This Little Girl Just Schooled Tesco Over A Sexist Sign Because “Anybody Can Like Superheroes” http://t.co/Gp9rGmNvlA
— Natalie Brown (@Natalie_Brown) January 11, 2015
When you’re constantly relying on a third party to define your sexuality, you’re inevitably going to write yourself onto the sidelines of social activism, which is precisely what contemporary feminism is currently doing. With its insane Marxist belief that biological “sex” and “gender” are two separate entities that do not overlap or influence each other, contemporary feminism has bought into postmodern subjectivity. Issues are left to be parsed in terms of value judgments rendered by individuals on the basis of sheer whim. This includes defining what it means to be a woman.
It’s bad enough when contemporary feminists attack shopping malls for categorizing “boys” versus “girls” clothing. The complaint is always the same: “My daughter wanted a superhero shirt that was unavailable in the girls’ department!” Pants were unavailable in the girls’ department 100 years ago. Women wore them anyway. Instead of raising independent thinkers, contemporary feminists raise dependent complainers who derive their entire sense of gender identity from a store’s marketing department. This is the dark side of allowing society to define your gender. Suddenly a generation of women is convinced they have male tendencies because they have a penchant for Superman. It couldn’t be that they want to wear his logo because they find him strong, appealing, or — God-forbid — attractive. Because his logo is sported in the boys’ department only, it must mean any little girl who wants to wear his shirt is obviously a trannie.
I have no interest in seeing Ridley Scott’s epic IMAX 3-D meisterwerk Exodus: Gods and Kings. Why would I want to spend money on a “gloriously junky” movie that turns my history into a collection of high-tech special effects laced together by a biased, biblically-inaccurate script? Yet, for however lousy the movie itself might be, it has inspired some interesting commentary on Jewish peoplehood from Emma Green over at the Atlantic. For Green, the film inspired a polemic that highlights the seemingly eternal struggle Jews have with the idea of being called out, that is to say “chosen” by God.
I’ve always found this to be rather asinine as far as ideological burdens go. Most people struggle to find their purpose in life. Jews are born into it. We are here to bring God’s teachings into the world in order to make this earth a better place. This chosen status, this calling doesn’t make us any better than anyone else. It simply gives us a job to do, a role that manifests itself through every aspect of existence, every academic discipline, every profession we’ve ever encountered. Whether we’re religious or not, or politically Left or Right, we (for the most part) are bent on doing our part to make the world a better place. Which is probably why those who hate us the most love to rub our chosenness in our face, intimidating the Emma Greens among us into second guessing our God-given responsibility.
Editor’s Note: See the first four parts in Susan L.M. Goldberg’s series exploring ABC’s Scandal through the lens of Biblical feminism: “What’s Evil Got to Do with It?,” “Women and the Scandal of Doing It All Alone,” “The Key to a Woman’s Sexual Power,” and “Should You Trust Your Gut or God?“ Also check out an introduction to her work and collection of 194 articles and blog posts here. Warning: some spoilers about season 3 discussed in this installment.
Woe to the city of oppressors, rebellious and defiled! She obeys no one, she accepts no correction. She does not trust in the Lord, she does not draw near to her God. Her officials within her are roaring lions; her rulers are evening wolves, who leave nothing for the morning. Her prophets are unprincipled; they are treacherous people. Her priests profane the sanctuary and do violence to the law.
Our culture has a seemingly natural distrust of people in power, but that wasn’t always the case. Before November 1963 we put great faith in our political and spiritual leaders. Those pre-’63 figureheads like JFK, Ike and FDR, Fulton Sheen and Billy Graham are still heralded as role models of moral society. Today’s faith is different. We look for hypocrisy and mock it intensely. All spiritual leaders are televangelists skilled in chicanery. Our politicians are now supposed to be our messiahs, and when they fail we as a nation fall into despair and chaos. When did we forget God, and why does it matter that we’ve left Him out of the equation?
