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These Are A Few Of My Favorite Things

Sunday, December 21st, 2014 - by Sarah Hoyt and Charlie Martin

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Yesterday [for some value of today -- this is Charlie, and I am once again way behind, and it's not Sarah's fault]  I (hi guys, this is Sarah) was looking for information on writers of SF/F.  Long story short, my novels in science fiction started out having chapter titles from pulp shorts/novels I remembered reading (the trick is they’re sometimes not the English titles, as Portuguese translators changed them.) In the fourth book, now, I’ve run out of easy titles and had a choice of changing the system or finding more titles.

So I was trolling the least savory corners of the net and finding bibliographies. (Well, not the least savory. That would be Dino-on-girl or beastie-on-boy.)

I came across about 20 lists of “the best women writers” and the “best female writers” of science fiction and fantasy. Weirdly, none for men. Geesh, for an oppressed minority, female writers sure get a lot of attention.

I’m not on any of these lists – duh – which brings me to when I was asked to produce a list of “best female writers” of SF and was unable to come up with ten. It’s not that there aren’t ten good female writers, it’s that I don’t READ that way – who does? – and therefore don’t remember my authors that way. And when I asked for help, what I got was “lists of female authors I heard were important because they were the “first” – actually just “the most talked about” or “the first of the right (left) political persuasion” female writer to do/be/whatever.”

Most of the most ballyhooed first or best are demonstrably false, but beyond that this bothered me beneath the skin, as it were, because they weren’t lists of best ANYTHING. They were lists with training wheels.

For instance, my friend Kevin J. Anderson, often jokes by introducing me as “the best Portuguese-born female science fiction writer published originally in America.” (If he just threw in “libertarian” I think he’d have a list of one, if he doesn’t already.) He gets away with this because it’s obviously a joke. I know where I stand. I’m mid-mid to high mid-list. That’s where I belong for now, not in “best” anything. But see, I have plans.

If someone did this seriously it would be the equivalent of telling me “You’re pretty good for a Portuguese chick writing in English as a second language. We don’t think you’ll ever get any further, so we’re pinning a medal on you now.” Do that, in seriousness, and you’ll withdraw a bloody stump.  Who are you to patronize me?  I might never get any further than I am, but trying is my prerogative. (Oh, and buy my books.)

So I’ve been thinking on this concept of lists and “best” writers, and I discussed it with Charlie. As usual, we are but two minds that fester as a single one. Most of the lists of “bests” go by awards or what someone said was first or important.

That’s, pardon me, the end product of a bovine digestive tract. There’s only one real measure of what is best: “What stays with you.” And there’s only a real measure of what is classic: “What stays with a lot of people.”

So, below is a – non-gender-segregated, because no one gets prizes for having a vagina – list of writers that stayed with me or that I return to time and again.  In no particular order, IMHO, YMMV, TANSTAAFL and BBQ also OIMMBLTTA*.

Robert A. Heinlein – Duh. I named my first son after him, not after any other writer.  (Beyond the fact that my husband wouldn’t let me name him Clifford, and Ray wasn’t even in the running.)  Widely credited as inspiring more scientists than any other science fiction writer.  The opinion of which works people like varies, some people (deviationists in the Church of Heinlein, which my fans and I have – ridiculously – been accused of being) excluding the later ones, some the earlier ones.  I like them all, but my favorites that get read every year are The Moon Is A Harsh Mistress, Starship Troopers, Puppet Masters and The Door Into Summer. When you talk to someone and they say they no longer read science fiction, they inevitably end with “no one writes like Heinlein anymore.” I concur, though some of us try.

Isaac Asimov – is here because he was prolific and popularized science fiction. I remember him and reading a ton of his books when I was little. What I don’t remember is the books. I remember a short story “Liar“, mostly because I was afraid I was on track to be the female character. [Charlie: I liked Asimov although a lot of his stuff hasn't worn well for me. But still, the I, Robot stories, and the Lije Bailey books, like The Caves of Steel and The Naked Sun, are worth the time.]

Ray Bradbury – Yes, I know.  Possibly an acquired taste, but if so, I acquired him.  Part of it is that he translates magnificently to Portuguese, but the other part is that he’s just a good writer, period.  Unorthodox for Science Fiction, but very good.

The first book I read in English for Americans was Dandelion Wine.  I was 14, and I still have the book, with all the difficult words with a translation penciled over it in Portuguese.  Towards the end of the book, the “explanation” is in English, as I’d graduated to an English-English dictionary.  I bought both my sons’ copies at 12, but they say Bradbury is depressing.  Don’t care.  Fahrenheit 451 remains and will always be a favorite of mine. [Charlie: Ray was pretty much the first person to encourage my own writing.  I'd recommend his later novels, like Death is a Lonely Business and Green Shadows, White Whale, and of course his short stories.]

Clifford Simak – In Portugal he is considered one of the “great three” – Asimov is often dropped from the list – and I used to get up really early to snag a copy of his books when they were released in Portuguese.  Portuguese books rarely go back to press, so that was my one and only chance. I love particularly Werewolf Principle and They Walked Like Men.  They Walked Like Men used to bother me as I thought it was anti-money.  Re-reading it, I realized it was anti-fiat-currency.  Fine.  I’m okay with that. [Charlie: I'm not a Simak fan for no reason I can explain.  But I will note that an awful lot of Simak is now available in Kindle collections, being out of copyright.]

Anne McCaffrey – okay, fine, she’s not to everyone’s taste, and when I tried to re-read her recently, I couldn’t.  But the reason I couldn’t was that so many things kept kicking me out because they’re tired tropes of fantasy.  The thing to remember though was that they weren’t, until she made them so.  (And also that she was writing science fiction.)  I’m going to recommend all the Dragon books through White Dragon. Though my favorite when I first read them was Moretta.

Ursula LeGuin – Why is she beneath Anne McCaffrey? Don’t I know she was way more “relevant.”  Well, yes, I do know that. Pfui.  She was relevant because at some point she flipped over into female supremacy.  She was also, more or less explicitly more left than other women writing at the time. However, recently, when introducing someone to fantasy I recommended the Tombs of Atuan [Earthsea] trilogy.  (What do you mean there are four books?  Pfui.  I can’t hear you!) I remember that one because for a kid who read all sorts of weird religious stuff, it struck a chord.

Then there’s The Left Hand of Darkness. I tried re-reading it recently and couldn’t because the narrative technique is SO seventies. (And the best thing about getting older is that each decade takes me farther away from the seventies.) BUT for better or worse, this is the book that got me into writing. As a biology-geek (in my spare time) I was offended by the design of her hermaphrodites. As a history-geek I was offended by the society derived from it. So I said to myself, I said, “Sarah, you can write hermaphrodites better than that.” I couldn’t.  But now I think I can and it’s on the slate for when the other stuff is done.  (Could be twenty years, of course.)

[Charlie: I liked LHoD and The Dispossessed. On the other hand, if someone hands you LeGuin's translation of the Tao Te Ching, drop it quickly and wash your hands. And, look, Ursula, if you wanted to call it "poetry inspired by..." then I'd have no trouble, but passing this off as a translation is a travesty.]

Terry Pratchett – Appears this late only because he’s rather recent.  His disk world is a creation of genius, which allows him to do anything he wants to, historical or not.

I have a little crush on Captain Vimes, which is shameful for a libertarian.  And I think older son IS Captain Carrot.

If you’re reading Pratchett and you think he’s just “funny, ah ah” you’re missing layers and layers of meaning. Pratchett writes characters that LIVE which considering their background is amazing.

He also falls into the category of artists whose art can go against his own explicit beliefs to touch something eternal about the human condition. Highly recommended. I revisit him regularly.  Off the top of my head: Night Watch, Witches Abroad, Thief of Time, Small Gods, Monstrous Regiment.

Diana Wynne Jones – Okay, I’m going to admit right now that the woman could never write a satisfying ending and that her last books were… uh… odd. (She died of brain cancer, so I don’t think we can hold it against her.)  However, I recommend the Chrestomanci series and also The Merlin Conspiracy.)

Jerry Pournelle – why is he so far down? No reason except I only discovered him when I came to America. Also, that he is a personal friend, and one always feels a little guilty about recommending a personal friend. Read everything he ever wrote, alone or with Larry Niven.  Favorites are Footfall and Lucifer’s Hammer.

Jerry has been a great influence on fans – particularly not-on-the-left fans – about ten years younger than I.  As big as Heinlein for me and my generation.  He was also one of Mr. Heinlein’s protégés and has some great Heinlein stories, if you can sit down with him.

BTW it has reached my ears that he had a stroke this weekend, and I’m praying, so hard. He’s one of my favorite colleagues.

There are a lot of other writers I enjoy and remember, some of them contemporary and my friends, but if I get into that, I’ll be here all day. Quickly: A. E. Van Vogt; Philip Jose Farmer, Larry Correia, Dave Freer, John Ringo, about a million and a half writers whose names refuse to come to mind right now (including some of my own) and a bunch of indies you can find if you follow my blog, or even check out the announcements here regularly.

So, go forth, happy holidays and happy reading.

*Objects in Mirror might be larger than they appear.


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Sarvet’s Wanderyar
By J.M. Ney-Grimm 

Running away leads right back home – or does it?

Sarvet walks with a grinding limp, and her mountain culture keeps girls close to home. Worse, her mother emphasizes all the things Sarvet can’t do. No matter how gutsy her spirit or bold her defiance, staying put means growing weaker. Yet only boys get wanderyars. Lacking their supplies and training, how can Sarvet escape?

Can dreams – even big dreams – and inner certainty transform impossible barricades into a way out?


