Thought you could watch that video on your local hard drive without ads? Think again: A number of owners of Samsung’s smart TVs are reporting this week that their TV sets started to interrupt their movie viewing with Pepsi ads, which seem to be dynamically inserted into third-party content.
“Every movie I play 20-30 minutes in it plays the pepsi ad, no audio but crisp clear ad. It has happened on 6 movies today,” a user reported on Reddit, where a number of others were struggling with the same problem.
Reports for the unwelcome ad interruption first surfaced on a Subreddit dedicated to Plex, the media center app that is available on a variety of connected devices, including Samsung smart TVs. Plex users typically use the app to stream local content from their computer or a network-attached storage drive to their TV, which is why many were very surprised to see an online video ad being inserted into their videos.
Putting ads into movies you own? Yep:
It looks like the ad insertion was accidentally turned on by default for apps that it wasn’t actually meant for, but the faux pas points to a bigger issue: Device makers like Samsung have long tried to figure out how to monetize their platforms and generate additional revenue in a time where margins on hardware are slim at best.
Back in the ’60s when color TV was introduced, Sony almost went broke by refusing to put out a color model. The reason for that was Sony founder Akio Morita didn’t want to sell a “me-too” color TV. The company’s B&W sets were the best money could buy, and he was going to make damn sure the same was true when the company finally put out color sets.
The result was the innovative Trinitron color tube, which went on to define the best color screens money could buy — for the next 35 or more years.
Today, everybody is using pretty much the exact same LCD screens, printed in massive sheets by inexpensive Asian suppliers. That’s sucked all the profit out of the big screen market, which is why TV makers are instead competing on how many software functions they can cram into your set.
Of course, none of these manufacturers know squat about good software or what might actually be a smart way to make TVs “smart,” and so consumers are stuck paying more for a lot of crap they mostly don’t use, and which barely works when they try.
Ideally, a TV set should be a dumb screen like it always was, and consumers would each add the “smart” their own way — through the set-top box of their choice. But then companies like Samsung are stuck selling zero-margin dumb screens, and they don’t like that.
If TV makers really want to earn fatter profits on smarter hardware, then they’d better get a whole let better at writing software. To date however, they show zero talent for it.
*”Trinitron” is Sony branding for “three in one electron.” The Trinitron CRT electron gun combined a typical color tube’s three electron guns into one, giving the beam a greater depth of field. As a result, a Trinitron screen could be made flat in the vertical plane. All other screens curved back towards all four corners, like a rectangular section cut out of a sphere. A Trinitron screen was like a rectangular section cut out of a cylinder. That shape allowed for fine wires (the “aperture grill”) to be used behind the glass, instead of the bulkier mesh (“shadow mask”) used by standard color sets. As a result, more of the electron beam hit each color phosphor, transferring more energy to the screen and creating a sharper and more vivid picture.
So now you know that.
Cross-posted from Vodkapundit, image illustration via shutterstock
RadioShack Corp. is preparing to shut down the almost-century-old retail chain in a bankruptcy deal that would sell about half its store leases to Sprint Corp. and close the rest, according to people with knowledge of the discussions.
The locations sold to Sprint would operate under the wireless carrier’s name, meaning RadioShack would cease to exist as a stand-alone retailer, said the people, who asked not to be identified because the talks aren’t public.
The negotiations could still break down without a deal being reached, or the terms could change. Sprint and RadioShack also have discussed co-branding the stores, two of the people said. It’s also possible that another bidder could emerge that would buy RadioShack and keep it operating, the people said.
RadioShack had its time, and served millions of us (me included) very well during that time. It had a great mix of nerdy products and nerdy expertise — at a location usually not very far from you. But now I can get an even wider selection of nerdy stuff, and even nerdier expertise, without ever leaving the comfort of my desk chair. With one exception of when I just had to have a headphone minijack-to-RCA-left-right-splitter, I don’t think I’ve set foot inside a RadioShack since the end of the 20th century. And it just isn’t possible to keep a retail chain going on once-in-a-decade purchases of $2 cables.