Editor’s Note: See the first three parts in Susan L.M. Goldberg’s series exploring ABC’s Scandal through the lens of Biblical feminism: “What’s Evil Got to Do with It?,” ”Women and the Scandal of Doing It All Alone,” and “The Key to a Woman’s Sexual Power.” Also check out an introduction to her work and collection of 194 articles and blog posts here.
The idea of Olivia Pope is one of a woman who trusts her gut instinct so implicitly that she bases her every decision on it. As a result she unwittingly justifies a range of crimes, puts her life and the lives of her employees and friends at risk, and helps terrorists escape the country. Sometimes listening to your gut just isn’t good enough. Which is probably why God provides a wise alternative in Torah: the prophet.
Biblical culture believes that God speaks to human beings. Sometimes this is done in a group setting, like when the Israelites entered into a covenant with God on Mount Sinai. Other times this is done on an individual level, as when God called out Abraham, spoke to Moses through the burning bush, and when God speaks to His prophets. Given that God spoke to His priests through the long-ago destroyed Temple, Rabbinic Judaism tends to view prophets as the stuff of biblical history, despite the prophecy of Joel:
And afterward [after the restoration of Israel], I will pour out my Spirit on all people. Your sons and daughters will prophesy, your old men will dream dreams, your young men will see visions. Even on my servants, both men and women, I will pour out my Spirit in those days.
The Spirit of God in prophecy, known in Rabbinic Judaism as the “bat kol,” is highly regulated by Rabbinic law and culture:
In any event, the consensus in Jewish thought is that no appeal to a heavenly voice can be made to decide matters of halakhah where human reasoning on the meaning of the Torah rules is alone determinative. In non-legal matters, however, a Bat Kol is to be heeded. …In modern Jewish thought, even among the Orthodox, claims to have heard a Bat Kol would be treated with extreme suspicion and dismissed as chicanery or hallucination.
But is it really wise to always trust your gut?
Editor’s Note: See the first two parts in Susan L.M. Goldberg’s series exploring ABC’s Scandal through the lens of Biblical feminism: “What’s Evil Got to Do with It?,” ”Women and the Scandal of Doing It All Alone.” Also check out an introduction to her work and collection of 194 articles and blog posts here.
The husband/wife relationship is central to feminism. Historical, first-wave feminism studied matrimony in terms of legal rights. Contemporary, second-wave feminism approaches marriage in terms of sexual and economic power. Biblical feminism seeks to understand the spiritual relationship between a husband and wife, and how that spiritual relationship manifests into physical action. To do so, we must begin at the beginning, with Genesis 3:16:
To the woman he said, “I will make your pains in childbearing very severe; with painful labor you will give birth to children. Your desire will be for your husband, and he will rule over you.”
“Rule over you” is a phrase that sends chills down any feminist’s spine. But, what does it truly mean? A study of the original Hebrew text provides radical insight into one of the most abused verses of Torah:
This brings us to perhaps the most difficult verse in the Hebrew Bible for people concerned with human equality. Gen 3:16 seems to give men the right to dominate women. Feminists have grappled with this text in a variety of ways. One possibility is to recognize that the traditional translations have distorted its meaning and that it is best read against its social background of agrarian life. Instead of the familiar “I will greatly increase your pangs in childbearing,” the verse should begin “I will greatly increase your work and your pregnancies.” The word for “work,” izavon, is the same word used in God’s statement to the man; the usual translation (“pangs” or “pain”) is far less accurate. In addition, the woman will experience more pregnancies; the Hebrew word is pregnancy, not childbearing, as the NRSV and other versions have it. Women, in other words, must have large families and also work hard, which is what the next clause also proclaims. The verse is a mandate for intense productive and reproductive roles for women; it sanctions what life meant for Israelite women.
In light of this, the notion of general male dominance in the second half of the verse is a distortion. More likely, the idea of male “rule” is related to the multiple pregnancies mentioned in the first half of the verse. Women might resist repeated pregnancies because of the dangers of death in childbirth, but because of their sexual passion (“desire,” 3:16) they accede to their husbands’ sexuality. Male rule in this verse is narrowly drawn, relating only to sexuality; male interpretive traditions have extended that idea by claiming that it means general male dominance.
