World-building as an imaginative exercise has been with mankind almost from the time men discovered fire, but it was only relatively recently that fancy began to give way to logic. That began with the work of Jules Verne, who based his many novels on a strict application of the science of his time, an approach that can be seen most strikingly with The Mysterious Island.
The work of H.G. Wells quickly followed. Utilizing points of departure that were a bit more fanciful than those of Verne (alien invasion, invisibility, time travel), Wells kickstarted modern science fiction, which, in America, soon morphed into tales of interplanetary warfare and galactic empires. But the stories by such writers as Edmond Hamilton and Doc Smith concentrated more on action than social context. As a result, though they created elaborate worlds filled with planets populated by every kind of alien creature, they lacked the background and cohesion needed to create believable settings.
That approach had to wait another decade or so until John Campbell (editor of Astounding Science Fiction and himself a former writer of space opera in the Hamilton style) determined to raise the quality of science fiction from the slam-bang-action variety to more thoughtful fare. With that revolution, writers began to turn out stories with more fully realized futurescapes that explored every societal permutation that intelligent beings were capable of creating. Reaching its full flower in the mid-fifties, the movement eclipsed space opera with many authorial visions becoming so popular that they generated numberless sequels, affording the space needed to build complex universes for readers to explore.
With much of the genre landscape over the years blurring the line between science fiction and fantasy, any list of the most interesting SF futurescapes would have to meet certain criteria, including a strong basis in reality and science, and be made up of multiple stories or volumes enabling a full exploration of the futurescape. That said, check out the following list of the top ten most fascinating worlds in science fiction:
Beginning with City of the Chasch, Jack Vance created the world of Tschai, a planet hundreds of light years from Earth. There, spaceman Adam Reith is stranded, forcing him to deal with Tschai’s interconnected alien races. Through the course of the books, each race is thoroughly explored, making the changes brought on their societies through Reith’s influence all the more fascinating.
— David Swindle (@DaveSwindle) December 3, 2014
— David Swindle (@DaveSwindle) December 3, 2014
Editor’s Note: We’re launching some new discussions and debates this winter in dialogue with the new fiction publishing company Liberty Island. See the previous installments: David S. Bernstein on November 19: “5 Leaders of the New Conservative Counter-Culture,” Dave Swindle on November 25: “7 Reasons Why Thanksgiving Will Be My Last Day on Facebook,” this collection of discussion starters from Monday: “60 Questions to Provoke Debates About How to Fix Our Popular Culture.” Also see “My Growing List of 65 Read-ALL-Their-Books Authors” for more description of the method behind the madness of this work-in-progress book collection. The goal: 365 books total, 7 lists of 52 each, organized thematically by day. What books should make it onto the final list? How should the organization structure be revised? Your input and suggestions are most valued. Please join the discussion on Twitter (@DaveSwindle) and Instagram (@DaveSwindlePJM) and your responses might appear in future installments.
Episode 1, December 2, 2014: “I Need Your Help Assembling the Ultimate Reading List For My Brother”
Wednesday: Technology: Tools of Self-Transformation
Wednesday: How does technology transform our lives? And by “technology” I don’t just mean computers — writing is a form of technology. One’s diet is a technology. These are practical tools one should master.
Writing, Poetry, and Comics
- Strunk and White The Elements of Style
- On Writing by Stephen King
- Break, Blow, Burn by Camille Paglia
- Watchmen by Alan Moore
- Neil Gaiman’s The Sandman
- Testament by Douglas Rushkoff
- Six Walks in the Fictional Woods by Umberto Eco
Novels And Genre Fiction
- SuperEgo by Frank J. Fleming
- The Big Bang by Roy M. Griffis
- Hannah Sternberg’s Bulfinch
- Witchfinder by Sarah Hoyt
- Alice’s Adventures in Wonderland by Lewis Carroll
- The Wonderful Wizard of Oz by L. Frank Baum
- And All the Saints by Michael Walsh
- Empire of Lies by Andrew Klavan
- The Identity Man by Andrew Klavan
Film and Television
- Fantasia by John Culhane
- The Birds by Camille Paglia
- Scorsese on Scorsese
- Magnolia, a screenplay, by P.T. Anderson
- Crackpot by John Waters
- Midnight Movies by Hoberman and Rosenbaum
- Hollywood Babylon by Kenneth Anger
- Hollywood Babylon II by Kenneth Anger
- Red Star Over Hollywood: The Film Colony’s Long Romance with the Left by Ron Radosh
- Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV by Ben Shapiro
— David Swindle (@DaveSwindle) December 3, 2014
- Basic Economics by Thomas Sowell
- Economic Facts and Fallacies: Second Edition by Thomas Sowell
- Applied Economics: Thinking Beyond Stage One by Thomas Sowell
- Knowledge And Decisions by Thomas Sowell
- The Housing Boom and Bust: Revised Edition by Thomas Sowell
- Life Inc.: How the World Became a Corporation and How to Take It Back
- Get Back in the Box by Douglas Rushkoff
- Tenured Radicals: How Politics Has Corrupted Our Higher Education by Roger Kimball
- The New School by Glenn Reynolds
- Intellectuals and Society by Thomas Sowell
- Inside American Education by Thomas Sowell
Art and Media Theory
- Coercion: Why We Listen to What “They” Say by Douglas Rushkoff
- Media Virus! by Douglas Rushkoff
- Screenagers: Lessons In Chaos From Digital Kids by Douglas Rushkoff
- What Jefferson Read, Ike Watched, and Obama Tweeted: 200 Years of Popular Culture in the White House by Tevi Troy
- The Rape of the Masters: How Political Correctness Sabotages Art by Roger Kimball
- Art: A New History by Paul Johnson
Internet and Technology
- An Army of Davids by Glenn Reynolds
- Program or Be Programmed by Douglas Rushkoff
- Present Shock by Douglas Rushkoff
- The Wikipedia Revolution
- The Long Tail: Why the Future of Business Is Selling Less of More by Chris Anderson
- What’s a Dog For?: The Surprising History, Science, Philosophy, and Politics of Man’s Best Friend by John Homan
Diet and Drugs
- High Society: Mind Altering Drugs in History and Culture
- Sex, Drugs, and Magick by Robert Anton Wilson
- The Peyote Cult by Weston La Barre
- Romancing Opiates by Theodore Dalrymple
- Generations by Howe and Strauss
- The Fourth Turning by Howe and Strauss
- Generation X Reader by Douglas Roushkoff
- Millennials Rising by Howe and Strauss
- Queens of all the Earth by Hannah Sternberg
- A.D.D.: Adolescent Demo Division
- Abundance: Why the Future is Better than You Think By Diamandis and Kotler
- America 3.0: Rebooting American Prosperity in the 21st Century-Why America’s Greatest Days Are Yet to Come by James C. Bennett and Michael J. Lotus
- The Singularity is Near by Ray Kurzweil
- How to Create a Mind by Ray Kurzweil
- Radical Abundance by K. Eric Drexler
- The Diamond Age by Neal Stephenson
- Brain Gain by Marc Prensky
Marriage and Monogamy
- Men and Marriage by George Gilder
- The Five Love Languages by Gary Chapman
- Gay Marriage: Why It Is Good for Gays, Good for Straights, and Good for America by Jonathan Rauch
- What to Expect When No One’s Expecting by Jonathan V. Last
The “Christmas single” phenomenon is unknown in the U.S., unless you’ve ever watched Love, Actually.
It’s sort of the “Black Friday” of the British music industry. Since so much music is sold (or, at least, used to be) during the holiday season, having the #1 song on the charts during that time gives one lucky record company a financial boost.
After Slade took the top spot in 1973 with their “Merry Xmas Everybody” — beating out “I Wish It Could Be Christmas Everyday” by Wizzard — “an emotional attachment to the Christmas countdown has developed, and for many [in the United Kingdom], it is part of the fabric of their childhood.”
So I doubt many American readers care that there’s a campaign to get Iron Maiden’s old chestnut “The Number of the Beast” to the top of the charts in time for Christmas, “for a laugh.”
What’s really funny (sort of) is that, during the early 1970s, such a campaign would have been denounced on the front page of every British tabloid, and remarked upon within American newspapers’ “entertainment” sections, at the very least.
Because culture-watchers would see it as yet another sign of the satanic takeover of the culture, and the world — the one I wrote about last week.
Editor’s Note: We’re launching some new discussions and debates this winter in dialogue with the new fiction publishing company Liberty Island. See the previous installments: David S. Bernstein on November 19: “5 Leaders of the New Conservative Counter-Culture,” Dave Swindle on November 25: “7 Reasons Why Thanksgiving Will Be My Last Day on Facebook,” and this collection of discussion starters from yesterday: “60 Questions to Provoke Debates About How to Fix Our Popular Culture.” Today we launch the new, experimental PJ Lifestyle Book Talk, hopefully a regular (aiming for daily…) feature including Instagram videos and tweets discussing the books listed across genres, time periods, and cultures. See Dave Swindle’s open letter to his younger brother — “My Growing List of 65 Read-ALL-Their-Books Authors” — for more description of the method behind the madness of this work-in-progress book collection. The goal: 365 books total, 7 lists of 52 each, organized thematically by day. What books should make it onto the final list? Your input and suggestions are most valued. Please join the discussion on Twitter (@DaveSwindle) and Instagram (@DaveSwindlePJM) and your responses might appear in future installments.
Monday: Good Vs Evil
Monday: How can we understand Evil? I explore books about orthodox Islam, revolutionary Marxism, and antisemitism. In particular I’m going to try to explain how they’ve evolved over the centuries.