Radio Shack — even the name shouts “1933!” — was the 20th century’s nerd shopping Mecca, but the 20th century is long over.
I thought about this question as I read an advance copy of Law Professor Ben Barton’s new book Glass Half Full: The Decline and Rebirth of the Legal Profession. The book describes how technology can help make law more accessible to middle class consumers:
Modern technology can now handle routine legal tasks like drafting incorporation papers and wills, reducing the need to hire lawyers; tort reform and other regulations on litigation have had the same effect. As in all areas of today’s economy, there are some big winners; the rest struggle to find work, or decide to leave the field altogether, which leaves fewer options for consumers who cannot afford to pay for Big Law.
It would be easy to look at these enormous challenges and see only a bleak future, but Ben Barton instead sees cause for optimism. Taking the long view, from the legal Wild West of the mid-nineteenth century to the post-lawyer bubble society of the future, he offers a close analysis of the legal market to predict how lawyerly creativity and entrepreneurialism can save the profession. In every seemingly negative development, there is an upside. The trend towards depressed wages and computerized legal work is good for middle class consumers who have not been able to afford a lawyer for years.
The book discusses how sites like Legal Zoom make law more accessible to people. At Legal Zoom, they even handle divorce, though the site mainly seems to handle those divorces that are uncontested for the low fee of $299.00 but if you have more complex questions and needs, you can get help from a lawyer for “an affordable price.” Barton noted in the book that it is not that easy for low income people to get help from Legal Aid in a divorce unless there are domestic violence issues. But face it, how many men are going to be referred to legal aid for a pro bono lawyer due to domestic violence? Very few, is the way to bet.
I wonder if technology and entrepreneurialism will help men to gain equal footing in divorce and custody proceedings as law becomes more accessible through these legal sites? Right now, men with little income have no where to turn whereas the VAWA, and legal aid through the government are more likely to help women with free legal help. Technology and some creativity may just level the playing field for men who need legal help and don’t have the means to pay a lot for it. I hope these sites continue to grow and hire the excess of lawyers who may do well serving the under-served population of men who do not have equal access under the law.
America isn’t going to slide to mediocrity. Nope, it’s going to be pushed down the hill by a group of whiny Gladys Kravitz types.
They’re going after our children.
Take the case of Michael Anderson and the girls’ basketball team he coaches in Arroyo, California. Coach Anderson recently led his team to a 161-2 victory over Bloomington High School.
That’s not a typo.
This was even with putting in the benchwarmers.
Once upon a time, Coach Anderson and his team would be heroes.
This week, Coach Anderson got a two-game suspension. Bloomington’s coach whined about the lack of ethics in the loss.
Yeah. Lack of ethics.
Again, not a typo.
Winning in a huge fashion is not ethical.
This hits a bit close to home. My brother-in-law coached his son’s Pop Warner football team. And they won. No matter what he did, they won.
A threatened suspension.
Some people just laugh and scoff at the stupidity. After all, these are just kids’ games, right?
At the same time youth and teen sports leagues are engaging in their Jihad on winning really big victories, parents are being investigated for a horrid form of neglect: letting their kids walk to the park.
Indeed, the parents, Danielle and Alexander Meitiv, practice what is called “free range parenting.” It has a name, air quotes and even its own TV show, World’s Worst Parent. The title comes from the name its host, Lenore Skenazy, got called when people learned that she allowed her 9 year old to ride the subway alone.
You know a cultural movement has hit its stride when it gets a reality TV show.
But what the hell has happened to society when a kid walking around is a thing and not just a kid walking around?
So we now live in a nexus of people who want to raise children never to risk any psychic or physical danger. They are bubble-wrapped, physically and mentally.
This is going to turn out great.
We don’t want kids to play sports and run around outside just to give adults some breathing space by getting them out of the house. It’s not even just about getting them to move and do something that doesn’t involve the word “box” or station.”
Don’t get me wrong. “Me time” and ending the epidemic of school-yard butter balls is important. Someday I’m going to retire and I want the next generation of workers to be fit and productive so I can lay around at the beach.