Women are fixers. It should come as no surprise to anyone with an understanding of the sexes that the leading female figure on primetime television is none other than a fixer named Olivia Pope. Fifty years ago women primarily played the role of mother on screen and, in doing so, they fixed things and life was pretty darn perfect. But perfect doesn’t fly on network television any longer. Today it’s all about drama, and drama is conflict. So, we get Olivia Pope: beautiful, intelligent, who fantasizes about marrying an already married man, having his children and fixing a nice little life in the Vermont countryside for them, but is too embroiled in fixing her own life and the lives of those she loves to ever quite reach her American nirvana.
Like Israel’s matriarchs, Olivia Pope has a vision of justice, of order, of the way things should be. The wearer of the “white hat,” she wrestles between good and evil in her many attempts to manifest this divine sense that has been humanized as her “gut” instinct. Watch her and you’ll see the woman in white when she pursues truth, the woman in black when she has given over to evil, and the woman in gray when she questions everything she knows. Being a fixer is a woman’s inherent power and inevitable struggle. It isn’t that we want to “do it all” because doing it isn’t as hard as taking responsibility for it, for the lives under our care. Olivia Pope cares for everyone, wants to save everyone, wants to repair everyone and make everything all better. Her struggle, like that of the matriarchs, is in placing the sole burden of responsibility on her own shoulders. But, the greatest lesson of God-given responsibility is that you are not expected to carry it all alone.
Just like today, there were catchphrases that, well, caught. Almost everyone then knew the lyrics, “I don’t care…what you do – I wouldn’t want to be like you.”
14. The Alan Parsons Project – “I Wouldn’t Want to Be Like You” (1977)
Editor’s Note: Over the spring and summer we launched the PJ Lifestyle Music at Midnight feature, highlighting reader suggestions for great songs worth featuring. One contributor’s infectious enthusiasm and good nature won us over. He’s since expanded his music recommendations to a series of list-article-mix tapes. Now in this daily feature we’re going to start drawing from his lists (and growing an archive of them) to discuss the songs and artists included. Who should be included next? What ideas do you have for music or other culture or lifestyle ideas you’d like to see discussed at PJ Lifestyle? Get in touch DaveSwindlePJM AT gmail.com or @DaveSwindle on Twitter. Here’s Allston’s archive so far, but he’s got more list-mix-tapes in the works:
By Artist and Band
- 5 Terrific Tracks from Horace Silver, Jazzman Extraordinaire
- The 5 Musical Periods of the Yardbirds
- Your 6 Song Introduction to Traffic
- Alternative 1980s: 15 More Songs Millennials Must Hear
- 15 Classic 1970s Songs Millennials Should Know
- 15 More Classic 1970s Songs for the Millennials
- 15 More 1970s Songs Showcasing the Decade’s Wide Range
- Your 15 Song Introduction to The New Wave Punk Sound That Ended the 1970s
- 15 Early Punk And New Wave Songs Bridging the 1970s to 1980s
- 7 Spooky Halloween Tunes
Twenty-four percent of married couple families with children under 15 have a stay-at-home mom. Ninety-nine percent of stay-at-home moms in the movies get a really bad rap. Search “Best Movie Moms” and you’ll get lists that include Shirley MacLaine in Terms of Endearment, Sigourney Weaver in Aliens, Shelly Duvall in The Shining, and more than a few mentions of Psycho. The majority of movie mothers are either widowed or divorced, careerists or working class, alcoholics or impregnated by UFOs. The closest you’ll get to a stay-at-home mom in post-1940s cinema is Kathleen Turner playing the psychotic Serial Mom or Michael Keaton taking on the role so his wife can pursue her career in Mr. Mom.
