. When the times change, and the circumstances change, it will either die or its purpose will change.
Walsh then dug into medieval history, noting that women were given “equal standing” in certain English trade guilds in the Middle Ages, contrary to the following:
“The fact that guilds seldom permitted women to become masters did in the end relegate them to the least-skilled and certainly least-remunerative aspects of the trade”. This statement shows that the fact that women were not openly admitted to the professional guilds led to the downfall of the woman’s status as a worker during this time period. Since “[m]ale masters displayed no eagerness to train young women, and with few or no women recognized as masters, the guilds did contribute to the narrowing opportunity for women”.
Along with neglecting these facts, Walsh also did not note that neither the Christian Church, nor political leaders who identified with Christianity, demanded that equal professional or political rights be given to women (let alone non-Christians) on either side of the Atlantic.
Editor’s Note: Check out the previous installments in Rhonda’s series on Ernest Becker’s ideas:
Part 1: What Makes You Human?
“Once upon a time there lived a little boy name Tom. He was brave, strong and he always obeyed his mommy…” and so each story would begin.
Every afternoon my little hero would meet a bear, a lion, go into the dark woods, or find a treasure. Each story led to a decision to be made, and our hero always chose what was right even when his faithful companion Little Bear (the scraggly teddy) did not. Every story would end the same–”because Tom always”…my voice would soften and fade as my own four-year-old Tommy would drift off to sleep.
When there are mountains of sand to conquer and frogs to capture, little boys find it hard to take time for a nap. However, I needed one desperately, so I made up wild stories to settle down my adventurous boy and feed his imagination. All in hopes of holding him still along enough for sleep to pin him down.
Until I read what Earnest Becker had to say about heroes, I hadn’t given those days of tale-spinning, or heroes for that matter, much thought.
“Two centuries of modern anthropological work have accumulated a careful and detailed record of this natural genius of man: anthropologist found that there were any number of different patterns in which individuals could act, and in each pattern they possessed a sense of primary value in a world of meaning. As we said earlier, short of natural catastrophe, the only time life grinds to a halt or explodes in anarchy and chaos, is when a culture falls down on its job of constructing a meaningful hero-system for its members.” Ernest Becker, [Emphasis mine]
What stories do you tell your children?
Perhaps a more important question we, as parents need to ask, is what stories are the culture telling our children? What are the childhood heroes we, as a culture, are providing?
If in fact, Becker is correct and the only time life grinds to a halt or erupts in chaos is when the culture falls down on its job of constructing a hero system–we could be in more trouble than we thought. Although, I think we’ve always known it deep down–that’s why we are so disgusted with the likes of Miley Cyrus or Justin Bieber. At one time they held the admiration of young children.
What if Cyrus and Bieber aren’t the problem? What if, it goes deeper than that?
The Introduction to Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
Part 1: The Mask of Marxism
Part 3: Who Needs a Brain?
Our well-meaning conservatives do not seem to know that today’s socialism is just an undercover form of Marxism.
Lt. Gen. Ion Mihai Pacepa
Our ongoing conversation focused on the Right Wing reaction, or lack thereof, to Marxism on the Left, to which Pacepa commented:
A few conservative commentators, like Sean Hannity, Glenn Beck and Rush Limbaugh, and PJ Media writers who deeply understand Marxism (Roger Simon, Ron Radosh, Michael Ledeen and Victor Hanson are just a few) have warned that Marxism is infecting the country and the Whistleblower, a small but courageous magazine, dedicated a whole issue to “Marxism in America .” But neither the Republican Party nor the Tea Party has even mentioned the danger of Marxism. Why?
Many people, even some on the right – especially those with something to lose, such as re-election or position, or popularity, or money – are simply intimidated by the left, and especially by our idiotic and treacherous “mainstream” news media.