Here’s the thing, though. The bright-eyed, bushy-tailed workers that we will simply soak to fund Social Security and Medicare require the guts and motive to succeed. Since we’re going to be yoking these kids with the burden of having two workers supporting every one retired layabout like myself, these beasts of burden can’t just be mediocre.
America’s dying social program will need field-tearing, smoke-snorting studs under the yoke. Any lesser beasts will get stuck in the field or be too scared to even go on it without adult supervision and fifteen forms signed in triplicate.
Are we going to get these studs by teaching them to win but not by much? Or perhaps the hard chargers of the future will have Mommy and Daddy hanging around in their cubicles.
Heck no. But parents everywhere will be protected from empty-nest syndrome because their pampered little princes and princesses will still be hanging out in the basement smoking weed and playing vids.
Our kids deserve to dream big and live big. And we want them to have the gumption to get onto the playing field on their own.
The Society for a Perfect World types also overlook the fact that losing a game and having adventures are actually an important part of life. The time to get knocked in the dirt or get into a little trouble is when you’re a kid. The stakes aren’t important but the lessons carry through life.
A real childhood tempers the soul, like fire does steel. Good steel is hard but not brittle. A child who does things for himself, tries new things, will not be brittle. Better that they get used to the fact that the world is a harsh and unforgiving place when the stakes are low.
Think of the classic American story: The Bad News Bears. They start out as a motley group of misfits, losers in every sense of the word. But in their humiliation, they strive and rise to greatness.
Would the Bears have pulled themselves together if they hadn’t been allowed to be losers? What if they hadn’t even been allowed to walk to the park?
More importantly, what if Bill Gates hadn’t decided to take the risk of leaving school and starting Microsoft? Or if Mark Zuckerberg hadn’t done the same?
Imagine, a world where the Winklevoss twins developed Facebook!
The point is our economy needs people willing to walk the tight rope without a net. And our society needs to recognize that those brave souls will, as a result of their courage, reap massively outsize rewards
And, if that’s not enough, it’s for the children.
Editor’s Note: This is a much longer-than-usual essay than we normally publish, but it’s a very thorough dissection of Marxist ideology well-worth your time. To make it more accessible we’ve decided to experiment with publishing it “Netflix style,” meaning as the streaming internet TV service has developed the practice of releasing whole seasons of its new shows at once, allowing viewers to consumer at their own pace, we’ll publish this first as one long article before serializing its points daily over the next 2 weeks.
1. In its essence Marxism, the core ideology of modern Socialism, is an irrational, utopian and coercive perversion of human equality.
Marxism seeks equality where equality does not exist, demanding legal enforcement of equal social outcomes, including those related to economics, higher education, athletics, religion and human sexuality. This ideology even extends to international relationships whereby no nation is allowed to excessively prosper or achieve greatness, i.e.: all nations must be “equal.” Never mind that when people are free their human nature leads to inequality of outcomes – some are hard-working and some are lazy – some are more intelligent and some are less intelligent – some are stronger and some are weaker – some are tall and some are short. Unequal results occur naturally without force when people possess rightful liberty. Based on their degree of truly Free Enterprise nations similarly divide themselves unequally into various degrees of prosperity or depravity.
The Samsung Group announced Thursday that its yearly profit fell for the first time since 2011. The electronics giant still beat analysts’ expectations as its slowing smartphone sales were buoyed by demand for its computer chips.
Sales of Samsung’s Galaxy smartphones made up two-thirds of its profit for the last two years, but they will be eclipsed by its semiconductor business in 2015, according to analyst Lee Sei-cheol from Woori Investment & Securities. The company announced that its 2014 operating profits were expected to reach 24.9 trillion won, or $22.6 billion, down 32 percent from a year earlier.
Samsung is feeling the squeeze from Apple on the high end, especially now that the iPhone comes in two new sizes — “Extra Large” and “Waffle Iron.” (I know, I know — everybody loves the big smartphones but me.) Worse for Samsung is that they’re having the floor eaten out of their massive low-end sales by even lower-cost copycats like China’s Xiaomi. (Somewhere, Jony Ive and the ghost of Steve Jobs are doing the Happy Dance together as they watch their copycat get consumed by copycats.)