1.0 – the Koran and Mohammed
- Howard Bloom’s The Mohammed Code
- Islam Unveiled by Robert Spencer
- Did Muhammad Exist? By Robert Spencer
- The Complete Infidel’s Guide to the Koran by Robert Spencer
- What the Koran Really Says by Ibn Warraq
2.0 – Shariah slave states
- The Politically Incorrect Guide to Islam (And the Crusades) by Robert Spencer
- Not Peace But a Sword by Robert Spencer
- Shariah: The Threat To America: An Exercise In Competitive Analysis (Report of Team B II)
- Dancing with the Devil: The Perils of Engaging Rogue Regimes by Michael Rubin
- The Arab Lobby: The Invisible Alliance That Undermines America’s Interests in the Middle East by Mitchell Bard
- Accomplice to Evil by Michael Ledeen
- Slave Soldiers and Islam by Daniel Pipes
- The Tragedy of the Middle East By Barry Rubin
- Gaddafi’s Harem by Annick Cojean
- Modern Dictators by Barry Rubin
- How Civilizations Die (And Why Islam is Dying Too) by David P. Goldman
3.0 – Terrorism and Stealth Jihad
- Militant Islam Reaches America by Daniel Pipes
- The Grand Jihad: How Islam and the Left Sabotage America by Andrew C. McCarthy
- Spring Fever: The Illusion of Islamic Democracy by Andrew C. McCarthy
- Arab Winter Comes to America: The Truth About the War We’re In by Robert Spencer
- Londonistan by Melanie Phillips
1.0 – From Marx and his predecessors to the death of Stalin
- Paul Johnson’s Intellectuals
- Main Currents of Marxism by Leszek Kolakowski
- Marxism: Philosophy and Economics by Thomas Sowell
- A Conflict of Visions: Ideological Origins of Political Struggles by Thomas Sowell
- Hitler and Stalin: Parallel Lives by Alan Bullock
- The Socialist Phenomenon
- The Black Book of Communism
2.0 – the Cold War Criminal State and its Apologists and Allies
- Disinformation: Former Spy Chief Reveals Secret Strategies for Undermining Freedom, Attacking Religion, and Promoting Terrorism by Ion Mihai Pacepa and Ronald Rychlak
- Programmed to Kill: Lee Harvey Oswald, the Soviet KGB, and the Kennedy Assassination by Ion Mihai Pacepa
- The Communist: Frank Marshall Davis: The Untold Story of Barack Obama’s Mentor by Paul Kengor
3.0 – Postmodernist Community Organizing and Stealth Socialism
- Programmed to Kill: Lee Harvey Oswald, the Soviet KGB, and the Kennedy Assassination by Ion Mihai Pacepa
- Radical-in-Chief: Barack Obama and the Untold Story of American Socialism by Stanley Kurtz
- Spreading the Wealth: How Obama is Robbing the Suburbs to Pay for the Cities by Stanley Kurtz
- Subversion, Inc.: How Obama’s ACORN Red Shirts are Still Terrorizing and Ripping Off American Taxpayers by Matthew Vadum
- Leading From Behind by Richard Miniter
- The People Vs. Barack Obama: The Criminal Case Against the Obama Administration by Ben Shapiro
- Faithless Execution: Building the Political Case for Obama’s Impeachment by Andrew C. McCarthy
- Silent Revolution: How the Left Rose to Political Power and Cultural Dominance by Barry Rubin
- The First Family Detail by Ronald Kessler
- The Victims Revolution by Bruce Bawer
- Faithless Execution: Building the Political Case for Obama’s Impeachment by Andrew C. McCarthy
Antisemitism and Conspiracism
- Why the Jews? The Reason for Antisemitism by Dennis Prager and Joseph Telushkin
- Nazis, Islamists, and the Making of the Modern Middle East by Barry Rubin and Wolfgang G. Schwanitz
- Nazism: a Historical and Comparative Analysis of National Socialism, 1978.
- Stephen H. Norwood’s Antisemitism and the American Far Left
- The Wicked Son by David Mamet
- Making David Into Goliath by Joshua Muravchik
- Conspiracy by Daniel Pipes
- The Hidden Hand: Middle East Fears of Conspiracy by Daniel Pipes
- Among the Truthers: A Journey Through America’s Growing Conspiracist Underground by Jonathan Kay
- The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson
- Behold a Pale Horse by William Cooper
- Sinister Forces trilogy by Peter Levenda
- The Biggest Secret: The Book That Will Change the World by David Icke
- Counterculture Colophon: Grove Press, the Evergreen Review, and the Incorporation of the Avant-Garde by Loren Glass
- The Evergreen Review Reader
Editor’s Note: We’re launching some discussions this winter in dialogue with the new fiction publishing company Liberty Island. See the previous installments: David S. Bernstein on November 19: “5 Leaders of the New Conservative Counter-Culture,” Dave Swindle on November 25: “7 Reasons Why Thanksgiving Will Be My Last Day on Facebook,” and this collection of discussion starters from yesterday: “60 Questions to Provoke Debates About How to Fix Our Popular Culture.” To learn more about Liberty Island and their extraordinary writers see the collection “How To Join This Unique Team of 33 Creative Writers.”
Dear Jeremy Swindle,
I’d like to thank you for inspiring me with your PJ Lifestyle articles this fall. They confirmed for me something I already knew and now take extreme pleasure in bragging to others about: my younger brother has more natural writing ability than I.
You have a lot of potential, Jere, and lots of choices about where you’re going to choose to focus your creative energy and how you’ll refine your craft. In figuring that out I’m going to try to caution you against some of the mistakes that I’ve made over the last 15 years in my wanderings across culture, religion, and political ideology.
Your writing and your destiny is your own and it’s not my agenda to try to convert you to my positions. Rather, I want to try and give you a map of the territory that I’ve explored so far. Some of the books and authors I’ve gone through may be helpful to you as you continue do develop your own style and priorities.
I believe it’s important to study broadly across many subjects. Over the coming weeks and months my goal is to finish the giant-size recommended reading guide that I’m making the first part of my book. I’m planning on 365 books total, organized into 7 lists of 52 each. And as I’m writing each part in epistolary format with a specific reader in mind, for this opening section I’ve decided to write it to you, Jere. I’m trying to assemble an alternative college reading list, a Good Will Hunting, DIY, just-pay-the-late-charges-at-the-library, book-reading education. This is still the most entertaining scene of the movie, isn’t it?
At the core of the list there are several writers I’d direct more attention to than others. These authors are worth trying to take in in full. They range from famous, even legendary, long dead figures to writers only a few years older than you who I’ve worked with for years. All continually inspire me — just don’t assume that I necessarily agree with everything they write or that I’ve read all of their works yet. Here’s the list, I’ve written about most of these authors already and will be presenting the case for each of them. Some, like Aleister Crowley and Ann Coulter, are very misunderstood by many — don’t make the mistake of dismissing a writer just because some of their soundbites might throw you:
- Howard Bloom
- Robert Spencer
- Michael Ledeen
- Daniel Pipes
- Kathy Shaidle
- Barry Rubin
- David P. Goldman
- Andrew C. McCarthy
- Leszek Kolakowski
- Paul Johnson
- Thomas Sowell
- Lt. Gen. Ion Mihai Pacepa
- Stanley Kurtz
- Chimamanda Ngozi Adichie
- Ben Shapiro
- Dennis Prager
- Joseph Telushkin
- David Mamet
- Robert Anton Wilson
- Camille Paglia
- Weston La Barre
- J. Christian Adams
- Shelby Steele
- Ann Coulter
- Adam Carolla
- Michael Walsh
- William F. Buckley, Jr.
- Andrew Klavan
- James Madison
- Roger Kimball
- Theodore Dalrymple
- Allan Bloom
- Roger L. Simon
- Douglas Rushkoff
- George Gilder
- Hannah Sternberg
- Frank J. Fleming
- John Waters
- Glenn Reynolds
- Helen Smith
- Ray Kurzweil
- James Wasserman
- John Whiteside Parsons
- Niccolò Machiavelli
- Benjamin Franklin
- Aleister Crowley
- Booker T. Washington
- Israel Regardie
- Thomas Jefferson
- John Adams
- Ron Radosh
- Victor Davis Hanson
- Rabbi Joseph Soloveitchik
- Franz Rosenzweig
- J.R.R. Tolkien
- Michael Barrier
- Frederick Douglass
- Alejandro Jodorowsky
- Lisa De Pasquale
- Shmuley Boteach
- Abraham Lincoln
- Gary Lachman
- Sarah Hoyt
- Ayaan Hirsi Ali
Jere, I hope to include you on a future version of this list…
My last post (“May the Farce Be With You“) drew 280 comments, most of them infuriated, and most of them ill-informed. By way of remedy, I repost below an April 4, 2007 review-essay on J.R.R. Tolkien’s novel The Children of Hurin. My literary friends point out that Tolkien’s style is turgid and his literary muse is lame. I don’t care. No writer in the English language did more to uplift popular culture. Star Wars, I observe, derives from Richard Wagner’s noxious Ring cycle by way of the odious Joseph Campbell, and had a corrupting effect on the culture. The contrast with Tolkien is instructive. Rather than remasticate the pagan idea of the hero, Tolkien created a pagan anti-hero (specifically, an anti-Beowulf and anti-Siegfried) in the tragic figure of Turin. Reconstructed from manuscripts by Tolkien’s son Christopher, the Turin story sheds light on the broader purpose of The Lord of the Rings, and illuminates the fraught relationship between the pagan and Christian worlds.
Many readers objected to the way I threw Harry Potter into the same kettle as Luke Skywalker. A qualification is in order: J.K. Rowling stole from Star Wars as well as from Tolkien (and of course from Thomas Hughes), so that one can read a variety of different standpoints into her work. They all are there, in unhappy cohabitation.
The Children of Hurin, by J R R Tolkien, edited by Christopher Tolkien
Reviewed by Spengler
J R R Tolkien was the most Christian of 20th-century writers, not because he produced Christian allegory and apologetics like his friend C S Lewis, but because he uniquely portrayed the tragic nature of what Christianity replaced. Thanks to the diligence of his son Christopher, who reconstructed the present volume from several manuscripts, we have before us a treasure that sheds light on the greater purpose of his The Lord of the Rings.
In The Children of Hurin, a tragedy set some 6,000 years before the tales recounted in The Lord of the Rings, we see clearly why it was that Tolkien sought to give the English-speaking peoples a new pre-Christian mythology. It is a commonplace of Tolkien scholarship that the writer, the leading Anglo-Saxon scholar of his generation, sought to restore to the English their lost mythology. In this respect the standard critical sources (for example Edmund Wainwright) mistake Tolkien’s profoundly Christian motive. In place of the heroes Siegfried and Beowulf, the exemplars of German and Anglo-Saxon pagan myth, we have the accursed warrior Turin, whose pride of blood and loyalty to tribe leave him vulnerable to manipulation by the forces of evil.
Tolkien’s popular Ring trilogy, I have attempted to show, sought to undermine and supplant Richard Wagner’s operatic Ring cycle, which had offered so much inspiration for Nazism.  With the reconstruction of the young Tolkien’s prehistory of Middle-earth, we discern a far broader purpose: to recast as tragedy the heroic myths of pre-Christian peoples, in which the tragic flaw is the pagan’s tribal identity. Tolkien saw his generation decimated, and his circle of friends exterminated, by the nationalist compulsions of World War I; he saw the cult of Siegfried replace the cult of Christ during World War II. His life’s work was to attack the pagan flaw at the foundation of the West.