While Ann Coulter would probably agree, at least to a certain extent, with Kupelian’s explanation, fear of being Palin’d (or is it Couric’d?) isn’t enough of an explanation. We still live in a free market economy with free access to alternative media outlets. The problem isn’t just ego, as Pacepa explains, it’s also ineffective P.R.:
…I would only mention that most American youths are fascinated by Marx’s utopian ”to each according to his need.” They are also galvanized by the prospect that the Democratic Party can force rich Americans to pay a part of their own health care, mortgages, loans and school tuition, and it seems that the Republican Party does not know how to handle this new generation.
This is partly because the Republican Party approaches Marxist channels as legitimate political entities instead of fronts being used to launder dangerously corrupt ideology:
Soviet communism has been regarded, both in the West and within its own borders, as a form of government that, although dictatorial, ruled the country through a political party and based its decisions on a political ideology. Only a handful of people working in extremely close proximity to the Soviet and East European rulers knew that after Lenin died his Communist Party gradually became irrelevant.
To the Soviet intelligence bigwigs of Pacepa’s era, “the Communist Party was nothing but a ‘yakkity-yak,’ a place where people sat around beating their gums.” The same goes for many of the pro-Marxist outlets today. How many on the Right of the political spectrum have found their comfort zone in the “yakkity-yak” of party politics? Not that long ago I observed:
Politics may be a popularity contest, but pundits like Glenn Beck shouldn’t have to tell the American public about Cloward and Piven, nor would they have to if you’d stop giving into lunatic liberal logic in favor of a seat at the cool table in the Capitol cafeteria.
Pairing that observation with Pacepa’s knowledge leads to the question: Has the Right (Republicans/Conservatives/Tea Partiers/et. al.), along with the rest of America, been collectively drugged into political irrelevance by generations of Marxist Disinformation?
“It just comes down to love. I mean, if you love your child then you should do anything in the world for your child. And it’s as simple and as pure as that.”
This is not parental love. This is misguided, tragic indulgence. It’s as simple and pure as that. Parental love prepares a child for adulthood–momentary happiness has little to do with it.
Parental love sees beyond what a child currently wants, or thinks he wants, and gives him what he needs. What this child needs is unconditional love and a chance for his brain to mature and his body to fully develop.
It’s far beyond the comprehension of a child to see himself as an adult. To a child of nine, eighteen is a lifetime away. Neither Keat nor his parents can fathom what his life will be like as an adult. The physical and mental consequences of a chemically altered body through puberty cannot be fully understood and weighed.
What if Keat had Body Integrity Identity Disorder? The same feelings of being born wrong exist. A person with this disorder believes he or she would be happier without the appendages they were born with. Would these parents still be good parents by indulging this disorder with amputation before puberty?
Warning: Not Safe for Work (profanity)
In his new HBO series Silicon Valley, Mike Judge turns his cutting sarcasm on the wunderkind of Silicon Valley, issuing awesome commentary on 21st century masculinity.
Thomas Middleditch portrays Richard Hendricks, a developer who creates a miracle algorithm with revolutionary file compression capabilities. He is the anti-Don Draper: a skinny, nervous twenty-something dressed in cargo pants and a hoodie; Hendricks is the lost member of the Big Bang Theory click. He lives with two other computer geeks in “the incubator,” a house owned by the overtly obnoxious yet humorous Erlich Bachmann (hysterically portrayed by T.J. Miller), whose app, Aviato, has turned him into one of the many tech venture capitalists in Palo Alto.
Hendricks turns down a 10 million dollar offer from his tech guru boss Gavin Belson, owner of the fictional Google-ripoff “Hooli,” who is anxious to purchase the miracle algorithm. Instead, Hendricks elects to accept eccentric investor Peter Gregory’s offer of $200,000 for 5% of his start-up company, Pied Piper. It’s the best argument for capitalism and small business being made on television today. In electing to start his own business instead of running with the cash, Hendricks inspires his fellow nerds and is forced into maturity. Within the first three episodes he transitions from panic attacks to developing a business plan and entering his first series of negotiations.