The point to remember here is that Samsung was literally — and I’m not abusing that word — literally the only Android phonemaker generating any profits worth mentioning. What Samsung’s troubles mean for Android going forward is anyone’s guess, although it took the Android market a comparatively short time, maybe even a shockingly short time, to become just as commoditized as the Windows PC market. Over the course of decades, Windows generated billions and billions for Microsoft and for PC makers before commoditization (and OS X) sucked all the profits out of the Wintel business model. Android went down that same road in just three or four years.
The key difference is that Android doesn’t have to generate profits for Google — but what happens to the OEMs who at some point are going to have to generate a profit or two?
The nurse who caused an Ebola scare that closed many Ohio schools and businesses is demanding a refund from the bridal shop she visited during her trip to Akron last month.
The attorney for Amber Vinson, the Texas nurse who traveled to Ohio after treating an Ebola patient, sent a letter to the owner of Coming Attractions Bridal and Formal shop in Akron requesting a refund of $480 in deposit money that her bridesmaids paid to the store for dresses for Vinson’s upcoming wedding.
The bridal shop closed for several weeks after being notified that Vinson had tested positive for Ebola. Anna Younker, owner of the Akron store, said she paid to have the shop cleaned using ultraviolet light technology. In addition, she lost business during the 21 days her store was closed and had customers cancel orders because of fears of infection.
When Younker received a letter from Vinson’s attorney, she thought it was an apology for the inconvenience she caused. The Beacon Journal reported:
Instead, Dallas attorney Stephen F. Malouf requested the refund and notified Younker that Vinson has decided to use another bridal store for her nine bridesmaids’ dresses “in order to minimize additional public scrutiny.”
“Would you kindly advise whether this is agreeable to Coming Attractions?” Malouf asked. “If it is not, would you ask your attorney to contact me to discuss this matter?”
“Are you kidding me?” Younker thought as she read the letter.
Younker said she never received a phone call from Vinson or any of her bridesmaids before getting the request from the attorney.
“This is like the icing on the cake for her to ask,” the bridal store owner said. “By canceling completely because she wants to go somewhere else, that’s like a slap in the face to me.”
The store’s policy typically prohibits refunds or order cancellations, but Younker said she makes exceptions in special circumstances.
“I couldn’t believe she didn’t at least call me and have some discussion on why,” Younker said. “Maybe I would have considered it differently.”
In the letter, Malouf acknowledged that “Amber’s Ebola infection brought significant attention to Coming Attractions, not all of it positive.”
Nevertheless, he asked for refunds of $107 for two of the bridesmaids and $132.92 for two other bridesmaids “due to the most unusual circumstances.” He said it would be best if Younker kept the matter “strictly confidential.”
Malouf said he tried to contact Younker before sending the letter. “I’m sorry that the shop is upset,” he said. “This was an effort to help the shop and Amber. Amber feels strongly that the publicity was such it was harming the business and she didn’t want to add any further scrutiny to it. This was a purely innocent request and I’m sorry it wasn’t received in the spirit in which it was sent.”
“If that’s how she feels, I can’t force her to continue to order,” Younker said. “But for me to hand over a refund, it’s not feasible. It doesn’t make sense. I’m out a lot of money.”
1. My New Year’s Resolution Fulfilled!
Above you’ll see the concluding image from my list of resolutions. I’ve planned this all year — to make my 10th anniversary of joining Facebook also my last day using the service. I began weaning myself from Facebook then, removing the app from my phone and iPad and only using it when on my computer, justifying it as a tool for work.
Turns out that November 27, 2004, was when the addiction began — I was a junior in college at the time. One of the many counterculture thinkers I discovered would influence my understanding of culture, technology, corporations, the Bible, media, my own career direction, and now this decision to abandon the internet’s Coca Cola. (On my counterculture books list from 2012 I included several of his titles; more will appear in the expanded, giant-size counterculture conservative canon of books that have shaped and influenced me.) The primary, strongest arguments for why everyone should leave Facebook come from media theorist Douglas Rushkoff, who bailed in 2013. He identifies the prime problems; my case is an expansion of his.