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Worlds Apart Book 10: Eventide
By James Wittenbach 

The 10th Book in the Worlds Apart series finds the badly damaged Pathfinder Ship Pegasus limping into the Eventide system, hoping to make repairs. Instead, they find an undeveloped, backwater colony with limited technology and scant resources. And worse, Eventide has drawn the attention of the Kariad: Alien busybodies who meddle in human civilizations that fail to meet their standards. Commander Keeler has seen other colonies ruined by their misguided social engineering. He makes a wager with the Kariad; if he can fix the civilization on Eventide, the Kariad must never meddle in human affairs again.


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Manx Prize
By Laura Montgomery 

In the second half of the twenty-first century, orbital debris takes its first large-scale human casualties from an orbiting tourist habitat. Haunted by visions of destruction, Charlotte Fisher, a young engineer, determines to win a prize offered by a consortium of satellite and orbitat operators for the first successful de-orbiting of space junk. Her employer backs these efforts until the reentry of a piece of debris kills two people, and she and her team are spun off. With limited resources and the unwanted gift of a lawyer who, regardless of his appeal, she doesn’t need, she faces daunting odds.


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A Cat for Christmas: A Cat Among Dragons Short Story
By Alma T.C. Boykin 

Major Rahoul P. Khan returns to the 58th Regiment of Foot. The holiday season calls up memories he’d rather have left in Afghanistan. Can the Cat help him keep Christmas?

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34 Holiday Gifts for the Southern Culture Lover on Your List

Wednesday, December 17th, 2014 - by Chris Queen

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This holiday season, I know you’ve been wondering: what can I give the Southern culture lover on my gift list? Well, worry no more, because I, your intrepid Southern culture expert, have decided to swoop in like a Christmas miracle and save the day!

Here’s a list of 34 awesome gift choices that cover just about every area of the culture below the Mason-Dixon line. The best part: nearly everything on this list is eligible for Amazon Prime, for all you procrastinators. Enjoy!

5. Explore The Literary South

One of the greatest traditions in the South is storytelling, and a classic Southern story makes a wonderful gift for the bookworm on your list. Here are just a few recommendations.

William Faulkner is one of the best known and most respected authors in the South or anywhere. I’ve always had a difficult time keeping my concentration reading his novels, but I love his short stories. I highly recommend The Collected Stories of William Faulkner (also available for Kindle) as a sort of greatest hits collection and The Uncollected Stories of William Faulkner for deeper cuts (get it here for Kindle).

Georgia’s own Flannery O’Connor also made a name for herself in literary circles, and her short stories are some of the best in American literature as a whole. Check out The Complete Stories (also on Kindle) to experience her true genius in all its glory, but I also recommend the slim volume A Prayer Journal (also on Kindle) for some of the most beautiful, lyrical Christian prayers I’ve ever read.

Of course, there are plenty of great Southern novels to choose from, but here are some of my favorites. Zora Neale Hurston’s Their Eyes Were Watching God delves into the lives of black people in rural Florida with a lyrical flair. In Ellen Foster, by Kaye Gibbons, a precocious orphan tells her own story. James Dickey’s Deliverance is the same harrowing story as the movie, but with greater depth. And Family Linen by Lee Smith is my all-time favorite novel — a twisty, darkly comic family tale.

You can’t go wrong with any of these choices for literature lovers.

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It’s Human, But Is It Art?

Friday, December 12th, 2014 - by Sarah Hoyt and Charlie Martin
Shakespeare

If only this guy had listened to the critics of his time, he could now be obscure and ignored just like everyone the critics admired! Instead, he’s still read and performed. Hack!

I am not going to give you a link, but that great intellect for the ages (the man who has a grant for writing a novel, but hasn’t) Damien Walter, over at Al Guardian is pronouncing again.

Apparently he was all over Twitter with a cover of Jim Baen’s Universe (now defunct) claiming that these terrible covers are the reason Science Fiction isn’t taken seriously.

It’s been a long day that involved having blood drawn for medical tests, and I am old enough and tired enough that I’m not putting up with this anymore.

There are people out there who complain about Heinlein’s end to The Number of the Beast in which critics are imprisoned in a pocket universe from which they can only escape if they ever have a single, solitary creative thought.

All I can say is that those people aren’t as tired of critics and opiners on what constitutes literature or worthy literary expression as I was even back when I first read that book and snorted with glee at the ending. I was twenty one. On the other hand I had already acquired a bachelors in literature, one of those experiences likely to rip all illusion from your eyes and all forgiveness from your heart.

So, not exactly in response to Damien Walter, (who is loonier than a moonstruck moonling dancing in the moonlight) but in response to his ilk, I feel it’s time I set the record straight on what is literature, what isn’t and what is worthy and isn’t.

I will confess that part of this is in response to many people who have asked in groups I frequent – as we’re trying to build a culture away from Marxism – for “worthy” books for themselves and their children. This always devolves into a list of “approved” books, well thought of by the talking heads who are, of course, wholly-owned subsidiaries of the establishment.

No mas. Enough is enough.

So, what is literature? Should your kids read it?  Should you read it?  How can it improve your life?  And should you be worried if science fiction isn’t considered “real literature”?

Charlie has a definition of literature that involves Aristotle’s Poetics. That’s fine.  It’s way too intellectual for me, and I’ll let him talk about it. I merely have a degree in this stuff, and most of it consisted of people blathering about things that had nothing in fact to do with literature.

For my purposes I’m going to define literature as a narrative/emotional experience packaged into words.

Is it an art?

Oh, assuredly. You can still read Shakespeare, Austen and Kipling (and Dumas and fill in your own favorites) and still understand it at an emotion-level as well as a narrative-level. Which means that there is art there, to touch something essentially human across the centuries.

The problem is judging the art. This is not a problem unique to writing. We partake the same thing with the plastic arts, with music and with practically every artistic field.

The problem is this: for the last century and a bit a self-hating, sour-faced minority of the reading public, aka critics, has installed itself as the arbiters of what is and isn’t art.  And they are applying it not in terms of the emotions the story touches, or in terms of the narrative cogency, but in terms of “being socially relevant.”

In this century that has come to mean Western-hating, male-hating and most of all – and this is very important – fun-hating.

Instead of rousing tales that touch humans enough to read them for pleasure, literature has come to mean “beautiful words telling us establishment messages.”

We’ve seen this in art before. Look for instance to when French in the regency had defined what plays should be. Good plays, to be worthy, should have no blood on stage.  No panic or death or anything else should happen on stage. These were decorously relayed by messengers telling us what had happened off stage.In the more eventful plays, so many messengers crossed on stage it looked like a relay race.

The critics of the time often said that upstart, Shakespeare, would be better off imitating them and showing more class and taste.

Those other playwrights are not seen or heard from anymore. For some reason, Messenger Relay Race is less stirring than Romeo and Juliet. Who would have thought it? Other than any human being with a pulse, of course.

And therein lies the rub.

Literature happens, and we can tell when it has happened, and when it’s art. But we can only tell it’s art when it’s stood the test of time. Until then we call it “rousing good stuff.” In other words, stuff people buy and read for fun.

The first indication of art, we can take it, is the pleasure of readers in reading it.

And as for being taken seriously – by the likes of little Damien – who cares? Those are social games people play to make sure they’re in with the smart set.

They’re welcome to their games.

We’re playing for the ages.


Charlie here. Yes, you’re right, Book Plug Friday is late this week. In fact, a week late. The story of how that happened is boring even to me, but it was my fault.

Second, this is a SPECIAL EDITION because we have four of Sarah’s ebooks on sale. Go check them out.


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Frizzy, the S.A.D. Elf: Santa’s Izzy Elves #4
By Dorothea Jensen 

Frizzy, one of Santa’s Izzy Elves, styles Christmas dollies’ hair, but misses them when Santa takes them away for delivery. She decides to change her job so she doesn’t get so attached to the toys she works. Her plan doesn’t work out exactly as she intended, in this award-winning illustrated rhyming Christmas story for kids aged 4 and up.
“…a highly original and wonderfully developed children’s book…appeal[s] to girls and boys alike,…the rhymes…fit into the story perfectly…full color images are superbly done…with a creative and engaging story, Jensen has succeeded at crafting a memorable Christmas story for children that is so good it’s possible it will be enjoyed year round.” -Red City Review


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Dizzy, the Stowaway Elf: Santa’s Izzy Elves #3
By Dorothea Jensen 

Dizzy, one of Santa’s tech-savvy Izzy Elves, knows all about his friend Tizzy’s Great Adventure and he wants to have an adventure too! When he sneaks aboard Santa’s sleigh, Dizzy finds all the adventure he’s dreamed of, in this award-winning illustrated rhyming Christmas story for kids aged 4 and up.
“A little elf’s clandestine adventure as a stowaway on Santa’s sleigh takes an unexpected turn in an engaging contemporary spin on the classic 19th century poem, “A Visit from St. Nicholas”…The author propels her present-day take on the classic Christmas poem with gentle humor and suspense…appealing energy and colorful verbal imagery…” -Kirkus Reviews


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Santa Hunk
By Kirsten Mortensen 

First of all: forget everything you ever heard about him being a fat old
guy who’s never seen a razor.

I mean, think about it. Santa’s an immortal. He’s immortal. A god,
basically. And I’m telling you, he looks like a god.

The guy is gorgeous.

Those things you’ve seen about the goofy red suit and the big jiggly
belly? Most of it comes from a poem a guy wrote for his kids. “’Twas the
night before Christmas.” You know the poem I mean. And it’s a nice poem.
It’s a timeless classic.

But the guy who wrote that poem? He’d never seen Santa.

He made it all up.

Me? I have seen Santa.

Don’t get me wrong, though. I saw him — but I’m not the one who found him.

Clare found him.