It is too simple to consider Tolkien’s protagonist Turin as a conflation of Siegfried and Beowulf, but the defining moments in Turin’s bitter life refer clearly to the older myths, with a crucial difference: the same qualities that make Siegfried and Beowulf exemplars to the pagans instead make Turin a victim of dark forces, and a menace to all who love him. Tolkien was the anti-Wagner, and Turin is the anti-Siegfried, the anti-Beowulf. Tolkien reconstructed a mythology for the English not (as Wainwright and other suggest) because he thought it might make them proud of themselves, but rather because he believed that the actual pagan mythology was not good enough to be a predecessor to Christianity.
“Alone among 20th-century novelists, J R R Tolkien concerned himself with the mortality not of individuals but of peoples. The young soldier-scholar of World War I viewed the uncertain fate of European nations through the mirror of the Dark Ages, when the life of small peoples hung by a thread,” I wrote in an earlier essay.  Christianity demands of the Gentile that he reject his sinful flesh and be reborn into Israel; only through a new birth can the Gentile escape the death of his own body as well as the death of his hopes in the inevitable extinction of his people.
The New Republic magazine celebrates its 100th anniversary with a special section called “100 Years, 100 Thinkers.”
Unfortunately, the categories into which these “minds who’ve defined our century” are helpfully slotted are almost parodically First World, elite-uptown-liberal:
“Architecture.” “Environmentalism.” “Songwriting.” “Diplomacy.”
And of course, “American Civil Rights.” (Zzzzzzzz….)
Unless you count “Medicine,” no hard sciences were deemed worthy of consideration.
An alien browsing this section would be forgiven for assuming that man never set foot on the moon.
But who cares when someone named Alice Waters “made (local) lettuce sexy!”
(And besides, The New Republic assures us that “Martians need only watch one of [Richard Pryor's] concert films to best understand the human species in the shortest amount of time.”)
Naturally, there’s a “Sex” section, and Alfred Kinsey comes out on top (as it were.)
It seems appropriate, this being the week of thanksgiving, to make a list of everything that I – hi, I’m Sarah, and I’m a writer. I’ve tried to give it up, but … oh, heck, not very hard – am thankful for as a writer, living in this, the early decades of the twenty first century.
First, let me pile on to register my disapproval with the lack of moon colonies, spaceships to Marsh and, oh, yeah, flying cars. No, I don’t really care if they’re impractical, I want them because cool.
Turned out, though, the future didn’t look like we expected. It didn’t turn out glitzy and superabundant. Perhaps it never will, since we’re humans and the question is always “abundant with what?”
I mean, very few among us are starving (looks down at waist. We could use a little more starving around here) but very few of us in this economy are exactly well off or unworried, either.
And yet, with all this, the future also did not turn into the rusty and decaying future so beloved of seventies leftist writers and other dystopians. We’re not all sweating in factories, skulking amidst the rusting remains of the past, and living at the mercy of the state. Okay, maybe that last, but even then not the way they expected.
Because you see, on their way to taking over the institutions, the left ran into the obstacle they never saw coming: technology.
I grew up in Europe and I don’t remember a time when I didn’t know the essential industries to take over when communists (or the feared Soviet invasion) took over a country: News, entertainment, communications, education. The military, of course, would have to be co-opted or defeated. But those other industries? Once you had them you could co-opt the military, or give the impression of a “popular revolt.” You could change people’s minds, or if not, you could make everyone who opposed you feel like they were lone nuts and people of no account.
For those who are looking at that and saying “but that’s what happened here!”… Yep. The left has only one playbook, and it involved the long march through those essential industries, the ones that told people what the world was like and allowed them to create an image/ideal of how it should be.
Note technology is not among those fields. Oh, I know that a lot of computer technicians (but not all) are left. Most of all, the firms are left, since being on the left has become a way of signaling class (high class) so executives all make the appropriate noises.
But there are still no-go zones, and those are the ones where technology is created. Engineering, technical work, the harder sciences. Those were left untouched by the long march, because math and physics are immune to both bullsh*t and guilting to “give the other side a chance.” Calculations are either right or they aren’t.
And ignored by the left, the sons of Martha were building structures that replaced the ones that the left had taken over. (Something the left doesn’t seem to realize is that they have the Mierdas touch. Everything they touch turns to offal. They’ve managed to take the magic out of movies, the creativity out of books and the news out of the news business.) With official structures in crisis, the unofficial is superseding them.
I know right here, in the belly of the beast, it doesn’t look like we’re doing much. But look back just ten years, and you’ll see the difference.
So this Thanksgiving I’m thankful for the sons of Martha who created the structure that allows for blogs and communication among peers; for e-tailers; for indie publishing; for online schools.
I’m thankful that we can save ourselves from the wreck being wrought upon us by our so-called elites.
Yes, they still have some sway and some of the technology is not quite there to supersede things like Hollywood. But it will be. It’s a matter of time.
Don’t allow them to have their Brave New World. We know it’s not a how-to. Build under, build parallel. Ignore their corrupt structures and make your way.
We live in the future, and the future belongs to us.
The day John Salmon graduates from college, he thinks his turn has come to go out and conquer the world, but instead the world comes to conquer him. At the campus chapel, he encounters an attractive young woman named Jill. She warns him to walk away from a mysterious stranger who will soon arrive offering adventure and world travel. But why would he listen to her, a complete stranger herself? She exits in a hurry, frightened even, but leaves behind a curious device resembling a wristwatch.
John finds he can’t walk away from Cyrus, the mysterious stranger, and this decision casts him into the dark places of history, racing against that damnable clock.
The clock keeps ticking, counting down, running out…
Juzeva, the princess who sacrificed everything to try to stop a war, and instead found herself caught in a web of evil and deceit…
Sevry, the last king of the war-ravaged land of Savaru, tasked with finding Juzeva’s secret, the secret that can bring Savaru back to life…
Lucie, a sheltered young noblewoman, unaware of her true heritage and the power she has to restore a lost land…
Then a mystery from the past becomes real and sweeps Lucie away to adventure, danger, and a love that will change her life and the lost land of Savaru forever.
Ancient, cold, and perilous.
Its truth forgotten in the mists of time, the old bridge harbors a lethal secret. Neither marble statues awakened for battle nor an ancient roadbed grown hungry, something darker and more primal haunts the stones and the wild river below.
Kimmer knows the stories, but she doesn’t know why the crumbling span feels so fraught with menace. Her way home lies across the ruin. Dare she take it? Or will horror from the lost past rise up to claim her, when she does?
If only Mama were well. If only Papa were . . . not like this.
Clary needs a miracle, but wonders rarely step forth to solve life’s problems. While her mama lies wearily abed and her papa spends the day . . . elsewhere, Clary struggles to look after her younger sister and their baby brother. And longs for more than making do. If only.
Then, one spring morning, Clary and Elspeth visit the old bramble-grown quarry to pick wild cabbage leaves. Hidden within the rock’s cleft, Clary’s miracle awaits. But this miracle sports razor-sharp talons, world-shaking power, ravenous hunger, and a troll-witch to guard its sleep. When it cracks the egg, will Clary survive?
Something wondrous this way comes!
Christian Bale on learning that Ben Affleck would play Batman in the next Superman movie:
“I’ve got to admit initially, even though I felt that it was the right time to stop, there was always a bit of me going, ‘Oh go on … Let’s do another,’” he told Empire magazine, according to Comic Book Movie.
“So when I heard there was someone else doing it, there was a moment where I just stopped and stared into nothing for half an hour,” Bale added.
“I’m 40,” he said. “The fact that I’m jealous of someone else playing Batman … I think I should have gotten over it by now.”
I’m 45 and I’m jealous of them both.
Hell, I’m jealous of Adam West.
The Drudge Report remains one of the most accurate barometers of what’s happening right now.
But can we augur near-future trends by sifting through that site’s headlines?
Lately, Drudge has posted lots of news stories about “the devil” and “exorcism”:
Camera captures exorcism performed on shrieking woman “possessed by devil:
Church Turns to Exorcism to Combat Suicide Increase… Archbishop: “Satanism has spread among young people”
BILLY GRAHAM: In Our “Lawless and Wicked Age We’ve Taught Philosophy of Devil”
Aside from the uptick in stories like these, I’m not sensing a resurgence in interest in all things diabolical, a new version of the “occult” fad that helped make the 1970s so miserable, and led to the “satanic panic” of the 1980s that was almost as bad.
Peter Bebergal doesn’t agree.
According to him, “we’re currently experiencing ‘an Occult Revival in rock music and popular culture.’”
He’s penned one of the year’s most talked-about books, Season of the Witch: How the Occult Saved Rock and Roll.
“My argument is that the spirit of rock and roll — the essential rebellious instinct of rock and roll — is certainly social and sexual and political, but it’s also a spiritual rebellion,” Bebergal explained. “And the way in which it expressed that spiritual rebellion was through the occult imagination.”
That “occult imagination” conjures everything from Ouiji boards to Christian and Jewish symbolism to LSD trips to “alternative spiritual practices.” Bebergal says it ultimately helped rock bands like Led Zeppelin, Pink Floyd and Black Sabbath save rock from sounding too poppy, sappy and mainstream.
Author and journalist Judy Bachrach started volunteering in a hospice in the late 1980s, and her real motive was to try to overcome her fear of death. About two decades later, when her mother came down with Alzheimer’s, Bachrach decided to look into the subject of near-death experiences.
So she delved into the literature, and journeyed around the United States and the world to interview near-death experiencers (NDErs or, as she calls them, “death travelers”) and leading researchers in the field. The result is her book Glimpsing Heaven. Her conclusion from her inquiries: “there are simply, as some of the doctors and scientists I’ve interviewed point out, too many experiencers and too many experiences to discount.”
How many? Dutch cardiologist and NDE researcher Pim van Lommel says that in the last 50 years over 25 million people worldwide have reported NDEs. A 1982 Gallup poll found eight million Americans reporting them. As Bachrach comments: “Not every self-proclaimed death traveler could be an arrant liar or deeply unbalanced or both.” If you want to hear accounts by “travelers” who are evidently balanced, mature, and intelligent, you can easily find them on YouTube.
But were these people really “dead”? Aren’t these experiences just hallucinations caused by oxygen deprivation? Having looked into the NDE subject myself for a few years, I believe one can only hold that view if one is ill-informed or determined.
Hi, this is Sarah, and I’m sorry we’re late again, but my eye has been doing weird stuff, so I had to have a pretty thorough exam to make sure I wasn’t going to need surgery.