With his 1999 hit Office Space, Judge issued a powerful statement about the death of masculinity in the corporate world. With Silicon Valley, his declaration is refined into a statement about how the free market can be used to empower men — primarily nerdy white guys and the Asians who hang with them. In the first episode, Hendricks declares:
Look guys, for thousands of years, guys like us have gotten the sh*t kicked out of us. But now, for the first time, we are living in an era where we can be in charge and build empires. We could be the Vikings of our day.
Judge also takes sharp jabs at the men who propagate corporate culture. Hooli’s Gavin Belson is a “global”-minded laughable yuppie with a Messiah complex who is “committed to social justice” and keeps a “guru” around to remind him how wonderful and unique he is. “If we can make your audio and video files smaller, we can make cancer smaller,” he proclaims as he races to compete with Pied Piper’s formidable nerds.
It will be interesting to see how women are treated within the show. In episode 3, Bachmann (who wears a shirt that reads “I know H.T.M.L.: How To Meet Ladies”) orders up an exotic dancer as a “gift” to reward the Pied Piper crew. The guys retreat to the kitchen, anxious to avoid an awkward scene. The one guy who she manages to trap declares his love for her, and is later found hanging out at the dancer’s home… playing video games with her children.
The series is peppered with Judge’s raunchy humor, but unlike Family Guy it is relatively sparse and works to advance instead of interrupt the story. The Big Bang Theory may have ushered in the era of the nerd, but Silicon Valley is taking America’s love affair with geeky guys and masculinity to a newer, deeper, and much-needed level of respect.
My name is Rhonda Robinson, and I lied.
It was for a good cause. You see, there was this really cool outfit, and I wanted it. A new fast-food joint was gearing up for opening day and looking to hire, so I applied for the job. The fact that I was only 13 wasn’t a problem for me, but I figured it wouldn’t look near as good on an application as 16 would.
After working only a few days, the manager called me into the office, my heart sunk. Certain that he’d figured it out, I braced myself for the worst and walked into the dusty back room. Cigarette smoke filled the room. Two men stood off to the side, one leaning on a wall of boxes, the other propping himself up with his foot on the seat of a chair. The boss sat behind the desk, leaning back and relaxed. Everyone seemed in a good mood.
“How old are you Ronnie?” He asked, right off the bat. Standing up just a little bit taller, I replied, “16.” The man leaned forward and held out a quarter. “Here” he said. As I slowly took the quarter pinched between fingers, he said with a bit of a nod, “Call me when you’re 18.” The two on the side busted out in laughter as if they’d been holding their breath the entire time.
I turned and walked out the door a bit confused and very relieved. “Boy, that was close!” I thought as I went back to work–completely clueless as to what just took place.
That memory has surfaced only twice in my life, the first time was many years later, as an adult when I realized why that manager actually called me in. All of a sudden it all came together and I thought, “Oh, that dirty old man!” It never occurred to me at the time, that a man the age of my father would think of me or look at me in that way.
The second time was when I read, Penelope Trunk’s opinion piece, “Why You Shouldn’t Report Sexual Harassment.”
“Arnold Schwarzenegger and Dominique Strauss-Kahn’s conduct with women have come to the forefront in the debate over sexual harassment. Of course, sexual harassment is ubiquitous. It is so prevalent on the job that girls can expect to encounter workplace harassment the first summer they work during high school. And it continues for a long time.”
As teachers and parents, most of us spend a lot of time making sure girls know what harassment looks like. What’s okay and what’s not okay when it comes to dealing with boys and men.”
Yeah. I get that. Girls do need to be taught to be on guard, especially stepping into the workplace and the world of men. First teachers and parents better start letting boys and girls know that they are different.
Is the line that hard to see? Or are individuals getting what we collectively asked for?