She found him — then she nearly lost him again…


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Red Queen: The Substrate Wars
By Jeb Kinnison 

Set on a California college campus just a decade or two from now, the world
of Red Queen is post-terrorist disaster, repressive and censored ‹ rather
like China today, but with a stagnant economy and no jobs for young people.
In that sense it is a dystopia, though not so far from our own day and time;
only a few steps beyond where we are now. The students are cowed but not
unaware, and they seize the opportunity to make a difference when their
smarts and courage allow it. And so they change the world.

This is Book 1 of Substrate Wars, the series: A growing band of campus
freedom-fighters discover a new technology that could either destroy the
world, or save it.


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Crawling Between Heaven And Earth
By Sarah A. Hoyt 

A collection of short stories by Prometheus Award Winner Sarah A. Hoyt. The first edition of this collection was published by Dark Regions Press in paper, only. This updated edition contains two bonus short stories: High Stakes and Sweet Alice.

It also contains the stories: Elvis Died for Your Sins; Like Dreams Of Waking; Ariadne’s Skein;Thirst;Dear John;Trafalgar Square;The Green Bay Tree; Another George; Songs;Thy Vain Worlds;Crawling Between Heaven and Earth


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Ill Met By Moonlight (Magical Shakespeare Book 1)
By Sarah A. Hoyt 

Young Will Shakespeare is a humble school master who arrives home to find his wife and infant daughter, Susannah are missing, kidnapped by the fairies of Arden Woods, the children of Titania and Oberon. His attempts at rescue are interrupted and complicated by a feud over throne of fairyland, between Sylvanus, king regnant, and his younger brother Quicksilver who is both more and less than he seems. Amid treachery, murder, duel and seduction, Shakespeare discovers the enchantment of fairyland, which will always remain with him, for good and ill. (This book was originally published by Ace/Berkley 10/2001)


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Death of a Musketeer (Musketeers Mysteries Book 1)
By Sarah A. Hoyt 

April in Paris 1625. D’Artagnan, and his new friends who hide their true identities under the assumed names of Athos, Porthos and Aramis, discover the corpse of a beautiful woman who looks like the Queen of France. Suspecting an intrigue of Cardinal Richelieu’s and fearing the murder will go unpunished they start investigating. But the enterprise will be fraught with danger, traps from the Cardinal, duels with guards and plotting from the king himself.


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Witchfinder (Magical Empires Book 1)
By Sarah A. Hoyt 

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.

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My Cup Runneth Over

Saturday, November 29th, 2014 - by Sarah Hoyt and Charlie Martin
We live in a time of magic (even without flying cars.)

We live in a time of magic (even without flying cars.)

It seems appropriate, this being the week of thanksgiving, to make a list of everything that I – hi, I’m Sarah, and I’m a writer.  I’ve tried to give it up, but … oh, heck, not very hard – am thankful for as a writer, living in this, the early decades of the twenty first century.

First, let me pile on to register my disapproval with the lack of moon colonies, spaceships to Marsh and, oh, yeah, flying cars.  No, I don’t really care if they’re impractical, I want them because cool.

Turned out, though, the future didn’t look like we expected.  It didn’t turn out glitzy and superabundant.  Perhaps it never will, since we’re humans and the question is always “abundant with what?”

I mean, very few among us are starving (looks down at waist. We could use a little more starving around here) but very few of us in this economy are exactly well off or unworried, either.

And yet, with all this, the future also did not turn into the rusty and decaying future so beloved of seventies leftist writers and other dystopians. We’re not all sweating in factories, skulking amidst the rusting remains of the past, and living at the mercy of the state.  Okay, maybe that last, but even then not the way they expected.

Because you see, on their way to taking over the institutions, the left ran into the obstacle they never saw coming: technology.

I grew up in Europe and I don’t remember a time when I didn’t know the essential industries to take over when communists (or the feared Soviet invasion) took over a country: News, entertainment, communications, education.  The military, of course, would have to be co-opted or defeated.  But those other industries?  Once you had them you could co-opt the military, or give the impression of a “popular revolt.”  You could change people’s minds, or if not, you could make everyone who opposed you feel like they were lone nuts and people of no account.

For those who are looking at that and saying “but that’s what happened here!”… Yep.  The left has only one playbook, and it involved the long march through those essential industries, the ones that told people what the world was like and allowed them to create an image/ideal of how it should be.

Note technology is not among those fields.  Oh, I know that a lot of computer technicians (but not all) are left.  Most of all, the firms are left, since being on the left has become a way of signaling class (high class) so executives all make the appropriate noises.

But there are still no-go zones, and those are the ones where technology is created.  Engineering, technical work, the harder sciences.  Those were left untouched by the long march, because math and physics are immune to both bullsh*t and guilting to “give the other side a chance.”  Calculations are either right or they aren’t.

And ignored by the left, the sons of Martha were building structures that replaced the ones that the left had taken over.  (Something the left doesn’t seem to realize is that they have the Mierdas touch.  Everything they touch turns to offal. They’ve managed to take the magic out of movies, the creativity out of books and the news out of the news business.)  With official structures in crisis, the unofficial is superseding them.

I know right here, in the belly of the beast, it doesn’t look like we’re doing much. But look back just ten years, and you’ll see the difference.

So this Thanksgiving I’m thankful for the sons of Martha who created the structure that allows for blogs and communication among peers; for e-tailers; for indie publishing; for online schools.

I’m thankful that we can save ourselves from the wreck being wrought upon us by our so-called elites.

Yes, they still have some sway and some of the technology is not quite there to supersede things like Hollywood.  But it will be. It’s a matter of time.

Don’t allow them to have their Brave New World. We know it’s not a how-to. Build under, build parallel. Ignore their corrupt structures and make your way.

We live in the future, and the future belongs to us.


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Deadline 70 AD
By Jim Lion 

The day John Salmon graduates from college, he thinks his turn has come to go out and conquer the world, but instead the world comes to conquer him. At the campus chapel, he encounters an attractive young woman named Jill. She warns him to walk away from a mysterious stranger who will soon arrive offering adventure and world travel. But why would he listen to her, a complete stranger herself? She exits in a hurry, frightened even, but leaves behind a curious device resembling a wristwatch.

John finds he can’t walk away from Cyrus, the mysterious stranger, and this decision casts him into the dark places of history, racing against that damnable clock.

The clock keeps ticking, counting down, running out…


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Chosen of Azara
By Kyra Halland 

Juzeva, the princess who sacrificed everything to try to stop a war, and instead found herself caught in a web of evil and deceit…

Sevry, the last king of the war-ravaged land of Savaru, tasked with finding Juzeva’s secret, the secret that can bring Savaru back to life…

Lucie, a sheltered young noblewoman, unaware of her true heritage and the power she has to restore a lost land…

Then a mystery from the past becomes real and sweeps Lucie away to adventure, danger, and a love that will change her life and the lost land of Savaru forever.


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Crossing the Naiad
By J.M. Ney-Grimm 

Ancient, cold, and perilous.

Its truth forgotten in the mists of time, the old bridge harbors a lethal secret. Neither marble statues awakened for battle nor an ancient roadbed grown hungry, something darker and more primal haunts the stones and the wild river below.

Kimmer knows the stories, but she doesn’t know why the crumbling span feels so fraught with menace. Her way home lies across the ruin. Dare she take it? Or will horror from the lost past rise up to claim her, when she does?


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Perilous Chance
By J.M. Ney-Grimm 

If only Mama were well. If only Papa were . . . not like this.

Clary needs a miracle, but wonders rarely step forth to solve life’s problems. While her mama lies wearily abed and her papa spends the day . . . elsewhere, Clary struggles to look after her younger sister and their baby brother. And longs for more than making do. If only.

Then, one spring morning, Clary and Elspeth visit the old bramble-grown quarry to pick wild cabbage leaves. Hidden within the rock’s cleft, Clary’s miracle awaits. But this miracle sports razor-sharp talons, world-shaking power, ravenous hunger, and a troll-witch to guard its sleep. When it cracks the egg, will Clary survive?

Something wondrous this way comes!

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How to Shop for a Book

Sunday, November 16th, 2014 - by Sarah Hoyt and Charlie Martin

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This is a guest post by Cedar Sanderson, author of Pixie Noir.  Sarah blurbed Pixie Noir thusly: “The unlikely love child of Monster Hunter International and the Princess Bride, this book … is unalloyed fun all the way.” -Sarah A. Hoyt, author of Darkship Thieves

It is an open secret that Cedar is the nice one of Sarah Hoyt’s friends, besides looking like a Heinlein character, red hair and all.  But she’s also sensible about things like books.

First, look at the cover. It might look like a child’s rendition, but this doesn’t mean the content is bad. I’ve seen some pretty bad writing under that pretty wrapper. What the cover ought to tell you is a little about what to expect. Not a faithful rendition of a scene, more a feeling for the tale you are about to immerse yourself in. This doesn’t always happen, and it’s something that can be forgiven, like a chocolate bar in a plain brown wrapper.

Next, check out the blurb, reviews, and other details. Are there typos in the blurb? Oh, so not good. Head on to the next option on the shelf/alsobot/list of titles below. Has the book won an award? Then it depends, was it an award given by fans who enjoy good stories? Then feel free to go on to the next step. Was it an award like the Hugo or Nebula, given out for writing approved message fiction? Step away from the book, and maybe do a little squirt of hand sanitizer, just to be sure.

The book has made it past the first steps of scrutiny, now it’s time for the next step. Look at the publisher? Why would you care who published it? Do you read publishers, or authors? No, wait, there is one exception. A certain flaming rocket logo is a good thing to scan for if you’re perusing a bookstore shelf. Online, the Baen cover art is generally a dead giveaway, being reminiscent of a certain scientist’s shirt.