This week, several people have sent me links to this Ursula Le Guin appearance.
This made me think of something. My paternal grandmother was a wonderful woman, whom I credit both with my being more or less sane, and with my storytelling. Between the ages of one and six, she told me a story every night, usually involving werewolves or magic, stories she made up herself. Until much later than that I was her shadow, following in her footsteps. In a way, I still am.
Imagine my surprise when I went back after getting married, shortly after she turned eighty and the family tried to gently give me a hint something was not right. What was not right was, in point of fact, scary.
You see, grandma grew up in very different times. So, when she passed one of the local (illegal, this is Portugal) dumps, returning from the field where she went to cut grass for the rabbits, she would notice “perfectly good, just need a little mending” baby clothes. She’d taken to rescuing them, bringing them home, washing them a million times, sewing any holes, and stacking them in her built in cabinets in the downstairs hall. The cabinets, which were floor to ceiling were almost full. No one could convince her that she wouldn’t, sooner or later, be besieged by a lot of new mothers with nothing to put on their kids. The idea that onesies and baby socks had become more or less disposable simply wouldn’t enter her head.
While visiting and talking to her, other things emerged – like she was afraid of the “wave of crime” sweeping the country. There really was no wave of crime, but she lived alone and she read the papers and watched TV news too much. Worse, for a woman who’d always been sharp enough to look behind the story she was told, she’d started giving credence to the sort of tabloids that publish stories about women the next county over giving birth to snakes.
Since then, I’ve seen other people go that way. It is a combination, I think, of aging and losing touch with the world, and of being too respected for people to actually have a word with, quietly.
I read and enjoyed the Earth Sea Trilogy. (Fourth book? What fourth book? Let’s be charitable, okay?) and The Left Hand of Darkness was a beautiful if flawed work. I can’t say I’ve liked a lot more that Le Guin has done, but then most science fiction writers didn’t even write four books that I enjoyed.
So what is one to make of such statements as:
Ursula K. Le Guin gave a scorching speech at the National Book Awards on Wednesday, calling out Amazon founder Jeff Bezos and saying of capitalism “its power seems inescapable. So did the divine right of kings.”
Surely a woman praised for her learning knows the difference between a social construct like the divine right of kings and “capitalism” which is simply a name for the barter and trade humans do to survive and which, btw, is not unfettered ANYWHERE in the universe, being hemmed in by governments and regulations everywhere.
And why on Earth she’s calling out Bezos is beyond me. For allowing writers, at long last to make a buck? Who knows?
And what about this:
“We need writers who know the difference between production of a market commodity and production of art,” Le Guin said.
We do, of course. For instance “art” is a subjective term which applies or should apply only to works that enduringly touch the emotions of humanity across the times and changes in society. Shakespeare still touches us, for instance. That’s art.
OTOH, thinking that any government, any entity, any academic can define art is to labor under the same sort of illusion as people who believe tabloids announcing women giving birth to snakes.
Art is proven in enduring. And most art – Shakespeare, Austen – was pretty commercially successful, as well. Art is what you aim for, and hopefully it happens. But there’s no guarantees. Competent and selling is the best you can be sure of.
One could make a comment about her being out of touch and believing too much of what she’s told, but we’re not the side that derides our elders for being old. People as old and older than her have embraced the digital revolution without fear and understand that while capitalism is an awful system, it’s better than any attempts at controlling it.
Instead I choose to believe this is the equivalent of her having cabinets full of baby clothes. I’m sure she still has contributions to make in areas where she doesn’t have blind spots.
For this, OTOH there is no excuse:
The Los Angeles Times thought Le Guin “stole the show” and said she accepted and shared her award with “all the writers who were excluded from literature for so long.”
Perhaps Le Guin doesn’t realize it, but The Los Angeles Times should realize that those excluded people – like say, people whose politics don’t agree with the establishment in publishing – are finding their voice and their audience with indie publishing. You know, people who can at last speak truth to the overwhelmingly leftist power in science fiction? One hesitates to ask if The Los Angeles Times believes that women give birth to snakes over in San Diego County?
Folks, remember to tell all your writer friends to send an e-mail to firstname.lastname@example.org for submission guidelines.
Then, please ask them to follow the guidelines. Grrrr.
Young deceit sprouts timeless trouble.
Motherless Brys Arnsson digs himself into trouble. Bad trouble. Tricked by a troll in J.M. Ney-Grimm’s richly imagined North-lands, Brys must dig himself and his best friend back out of danger. But that requires courage . . . and self-honesty. Traits Brys lacks at depth.
A twist on a classic, The Troll’s Belt builds from humor-threaded conflict to white-knuckle suspense.
North-land spellcasters who wield excessive power transform into trolls – potent, twisted, and hungry for dominance.
Prince Kellor, cursed by a troll-witch to live as a north-bear, wrestles with the challenges of a beast’s form. He sees his childhood friend Elle as the key to his escape.
But charming Elle will be no easy task. Traversing that delicate passage between adolescence and adulthood, she struggles to balance family loyalty against her passion for music.
In this epic adventure across a stunning landscape, from cool pine forests to an icy pinnacle of basalt so real it leaves you shivering, Elle and Kellor must summon essential wisdom and grit to prevail against a troll-witch’s malice in a lethal battle of wills.
Fighting against a nightmare pales beside fighting for a dream.
Imagine Keith Richards as a life insurance agent! Janis Joplin as a butcher! Mick Jagger as an anti-abortion activist! Jimi Hendrix as a youth pastor!
Karma Putz imagines characters very similar to five rock icons whose lives took a different turn. They end up living in the suburbs, battling crabgrass and watching “Pox News.” One day, they kidnap the world’s most famous pop musician, who bears a striking resemblance to Paul McCartney, and put him on trial for “crimes against humanity.”
Things don’t go as planned
Freed from a curse, Aidan finds himself at a loss in a world that he doesn’t quite recognize. When he starts dreaming of a woman also out of time, he wonders what she has to do with his future. A witch reveals that Aidan being released from his curse might have wide-ranging consequences, including costing the woman of his dreams her life and sanity.
Dawn went into a magic sleep expecting to wake up to a prince. When a fairy bent on mischief warped the spell, she found herself transported to the world of dreams while her kingdom disappeared. She begins to wonder if she’ll ever wake up when a horse gallops through her dreams and gives her hope.
With help from unexpected sources, Aidan takes off on a mission that has killed every other person who’s attempted it. Will he meet the same fate?
Will Aidan be able to find the missing kingdom in time to save the dreaming princess?
Rashali, a widowed Urdai peasant, has vowed to destroy the Sazars who conquered her land. Eruz, heir to the Sazar throne, walks the dangerous edge of treason to do what is right for all the people of Urdaisunia. When Rashali and Eruz meet by chance, the gods take notice, sending peasant and prince on intertwining paths of danger, love, and war as they fight to save the land they both love – Urdaisunia.
Throughout history man has desired to transform the world to suit himself. And though some statesmen in real life might have achieved a semblance of such, the goal has only ever been reached in story and myth. In earliest days, men told tales of such fantastic places as Atlantis, Ultima Thule, and Cathay until the rise of the scientific method put a stop to such fancies. Instead, science inspired a more logical approach to lands of never. Thus, the earliest imaginary worlds were those created by philosophers and free thinkers who dreamed of societies that operated on a more sensible basis than the pre-industrial communities they themselves inhabited. Lands such as Thomas More’s Utopia and and Francis Bacon’s New Atlantis.
But a funny thing happened even as the influence of science grew and western society became increasingly disdainful of anything that smacked of superstition: writers began to emerge who embraced fantasy as a response to logic and science, which needed the guidance of man’s imagination to give the two direction and purpose.
Enter the fantasists of the twentieth century who provided landscapes of the imagination over which their literary characters could roam, wrestling with moral questions often presented in the form of metaphor or symbol. But none of it seemed real until put on paper. As a result, venturing over the horizon of imagination to the land of “here there be dragons,” the modern fantasist has insisted on categorizing his world, giving it a cartographical pseudo-reality best represented by our 10 Most Fascinating Fantasy Worlds of All Time.
10) Phantom Tollbooth
One of the cleverest of fantasy books, The Phantom Tollbooth written by Norton Juster, came with a map detailing the Kingdom of Wisdom, something that was still unusual in 1961 when the book was first published. Filled with places and landmarks that act as metaphors and puns, the Kingdom of Wisdom is a literary puzzle box that has delighted readers of all ages for decades.
Editor’s note: see the previous installment in Pierre’s series about the history of science fiction: “The 10 Most Influential Science Fiction Stories of the 1910s“
By the end of the first decade of the twentieth century, science fiction had begun to take definite form as a distinct genre. Before that, fantastic stories with scientific premises were not treated much differently by publishers or critics from novels of gothic romance or exposes of modern life, or the trials and tribulations of small town folk. But Jules Verne and especially H.G. Wells triggered something in young people who had grown up with constant news of scientific progress and a steady stream of inventions from Thomas Edison’s laboratory.
Indeed, it was Edison’s example, as well as those by Alexander Graham Bell and Wilbur and Orville Wright, that promoted the notion that anyone might come up with the next great invention from their basement workshops. Imaginations that had been grounded by Horace Greeley’s admonition to “Go West, young man! Go West!” had slowly begun to be freed from such limited and earthbound goals and released into a universe of possibilities. Jack Williamson banged out stories of far worlds and interstellar warfare from a shed on his family’s New Mexico farmstead. H.P. Lovecraft scrawled ornate and awful visions of alien intelligences far beyond what mortal minds could comprehend all while never leaving the confines of his second story walk-up in Providence, Rhode Island. And the same thing was beginning to happen everywhere in the United States and, in some cases, elsewhere in the world.
The 1920s were an important transition period in SF from the literary tradition of Wells to the Wild West-style action of what would become known as space opera. And even as Wells’ ability to fascinate faded, new writers, championed primarily in the United States by the likes of Edmond Hamilton and Jack Williamson, pioneered a growing market for pulp magazine-based science fiction.
That movement began in 1926 with Amazing Stories, the first pulp magazine devoted completely to stories of science fiction. The magazine was published by Hugo Gernsback with the intention of using its stories to promote science and invention, but the SF movement proved more popular than the publisher anticipated and quickly escaped his control. To satisfy the demand for such stories, other magazines soon followed with editors eagerly cultivating American talent that soon enough eclipsed the few foreign writers working in the genre. Proceeding at a dizzy pace, 1920s SF quickly saw the birth of major trends that would dominate the field for decades to come including extra sensory powers, alien contact, time police, and robots. One of the most enduring was “space opera” that covered the rise and fall of star-faring empires and the fate of whole galaxies and dimensions in time and space. The form lost favor in the 1960s but made a comeback of sorts as the new century approached, spurred in part by the worldwide success of the Star Wars films proving the enduring nature of SF’s basic tropes.