In fact, outside of Sandra Bullock in The Blind Side there hasn’t been a truly admirable middle-class, white, stay-at-home mother on the silver screen in over 50 years. Which is probably why Mom’s Night Out received such a negative critical reception when it premiered last spring. We have been acculturated out of believing in the power and purpose of stay-at-home moms. Yet, the criticisms leveled at Mom’s Night Out for its “depressingly regressive” spirit and “archaic notions of gender roles” were not applied to a similar film about a stay-at-home mom released only two years prior. This Is 40 received mixed reviews, but praise for yielding “…some of [Judd] Apatow’s most personal observations yet on the feelings for husbands, wives, parents, and children that we categorize as love.”
So, what made This Is 40 palatable in a way that Mom’s Night Out wasn’t? Is there, perhaps, a culturally acceptable way to be a stay-at-home mom?
I put off writing this for as long as I could.
I told myself I still had the same headache I had yesterday.
And hey, there’s an Auction Hunter marathon on, and…
Then the irony hit me:
This had been my idea, to write a response to Hand to Mouth, author Linda Tirado’s viral internet “Why I’m poor” post-turned-book.
And that one of the reasons I’m not poor anymore is because I work even when I don’t feel like it, and it feels like a summer day even though it’s the end of September, and…
So here goes:
Sure, you know how to write an assertive cover letter and you have a wardrobe of freshly pressed black and navy blue suits. But, just because you’re doing everything the manual tells you doesn’t mean you aren’t going to make a mistake in your job search. From my other life working in human resources, I give you the ten best mistakes applicants have made in pursuit of a job.
10. Want to include the fact that you taught an adult education course on photography on your resume? Don’t dub yourself “Adult Photography Instructor.”
Language matters. In the age of social media and Google, applicants should understand that lying on their resume isn’t an option. Just be sure you aren’t getting so creative with your wording that you make yourself sound more qualified for porn than a professional environment.
I was not surprised to read that more unemployed people are shopping rather than job hunting:
On the average day, an unemployed American is more likely to be shopping—for things other than groceries and gas—than to be looking for a new job, according to data from the Bureau of Labor Statistics.
Only 18.9 percent of Americans who were unemployed (in surveys conducted from 2009 through 2013) spent time in job search and interviewing activities on an average day, according to BLS. Yet 40.8 percent of the unemployed did some kind of shopping on the average day–either in a store, by telephone, or on the Internet. 22.5 percent of the unemployed, according to BLS, were shopping for items other than groceries, food and gas…..
An unemployed person—on the average day—was more likely to spend time on shopping, sports and recreation, socializing and leisure, than they were searching for and interviewing for a new job, according to BLS.
According to BLS, 96.7 percent of the unemployed spent time during the average day participating in “socializing, relaxing, and leisure” activities and spent, on average, 5.93 hours on those activities—or more than twice the number of hours they spent job searching.
image via shutterstock / Rawpixel
As a Gen-X/millennial crossover, I was fortunate enough to first meet Robin Williams as Mork from Ork on the sitcom Mork and Mindy. A comedic powerhouse, Mork’s colorful wardrobe and loud laugh were the first things I imitated as a child. As I grew up, I would look back and realize the many character lessons I learned at home were reinforced by a supremely acted alien outsider with a predilection for sitting on his head. In virtually every role he played, Robin Williams taught his audience a life lesson. As a young kid there was no one more fun to hang around with and learn from on TV than Mork from Ork.
10. Old people rule.
Mork marvels at the way the elderly are ignored and maligned on earth. On Ork, old folks are revered as the wise, experienced ones to learn from. “The Elder” is called on to remind Mork of his Orkishness. His was an early lesson in the importance of respect and reverence for the elders in your life and how very important all people are, no matter and, perhaps, especially because of their age.
See the previous installment in Susan’s Dudeism series: How to Become an Official Dude in 10 Easy Steps
Warning: Given that the f-bomb is dropped in The Big Lebowski over 200 times, some of these clips will most likely be NSFW.