If you’re shopping online, this is the fun part. Scroll down and look at the reviews. Ideally, you’ll see a mix of good and bad, tilted more to the good side. A book with only 5 star reviews should raise an eyebrow. No readers will all love the same book, and the old saying that one man’s trash is another man’s treasure is based in reality, after all. On the other hand, cogently written and on-point negative reviews should raise the other eyebrow, and have you clicking away from this title. Now me, I’m contrary. I have bought books based on negative reviews. Strawman reviews, attacking the author’s politics or perceived ideology are cues that whatever lies between the covers, it’s most likely not dull.

Now, the next step is to crack open the book and look inside. On Amazon, you can do this free and easy with the preview option. In a paper book, you can do what I do, cull a small stack, plop cross-legged on the floor, and start to skim. At home, you can legally do this wearing only a cat. I don’t recommend that in the bookstore.

Generally, Amazon gives you access to the first 20% of an ebook. Speaking as a former slush reader, this is usually plenty of time to get a feel for what’s in there. You want to find a good hook that draws you into the story, not a dull, draggy beginning that makes you feel gloomy. There should be some interesting characters, whom you can connect with. You should be able to immerse yourself in the fictional world and not be thrown out of the story by non-sequiters and egregious research errors.  You’ll know when it’s right, because suddenly you’re at the end of the sample and you click the buy button without a second thought.

Now that you’re hooked on a book, what next? Well, read! Enjoy! And when you’re done, remember where you found that one, and come visit us regularly, there are always new titles and authors to discover. Want more? I know, I know, I’m a greedy reader too. Check out blogs to find one that does regular reviews, and the reviews seem to align with your tastes (a good way to do this is to search for a book/author you really liked and find the reviewers who felt the same way).

Speaking of reviews, this is how you tip an author: review their book. It’s not hard to go to Amazon and write a review, it doesn’t need to be long, and it should not be a plot summary (please, for the love of spoilers, no plot summaries!). Or share a link to the book on social media. Or… both. Because you liked that book, and you want to have more, right? Authors need support, and readers need books. It’s a mutual admiration society. Speaking as a reader, I’m always tickled to do something fun to promote a favorite author, whether it’s simply sharing a link, putting the effort into a review, or even further like taking fun pictures of books and posting them to gloat when I have a new release… Ahem. Right. Sometimes I slip into fangirl mode.

So start your book shopping today, with the links below, and remember, escaping the mundane world gives your soul ease and amuses the brain. It’s food for the mind, and doesn’t go straight to your hips.


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Five by Five 3: Target Zone
By Kevin J Anderson (and others, including Sarah)

TARGETS ARE LOCKED!

Five short novels by five masters of military SF capture the excitement, and hell, of fantastic future war—on and off the battlefield. Stories of terrifying monsters, dangerous aliens and staggering cosmic dreadnaughts march alongside far-flung courtroom dramas and cautionary tales involving man and his devices.

Michael A. Stackpole—The Star Tigers are commandeered by a powerful alien overseer on a covert mission to a world long abandoned by an ancient species. There, the ruins of a forgotten war will tip the balance of their war, unless the Star Tigers can prevent it.

(Contains “And Not To Yield”, a novel in the Darkship universe.)


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Sparrowind: The Dragon Who Lived As A Knight
By R.K. Modena

Tiny Sparrowind can’t hunt from the sky, cannot hope to best his siblings in contests of strength, and scrapes by to survive. But in the books stashed in his parents’ hoard of gold and gems he finds a greater treasure: ideals.

Deciding to make his own way in life gives him more hope than he could have if he tried living only by the way of Dragonkind, but can this dreamer of a Dragon find his place in the world?

A delightful tale for all ages, that may be shared by reading out loud – either to a young audience, or those who are young at heart.


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Playing with Matches
By Suri Rosen

When 16-year-old Raina Resnick is expelled from her Manhattan private school, she’s sent to live with her strict aunt, where life becomes a torment. Her sister blames her for her broken engagement, and she’s a social pariah at her new school. In the tight-knit Jewish community, Raina finds she is good at one thing: matchmaking! As the anonymous “MatchMaven,” Raina sets up hopeless singles desperate to find the One – including her alienated sister. A cross between Jane Austen’s Emma, Dear Abby, and Yenta the matchmaker, Raina’s journey is both hilarious and heartbreaking as her life unravels from the effects of firsthand matchmaking.


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SECRET WAR
By Albert Schwartz

Tom Ryan, best-selling military novelist, has arranged a ride to familiarize himself with submarines. On August 10, 1991 he arrives at USS Haddock (SSN 621) as it prepares to depart San Diego for Japan. It would be a final deployment before going to the shipyard for nuclear defueling and decommissioning.

The transit is routine with plenty of opportunity for training. It doesn’t stay routine when Haddock is diverted to search for three Soviet submarines that had deployed from their base. Then events in the Soviet Union result in Haddock being given unprecedented orders. As history is made in Moscow events proceed under the ocean.

Join Tom Ryan aboard Haddock and enjoy the ride.


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Julia Blaine
By Vampire Music

Evil vampires cannot love — can they?

Vampire Gregory Weston loves the tinge of printer’s ink that flavors the blood of those who work with books; printers, publishers, editors and librarians are among his favorite sources of nourishment. Bored and lazy, seeking amusements to fill his endless existence, he has given up his unceasing quest to become human again — until accidentally, he employs Nia, a pregnant librarian. With child? Gregory has never experienced this situation. What a diversion for dispassionate scientific study! That she is beautiful has nothing to do with it.


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Children of Prophecy
By Glynn Stewart

An age in the past, the world’s two greatest Mages fought a bloody war to a draw that slew them both.

In the time since, the Kingdom of Vishni has known quiet, and the Swarm beyond the mountains has grown in strength and numbers. Now, with the Time of Prophecy at hand, dark forces move to fulfil ancient visions.

Two men, born to poverty but bearing the blood of those ancient Mages, will rise to decide the fate of both Swarm and Kingdom as the fires of this ancient conflict rise anew.


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Quantum Zoo
By Bridget McKenna, D.J. Gelner, et al

From a haunted old zoo filled with ghosts to a dying starship on its way to a new home – humanity’s final gasp, Quantum Zoo presents a dozen compelling stories featuring a dozen exotic and unusual menageries.

Jack the Ripper arrives for one last murder, while a dinosaur – out of place and out of time – bridges the gap between two poignant lovers in the wonderfully atmospheric England of Hugo-­ and Nebula-­nominated Bridget McKenna.

Quantum Zoo propels you on an enthralling journey through awe and emotion, highs and lows, with tender romance following hair-­raising action.

Join some of the hottest independent science-­fiction and fantasy authors writing today in the fascinating worlds they create from the zoo!


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Devouring Light
By J.M. Ney-Grimm

Can one small good deed offset ultimate destruction?

Mercurio stands watch over the first planet, guiding it through the perils of the void. Part messenger, part prankster, he cocks an eye for danger, but not from afar. Close to home lurks the real risk that his festival for Sol’s 25th anniversary will be a bust.

Failed negotiations with constellations and his fellow guardians send him to the brink of complete frustration…when a beautiful celestial wanderer fetches up at his domicile, seeking refuge.

Her form beguiles. Her mystery intrigues. And Mercurio’s fascination with his visitor poses yet another threat to Sol’s celebration.

Will Mercurio recognize his role as cat’s paw soon enough? Or will a looming menace – more lethal than any of the guardians imagine – threaten the solar system’s very existence?


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Elizabeth and Empire: Book Four of the Colplatschki Chronicles
By Alma T.C. Boykin

The higher the peak, the greater the fall.

Twenty years after the Seige of Vindobona, Duchess Elizabeth von Sarmas and her husband Col. Lazlo Destefani stand near the top of their world. But when a Frankonian army refuses to roll over and play dead, it sets off a series of conspiracies within the Imperial court that threated Elizabeth’s marriage, her position, and even her life. Emperor Thomas, young and untried, finds himself matching wits with King Laurence and even Elizabeth may not be canny, or strong, enough to stop Laurence this time.

They say the Age of Miracles is ended, but Elizabeth needs one more than ever!

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The Women Some Women Can’t See

Friday, November 7th, 2014 - by Sarah Hoyt and Charlie Martin
Image captured at a meeting of the downtrodden women of science fiction sewing circle and feminist empowerment society.

Image captured at a meeting of the downtrodden women of science fiction sewing circle and feminist empowerment society.

So The Atlantic has discovered women in Science Fiction. To be more precise, The Atlantic has discovered that women are “rising” in science fiction.  Again. Apparently they asked Ann Leckie about women and awards in Science Fiction and Leckie, best known for writing a novel in which people have two genders and pretend to only see the female one, explained:

But both Leckie and Hurley express a combination of optimism and cynicism when it comes to whether or not women in the science fiction world are actually making progress, and how quickly. Leckie points out that this isn’t the first time women have been in the spotlight for writing award winning science fiction. “Sometimes I feel very optimistic about it, I say look at this, there are more women getting awards,” she says. “And then I look back and the ‘70s. The ‘70s was a decade that was crammed with prominent women science fiction writers, and a lot of women made their debut in that decade or really came to prominence.”

This was the time of Ursula K. Le Guin and Vonda McIntyre, who both won joint Nebulas and Hugos. Anne McCaffrey, Kate Wilhelm, Joan Vinge, and Marion Zimmer Bradley were all nominated for Hugo Awards that decade. In 1973, the Alice Bradley Sheldon, who wrote under the pen name James Tiptree, Jr. wrote the famous, feminist short story called “The Women Men Don’t See.” Joanna Russ’s feminist science fiction book The Female Man was published in 1975 and nominated that year for a Nebula.