The very newness of science fiction (or “scientifiction” as it was called then) invited excitement in readers primed for a literature that mixed science with romantic adventure while inspiring writers to unleash the wildest of their imaginings in stories that challenged a society whose adult population was unused to flights of fantasy. In the shadow of Edgar Rice Burroughs’ science fantasies of the 1910s, the following top 10 trend setting SF stories of the 1920s laid the groundwork for the coming golden age of science fiction.
This past week a group of scientists from the European Space Agency landed a spaceship on a comet. Contemporary feminists commented on the happening, but not for the reason you’d think. Screw science. One of the guys on the team talked about the major breakthrough in an on-the-spot interview while wearing a shirt with barely-clad, busty women brandishing guns. Social media chaos ensued. The scientist cried out an apology over the Internet. Apparently the rather clever hashtag #shirtstorm is the real reason why Obama cancelled the space program.
And you wonder why Lana Del Rey would rather spend her time talking about Space-X and Tesla instead of associating herself with the pioneering movement for women that has turned into a forum for Dunham-loving yuppie nags. Celebrities are distancing themselves from the f-word because so-called feminists think the greatest thing they can do for womankind is to complain about a scientist’s tacky shirt. I’m sure that really inspired a teenage girl out there to forego joining ISIS and join in the fight against… dudes bearing busty broads?
So I was working with someone who was really trying to tap his full potential, but his inner hippie kept pulling him down any time he tried to succeed. I think he was an accountant or something—all these people complaining about their problems just blend together. Anyway, let’s call this man “Bob,” as that’s what I called him. I told him, “Bob, if you want to get anywhere in life, you first need to defeat your inner hippie.”
“But I don’t know how,” he said. “It’s not like I can just punch myself.”
“Well, I can punch you,” I said, “and I will, because I like to help. But I won’t always be there. Instead, we need to find a way for you to really lay the smackdown on your inner hippie to silence its call to failure, and doing that will take some extreme measures. Come with me, Bob.”
“My name’s not Bob, by the way.”
“I don’t care. Come along.”
I took Bob to the zoo after hours and headed toward the gorilla pit. “See that gorilla, Bob?”
“Wow,” Bob said, “he’s massive.”
“Pretty intimidating, huh?”
“Is that gorilla anything like a hippie?”
Bob thought for a moment. “Not really . . . except he probably doesn’t bathe regularly.”
“Correct. A gorilla is nothing like a hippie,” I said, “and yet here is the thing: I want you to go punch him.”
See Part 1 in Kathy Shaidle’s series exploring punk rock here: How the Sex Pistols Made History by Lying About It
Let’s get this out of the way:
Randal Doane is an assistant dean at Oberlin.
Politics aside (and he doesn’t shove it up your nose), this means you’ll trip over academic, culture-critic jargon — “codes” and “gestures” abound; “Eros” crashes the party — while otherwise enjoying his new book, Stealing All Transmissions: A Secret History of The Clash.
And there’s a lot to enjoy.
Stealing distills one fan’s decades of wide reading, deep listening, and just plain thinking into a multi-faceted gem.
In the hands of a less skillful writer, this book would feel like an out-of-your-league sexual pass, an awkward attempt to squeeze too many topics — the evolution of punk music (along with the etymology of the word); the rise and fall of AM and FM radio; the underground scenes in New York and California, to name but three — between only two (virtual) covers.
Somehow, though, Stealing works, distinguishing itself from similar titles by piling on plenty of original insights; for one thing (a bit like the recent How the Beatles Destroyed Rock ‘n’ Roll), this book explores how the medium changes the message — that is, how the technology we employ to consume music alters music itself, along with the culture at large.
(To cite a particularly cliched example: The LP made it easier to have sex to music, as one didn’t have to leap up to change the record, or worry that a radio DJ might ruin the mood with the wrong selection. How many children were conceived as Frank Sinatra’s Songs for Swingin’ Lovers spun away on the other side of the room– besides me, that is — I couldn’t begin to guess.)
Doane also demonstrates, in pointillistic detail, how a tiny band of now-forgotten local DJs championed (today we’d say “curated”) punk, and “broke” The Clash and other English bands in America.
In doing so, he reveals what we lost when that free-form radio format was killed off.
(P.S. — A note about audio that follows throughout: These interviews with Joe Strummer were recently uploaded to YouTube by HazyRock.com. While the date is unknown, they seem to correspond roughly to the “early days” period Doane focuses on in his book.)
This is a guest post by Cedar Sanderson, author of Pixie Noir. Sarah blurbed Pixie Noir thusly: “The unlikely love child of Monster Hunter International and the Princess Bride, this book … is unalloyed fun all the way.” -Sarah A. Hoyt, author of Darkship Thieves
It is an open secret that Cedar is the nice one of Sarah Hoyt’s friends, besides looking like a Heinlein character, red hair and all. But she’s also sensible about things like books.
First, look at the cover. It might look like a child’s rendition, but this doesn’t mean the content is bad. I’ve seen some pretty bad writing under that pretty wrapper. What the cover ought to tell you is a little about what to expect. Not a faithful rendition of a scene, more a feeling for the tale you are about to immerse yourself in. This doesn’t always happen, and it’s something that can be forgiven, like a chocolate bar in a plain brown wrapper.
Next, check out the blurb, reviews, and other details. Are there typos in the blurb? Oh, so not good. Head on to the next option on the shelf/alsobot/list of titles below. Has the book won an award? Then it depends, was it an award given by fans who enjoy good stories? Then feel free to go on to the next step. Was it an award like the Hugo or Nebula, given out for writing approved message fiction? Step away from the book, and maybe do a little squirt of hand sanitizer, just to be sure.
The book has made it past the first steps of scrutiny, now it’s time for the next step. Look at the publisher? Why would you care who published it? Do you read publishers, or authors? No, wait, there is one exception. A certain flaming rocket logo is a good thing to scan for if you’re perusing a bookstore shelf. Online, the Baen cover art is generally a dead giveaway, being reminiscent of a certain scientist’s shirt.
If you’re shopping online, this is the fun part. Scroll down and look at the reviews. Ideally, you’ll see a mix of good and bad, tilted more to the good side. A book with only 5 star reviews should raise an eyebrow. No readers will all love the same book, and the old saying that one man’s trash is another man’s treasure is based in reality, after all. On the other hand, cogently written and on-point negative reviews should raise the other eyebrow, and have you clicking away from this title. Now me, I’m contrary. I have bought books based on negative reviews. Strawman reviews, attacking the author’s politics or perceived ideology are cues that whatever lies between the covers, it’s most likely not dull.
Now, the next step is to crack open the book and look inside. On Amazon, you can do this free and easy with the preview option. In a paper book, you can do what I do, cull a small stack, plop cross-legged on the floor, and start to skim. At home, you can legally do this wearing only a cat. I don’t recommend that in the bookstore.
Generally, Amazon gives you access to the first 20% of an ebook. Speaking as a former slush reader, this is usually plenty of time to get a feel for what’s in there. You want to find a good hook that draws you into the story, not a dull, draggy beginning that makes you feel gloomy. There should be some interesting characters, whom you can connect with. You should be able to immerse yourself in the fictional world and not be thrown out of the story by non-sequiters and egregious research errors. You’ll know when it’s right, because suddenly you’re at the end of the sample and you click the buy button without a second thought.
Now that you’re hooked on a book, what next? Well, read! Enjoy! And when you’re done, remember where you found that one, and come visit us regularly, there are always new titles and authors to discover. Want more? I know, I know, I’m a greedy reader too. Check out blogs to find one that does regular reviews, and the reviews seem to align with your tastes (a good way to do this is to search for a book/author you really liked and find the reviewers who felt the same way).
Speaking of reviews, this is how you tip an author: review their book. It’s not hard to go to Amazon and write a review, it doesn’t need to be long, and it should not be a plot summary (please, for the love of spoilers, no plot summaries!). Or share a link to the book on social media. Or… both. Because you liked that book, and you want to have more, right? Authors need support, and readers need books. It’s a mutual admiration society. Speaking as a reader, I’m always tickled to do something fun to promote a favorite author, whether it’s simply sharing a link, putting the effort into a review, or even further like taking fun pictures of books and posting them to gloat when I have a new release… Ahem. Right. Sometimes I slip into fangirl mode.
So start your book shopping today, with the links below, and remember, escaping the mundane world gives your soul ease and amuses the brain. It’s food for the mind, and doesn’t go straight to your hips.
TARGETS ARE LOCKED!
Five short novels by five masters of military SF capture the excitement, and hell, of fantastic future war—on and off the battlefield. Stories of terrifying monsters, dangerous aliens and staggering cosmic dreadnaughts march alongside far-flung courtroom dramas and cautionary tales involving man and his devices.
Michael A. Stackpole—The Star Tigers are commandeered by a powerful alien overseer on a covert mission to a world long abandoned by an ancient species. There, the ruins of a forgotten war will tip the balance of their war, unless the Star Tigers can prevent it.
(Contains “And Not To Yield”, a novel in the Darkship universe.)
Tiny Sparrowind can’t hunt from the sky, cannot hope to best his siblings in contests of strength, and scrapes by to survive. But in the books stashed in his parents’ hoard of gold and gems he finds a greater treasure: ideals.
Deciding to make his own way in life gives him more hope than he could have if he tried living only by the way of Dragonkind, but can this dreamer of a Dragon find his place in the world?
A delightful tale for all ages, that may be shared by reading out loud – either to a young audience, or those who are young at heart.
When 16-year-old Raina Resnick is expelled from her Manhattan private school, she’s sent to live with her strict aunt, where life becomes a torment. Her sister blames her for her broken engagement, and she’s a social pariah at her new school. In the tight-knit Jewish community, Raina finds she is good at one thing: matchmaking! As the anonymous “MatchMaven,” Raina sets up hopeless singles desperate to find the One – including her alienated sister. A cross between Jane Austen’s Emma, Dear Abby, and Yenta the matchmaker, Raina’s journey is both hilarious and heartbreaking as her life unravels from the effects of firsthand matchmaking.