2. The Douglas Rushkoff Reason: The Newsfeed Cannot Be Trusted.
I read this article on CNN from Rushkoff back in February of 2013 when it came out and couldn’t really argue with his reasons for quitting. I tried to in an email to Doug to justify my continued Facebook usage but all I could say was that it was convenient for my work as an editor. Here are two problems with what Facebook does with your data without your knowledge or permission. First, the reality is that now when you send something out to all your “friends” on Facebook, chances are only a tiny portion of them are likely to see it:
More recently, users — particularly those with larger sets of friends, followers and likes — learned that their updates were no longer reaching all of the people who had signed up to get them. Now, we are supposed to pay to “promote” our posts to our friends and, if we pay even more, to their friends.
Yes, Facebook is entitled to be paid for promoting us and our interests — but this wasn’t the deal going in, particularly not for companies who paid Facebook for extra followers in the first place. Neither should users who “friend” my page automatically become the passive conduits for any of my messages to all their friends just because I paid for it.
And second, the new advertising strategy of using your image and your likes to market to your friends:
That brings me to Facebook’s most recent shift, and the one that pushed me over the edge.
Through a new variation of the Sponsored Stories feature called Related Posts, users who “like” something can be unwittingly associated with pretty much anything an advertiser pays for. Like e-mail spam with a spoofed identity, the Related Post shows up in a newsfeed right under the user’s name and picture. If you like me, you can be shown implicitly recommending me or something I like — something you’ve never heard of — to others without your consent.
The essence of the Facebook experience is pulling up one’s newsfeed and scrolling through it to find something that interests us. Since Rushkoff laid out his case, we now know even more: that Facebook has in the past intentionally manipulated users’ emotions as part of an experiment.
If you’re still operating under the false notion that pop culture doesn’t have a real impact on everyday life, take a look at America’s oldest example, Sleepy Hollow, New York.
When Washington Irving penned The Legend of Sleepy Hollow in 1820 under the pseudonym Geoffrey Crayon, he probably had no idea that his short story would inspire the beloved town of his youth to turn itself into a living homage to his tale. Settled in the late 1600s, the village was originally an agricultural and manufacturing zone of Tarrytown, New York. Nicknamed “Sleeper’s Haven” by early Dutch settlers, Washington Irving picked up on the Anglicized version of the name, “Sleepy Hollow” when staying with family in the area as a boy. Eventually millionaires like John D. Rockefeller would build mansions around the industrial zone that would become known as North Tarrytown at the turn of the 20th century. But it was Irving’s story that proved eternal when, in 1996, the village voted to rename itself Sleepy Hollow.
Street signs are orange and black, as is one of the village’s fire trucks. The Headless Horseman is the school mascot who, dubbed the nation’s “scariest high school mascot”, runs through every football game at half-time. Police cars and fire trucks also bear the Headless Horseman logo with pride. Halloween is celebrated throughout October with haunted hayrides, street festivals, a parade encompassing both Sleepy Hollow and Tarrytown’s main streets, several ghost tours and performances of the Washington Irving legend. The Great Jack O’Lantern blaze puts Christmas light spectaculars to shame and Horseman’s Hollow turns a 17th century Dutch mill into a gory homage to the headless Hessian.
The Old Dutch Church, Ichabod Crane’s presumed safe haven, stands guard over a vast “garden cemetery” designed to allow Victorian families to picnic with their dearly departed. Tours of the cemetery can be taken both day and night and feature stops at the graves of Washington Irving and those who inspired characters in his tale. A fair runs every weekend alongside the cemetery, providing tour groups with the opportunity to walk the grounds with alcohol in hand. The gas station on the other side of the infamous bridge hawks t-shirts and other assorted Headless Horseman souvenirs. And if you’re hungry, there’s always The Horseman Restaurant, a hole in the wall diner that promises you’ll “lose your head” over their milkshakes.