Then, Leckie says, the ‘80s and ‘90s happened. The rate of women nominated and winning awards dipped down again. And today, once again, society has this idea that women who write science fiction are a strange and interesting breed. In other words, today the community is having the same conversation it had in the ‘70s about women writing science fiction.

This is beyond precious.  First of all, I’d like to inform The Atlantic that the (ever-shrinking) community they’re talking about is the Science Fiction Writers of America, the same organization that went on the war path against two members for using the word “lady” which is apparently derogatory.  Of course, people with such high standards are having the best conversations.  At least, they’re having the best conversations, if the conversations you’re looking for are “excuse me, is the sky made of Swiss or Guyere?”

As for Ms. Leckie, I believe she is confused about the history of the field.  In fact, women went right on winning awards through the eighties and nineties.

For instance, this is a list of the Nebulas won by women since 1982 to 2011:

  • 2011 NOVEL: Blackout/All Clear, Connie Willis NOVELLA: “The Lady Who Plucked Red Flowers beneath the Queen’s Window”, Rachel Swirsky SHORT STORY (tie): “Ponies”, Kij Johnson SHORT STORY (tie): “How Interesting: A Tiny Man”, Harlan Ellison
  • 2010 NOVELLA: The Women of Nell Gwynne’s, Kage Baker NOVELETTE: “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast”, Eugie Foster SHORT STORY: “Spar”, Kij Johnson RAY BRADBURY AWARD: District 9, Neill Blomkamp & Terri Tatchell ANDRE NORTON AWARD: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, Catherynne M. Valente
  • 2009 NOVEL: Powers, Ursula K. Le Guin NOVELLA: “The Spacetime Pool”, Catherine Asaro SHORT STORY: “Trophy Wives”, Nina Kiriki Hoffman
  • 2008 NOVELLA: “Fountain of Age”, Nancy Kress SHORT STORY: “Always”, Karen Joy Fowler ANDRE NORTON AWARD: Harry Potter and the Deathly Hallows, J. K. Rowling
  • 2007 SHORT STORY: “Echo”, Elizabeth Hand SCRIPT: Howl’s Moving Castle, Hayao Miyazaki, Cindy Davis Hewitt & Donald H. Hewitt ANDRE NORTON AWARD: Magic or Madness, Justine Larbalestier
  • 2006 NOVELLA: “Magic for Beginners”, Kelly Link NOVELETTE: “The Faery Handbag”, Kelly Link SHORT STORY: “I Live With You”, Carol Emshwiller ANDRE NORTON AWARD: Valiant, Holly Black
  • 2005 NOVEL: Paladin of Souls, Lois McMaster Bujold NOVELETTE: “Basement Magic”, Ellen Klages SHORT STORY: “Coming to Terms”, Eileen Gunn SCRIPT: The Lord of the Rings: The Return of the King, Fran Walsh, Philippa Boyens & Peter Jackson
  • 2004 NOVEL: The Speed of Dark, Elizabeth Moon SHORT STORY: “What I Didn’t See”, Karen Joy Fowler SCRIPT: The Lord of the Rings: The Two Towers, Fran Walsh, Philippa Boyens, Stephen Sinclair & Peter Jackson
  • 2003 SHORT STORY: “Creature”, Carol Emshwiller SCRIPT: The Lord of the Rings: The Fellowship of the Ring, Fran Walsh, Philippa Boyens & Peter Jackson
  • 2002 NOVEL: The Quantum Rose, Catherine Asaro NOVELETTE: “Louise’s Ghost”, Kelly Link SHORT STORY: “The Cure for Everything”, Severna Park
  • 2001 NOVELLA: “Goddesses”, Linda Nagata
  • 2000 NOVEL: Parable of the Talents, Octavia E. Butler NOVELETTE: “Mars Is No Place for Children”, Mary A. Turzillo SHORT STORY: “The Cost of Doing Business”, Leslie What
  • 1999 NOVELLA: “Reading the Bones”, Sheila Finch NOVELETTE: “Lost Girls”, Jane Yolen
  • 1998 NOVEL: The Moon and the Sun, Vonda N. McIntyre NOVELETTE: “The Flowers of Aulit Prison”, Nancy Kress SHORT STORY: “Sister Emily’s Lightship”, Jane Yolen
  • 1997 NOVEL: Slow River, Nicola Griffith SHORT STORY: “A Birthday”, Esther M. Friesner
  • 1996 NOVELLA: “Last Summer at Mars Hill”, Elizabeth Hand NOVELETTE: “Solitude”, Ursula K. Le Guin SHORT STORY: “Death and the Librarian”, Esther M. Friesner
  • 1995 SHORT STORY: “A Defense of the Social Contracts”, Martha Soukup
  • 1994 NOVEL: Red Mars, Kim Stanley Robinson
  • 1993 NOVEL: Doomsday Book, Connie Willis NOVELETTE: “Danny Goes to Mars”, Pamela Sargent SHORT STORY: “Even the Queen”, Connie Willis
  • 1992 NOVELLA: “Beggars in Spain”, Nancy Kress
  • 1991 NOVEL: Tehanu: The Last Book of Earthsea, Ursula K. Le Guin
  • 1990 NOVEL: The Healer’s War, Elizabeth Ann Scarborough NOVELLA: “The Mountains of Mourning”, Lois McMaster Bujold NOVELETTE: “At the Rialto”, Connie Willis
  • 1989 NOVEL: Falling Free, Lois McMaster Bujold NOVELLA: “The Last of the Winnebagos”, Connie Willis
  • 1988 NOVELLA: “The Blind Geometer”, Pat Murphy SHORT STORY: “Forever Yours, Anna”, Kate Wilhelm
  • 1987 NOVELETTE: “The Girl Who Fell into the Sky”, Kate Wilhelm
  • 1986 SHORT STORY: “Out of All Them Bright Stars”, Nancy Kress
  • 1985 NOVELETTE: “Bloodchild”, Octavia E. Butler
  • 1983 NOVELETTE: “Fire Watch”, Connie Willis SHORT STORY: “A Letter from the Clearys”, Connie Willis
  • 1982 SHORT STORY: “The Bone Flute”, Lisa Tuttle [refused]
  • 1981 NOVELLA: “Unicorn Tapestry”, Suzy McKee Charnas

And this is a list of Hugo Awards for the same period:

1981 Hugo Winners

The Hugos were given out at Devention in Denver, CO. 1981 Hugo Nominees

Novel: The Snow Queen by Joan D. Vinge

Dramatic Presentation: The Empire Strikes Back written by Leigh Brackett & Lawrence Kasdan, directed by Irvin Kershner (20th Century Fox)

Fan Writer: Susan Wood

Fan Artist: Victoria Poyser

1982 Hugo Winners

The Hugos were given out at Chicon IV in Chicago, IL. 1982 Hugo Nominees

Novel: Downbelow Station by C.J. Cherryh

Fan Artist: Victoria Poyser

Campbell Award: Alexis Gilliland

1983 Hugo Winners

The Hugos were given out at Constellation in Baltimore, MD. 1983 Hugo Nominees

Novella: “Souls” by Joanna Russ

Novelette: “Fire Watch” by Connie Willis

1984 Hugo Winners

The Hugos were given out at LACon II in Los Angeles, CA. 1984 Hugo Nominees

Short Story: “Speech Sounds” by Octavia Butler

Professional Editor: Shawna McCarthy

1985 Hugo Winners

The Hugos were given out at Aussiecon Two in Melbourne, Australia. 1985 Hugo Nominees

Novelette: “Bloodchild” by Octavia Butler

1986 Hugo Winners

The Hugos were given out at Confederation in Atlanta, GA. 1986 Hugo Nominees

Professional Editor: Judy Lynn Del Rey [Note: Lester Del Rey rejected this award on the basis that Judy Lynn would have objected to the award being given just because she had recently died.]

Fan Artist: joan hanke-woods

Campbell Award: Melissa Scott

1987 Hugo Winners

The Hugos were given out at Conspiracy ’87 in Brighton, United Kingdon. 1987 Hugo Nominees

Campbell Award: Karen Joy Fowler

1988 Hugo Winners

The Hugos were given out at NolaCon II, in New Orleans, LA. 1988 Hugo Nominees

Novelette: “Buffalo Gals, Won’t You Come Out Tonight” by Ursula K. Le Guin

Campbell Award: Judith Moffett

1989 Hugo Winners

The Hugos were given out at Noreascon III in Boston, MA. 1989 Hugo Nominees

Novel: Cyteen by C.J. Cherryh

Novella: “The Last of the Winnebagos” by Connie Willis

Fan Artist: Brad Foster and Diana Gallagher Wu (tie)

Campbell Award: Michaela Roessner

1990 Hugo Winners

The Hugos were given out at ConFiction in Amsterdam, the Netherlands. 1990 Hugo Nominees

Novella: “The Mountains of Mourning” by Lois McMaster Bujold

Short Story: “Boobs” by Suzy McKee Charnas

Fanzine: The Mad 3 Party (Leslie Turek, ed.)

Campbell Award: Kristine Kathryn Rusch

1991 Hugo Winners

The Hugos were given out at Chicon V in Chicago, IL. 1991 Hugo Award Nominees

Novel: The Vor Game by Lois McMaster Bujold

Campbell Award: Julia Ecklar

1992 Hugo Winners

The Hugos were given out at MagiCon in Orlando, FL. Photos from the MagiCon Hugo Exhibit 1992 Hugo Award Nominees

Novel: Barrayar by Lois McMaster Bujold

Novella: “Beggars in Spain” by Nancy Kress

Fanzine: Mimosa (Dick & Nicki Lynch, ed.)