Tom Ryan, best-selling military novelist, has arranged a ride to familiarize himself with submarines. On August 10, 1991 he arrives at USS Haddock (SSN 621) as it prepares to depart San Diego for Japan. It would be a final deployment before going to the shipyard for nuclear defueling and decommissioning.
The transit is routine with plenty of opportunity for training. It doesn’t stay routine when Haddock is diverted to search for three Soviet submarines that had deployed from their base. Then events in the Soviet Union result in Haddock being given unprecedented orders. As history is made in Moscow events proceed under the ocean.
Join Tom Ryan aboard Haddock and enjoy the ride.
Evil vampires cannot love — can they?
Vampire Gregory Weston loves the tinge of printer’s ink that flavors the blood of those who work with books; printers, publishers, editors and librarians are among his favorite sources of nourishment. Bored and lazy, seeking amusements to fill his endless existence, he has given up his unceasing quest to become human again — until accidentally, he employs Nia, a pregnant librarian. With child? Gregory has never experienced this situation. What a diversion for dispassionate scientific study! That she is beautiful has nothing to do with it.
An age in the past, the world’s two greatest Mages fought a bloody war to a draw that slew them both.
In the time since, the Kingdom of Vishni has known quiet, and the Swarm beyond the mountains has grown in strength and numbers. Now, with the Time of Prophecy at hand, dark forces move to fulfil ancient visions.
Two men, born to poverty but bearing the blood of those ancient Mages, will rise to decide the fate of both Swarm and Kingdom as the fires of this ancient conflict rise anew.
From a haunted old zoo filled with ghosts to a dying starship on its way to a new home – humanity’s final gasp, Quantum Zoo presents a dozen compelling stories featuring a dozen exotic and unusual menageries.
Jack the Ripper arrives for one last murder, while a dinosaur – out of place and out of time – bridges the gap between two poignant lovers in the wonderfully atmospheric England of Hugo- and Nebula-nominated Bridget McKenna.
Quantum Zoo propels you on an enthralling journey through awe and emotion, highs and lows, with tender romance following hair-raising action.
Join some of the hottest independent science-fiction and fantasy authors writing today in the fascinating worlds they create from the zoo!
Can one small good deed offset ultimate destruction?
Mercurio stands watch over the first planet, guiding it through the perils of the void. Part messenger, part prankster, he cocks an eye for danger, but not from afar. Close to home lurks the real risk that his festival for Sol’s 25th anniversary will be a bust.
Failed negotiations with constellations and his fellow guardians send him to the brink of complete frustration…when a beautiful celestial wanderer fetches up at his domicile, seeking refuge.
Her form beguiles. Her mystery intrigues. And Mercurio’s fascination with his visitor poses yet another threat to Sol’s celebration.
Will Mercurio recognize his role as cat’s paw soon enough? Or will a looming menace – more lethal than any of the guardians imagine – threaten the solar system’s very existence?
The higher the peak, the greater the fall.
Twenty years after the Seige of Vindobona, Duchess Elizabeth von Sarmas and her husband Col. Lazlo Destefani stand near the top of their world. But when a Frankonian army refuses to roll over and play dead, it sets off a series of conspiracies within the Imperial court that threated Elizabeth’s marriage, her position, and even her life. Emperor Thomas, young and untried, finds himself matching wits with King Laurence and even Elizabeth may not be canny, or strong, enough to stop Laurence this time.
They say the Age of Miracles is ended, but Elizabeth needs one more than ever!
I’d read that Col. John Nagl’s Knife Fights was coming out, but somehow missed its publication last month. Until just now that is, and its already on my Kindle.
If you haven’t read him, you’ve missed out on the future — and the now — of warfare.
Just get this already.
cross-posted from Vodkapundit
Warner Bros. recently announced an aggressive slate of films based upon DC Comics properties which will share a single cinematic universe, an answer to the successful franchise which Marvel Studios has built since 2008’s Iron Man. The DC slate opens with 2016’s Batman v. Superman: Dawn of Justice, and will continue the same year with Suicide Squad, which director David Ayer recently described as “The Dirty Dozen with supervillains.”
In the comics, the Suicide Squad boasts DC’s B-list villains, characters like Deadshot and Captain Boomerang. However, if rumors now circulating prove true, the cinematic interpretation of Suicide Squad may boast A-list villains like Lex Luthor and the Joker. Reports claim that bombshell actress Margot Robbie has been cast as Harley Quinn, and that Oscar-winner Jared Leto is in talks to play Joker.
In any case, the roster of DC Comics villains portrayed in live-action film is about to explode. Before that happens, let’s consider where the existing rogues gallery ranks. Here are the top 10 cinematic portrayals of DC Comics villains.
#10. Cillian Murphy’s Scarecrow
When it was announced that Christopher Nolan would be rebooting the Batman franchise years after Joel Schumacher piloted it into the ground, no one could have predicted how definitive the result would become. Among the bold moves made in re-imagining the property was featuring lesser known villains, including the Scarecrow.
Actor Cillian Murphy took what could have easily been a camp character and grounded him in a believable reality. Dr. Jonathan Crane served a vital narrative purpose befitting his nature as a criminal psychologist obsessed with fear. Fear stood as the dominant theme in Batman Begins, as Bruce Wayne turned his fear against the criminals holding an unholy grip upon Gotham City.
Let’s you and him fight! That has been the time-honored cry of comic-book fans for decades now, ever since Marvel launched the tradition of super-heroes clashing with one another almost as often as they did with super-villains. And what fans haven’t engaged in the favorite pastime of arguing about whose favorite hero was the stronger?
The hero vs. hero sub-genre began with the classic Torch vs. Sub-Mariner fight way back in comics’ golden age — not coincidentally at Timely Comics, ancestor to Marvel Comics. But aside from that instance, hero vs hero fights didn’t seem to catch fire and languished through the 1950s until Marvel started running super-heroes in its books again beginning with Fantastic Four #1.
Early encounters between the FF and hero/villain Sub-Mariner proved popular so it wasn’t long before Marvel began to regularly feature clashes between its super-heroes, a formula competitors tried to duplicate but never with such soul-satisfying results. The reason? Marvel’s secret weapon was artist Jack Kirby who could choreograph bludgeoning battle scenes better than anybody!
By comparison, competitors like DC were as sedate as a ladies’ sewing circle!
So The Atlantic has discovered women in Science Fiction. To be more precise, The Atlantic has discovered that women are “rising” in science fiction. Again. Apparently they asked Ann Leckie about women and awards in Science Fiction and Leckie, best known for writing a novel in which people have two genders and pretend to only see the female one, explained:
But both Leckie and Hurley express a combination of optimism and cynicism when it comes to whether or not women in the science fiction world are actually making progress, and how quickly. Leckie points out that this isn’t the first time women have been in the spotlight for writing award winning science fiction. “Sometimes I feel very optimistic about it, I say look at this, there are more women getting awards,” she says. “And then I look back and the ‘70s. The ‘70s was a decade that was crammed with prominent women science fiction writers, and a lot of women made their debut in that decade or really came to prominence.”
This was the time of Ursula K. Le Guin and Vonda McIntyre, who both won joint Nebulas and Hugos. Anne McCaffrey, Kate Wilhelm, Joan Vinge, and Marion Zimmer Bradley were all nominated for Hugo Awards that decade. In 1973, the Alice Bradley Sheldon, who wrote under the pen name James Tiptree, Jr. wrote the famous, feminist short story called “The Women Men Don’t See.” Joanna Russ’s feminist science fiction book The Female Man was published in 1975 and nominated that year for a Nebula.
Then, Leckie says, the ‘80s and ‘90s happened. The rate of women nominated and winning awards dipped down again. And today, once again, society has this idea that women who write science fiction are a strange and interesting breed. In other words, today the community is having the same conversation it had in the ‘70s about women writing science fiction.
This is beyond precious. First of all, I’d like to inform The Atlantic that the (ever-shrinking) community they’re talking about is the Science Fiction Writers of America, the same organization that went on the war path against two members for using the word “lady” which is apparently derogatory. Of course, people with such high standards are having the best conversations. At least, they’re having the best conversations, if the conversations you’re looking for are “excuse me, is the sky made of Swiss or Guyere?”
As for Ms. Leckie, I believe she is confused about the history of the field. In fact, women went right on winning awards through the eighties and nineties.