10. Abiding is a science as well as an art.
Patience is an inherent aspect of abiding. Other definitions include “to endure without yielding,” “to accept without objection,” and “to remain stable.” In the world of the Internet and social media technology, abiding is an anachronistic action. We have been shaped by our media to function at rapid speeds. One of the biggest goals of Common Core is to increase the speed at which students mentally process information. Not study, analyze and comprehend, but process and regurgitate the way they would like and share a Twitter or Facebook post. Abiding flies in the face of today’s high-speed reactionary culture.
10. If guys didn’t look like heroin-addicted street dwellers…
Before committing suicide, musician Kurt Cobain copyrighted the grunge look that came to define Gen-X/millennial crossovers in the ’90s. A reaction to the preppie style made famous by ’80s yuppies, grunge involved a level of disheveled that transcended even the dirtiest of ’60s hippie looks. Grunge trademarks included wrinkled, untucked clothing complemented by greasy, knotted hair and an expression best defined as heroin chic. The style depicted an “I don’t care” attitude that took punk’s anti-authoritarian attitude to a darker, more disengaged level. Grunge became the look of resigned defeat among American males.
13. Bess Myerson
Recognizing a woman who appears to have parlayed her Miss America recognition into a minor-league acting gig may not seem logical, until you realize that Bess Myerson, the first Jewish Miss America, paved an uphill path for diversity in the pageant circuit. She was told by one Miss America exec that she ought to change her name to something “more gentile” and refused. Pageant sponsors refused to hire her as a spokeswoman and certain sites with racial restrictions refused to have her visit as Miss America. This was of no consequence to Miss Myerson, who was the first Miss America to win an academic scholarship. The racism she confronted was motivation for a lifetime’s work with organizations like the ADL, NAACP, and Urban League. She would go on to co-found The Museum of Jewish Heritage in New York and make boundless contributions to the city’s art community. Along with becoming a television personality, Myerson received several presidential appointments in the 1960s and ’70s and would receive two honorary doctorates.
In an entry titled, “Christian women: feminism is not your friend” published on his popular Matt Walsh Blog in April, the conservative Christian commentator concluded that Christian “women (and men)” needed to stop identifying with feminism because the movement is essentially all about abortion.
Embracing the stereotypical liberal definition of feminism as a movement dedicated to starting and waging the War on Women, Walsh discussed the feminist fight for equality:
This is a pretty convincing indication that feminism has, at the very least, outlived its good. There is nothing surprising about that, because feminism, unlike Christianity, is a human construct. It’s an ideology. It’s a political theory. It’s a label. It is not eternal, it is not perfect (there’s the understatement of the decade), and it is not indispensable.
Feminism, like ‘liberalism,’ like ‘conservativism,’ like the Republican Party, like the Democrat Party, is a finite thing that exists and serves a certain purpose in a certain set of circumstances. When the times change, and the circumstances change, it will either die or its purpose will change.
Walsh then dug into medieval history, noting that women were given “equal standing” in certain English trade guilds in the Middle Ages, contrary to the following:
“The fact that guilds seldom permitted women to become masters did in the end relegate them to the least-skilled and certainly least-remunerative aspects of the trade”. This statement shows that the fact that women were not openly admitted to the professional guilds led to the downfall of the woman’s status as a worker during this time period. Since “[m]ale masters displayed no eagerness to train young women, and with few or no women recognized as masters, the guilds did contribute to the narrowing opportunity for women”.
Along with neglecting these facts, Walsh also did not note that neither the Christian Church, nor political leaders who identified with Christianity, demanded that equal professional or political rights be given to women (let alone non-Christians) on either side of the Atlantic.
Warning: Not Safe for Work (profanity)
In his new HBO series Silicon Valley, Mike Judge turns his cutting sarcasm on the wunderkind of Silicon Valley, issuing awesome commentary on 21st century masculinity.
Thomas Middleditch portrays Richard Hendricks, a developer who creates a miracle algorithm with revolutionary file compression capabilities. He is the anti-Don Draper: a skinny, nervous twenty-something dressed in cargo pants and a hoodie; Hendricks is the lost member of the Big Bang Theory click. He lives with two other computer geeks in “the incubator,” a house owned by the overtly obnoxious yet humorous Erlich Bachmann (hysterically portrayed by T.J. Miller), whose app, Aviato, has turned him into one of the many tech venture capitalists in Palo Alto.