1993 Hugo Winners

The Hugos were given out at ConFrancisco in San Francisco, CA. 1993 Hugo Nominees

Novel: A Fire Upon the Deep by Vernor Vinge and Doomsday Book by Connie Willis (tie)

Novelette: “The Nutcracker Coup” by Janet Kagan

Short Story: “Even the Queen” by Connie Willis

Fanzine: Mimosa (Dick and Nicki Lynch, eds.)

Fan Artist: Peggy Ranson

Campbell Award: Laura Resnick

1994 Hugo Winners

The Hugos were given out at Conadian in Winnipeg, Manitoba, Canada. 1994 Hugo Nominees

Short Story: “Death on the Nile” by Connie Willis

Professional Editor: Kristine Kathryn Rusch

Fanzine: Mimosa (Dick & Nicki Lynch, eds.)

Campbell Award: Amy Thomson

1995 Hugo Winners

The Hugos were given out on Sunday, August 27 at Intersection in Glasgow, Scotland. 1995 Hugo Nominees

Novel: Mirror Dance by Lois McMaster Bujold (Baen)

1996 Hugo Winners

The Hugos were given out on Sunday, September 1 at L.A.con III in Anaheim, CA. 1996 Hugo Nominees

Short Story: “The Lincoln Train” by Maureen F. McHugh (F&SF, April 1995)

Dramatic Presentation: Babylon 5 “The Coming of Shadows” written by J. Michael Straczynski, directed by Janet Greek (Warner Brothers)

1997 Hugo Winners

The 1997 Hugos were awarded at LoneStarCon II in San Antonio, TX. 1997 Hugo Award Nominees

Short Story: “The Soul Selects Her Own Society…” by Connie Willis (Asimov’s 4/96; War of the Worlds: Global Dispatches)

Fanzine: Mimosa (Dick & Nicki Lynch, eds.)

1998 Hugo Winners

The Hugos were awarded on Friday, August 7 at the Convention Center in Baltimore, MD at Bucconeer. Charles Sheffield served as Master of Ceremonies.

Fanzine: Mimosa (Dick & Nicki Lynch, eds.)

Campbell Award: Mary Doria Russell

1999 Hugo Winners

The 1999 Hugos were awarded at Aussiecon III on September 4 in Melborne, Australia. Complete voting records. 1999 Hugo Nominees

Campbell Award: Nalo Hopkinson

2000 Hugo Winners

The Hugos were given out at Chicon 2000 (VI) on Saturday, September 3, 2000. Novel: A Deepness in the Sky by Vernor Vinge (Tor)

Novella: “The Winds of Marble Arch” by Connie Willis (Asimov’s 10-11/99)

2001 Hugo Winners

The Hugos were given out at the Millennium Philcon on Sunday, September 2, 2001. Esther Friesner was the MC.

Novel: Harry Potter and the Goblet of Fire by J.K. Rowling (Bloomsbury; Scholastic/Levine)

Novelette: “Millennium Babies” by Kristine Kathryn Rusch (Asimov’s Jan 2000)

Fan Artist: Teddy Harvia

Campbell Award: Kristine Smith

2002 Hugo Winners

The Hugos were given out at ConJosé on Sunday, September 1, 2002. Tad Williams served as the MC.

Professional Editor: Ellen Datlow

Dramatic Presentation: The Lord of the Rings: The Fellowship of the Ring screenplay by Fran Walsh, Philippa Boyens & Peter Jackson, directed by Peter Jackson (New Line Cinema)

Fan Artist: Teddy Harvia

Campbell Award: Jo Walton

2003 Winners

The 2003 Hugo Awards were given out at Torcon 3 on Saturday, August 30. Spider Robinson served as Toastmaster. Photos from Torcon. 2003 Hugo Award Nominees

Non-Fiction Book: Better to Have Loved: The Life of Judith Merril, Judith Merril and Emily Pohl-Weary (Between the Lines)

Fanzine: Mimosa (Richard & Nicki Lynch ed.)

Fan Artist: Sue Mason

Campbell Award: Wen Spencer

2004 Winners

The 2004 Hugo Awards were given out at Noreascon 4 on Saturday, September 4. Novel: Paladin of Souls by Lois McMaster Bujold (Eos)

Semiprozine: Locus (Charles N. Brown, Jennfier Hall, and Kirsten Gong-Wong)

Fanzine: Emerald City edited by Cheryl Morgan

2005 Winners

The 2005 Hugo Awards were given out at Interaction on Saturday, August 6.

Novel: Jonathan Strange and Mr. Norell by Susanna Clarke (Bloomsbury)

Novelette: “The Faery Handbag” by Kelly Link (The Faery Reel Viking)

Non-fiction Book: The Cambridge Companion to Science Fiction ed. by Edward James & Farah Mendlesohn (Cambridge University Press)

Professional Editor: Ellen Datlow

Web Site: SciFiction ed. by Ellen Datlow, Craig Engler, general manager

Fan Artist: Sue Mason

Campbell Award: Elizabeth Bear

2006 Winners

The 2006 Hugo Awards were given out at L. A. Con on Saturday, August 26. Guest of Honor Connie Willis served as MC, aided by Robert Silverberg.

Novella: “Inside Job” by Connie Willis (Asimov’s January 2005)

Non-fiction Book: Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop by Kate Wilhelm (Small Beer Press)

Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi

Fanzine: Plokta edited by Alison Scott, Steve Davies & Mike Scott

Special Committee Awards: Betty Ballantine, Harlan Ellison

2007 Winners

The 2007 Hugo Awards were given out at Nippon on Saturday, September 1. Toastmasters were George Takei and Nozomi Ohmori 2007 Hugo Award Nominees

Professional Artist: Donato Giancola

Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi

Fanzine: Science Fiction Five-yearly edited by Lee Hoffman, Geri Sullivan & Randy Byers

Campbell Award: Naomi Novik

2008 Winners

The 2008 Hugo Awards were given out at Denvention on Saturday, August 9, 2008. The Master of Ceremony was Wil McCarthy.

Novella: “All Seated on the Ground” by Connie Willis (Asimov’s Dec. 2007; Subterranean Press)

Short Story: “Tideline” by Elizabeth Bear (Asimov’s June 2007)

Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi

Campbell Award: Mary Robinette Kowal

2009 Winners

The 2009 Hugo Awards were given out at Anticipation on Sunday, August 9, 2009. The MCs were Julie Czerneda and Yves Meynard.

Novella: “The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)

Novelette: “Shoggoths in Bloom” by Elizabeth Bear (Asimov’s Mar 2008)

Graphic Story: Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)

Editor, Short Form: Ellen Datlow

Semiprozine: Weird Tales edited by Ann VanderMeer & Stephen H. Segal

Fan Writer: Cheryl Morgan

2010 Hugo Winners

The Hugos were given out at Aussiecon IV on Sunday, September 5, 2010. Garth Nix served as MC. 2010 Hugo Award Nominees

Graphic Novel: Girl Genius, Volume 9: Agatha Heterodyne & the Heirs of the Storm Written by Kaja & Phil Foglio; Art by Phil Foglio; Colours by Cheyenne Wright (Airship Entertainment)

Editor – Short Form: Ellen Datlow

Semiprozine: Clarkesworld edited by Neil Clarke, Sean Wallace, & Cheryl Morgan

Campbell Award: Seanan McGuire

2011 Hugo Winners

The Hugos were given out at Renovation on Saturday, August 20, 2011. Jay Lake and Ken Scholes served as MCs. 2011 Hugo Award Nominees

Novel: Blackout/All Clear by Connie Willis (Ballantine Spectra)

Short Story: “For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010)

Non-Fiction Book: Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It edited by Lynne M. Thomas & Tara O’Shea (Mad Norwegian)

Graphic Novel: Girl Genius, Volume 10: Agatha Heterodyne & the Guardian Misuse Written by Kaja & Phil Foglio; Art by Phil Foglio; Colours by Cheyenne Wright (Airship Entertainment)

Editor – Short Form: Sheila Williams

Semiprozine: Clarkesworld edited by Neil Clarke, Sean Wallace, & Cheryl Morgan; podcast directed by Kate Baker

Fan Writer: Claire Brialey

As you see, women quite disappeared from science fiction and fantasy in the eighties and nineties being kept out by the man. Whoever that man was. (Some men might actually have sneaked into the compilation above because I’m cut-pasting on a faulty mouse.  Some women probably got cut out, too. Let me assure you right now that this is a plot of the patriarchy. Your worst fears are justified.) Or perhaps while in other countries women are being enslaved and sold and killed, Ms. Leckie is trying to use the Gramscian tactic of claiming victimhood to make herself look interesting?  And therefore tries to claim discrimination that women in science fiction have never actually suffered, much less in the last thirty years? Nah, surely it would never happen. For heavens sake, that’s about as likely as the organization that used to represent all the Science Fiction and Fantasy Writers of America, and which is now determined to represent only the POLITICALLY CORRECT Science Fiction and Fantasy Writers of America voting for all females for an award, and then celebrating the fact that only females won the award and saying that even if the stories aren’t all that good, the males deserve it for keeping women out of the awards women have been winning all along. As we know, that would never happen.  Not in a sane world.  Or an insane one.  Not unless the moon were made of green cheese. Which it’s not, since SFWA has narrowed it down to Swiss or Guyere in their latest important conversation.

And it’s a good thing that never happened, because if The AtlanticThe Atlantic, that’s like a real magazine, right?  And they have layers and layers of fact checkers, right? – were to publish an article about how women disappeared from the science fiction and fantasy awards in the eighties and nineties, we’d have to point at them and laugh and make duck noises, which would definitely leads to take them less seriously the next time they make grandiose claims based on the self-serving narrative of a small and vocal group, right.