For instance, this is a list of the Nebulas won by women since 1982 to 2011:
- 2011 NOVEL: Blackout/All Clear, Connie Willis NOVELLA: “The Lady Who Plucked Red Flowers beneath the Queen’s Window”, Rachel Swirsky SHORT STORY (tie): “Ponies”, Kij Johnson SHORT STORY (tie): “How Interesting: A Tiny Man”, Harlan Ellison
- 2010 NOVELLA: The Women of Nell Gwynne’s, Kage Baker NOVELETTE: “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast”, Eugie Foster SHORT STORY: “Spar”, Kij Johnson RAY BRADBURY AWARD: District 9, Neill Blomkamp & Terri Tatchell ANDRE NORTON AWARD: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, Catherynne M. Valente
- 2009 NOVEL: Powers, Ursula K. Le Guin NOVELLA: “The Spacetime Pool”, Catherine Asaro SHORT STORY: “Trophy Wives”, Nina Kiriki Hoffman
- 2008 NOVELLA: “Fountain of Age”, Nancy Kress SHORT STORY: “Always”, Karen Joy Fowler ANDRE NORTON AWARD: Harry Potter and the Deathly Hallows, J. K. Rowling
- 2007 SHORT STORY: “Echo”, Elizabeth Hand SCRIPT: Howl’s Moving Castle, Hayao Miyazaki, Cindy Davis Hewitt & Donald H. Hewitt ANDRE NORTON AWARD: Magic or Madness, Justine Larbalestier
- 2006 NOVELLA: “Magic for Beginners”, Kelly Link NOVELETTE: “The Faery Handbag”, Kelly Link SHORT STORY: “I Live With You”, Carol Emshwiller ANDRE NORTON AWARD: Valiant, Holly Black
- 2005 NOVEL: Paladin of Souls, Lois McMaster Bujold NOVELETTE: “Basement Magic”, Ellen Klages SHORT STORY: “Coming to Terms”, Eileen Gunn SCRIPT: The Lord of the Rings: The Return of the King, Fran Walsh, Philippa Boyens & Peter Jackson
- 2004 NOVEL: The Speed of Dark, Elizabeth Moon SHORT STORY: “What I Didn’t See”, Karen Joy Fowler SCRIPT: The Lord of the Rings: The Two Towers, Fran Walsh, Philippa Boyens, Stephen Sinclair & Peter Jackson
- 2003 SHORT STORY: “Creature”, Carol Emshwiller SCRIPT: The Lord of the Rings: The Fellowship of the Ring, Fran Walsh, Philippa Boyens & Peter Jackson
- 2002 NOVEL: The Quantum Rose, Catherine Asaro NOVELETTE: “Louise’s Ghost”, Kelly Link SHORT STORY: “The Cure for Everything”, Severna Park
- 2001 NOVELLA: “Goddesses”, Linda Nagata
- 2000 NOVEL: Parable of the Talents, Octavia E. Butler NOVELETTE: “Mars Is No Place for Children”, Mary A. Turzillo SHORT STORY: “The Cost of Doing Business”, Leslie What
- 1999 NOVELLA: “Reading the Bones”, Sheila Finch NOVELETTE: “Lost Girls”, Jane Yolen
- 1998 NOVEL: The Moon and the Sun, Vonda N. McIntyre NOVELETTE: “The Flowers of Aulit Prison”, Nancy Kress SHORT STORY: “Sister Emily’s Lightship”, Jane Yolen
- 1997 NOVEL: Slow River, Nicola Griffith SHORT STORY: “A Birthday”, Esther M. Friesner
- 1996 NOVELLA: “Last Summer at Mars Hill”, Elizabeth Hand NOVELETTE: “Solitude”, Ursula K. Le Guin SHORT STORY: “Death and the Librarian”, Esther M. Friesner
- 1995 SHORT STORY: “A Defense of the Social Contracts”, Martha Soukup
- 1994 NOVEL: Red Mars, Kim Stanley Robinson
- 1993 NOVEL: Doomsday Book, Connie Willis NOVELETTE: “Danny Goes to Mars”, Pamela Sargent SHORT STORY: “Even the Queen”, Connie Willis
- 1992 NOVELLA: “Beggars in Spain”, Nancy Kress
- 1991 NOVEL: Tehanu: The Last Book of Earthsea, Ursula K. Le Guin
- 1990 NOVEL: The Healer’s War, Elizabeth Ann Scarborough NOVELLA: “The Mountains of Mourning”, Lois McMaster Bujold NOVELETTE: “At the Rialto”, Connie Willis
- 1989 NOVEL: Falling Free, Lois McMaster Bujold NOVELLA: “The Last of the Winnebagos”, Connie Willis
- 1988 NOVELLA: “The Blind Geometer”, Pat Murphy SHORT STORY: “Forever Yours, Anna”, Kate Wilhelm
- 1987 NOVELETTE: “The Girl Who Fell into the Sky”, Kate Wilhelm
- 1986 SHORT STORY: “Out of All Them Bright Stars”, Nancy Kress
- 1985 NOVELETTE: “Bloodchild”, Octavia E. Butler
- 1983 NOVELETTE: “Fire Watch”, Connie Willis SHORT STORY: “A Letter from the Clearys”, Connie Willis
- 1982 SHORT STORY: “The Bone Flute”, Lisa Tuttle [refused]
- 1981 NOVELLA: “Unicorn Tapestry”, Suzy McKee Charnas
And this is a list of Hugo Awards for the same period:
1981 Hugo Winners
The Hugos were given out at Devention in Denver, CO. 1981 Hugo Nominees
Novel: The Snow Queen by Joan D. Vinge
Dramatic Presentation: The Empire Strikes Back written by Leigh Brackett & Lawrence Kasdan, directed by Irvin Kershner (20th Century Fox)
Fan Writer: Susan Wood
Fan Artist: Victoria Poyser
1982 Hugo Winners
The Hugos were given out at Chicon IV in Chicago, IL. 1982 Hugo Nominees
Novel: Downbelow Station by C.J. Cherryh
Fan Artist: Victoria Poyser
Campbell Award: Alexis Gilliland
1983 Hugo Winners
The Hugos were given out at Constellation in Baltimore, MD. 1983 Hugo Nominees
Novella: “Souls” by Joanna Russ
Novelette: “Fire Watch” by Connie Willis
1984 Hugo Winners
The Hugos were given out at LACon II in Los Angeles, CA. 1984 Hugo Nominees
Short Story: “Speech Sounds” by Octavia Butler
Professional Editor: Shawna McCarthy
1985 Hugo Winners
The Hugos were given out at Aussiecon Two in Melbourne, Australia. 1985 Hugo Nominees
Novelette: “Bloodchild” by Octavia Butler
1986 Hugo Winners
The Hugos were given out at Confederation in Atlanta, GA. 1986 Hugo Nominees
Professional Editor: Judy Lynn Del Rey [Note: Lester Del Rey rejected this award on the basis that Judy Lynn would have objected to the award being given just because she had recently died.]
Fan Artist: joan hanke-woods
Campbell Award: Melissa Scott
1987 Hugo Winners
The Hugos were given out at Conspiracy ’87 in Brighton, United Kingdon. 1987 Hugo Nominees
Campbell Award: Karen Joy Fowler
1988 Hugo Winners
The Hugos were given out at NolaCon II, in New Orleans, LA. 1988 Hugo Nominees
Novelette: “Buffalo Gals, Won’t You Come Out Tonight” by Ursula K. Le Guin
Campbell Award: Judith Moffett
1989 Hugo Winners
The Hugos were given out at Noreascon III in Boston, MA. 1989 Hugo Nominees
Novel: Cyteen by C.J. Cherryh
Novella: “The Last of the Winnebagos” by Connie Willis
Fan Artist: Brad Foster and Diana Gallagher Wu (tie)
Campbell Award: Michaela Roessner
1990 Hugo Winners
The Hugos were given out at ConFiction in Amsterdam, the Netherlands. 1990 Hugo Nominees
Novella: “The Mountains of Mourning” by Lois McMaster Bujold
Short Story: “Boobs” by Suzy McKee Charnas
Fanzine: The Mad 3 Party (Leslie Turek, ed.)
Campbell Award: Kristine Kathryn Rusch
1991 Hugo Winners
The Hugos were given out at Chicon V in Chicago, IL. 1991 Hugo Award Nominees
Novel: The Vor Game by Lois McMaster Bujold
Campbell Award: Julia Ecklar
1992 Hugo Winners
The Hugos were given out at MagiCon in Orlando, FL. Photos from the MagiCon Hugo Exhibit 1992 Hugo Award Nominees
Novel: Barrayar by Lois McMaster Bujold
Novella: “Beggars in Spain” by Nancy Kress
Fanzine: Mimosa (Dick & Nicki Lynch, ed.)
1993 Hugo Winners
The Hugos were given out at ConFrancisco in San Francisco, CA. 1993 Hugo Nominees
Novel: A Fire Upon the Deep by Vernor Vinge and Doomsday Book by Connie Willis (tie)
Novelette: “The Nutcracker Coup” by Janet Kagan
Short Story: “Even the Queen” by Connie Willis
Fanzine: Mimosa (Dick and Nicki Lynch, eds.)
Fan Artist: Peggy Ranson
Campbell Award: Laura Resnick
1994 Hugo Winners
The Hugos were given out at Conadian in Winnipeg, Manitoba, Canada. 1994 Hugo Nominees
Short Story: “Death on the Nile” by Connie Willis
Professional Editor: Kristine Kathryn Rusch
Fanzine: Mimosa (Dick & Nicki Lynch, eds.)
Campbell Award: Amy Thomson
1995 Hugo Winners
The Hugos were given out on Sunday, August 27 at Intersection in Glasgow, Scotland. 1995 Hugo Nominees
Novel: Mirror Dance by Lois McMaster Bujold (Baen)
1996 Hugo Winners
The Hugos were given out on Sunday, September 1 at L.A.con III in Anaheim, CA. 1996 Hugo Nominees
Short Story: “The Lincoln Train” by Maureen F. McHugh (F&SF, April 1995)
Dramatic Presentation: Babylon 5 “The Coming of Shadows” written by J. Michael Straczynski, directed by Janet Greek (Warner Brothers)
1997 Hugo Winners
The 1997 Hugos were awarded at LoneStarCon II in San Antonio, TX. 1997 Hugo Award Nominees
Short Story: “The Soul Selects Her Own Society…” by Connie Willis (Asimov’s 4/96; War of the Worlds: Global Dispatches)
Fanzine: Mimosa (Dick & Nicki Lynch, eds.)
1998 Hugo Winners
The Hugos were awarded on Friday, August 7 at the Convention Center in Baltimore, MD at Bucconeer. Charles Sheffield served as Master of Ceremonies.
Fanzine: Mimosa (Dick & Nicki Lynch, eds.)
Campbell Award: Mary Doria Russell
1999 Hugo Winners
The 1999 Hugos were awarded at Aussiecon III on September 4 in Melborne, Australia. Complete voting records. 1999 Hugo Nominees
Campbell Award: Nalo Hopkinson
2000 Hugo Winners
The Hugos were given out at Chicon 2000 (VI) on Saturday, September 3, 2000. Novel: A Deepness in the Sky by Vernor Vinge (Tor)
Novella: “The Winds of Marble Arch” by Connie Willis (Asimov’s 10-11/99)
2001 Hugo Winners
The Hugos were given out at the Millennium Philcon on Sunday, September 2, 2001. Esther Friesner was the MC.
Novel: Harry Potter and the Goblet of Fire by J.K. Rowling (Bloomsbury; Scholastic/Levine)
Novelette: “Millennium Babies” by Kristine Kathryn Rusch (Asimov’s Jan 2000)
Fan Artist: Teddy Harvia
Campbell Award: Kristine Smith
2002 Hugo Winners
The Hugos were given out at ConJosé on Sunday, September 1, 2002. Tad Williams served as the MC.
Professional Editor: Ellen Datlow
Dramatic Presentation: The Lord of the Rings: The Fellowship of the Ring screenplay by Fran Walsh, Philippa Boyens & Peter Jackson, directed by Peter Jackson (New Line Cinema)
Fan Artist: Teddy Harvia
Campbell Award: Jo Walton
The 2003 Hugo Awards were given out at Torcon 3 on Saturday, August 30. Spider Robinson served as Toastmaster. Photos from Torcon. 2003 Hugo Award Nominees
Non-Fiction Book: Better to Have Loved: The Life of Judith Merril, Judith Merril and Emily Pohl-Weary (Between the Lines)
Fanzine: Mimosa (Richard & Nicki Lynch ed.)