A new policy change in Denver requires 911 dispatchers to contact a supervisor for immediate service when “Federal, State or Local Dignitaries (such as the Mayor or Governor) or personnel within their office requests or requires a police response on the dignitary’s behalf.”
Elected officials will now get preferential treatment by police officers in emergency cases of life and death. This is corruption, openly practiced.
Our justice system isn’t perfect. Celebrities often receive special treatment in court. The rich and powerful can afford a robust legal defense and if they sometimes slither through cracks in the system, well, the system still endures.
What our country cannot long endure is open corruption where elected officials are above the law. When a dispatcher sends a police officer to the Mayor’s house ahead of an ordinary citizen they are acting as a palace guard, and when they do it openly the rule of law is nullified.
To see the result of this failure you need look no further than our neighbor, Mexico, where corruption has led to a profound breakdown in society. Mexico is blessed with a mild climate, abundant natural resources and a hard-working and intelligent people. None of these benefits can overcome a government so bad that millions of citizens have fled for the economic freedom offered by the rule of law in the United States. In Mexico drug cartels have created unending cycles of terror and violence including human trafficking, prostitution, money laundering, rape and murder. When government operates by graft and corruption, the only businesses that thrive are ones who are just as corrupt.
Denver’s elected officials just chose to follow Mexico’s example and create palace guards who answer to their needs first. Denver police officers who take their jobs seriously should be outraged. If they allow this rule to stand, Denver police should find new uniforms to wear that more closely represent their new status. I suggest this one.
Hiding the ugly face of Marxism has become a real science.
– Lt. Gen. Ion Mihai Pacepa
We get it: Intellectuals who fall to the Left of the political spectrum dig Marx. Cultural critics like Ben Shapiro and Ben Stein have already made the excellent argument that academia is ideologically corrupted by said intellectuals, arguments that can be backed up by practically every conservative college graduate in the country. Now the focus has turned to public education, specifically the battle over Common Core Curriculum Standards (CCCS). You know what I’m talking about: Those crazy grammar assignments or math problems-cum-memes that pepper your Facebook and Twitter feed, usually accompanied by sarcastic comments like “Common Core is making me stupider.”
From a governmental point of view, Obama’s CCCS look like Bush’s No Child Left Behind on steroids: high-impact grant funding legislation that increases federal influence at the local level. Public school districts must report boatloads of data showing quantifiable achievements if they are to be rewarded with government funds. Many Americans doubt that a quality education can be quantified, but as Stalin was fond of saying: “Bureaucracy is the price we pay for impartiality.”
Which brings to mind Pacepa’s remark:
After the Kremlin expelled Romania’s King and declared the country a Popular Republic, the new government nationalized the school system, and decided to create its own type of intellectual — the “new man”.
Romania had its intellectuals before the Revolution. Most fled to Western Europe with death sentences hanging over their heads, still more wound up in gulags, and yet others elected to support the communist regime. A new generation of intellectuals would grow up behind the Iron Curtain, cultivating a subculture all their own filled with bootleg records and western media. They’d take menial bureaucratic jobs that would give them enough time to think and write – secretly of course – and maintain the culture their government denied them. Today’s Russian intellectuals have inherited the complacency of their parents’ generation, willing to “make do” as the government clamps down on free speech. It would seem, as Pacepa puts it, that their “vital arteries [have] been calcified by 70 years of disinformation and dismal feudalism.”
The harsh reality is that most citizens of the former Soviet Union do not know how to defend freedom because they’ve been educated to live without it. As the Wizard so kindly explained, the Scarecrow didn’t need a brain; he needed his intelligence to be quantified through a degree conferred by an authoritative source. This doesn’t mean that public education is a sham; on the contrary, this should illustrate how powerful an education can be in the hands of the educators as well as the minds of the educated.
We’ve discussed Marxist influences in our contemporary culture, but do we have the courage to confront Marxism in our daily discourse? Stay tuned for the next installment of Pacepa’s Seeds of Knowledge.