But fortunately that never happened. Because if Ms. Leckie had said something as ridiculous as:

Leckie agrees, saying that there is a community of women writers who have been bolstered by their ability to find and support one another. “The Internet really lets people connect that wouldn’t have in the past, and lets conversations happen and connections happen. That’s really something that happens, I’m not sure it’s a club with membership cards but I think there’s some kind of community.”

One would be forced to respond, “Oh, Sweet Pea” (totally allowed. After all the Democrats used it in an ad) “A community of women is not in the nature of a writers’ society which, after all, cares more about excellence in writing than about what is between the writer’s legs.  A community of women is a sorority, a lesbian dating club or a sewing circle.  Given how conventional you all are and how you draw together for comfort and protection, Sweet Pea, I’m going with sewing circle.”

But since that embarrassing article never happened, I don’t have to say that.  And that’s good.  Imagine if I did have to say it.  Why, it would be rude.  And I’m never rude.  Even when sorely tempted by the self-aggrandizing nonsense of pseudo-pioneers.

The real pioneers are in indie, where we have some recommendations for you today.


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Farmhand
By Lilania Begley 

Wounded veteran Dev Macquire needs some farm help until he recovers. When his father, Gray, brings home a new hand, he’s dismayed to meet Irina. How can a woman do the rough, heavy work they need? As she works her way into their life, and into his heart, he’s faced with a new dilemma. Can he persuade her to stay, and to accept a new role in his life?
Irina took the job on a whim. She just wanted to work hard enough to forget why her life was on hold and her future uncertain. Daily reminded of a brighter past, a childhood spent on horseback…but her new feelings for Dev were definitely not sisterly. At the end of the summer she’d leave, it was too dangerous to risk staying near him.

As a wildfire threatens the countryside, racing toward the Macquire place, Dev and Irina discover what true partnership can feel like, working together to find the arsonist who is responsible. When the fires die out, are there embers left smoldering in hearts?


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Beneath the Canyons (Daughter of the Wildings Book 1)
By Kyra Halland 

Only $0.99 through 11/9/14!

Cowboys and gunslingers meet wizards in this high fantasy series set in a world inspired by the American Wild West. Silas Vendine is a mage, a bounty hunter authorized by the Mage Council to hunt down and stop renegade wizards. He’s also a freedom fighter, committed to protecting the non-magical people of the Wildings from the overreaching ambitions of the mages. It’s a dangerous life, and Silas knows it. Still, when he comes to the town of Bitterbush Springs and meets Lainie Banfrey, a young woman born in the Wildings who is both drawn to and terrified of her own developing magical abilities, he finds far more trouble and excitement than he bargained for…


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Wreathed
By Curtis Edmonds 

Wendy Jarrett is smart, tall, and lonely. Adam Lewis is tall, gorgeous, and available. They meet at the funeral for Adam’s crazy uncle Sheldon, and seem made for each other. But there’s a catch.

Sheldon was previously married to Wendy’s overbearing mother, and leaves the only possession in his estate—an ugly old Victorian house in Cape May—to her. This causes a serious rift between Wendy and Adam.

Wendy must take charge of the situation and learn the secret of the old house—and what she finds there may cause her to lose her chance at true love.


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Duty from Ashes (Honor and Duty, Book 2)
By Sam Schall 

Duty calls. Honor demands action.

Major Ashlyn Shaw has survived false accusations and a brutal military prison. Now free, she finds her homeworld once again at war with an enemy that will stop at nothing to destroy everything she holds dear. Duty has Ashlyn once again answering the call to serve. She has seen what the enemy is capable of and will do everything she can to prevent it from happening to the home she loves and the people she took an oath to protect.

But something has changed. It goes beyond the fact that the enemy has changed tactics they never wavered from during the previous war. It even goes beyond the fact that there is still a nagging doubt in the back of Ashlyn’s mind that those who betrayed her once before might do so again. No, there is more to the resumption of hostilities, something that seems to point at a new player in the game. But who and what are they playing at?

Will Ashlyn be able to unmask the real enemy before it is too late?

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Who is the Real Monster in Publishing? A Halloween Tale

Friday, October 31st, 2014 - by Sarah Hoyt and Charlie Martin
Amazon -- BOO! Scared now?

Amazon — BOO!
Scared now?

Hi, this is Sarah.  Today we have a guest post by my friend Amanda Green.

Who is the Real Monster in Publishing?

I don’t have time and I don’t have the spare brain cells to move away from final edits into blogging. Unfortunately, the idiots just won’t let me alone. Okay, maybe I shouldn’t have gone to Facebook to check out what was going on. But, really, is that so bad as I have my last cup of coffee of the morning?

Anyway, I wander innocently — quit snickering — into one of the groups I belong to and find this waiting for me. Now, I know the Telegraph isn’t the most unbiased reporting site on the net. But it tops even the Guardian with this piece.

Let’s start from the beginning. . . .

Amazon is like Isis, says literary agent.

Wow, nothing like hitting a butt-ton of hot buttons right off the bat. Funny, you’d think with all the media coverage of the evil that is Amazon (yes, I’m being sarcastic), someone would have picked up the stories of the corporate troubleshooters going around beheading folks who it saw as being wrong. Hell, they’d have started with more than a few publishers and agents long ago. Funny, but I haven’t seen anything about that. Have you?

The online retailer has long been accused of making it nearly impossible for authors to earn a living.

What?!? Uh, not only no, but HELL NO.

Before Amazon started the KDP program, there was very little an author could do to get their work into the hands of the reading public. We vied for a very few slots available for new authors, sending our work out first to agents. Why first to agents? Because the vast majority of “real” publishers wouldn’t look at anything that didn’t come via that route. Then, if you were lucky enough to find an agent — who would take at least 15% of anything you earned plus expenses — your work was submitted to publishers. There was never any guarantee that you would be picked up by a publishing house and, if you were, you’d get your advance and probably never see another penny from your book.

Why? Because publishers, even after the Digital Age began, continued to follow the same business plan they had had since the invention of the printing press. For every book sold, the publisher received anywhere from 70% or more of the monies made plus expenses. The rest was divvied up between the author and his agent. Oh, one other little accounting anomaly they don’t talk about in mixed company — they use the figures from BookScan to determine how many books were sold. In case you don’t know what what BookScan is, it is the Nelson ratings for books. You know Neilson. That’s the company that puts little boxes in a small number of homes across the nation and the networks use hand-wavium to determine, based on that small number of “randomly selected” homes, what shows are popular and what are not.

But Amazon, the company that gave authors the first viable avenue to get our work directly into the hands of the public and that pays us up to 70% of monies earned, keeps us from making a living writing.

Riiight.

American agent Andrew Wylie “condemned the ‘brutality’ of Amazon’s tactics. . . .”

Sigh. Amazon is so brutal it offered to pay Hachette authors for sales made during the contract negotiation period. Hachette is the side in the dispute who declined. Even when Amazon said it would solely be responsible for payments to the authors, the publishers stepped in and, citing how evil Amazon was, declined this offer of help for their authors. But Amazon is brutal.

Oh, I know. Amazon is brutal for taking away the pre-order button on Hachette titles. Hmm, titles it may not be allowed to sell when they are published. Titles Hachette may decline to send to Amazon because they are still in contract negotiations. But Amazon is brutal.

“I believe with the restored health of the publishing industry and having some sense of where this sort of Isis-like distribution channel, Amazon, is going to be buried and in which plot of sand they will be stuck, publishers will be able to raise the author’s digital royalty to forty or fifty percent.”

Say what?

Hmm, why can’t they pay that sort of royalty on e-books now? Major publishers don’t have to re-edit, have new art done, store, transport, etc., e-books. All they have to do, if they know their jobs, is convert the file for digital release, resize the cover image and then save it in the appropriate format. Then they hit a button and upload it to the appropriate stores. They don’t even have to change the listings for the books because, duh, they have already set the listings up for the print version. The only thing that costs extra in the digital conversion is their idiotic belief that they have to include DRM.

So tell me again why authors aren’t making 40 – 50% royalties on e-books right now? Especially when mid to small size presses are already paying their authors up to that much?

“Writers will begin to make enough money to live.”

Pardon me but Bullsh*t!

The way they have the system gamed, there is no way most writers will ever make enough money to live. I’ve seen too many statements from writers I know, I’ve talked to too many others who get what can only be called works of fiction when it comes to their royalty reports. If the publishers can’t present accurate sales reports now to their authors, why in the world would anyone believe they would do so after they managed to crush Amazon — hahahahahahahahaha! — and the authors no longer had a viable alternative to what is, at best, voluntary indenture?

[He] went on to urge publishers to form a united front to turn the tide against Amazon. Only then, he said, could authors begin to profit again from sales of their books.

No, only then would publishers convince themselves that they were once again profiting from the sales of their books. Look folks, publishers want to return to the agency pricing model that the courts threw out. There were plenty of contracts signed with authors during that time and I don’t recall the publishers touting how they were increasing royalties for authors because now the publishers were free to set their own e-book prices. Oh, there was a slight increase in what some authors made but no where near what this almighty agent who has been drinking his own Kool-Aid seems to suggest they will become. And why? Because the publishers didn’t have to increase royalties. If they get their way with regard to Amazon, I guarantee they won’t do so unless forced and who is going to force them?

According to Wylie, Hachette is the great hero for standing tall against the evil of Amazon. Why? Because Amazon no longer offered the deep discounts for Hachette books and slowed shipping times, etc. Well boo fracking hoo. They are in contract negotiations. Amazon is a company out to make a profit. Guess what, boys and girls, so is Hachette and it makes that profit on the backs of authors.