A few years ago, on a rainy summer’s day, I was browsing around a secondhand bookshop on the east end of Long Island, breathing in the musty wonder of the overstuffed shelves, when an elderly man approached me. I had in my hand a first edition of William Shirer’s The Rise and Fall of the Third Reich. The man started up a friendly conversation about the Second World War, asking me whether I had watched a recent television documentary on the subject.
He continued talking, perhaps unaware that he wasn’t allowing me to respond. I didn’t take this as an insult. Most people prefer to hear themselves talk; this isn’t necessarily a sign of malice or rudeness on their part. I find it’s especially true of the elderly, who are usually lonelier and thus more desperate for the ear of a stranger. So I stood there and listened as politely as I could, not altogether uninterested in his views of fascinating matters like the Nazis and other dictatorships, which are subjects that I could eat with my breakfast cereal.
Making fun of Al Gore, Michael Moore and Tom Friedman is getting stale.
Those liberal hypocrites are all so… ten years ago.
Luckily, veteran English fashion designer Vivienne Westwood has stepped into the breach, providing us with a brand new clueless, tone-deaf progressive do-gooder millionaire to make fun of.
Westwood first rose to fame in the 1970s, when she and then-husband Malcolm McLaren opened the King’s Road boutique Let It Rock.
Under various names — Sex, Seditionaries — the shop became one of two where British punk germinated, the other being Don Letts’ Acme Attractions.
Westwood created the rude, ripped, rubbery clothing forever associated with the movement, while McLaren tended the musical side, cobbling together a house band to publicize the store. (Hence the name Sex Pistols.)
As the group’s lead singer, Johnny Rotten (ne Lydon) recalled:
Malcolm and Vivienne were really a pair of shysters: they would sell anything to any trend that they could grab onto.
Fast forward to 2014, and imagine, say, Jimmy Swaggart getting the Presidential Medal of Freedom. That’s how weird it should be that Vivienne Westwood was named a Dame of the British Empire by the queen in 2006.
But no one seems to think it odd at all that “shyster” Westwood remains a powerful cultural force, having switched sides from pseudo-rebel to Establishment figure.
Or, to put it more accurately, for being both things at the same time.
A few weeks ago, I was in New York City to meet someone for drinks, and got on the subway at 34th and 7th to head downtown. I dislike the New York subway for many reasons. It is the only such system in a major Western city to look as if it had been swapped with the metro of a third-world backwater. Pick any otherwise dodgy country on Earth, and chances are the subway of its capital city is a gleaming tube with smooth rolling stock and palatial stations. Not New York. The trains lurch between filthy platforms like winos stumbling to and from tenement doorsteps.
It is also a place in which I am continually confronted with the human condition. Sometimes it takes the form of rudeness; other times, drunkenness. On this particular day, it was poverty. Immediately after the doors closed, a disheveled man entered the car at the far end, battered cap in hand, and made the following announcement to us passengers:
“Ladies and gentlemen, if I could have your attention for one moment, please,” he said loudly. “I don’t want to bother you, but I am a homeless veteran. If you could spare some money, I would greatly appreciate it.”
Over the last few weeks we’ve looked at how Disney and its productions reflected, and sometimes influenced, the times. We’ve seen how Disney mirrored the can-do spirit of the ’30s, how the studio overcame the challenges of World War II in the ’40s, and how Disney changed with the times in the ’50s.
By the time the 1960s rolled around, Walt Disney appeared to have done it all. He had elevated the cartoon from an opening-act short to a feature-film art form. He had conquered live-action movies and embraced television, and he even revolutionized the theme-park experience. But Walt wasn’t done — in fact, it looks like he saved his most radical and powerful ideas for the last years of his life. And here are seven examples to prove it.
7. Walt Disney’s Wonderful World of Color (1961-1969)
After a seven season run for Disneyland on ABC, Walt wanted to explore different options. His greatest desire was to broadcast a show in color. Even though ABC had broadcast the show in black and white, Walt insisted on filming most of the segments in full color because he believed color would add long-term value to his productions. Rival network NBC had begun to promote color series heavily since parent company RCA made color television sets, and, after a brilliant sales pitch from Walt, the network bit.