Hendricks turns down a 10 million dollar offer from his tech guru boss Gavin Belson, owner of the fictional Google-ripoff “Hooli,” who is anxious to purchase the miracle algorithm. Instead, Hendricks elects to accept eccentric investor Peter Gregory’s offer of $200,000 for 5% of his start-up company, Pied Piper. It’s the best argument for capitalism and small business being made on television today. In electing to start his own business instead of running with the cash, Hendricks inspires his fellow nerds and is forced into maturity. Within the first three episodes he transitions from panic attacks to developing a business plan and entering his first series of negotiations.
With his 1999 hit Office Space, Judge issued a powerful statement about the death of masculinity in the corporate world. With Silicon Valley, his declaration is refined into a statement about how the free market can be used to empower men — primarily nerdy white guys and the Asians who hang with them. In the first episode, Hendricks declares:
Look guys, for thousands of years, guys like us have gotten the sh*t kicked out of us. But now, for the first time, we are living in an era where we can be in charge and build empires. We could be the Vikings of our day.
Judge also takes sharp jabs at the men who propagate corporate culture. Hooli’s Gavin Belson is a “global”-minded laughable yuppie with a Messiah complex who is “committed to social justice” and keeps a “guru” around to remind him how wonderful and unique he is. “If we can make your audio and video files smaller, we can make cancer smaller,” he proclaims as he races to compete with Pied Piper’s formidable nerds.
It will be interesting to see how women are treated within the show. In episode 3, Bachmann (who wears a shirt that reads “I know H.T.M.L.: How To Meet Ladies”) orders up an exotic dancer as a “gift” to reward the Pied Piper crew. The guys retreat to the kitchen, anxious to avoid an awkward scene. The one guy who she manages to trap declares his love for her, and is later found hanging out at the dancer’s home… playing video games with her children.
The series is peppered with Judge’s raunchy humor, but unlike Family Guy it is relatively sparse and works to advance instead of interrupt the story. The Big Bang Theory may have ushered in the era of the nerd, but Silicon Valley is taking America’s love affair with geeky guys and masculinity to a newer, deeper, and much-needed level of respect.
President Obama’s new initiative is a higher minimum wage, and if he is successful the result will not be higher-paid employees heading off to work every day. Instead their jobs will be filled by an entirely new sort of worker: Robots.
Robots, unlike humans, don’t require pay or sick time or vacations. If they break they’re thrown out and recycled. Robots are expensive, but the threat of a higher minimum wage is now making a robotic worker more cost-effective than hiring a real person.
Across Japan the noodle-making chefs are now made of metal, and when you order a Big Mac at a MacDonald’s in Europe you do it by touch screen. A company called Momentum Machines in southern California has developed a robot that cranks out 400 perfectly-prepared burgers every hour. (Note: Robots do not sneeze. Ever. Think about that for a bit.)
Where is this going? Are we heading for a future where slinky femme fatale robots plot the destruction of mankind while wearing the perfect red dress?
If there’s one refreshing thing to be said of the season finale of Girls, it’s that Lena Dunham is not a stereotypical feminist after all.
The series finale of Girls opens with Hannah bumping into Adam’s looney sister who is now living with her equally nutty downstairs neighbor, Laird. Newly returned from a hippie commune, the pair are expecting their first child. Hannah asks and is granted permission to touch Caroline’s womb, which she does so with an expression of both doubt and awe. In the next scene, Hannah walks into her own apartment and she touches her own womb in absent-minded contemplation. She is then quickly distracted by an acceptance letter to graduate school in Iowa.
In her typical selfish fashion, Hannah presents her grad school acceptance to Adam minutes before his Broadway premiere. If it wasn’t so sweetly presented you’d think it was a vengeful move. Consequently, Adam feels that his performance has been thrown off. As a result, their relationship goes into full meltdown at the stage door after the show. Adam is outraged that Hannah presented her success to him before he went live: “Why can’t anything ever be easy with you?” he questions angrily.