Fan Artist: Sue Mason
Campbell Award: Wen Spencer
The 2004 Hugo Awards were given out at Noreascon 4 on Saturday, September 4. Novel: Paladin of Souls by Lois McMaster Bujold (Eos)
Semiprozine: Locus (Charles N. Brown, Jennfier Hall, and Kirsten Gong-Wong)
Fanzine: Emerald City edited by Cheryl Morgan
The 2005 Hugo Awards were given out at Interaction on Saturday, August 6.
Novel: Jonathan Strange and Mr. Norell by Susanna Clarke (Bloomsbury)
Novelette: “The Faery Handbag” by Kelly Link (The Faery Reel Viking)
Non-fiction Book: The Cambridge Companion to Science Fiction ed. by Edward James & Farah Mendlesohn (Cambridge University Press)
Professional Editor: Ellen Datlow
Web Site: SciFiction ed. by Ellen Datlow, Craig Engler, general manager
Fan Artist: Sue Mason
Campbell Award: Elizabeth Bear
The 2006 Hugo Awards were given out at L. A. Con on Saturday, August 26. Guest of Honor Connie Willis served as MC, aided by Robert Silverberg.
Novella: “Inside Job” by Connie Willis (Asimov’s January 2005)
Non-fiction Book: Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop by Kate Wilhelm (Small Beer Press)
Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
Fanzine: Plokta edited by Alison Scott, Steve Davies & Mike Scott
Special Committee Awards: Betty Ballantine, Harlan Ellison
The 2007 Hugo Awards were given out at Nippon on Saturday, September 1. Toastmasters were George Takei and Nozomi Ohmori 2007 Hugo Award Nominees
Professional Artist: Donato Giancola
Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
Fanzine: Science Fiction Five-yearly edited by Lee Hoffman, Geri Sullivan & Randy Byers
Campbell Award: Naomi Novik
The 2008 Hugo Awards were given out at Denvention on Saturday, August 9, 2008. The Master of Ceremony was Wil McCarthy.
Novella: “All Seated on the Ground” by Connie Willis (Asimov’s Dec. 2007; Subterranean Press)
Short Story: “Tideline” by Elizabeth Bear (Asimov’s June 2007)
Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
Campbell Award: Mary Robinette Kowal
The 2009 Hugo Awards were given out at Anticipation on Sunday, August 9, 2009. The MCs were Julie Czerneda and Yves Meynard.
Novella: “The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)
Novelette: “Shoggoths in Bloom” by Elizabeth Bear (Asimov’s Mar 2008)
Graphic Story: Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
Editor, Short Form: Ellen Datlow
Semiprozine: Weird Tales edited by Ann VanderMeer & Stephen H. Segal
Fan Writer: Cheryl Morgan
2010 Hugo Winners
The Hugos were given out at Aussiecon IV on Sunday, September 5, 2010. Garth Nix served as MC. 2010 Hugo Award Nominees
Graphic Novel: Girl Genius, Volume 9: Agatha Heterodyne & the Heirs of the Storm Written by Kaja & Phil Foglio; Art by Phil Foglio; Colours by Cheyenne Wright (Airship Entertainment)
Editor – Short Form: Ellen Datlow
Semiprozine: Clarkesworld edited by Neil Clarke, Sean Wallace, & Cheryl Morgan
Campbell Award: Seanan McGuire
2011 Hugo Winners
The Hugos were given out at Renovation on Saturday, August 20, 2011. Jay Lake and Ken Scholes served as MCs. 2011 Hugo Award Nominees
Novel: Blackout/All Clear by Connie Willis (Ballantine Spectra)
Short Story: “For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010)
Non-Fiction Book: Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It edited by Lynne M. Thomas & Tara O’Shea (Mad Norwegian)
Graphic Novel: Girl Genius, Volume 10: Agatha Heterodyne & the Guardian Misuse Written by Kaja & Phil Foglio; Art by Phil Foglio; Colours by Cheyenne Wright (Airship Entertainment)
Editor – Short Form: Sheila Williams
Semiprozine: Clarkesworld edited by Neil Clarke, Sean Wallace, & Cheryl Morgan; podcast directed by Kate Baker
Fan Writer: Claire Brialey
As you see, women quite disappeared from science fiction and fantasy in the eighties and nineties being kept out by the man. Whoever that man was. (Some men might actually have sneaked into the compilation above because I’m cut-pasting on a faulty mouse. Some women probably got cut out, too. Let me assure you right now that this is a plot of the patriarchy. Your worst fears are justified.) Or perhaps while in other countries women are being enslaved and sold and killed, Ms. Leckie is trying to use the Gramscian tactic of claiming victimhood to make herself look interesting? And therefore tries to claim discrimination that women in science fiction have never actually suffered, much less in the last thirty years? Nah, surely it would never happen. For heavens sake, that’s about as likely as the organization that used to represent all the Science Fiction and Fantasy Writers of America, and which is now determined to represent only the POLITICALLY CORRECT Science Fiction and Fantasy Writers of America voting for all females for an award, and then celebrating the fact that only females won the award and saying that even if the stories aren’t all that good, the males deserve it for keeping women out of the awards women have been winning all along. As we know, that would never happen. Not in a sane world. Or an insane one. Not unless the moon were made of green cheese. Which it’s not, since SFWA has narrowed it down to Swiss or Guyere in their latest important conversation.
And it’s a good thing that never happened, because if The Atlantic – The Atlantic, that’s like a real magazine, right? And they have layers and layers of fact checkers, right? – were to publish an article about how women disappeared from the science fiction and fantasy awards in the eighties and nineties, we’d have to point at them and laugh and make duck noises, which would definitely leads to take them less seriously the next time they make grandiose claims based on the self-serving narrative of a small and vocal group, right.
But fortunately that never happened. Because if Ms. Leckie had said something as ridiculous as:
Leckie agrees, saying that there is a community of women writers who have been bolstered by their ability to find and support one another. “The Internet really lets people connect that wouldn’t have in the past, and lets conversations happen and connections happen. That’s really something that happens, I’m not sure it’s a club with membership cards but I think there’s some kind of community.”
One would be forced to respond, “Oh, Sweet Pea” (totally allowed. After all the Democrats used it in an ad) “A community of women is not in the nature of a writers’ society which, after all, cares more about excellence in writing than about what is between the writer’s legs. A community of women is a sorority, a lesbian dating club or a sewing circle. Given how conventional you all are and how you draw together for comfort and protection, Sweet Pea, I’m going with sewing circle.”
But since that embarrassing article never happened, I don’t have to say that. And that’s good. Imagine if I did have to say it. Why, it would be rude. And I’m never rude. Even when sorely tempted by the self-aggrandizing nonsense of pseudo-pioneers.
The real pioneers are in indie, where we have some recommendations for you today.
Wounded veteran Dev Macquire needs some farm help until he recovers. When his father, Gray, brings home a new hand, he’s dismayed to meet Irina. How can a woman do the rough, heavy work they need? As she works her way into their life, and into his heart, he’s faced with a new dilemma. Can he persuade her to stay, and to accept a new role in his life?
Irina took the job on a whim. She just wanted to work hard enough to forget why her life was on hold and her future uncertain. Daily reminded of a brighter past, a childhood spent on horseback…but her new feelings for Dev were definitely not sisterly. At the end of the summer she’d leave, it was too dangerous to risk staying near him.
As a wildfire threatens the countryside, racing toward the Macquire place, Dev and Irina discover what true partnership can feel like, working together to find the arsonist who is responsible. When the fires die out, are there embers left smoldering in hearts?
Only $0.99 through 11/9/14!
Cowboys and gunslingers meet wizards in this high fantasy series set in a world inspired by the American Wild West. Silas Vendine is a mage, a bounty hunter authorized by the Mage Council to hunt down and stop renegade wizards. He’s also a freedom fighter, committed to protecting the non-magical people of the Wildings from the overreaching ambitions of the mages. It’s a dangerous life, and Silas knows it. Still, when he comes to the town of Bitterbush Springs and meets Lainie Banfrey, a young woman born in the Wildings who is both drawn to and terrified of her own developing magical abilities, he finds far more trouble and excitement than he bargained for…
Wendy Jarrett is smart, tall, and lonely. Adam Lewis is tall, gorgeous, and available. They meet at the funeral for Adam’s crazy uncle Sheldon, and seem made for each other. But there’s a catch.
Sheldon was previously married to Wendy’s overbearing mother, and leaves the only possession in his estate—an ugly old Victorian house in Cape May—to her. This causes a serious rift between Wendy and Adam.
Wendy must take charge of the situation and learn the secret of the old house—and what she finds there may cause her to lose her chance at true love.
Duty calls. Honor demands action.
Major Ashlyn Shaw has survived false accusations and a brutal military prison. Now free, she finds her homeworld once again at war with an enemy that will stop at nothing to destroy everything she holds dear. Duty has Ashlyn once again answering the call to serve. She has seen what the enemy is capable of and will do everything she can to prevent it from happening to the home she loves and the people she took an oath to protect.
But something has changed. It goes beyond the fact that the enemy has changed tactics they never wavered from during the previous war. It even goes beyond the fact that there is still a nagging doubt in the back of Ashlyn’s mind that those who betrayed her once before might do so again. No, there is more to the resumption of hostilities, something that seems to point at a new player in the game. But who and what are they playing at?
Will Ashlyn be able to unmask the real enemy before it is too late?
Men on Strike has a new cover and preface and is coming out in paperback soon. Thanks to everyone who bought the book and made it successful enough to come out in paperback.
Debbie Harry’s ex-boyfriend and Blondie co-founder Chris Stein has just released a photography collection, featuring his lifelong muse.
And why not? No less an authority than rock photography guru Bob Gruen famously said, “You can’t take a bad picture of Debbie Harry.”
Unfortunately, Stein marrs the collection with a stunningly multi-level-stupid comment, regarding his famous picture, above.
UK tabloids don’t push the limits of credibility any more than their American counterparts, but in a way they got there first. Here, Debbie is reading about sexism under the ayatollah.
Get it? Decades of well-documented, sharia-inspired violence against women in Iran was probably exaggerated, according to Stein, because it was reported by a lower class “red top” English tabloid back in the 1970s.
Stein further ingratiates himself with his British host by slagging stupid, hysterical American “yellow journalists,” too, for no apparent reason.
Factor in the word “sexism” as his mealy-mouthed synonym for “rape, torture and murder,” and it’s quite breathtaking how much smug “enlightened” ignorance Stein managed to squeeze into two just sentences.
Especially the same week that Iranian authorities executed a woman for killing her rapist.
All this from a man I feel safe in presuming voted for Obama twice, and whose views on every subject are reliably, predictably “progressive.”
But of course!