Walt Disney’s Wonderful World of Color ran for eight seasons before undergoing a retooling and title change. During those seasons, Walt took advantage of the new and exciting world of color programming when few producers were willing to branch out, especially in the earlier years. Once again, Walt willingly blazed a trail, and once again his pioneering spirit paid off.
In my last two posts, we’ve looked at how Disney reflected the 1930s and the 1940s. As the studio emerged from World War II and into a new decade, it faced a changing nation. In their insightful book A Patriot’s History Of The Modern World, Volume II, Larry Schweikart and Dave Dougherty write:
Long-held and oft-repeated notions that the 1950s were a decade of sameness and conformity in the United States miss the revolutionary changes occurring in the decade – radical shifts that, fundamentally, may have altered America and the world far more than the superficial changes of the 1960s.
Far from reflecting a widespread sameness among Americans, life in the 1950s witnessed a burst of new businesses, consumer products, artistic expression, and social cross-pollination.
Disney ‘s productions from the 1950s reflect this rapidly changing America, and here are ten examples.
10. Matterhorn Bobsleds (1959)
Walt had two needs to fill: one was a way to promote the upcoming film Third Man On The Mountain, while the other was an attraction to fill space on a hill between Tomorrowland and Fantasyland. He remembered the majesty of the Matterhorn when he visited the set of Third Man On The Mountain, and the Imagineers designed a roller coaster based on the mountain.
The resulting attraction became the first steel-tube roller coaster, providing a smoother – yet still thrilling – ride than the traditional wooden coaster. Disney changed the way we think of thrill rides and opened the door for endless possibilities. The Matterhorn Bobsleds still bring excitement to this day. Check it out:
I put off writing this for as long as I could.
I told myself I still had the same headache I had yesterday.
And hey, there’s an Auction Hunter marathon on, and…
Then the irony hit me:
This had been my idea, to write a response to Hand to Mouth, author Linda Tirado’s viral internet “Why I’m poor” post-turned-book.
And that one of the reasons I’m not poor anymore is because I work even when I don’t feel like it, and it feels like a summer day even though it’s the end of September, and…
So here goes:
Sure, you know how to write an assertive cover letter and you have a wardrobe of freshly pressed black and navy blue suits. But, just because you’re doing everything the manual tells you doesn’t mean you aren’t going to make a mistake in your job search. From my other life working in human resources, I give you the ten best mistakes applicants have made in pursuit of a job.
10. Want to include the fact that you taught an adult education course on photography on your resume? Don’t dub yourself “Adult Photography Instructor.”
Language matters. In the age of social media and Google, applicants should understand that lying on their resume isn’t an option. Just be sure you aren’t getting so creative with your wording that you make yourself sound more qualified for porn than a professional environment.
A couple of weeks ago, my friend and editor David Swindle published an open letter to me dividing the history of Disney animation into ten eras and encouraging me to explore the history of Disney through the same frame of mind. Here is the first in a series looking at the eras of Disney history.
As the United States slid into the Great Depression at the end of the 1920s, Disney’s output grew tremendously in quality and quantity. Walt and his team of animators and writers released plenty of entertaining product, but they also experimented, honing existing techniques and developing new ones. A struggling nation loved what it saw and couldn’t get enough.
Disney’s output during this time period reflects a uniquely American can-do spirit, one that helped this country survive the Great Depression in both determination and innovation. Here are ten great examples.
10. “The Golden Touch” (1935)
The 1935 cartoon “The Golden Touch” carries a special significance not because of any achievement but because of its failure – and because Walt himself directed it. The short, which tells the story of King Midas, has more of the feel of an episode of the Twilight Zone than a charming Disney animated cartoon.
Walt took control of “The Golden Touch” after a period in which he had criticized his directors repeatedly. He had not directed a cartoon in five years. The short, with only two characters, ran long on time and budget. The characters lack the appeal and much of the humor of typical Disney characters, and the story takes a dark turn with little of the typical Disney optimism at the end.
As a direct result of the failure of “The Golden Touch,” Walt learned to trust his talented directors, and he allowed them to continue to create, which of course allowed him to oversee the company that would change entertainment forever.