The well played plot point mirrored Shoshanna’s own struggle at Ray’s rejection. “If memory serves, you’re the one who jettisoned me a while ago,” Ray comments before Shoshanna interjects, ”I want you back,” explaining, “I made a mistake…this entire year of freedom was just f-ing stupid…you make me want to be the best version of myself, and I just want to pretend that I was never not your girlfriend before.” “You pushed me forward in a lot of ways and I’m eternally grateful for that,” Ray explains before finishing with, “but right now, we’re in two different places with very, very, very different goals.”
In the post-episode commentary, Dunham focused on the idea that “relationships aren’t easy,” but the full impact is smarter than that: The episode that begins with the announcement of a pregnancy ends with Hannah’s excited expectations for what Iowa may bring. Embracing second wave feminist legacy, Dunham’s pregnancy metaphor introduces the next battle in the Children versus Career war, questioning the point of male/female sexual relationships.
Rupert Holmes once penned a beautiful line regarding two characters parting in the series Remember WENN: “This is what happens to love when people are in love.” Love is more than a sexual high, a status symbol, or a comfort zone. Love is required work, firstly on the part of one’s self. In their me-driven environment, second wave feminists created the idea that a romantic relationship, not unlike a commune, is nothing more than the temporal cohabitation of two individuals with shared interests. That ideology gave birth to the “Selfie Generation” of which Hannah Horvath is Queen.
Jill Knapp begs us to “Please Stop Asking Me When I’m Going to Have Children.”
Being that I am still a newly-wed and have just moved to a new city, I am in no rush to have a kid. This is an unacceptable answer to a lot of people. The constant reminders that your clock is ticking and that you don’t want to be confused for your child’s grandparents when they grow up are not making us move any faster. Having children is a big responsibility.
What Jill doesn’t understand is that her fertility is not subject to whim or wishful thinking. Her chances of getting pregnant decline rapidly after 30. By age 40, less than 5 out of every 100 women will be successful at conception. When the Jills of this world decide they want children at 36 or 38 or 42, they enter a long, often fruitless quest for safe pregnancy and childbirth.
I never thought the day would come when I got genuinely excited about business management. I do not own a business. Nor am I a manager. Be that as it may, I can’t stop thinking about the potential applications of something called “lean management.”
Have you ever trained in a new hire? If so, perhaps you’ve watched as their initial eagerness and exuberance fade into doldrum and routine upon their learning “how things are done around here.” Perhaps you advised:
No, you’re working too hard….
No, we don’t do it like that….
No, that’s not your job….
Listen, if you expect things to make sense, you’re just going to end up frustrated and disappointed. Go with the flow.
I must confess to having dispensed such advice on more than one occasion. Deep down, I have always resented it. Responding to the muted exuberance of a new hire, I recall my own lost exuberance and ask:
Why don’t things make sense around here? Why doesn’t it pay to work harder? Shouldn’t processes be as efficient as possible?
Meh, that’s above my pay grade. It’s for the managers to worry about. I’m just here for the paycheck.
Organizational structure and management style enable such fatalism and contribute to an inefficient and even antagonistic workforce. When initiative and innovation go unrewarded and even punished, the game becomes doing just enough in just the right way to stay below the radar.
Concisely introduced in the above video, lean management presents an alternative to the modern management style employed in most organizations. Instead of managerial authority, lean management concerns itself with managerial responsibility. Instead of judging performance by results, lean management judges performance by process, recognizing that properly performed processes will deliver intended results. Instead of coming up with an authoritative plan, lean management conducts experiments in a kind of scientific process utilizing feedback to constantly adjust the plan. Instead of making decisions in sterile conference rooms looking at data without context, lean management gets its hands dirty inspecting the value-creation process and asking workers about their work. Speaker Jim Womack outlines these points in greater detail in the video below.
You can begin to imagine what it might be like to work in an organization managed in this way. Exuberance and enthusiasm would suddenly become welcome and profoundly relevant. You would be encouraged to offer feedback and solicit experimental changes to processes. Your job would be safe when innovation fails, because it would be generally understood that experiments are experiments. When innovation worked, you would be rewarded and fulfilled.
The quirky genius of lean management is that it’s not even clever. It’s just the recognition of objective reality and the application of the scientific method to the craft of management. Things are what they are. Processes work how they work. And we ought to adjust our plans accordingly. It’s stupid brilliant.
The MSM’s latest fetish, college girls-turned-porn stars for tuition money, smacks of the rotten legacy of second-wave feminism’s “our bodies, our selves” mantra. Take the story of Belle Knox, a Duke University fresh-girl forced to do porn for the tuition money. While her sleaze-bag of an agent attempts to milk her 15 minutes with stories of a poor girl turned out by multimillionaire parents (a story she later changed when chatting with Piers Morgan), Belle Knox views herself as anything but a victim.
The 18-year-old appeared on front pages across the globe and sat down with Piers Morgan for a CNN interview using only her stage name and claiming that she was not ashamed of what she was doing and, in fact, felt ‘empowered’ by her career.
I’m not being exploited. I love what I’m doing and I’m safe,’ insists the women’s studies major.
Women’s studies major. Good thing she’s in porn, considering her future career choices at this point don’t rise far above McDonald’s worker (and we all know how poorly they’re paid). Seriously, though, paying for your women’s studies degree by doing porn? Has anyone stopped being sucked in by the rich-girl lifestyle to consider that glaring irony? Or the fact that her women’s studies major has justified her career choice?
She told her student newspaper in an interview last week: ‘My entire life, I have, along with millions of other girls, been told that sex is a degrading and shameful act. When I was five-years-old and beginning to discover the wonders of my body, my mother, completely horrified, told me that if I masturbated, my vagina would fall off.
‘The most striking view I was indoctrinated with was that sex is something women “have,” but that they shouldn’t “give it away” too soon -– as though there’s only so much sex in any one woman, and sex is something she does for a man that necessarily requires losing something of herself, and so she should be really careful who she “gives” it to.’
The vapid meanderings of Belle Knox illustrate the very scary impact of the second-wave feminist notion that our bodies really are our selves. Beyond our physicality, we have nothing left, no brain, no feeling, to “lose” or invest in a sexual encounter.
While it’s not as famous as Edward Scissorhands or The Nightmare Before Christmas, Ed Wood is an early film by Tim Burton beloved by many fans. Its quirks abound: it’s shot in black and white, using camera angles and lighting techniques to tip the hat to classic movies; Johnny Depp appears in drag and talks about parachuting into Normandy wearing women’s underclothes; and Bill Murray, Martin Landau, and Vincent D’Onofrio all give memorable performances as Hollywood legends Bunny Breckinridge, Bela Legosi, and Orson Welles.
Ed Wood tells the true story of its eponymous hero, known as one of the worst filmmakers of Hollywood’s golden age. Ed Wood’s most famous creation was Plan 9 from Outer Space, which came back into the public consciousness when it was lambasted on Mystery Science Theater 3000. Burton crafts an entertaining and heartbreaking film in which you find yourself cheering for Ed despite his obvious incompetence and total lack of self-awareness. The final scenes depicting the making of Plan 9 play out triumphantly despite their absurdity — you’re only reminded that the rest of the world isn’t on Ed’s side when the cast and crew arrive at the premiere and get booed out of the theater. That’s when the cold, heavy truth settles on you, as the end titles roll: Ed Wood was irreversibly, passionately devoted to his art, and he completely sucked at it.
A friend and I watched Ed Wood together once when we were in college. Afterward, we laughed nervously and looked at each other and said, “I’m not Ed Wood, am I?”
I was going into the arts; my friend was then a pre-med student, and this spring will graduate from medical school. But we were both haunted by the same fear, after that movie: am I absolutely terrible at the thing I love doing, and everyone around me is just too nice to say so?