See the previous installment in Susan’s Dudeism series: How to Become an Official Dude in 10 Easy Steps
Warning: Given that the f-bomb is dropped in The Big Lebowski over 200 times, some of these clips will most likely be NSFW.
10. Abiding is a science as well as an art.
Patience is an inherent aspect of abiding. Other definitions include “to endure without yielding,” “to accept without objection,” and “to remain stable.” In the world of the Internet and social media technology, abiding is an anachronistic action. We have been shaped by our media to function at rapid speeds. One of the biggest goals of Common Core is to increase the speed at which students mentally process information. Not study, analyze and comprehend, but process and regurgitate the way they would like and share a Twitter or Facebook post. Abiding flies in the face of today’s high-speed reactionary culture.
10. If guys didn’t look like heroin-addicted street dwellers…
Before committing suicide, musician Kurt Cobain copyrighted the grunge look that came to define Gen-X/millennial crossovers in the ’90s. A reaction to the preppie style made famous by ’80s yuppies, grunge involved a level of disheveled that transcended even the dirtiest of ’60s hippie looks. Grunge trademarks included wrinkled, untucked clothing complemented by greasy, knotted hair and an expression best defined as heroin chic. The style depicted an “I don’t care” attitude that took punk’s anti-authoritarian attitude to a darker, more disengaged level. Grunge became the look of resigned defeat among American males.
10. Americans are all obese.
From the messy buildup in the fat folds of Mama June’s neck (affectionately known to her children as “neck crud”) to Honey’s proclivity for bathing in mayonnaise, Here Comes Honey Boo Boo embodies the myth that everyone in America weighs a minimum of 300 pounds. One of the best episodes involves Mama June dumping a 5 pound bag of sugar into 2 gallons of lemon juice in order to make homemade lemonade. For the record, 64% of Americans are not obese. But with shows like HHere Comes Honey Boo Boo, The Biggest Loser, Extreme Weight Loss, Shedding for the Wedding, Thintervention, Dance Your A** Off, Celebrity Fit Club, I Used To Be Fat, and Ruby, we’re just a bunch of big, fat Americans.
13. Bess Myerson
Recognizing a woman who appears to have parlayed her Miss America recognition into a minor-league acting gig may not seem logical, until you realize that Bess Myerson, the first Jewish Miss America, paved an uphill path for diversity in the pageant circuit. She was told by one Miss America exec that she ought to change her name to something “more gentile” and refused. Pageant sponsors refused to hire her as a spokeswoman and certain sites with racial restrictions refused to have her visit as Miss America. This was of no consequence to Miss Myerson, who was the first Miss America to win an academic scholarship. The racism she confronted was motivation for a lifetime’s work with organizations like the ADL, NAACP, and Urban League. She would go on to co-found The Museum of Jewish Heritage in New York and make boundless contributions to the city’s art community. Along with becoming a television personality, Myerson received several presidential appointments in the 1960s and ’70s and would receive two honorary doctorates.
There are thousands of hot sauces to choose from today, and most of them are terrible. They’re novelty items designed with an amusing label and name. The sauce itself is inedible, with inferior ingredients and so much capsaicin from the peppers you’ll blister your tongue. A good hot sauce is a combination of great ingredients and a balance of heat and flavor.
These ten hot sauces are filled with zest, spice and peppery heat. Dash enough on your eggs or tacos and you’ll find your eyelids sweating, but no matter how hot the temperature gets you’ll still get a mouthful of great flavor. Let’s start with a surprising number 10 on the list:
10.) Taco Bell Hot Sauce
No need to squeeze the sauce from those tiny Taco Bell packets any more. The Taco Bell folks now provide bottles of their famous sauces, and the best is Taco Bell Hot Sauce. This is the Goldilocks of hot sauces, not as tomatoey as Mild Sauce but not as overwhemed by pepper as Fire Sauce. Don’t turn your nose up at Taco Bell just because Doritos Tacos are an orange abomination. Their Hot Sauce is delicious. Shake it on a homemade taco and enjoy.