Let’s be real for a moment. Amazon is no angel. But it is the height of hypocrisy for an agent to get out there and proclaim that all it will take is for Amazon to go down for authors to start earning a living wage from their work. For one, Amazon is the main distributor of books, print and digital, to the reading public. For another, raising prices for books — which is what the publishers want to be able to do at their whim — will not lead to an increase in sales. At least not an increase in sales for their authors. It might lead to one for those of us who are either hybrid-authors or indie authors. Finally, Wylie needs to climb out of his ivory tower office, quit hobnobbing with the publishing elite and get down in the trenches. He needs to talk to all those authors who have been orphaned by their publishers or who have been on the receiving end of what are obviously fictitious royalty reports but who have been too scared to challenge them because their agents have said the author would never again get a contract with any publisher. Add to that the need to listen to the authors when they discuss just how much more — chuckle — they would make with the royalty increase on e-books. We are talking pennies per copy, not big bucks. And remember, all that is after Wylie and agents like him get their cut, which very likely would go up as well, and after the publishers take out their cut. Wylie also needs to talk to the reading public and, more importantly, he needs to listen to it.

So, on this All Hallows Eve, Amazon is not the big bad monster. It is, in fact, the gladiator that came in and opened the market for authors in a way it has never been opened before.

Amanda Green is older than 20 and younger than death and that’s all you’ll get from her about her age. After all, it’s not polite to ask a woman how old she is. She’s a mother, a daughter and was a wife. She’s spent most of my life in the South and loves to travel. She’s also a writer, among whose works can be counted Nocturnal Origins, Nocturnal Serenade, and Nocturnal Interlude. When not writing under her own name, or under Ellie Ferguson or Sam Schall, she’s known to make trouble for the proponents of gynocracy, the defenders of the traditional system of publishing and other pesky critters online.


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Forge: Book I of the Thrall Web Series
By T.K. Anthony 

The shared colony planet of Forge is at the crossroads of three great peoples: the Scotian Realm, the Xern Cluster, and the Tormin Accord. Only a few know that Forge is also in the crosshairs of imminent invasion.

On Forge, a mindblind and amnesic Scotian labors under the whip of his Tormin master. Tazhret wants to believe the beautiful dream woman who whispers hope to his harrowed heart. But is she real, a memory of his forgotten past? Or merely the single bright thread in the grim visions induced by the same hallucinogen that took his Elemental talents and put him in the chains of indentured servitude.

Real or vision, Tazhret loves her just the same, never dreaming they share a dark future pitting them against their Scotian high king, and the predatory psychics of the Khevox Dominion…with the fate of the three peoples hanging on the thread of their love. An Instapundit reader recommendation.


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Seeds of Enmity: A Forge Prequel (Thrall Web Series)
By T.K. Anthony 

Thirteen-year-old Col Adair doesn’t realize the petty hostilities of young Duke Arran are only a screen for a dangerous foe, targeting Col, Clan Adair, and the Scotian Realm they serve. When an assault leaves Col alone to defend the lives of his family, will victory cost him his future?


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The Man Who Was A Santa Claus
By Walter Daniels 

It’s easy to believe that one person can’t make a difference. Joe never believed he would, and neither did eight-year-old Charlie. She didn’t believe in Santa, because they were all over, and never brought the Christmas Present that she really wanted. Neither knew what would come from their meeting, nor the lives that would be changed. Joe would have a bigger “family” than he ever expected. Charlie would get more than she ever dreamed of, when her “wish” was finally granted.

Like Charlie, maybe the next time you see a “Santa Claus,” you may be seeing a real one.


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Portals of Infinity, Book Three: Of Temples and Trials
By John Van Stry 

With the first of what he suspects will be many favors completed, William finds himself busy with important tasks back at his home on Saladin. Queen Rachel has several jobs she needs him to do, and Feliogustus has similar tasks in mind for him as well. All in all, it seems easy enough to Will, it’s not like he’ll be fighting in any wars, or traveling across the infinite on a strange quest after all.

But things aren’t always as easy as they might seem, and both politics, as well as the other gods, aren’t going to ignore Will, or the tasks he’s been set to complete. And is if dealing with that isn’t problem enough, when the time comes to do some serious diplomacy between Hiland and a neighboring Kingdom, a deadly problem comes from a most unexpected quarter, forcing Will to take immediate action to payback both his, and his God’s foes.

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Who Creates the Books?

Friday, October 24th, 2014 - by Sarah Hoyt and Charlie Martin
The field is your own.  Harvest it.

The field is your own. Harvest it.

Hi, this is Sarah, and I’m a writer.  Yes, I have actually tried to give it up, but the longest I lasted was two weeks, and then my sons and husband got together to beg me quite eloquently (which was a miracle as the younger kid was then one and a half) to go back to writing, because what I did instead of writing (obsessive cleaning and minding THEIR business) was driving them nuts.

I’ve been a writer since then, nineteen years woman and… woman.

Which is why there are some things that have the ability to make my blood boil, make me foam at the mouth.  This happened when I read my friend, Amanda Green’s post on our shared writers’ group blog, Mad Genius Club this week.

Let’s start with this article from USA Today. I knew from reading the headline that it was probably something that would have my blood pressure rising. After all, how else would I react to “Real books can defeat Amazon and e-books”?

Wait! What? Real books?

Then I started reading and I realize the headline was only the beginning.

And then she quotes the article.  Oh, my, does she quote the article.

The book business believes that Amazon is unfair in the way it sells books. It believes, in fact, that Amazon in its sales practices — pressuring the book publishers to lower their prices and profits — is the enemy. Amazon’s ultimate design, publishers believe, is to ruin them or to wholly shift the center of gravity in the business from the creators of books to Amazon, the dominant seller.

You should probably read all of Amanda’s post, but this is about the time that I turned Green and started stomping around the room, screaming “Sarah Smash.”

It might not have been so bad if it weren’t for an experience my friend Cedar had this week.  Cedar Sanderson is a young and upcoming writer.  I’ve been mentoring her for the best part of – eep – thirteen years, back when all she wanted to do was write some inspirational essays.  Well, a couple of years ago she started writing books, and now she has four in two series out and this year she’ll make in the low five figures from them.

She was talking to me about this a few weeks ago and said “I know it’s not much” which is when I told her the first time I made 15000 came when I’d been in the business for ten years, and had written ten books.  Oh, sure, I get almost that per advance, but advances aren’t paid outright.  They’re paid in three (sometimes four) installments linked to signing, delivery, acceptance and, sometimes, release of the book.  It’s amazing how many years that can stretch across.

Oh, and I was in the business four years before I got my first royalty check, after which the book was immediately taken out of print, because in the then-model, the publisher didn’t count on paying royalties.  Not to midlisters.  (Unless the publisher was Baen.  Which is why I’m still with Baen.)

Well, last week, Cedar went to a panel at the university she attends and was talking about career prospects.  The doyenne of the assembled group was an elderly woman staunchly against self publishing, who just loves her publisher and all its works (and all its empty promises – oops, sorry, thought I was in church for a moment.)

When it came Cedar’s time to talk, she said something about hoping to be able to make a living from writing.  At which point the elderly love-my-publisher writer laughed and said, “Honey, you can’t make a living from this.  I’ve been writing for twenty years and I’m not even close to that.”

That is not only factually wrong, (ask Chris Nuttall, Peter Grant, Doug Dandrige and a dozen more I can’t call to mind right now) but it is also morally wrong.

When I was a kid in Portugal, during the revolution, there was a whole lot of screaming about “the land to them who work it.”  This was mostly in the South where, since Roman times, the land has been held in a system of Latifundia.   And the cry to expropriate the owners and hand out the parcels to the workers was wrong on several heads: first because most of them wished to form collective farms, aka going broke on the installment plan; second because the land in the South of Portugal is so poor that even if you dolled it out into little parcels, each person would starve.  By having the huge farm, the owners made it possible for their various hired hands to make a living from farming.

When I read that journalist above talking about the publishers as the “creators” of the book, I thought of the same “The books to them who create them.”

Except the publishers don’t create the books anymore than those hired hands each farmed a parcel of land.

The publishers used to be an essential part of getting the book to market, pre-amazon.  They printed large numbers, publicized, acted as an intermediary between the writer and their public.

They were, in that sense, good hired hands.

And then the costs of producing a book and getting them to market, through print on demand (which according to my Berkley editor they were using in 03) dropped.  Electronic typesetting dropped it more.  Publishers outsourced the search for books to agents (all but Baen, which still has a slush pile.) And then they had the bright idea of making the writers publicize their own books.

This would be like the hired hands taking a break and demanding the owners of the fields use robots to do all the work, but they still expect to be paid.  What do you think would happen?  Well, it happened.

With the market in a shambles, with publishers using their power to bring to market books they thought were socially relevant and not what the readers wanted to read, Amazon gave writers a chance to go to the public directly.

Which brings me to what a publisher can do for you, which is… Give me a minute… Other than Baen which has a brand that will bring you at least a few thousand readers, like that, with no effort… what the other publishers can do for you is… uh…. Yeah….

Oh, yeah.  They can fudge your statements and take your money.  There I knew they did something.  Fortunately writers who used to work from Harlequin have won the right to class action suits this week, which means more will follow.

And at some point, will stupid journalists realize they’ve been sold a pot of message and that publishers as they exist now are as essential to the book business as a bicycle to the fish?

I doubt it.  They’re too busy putting playing cards in the spokes of publishing, because they like the noise so much.

As for the rest of us, we have work to do.

We work for a living.  And making a living from our hard work is a beautiful thing.

And as a final musical interlude, to remind you of what mainstream publishers REALLY do, by and large, sang to the tune of “Putting on the Ritz”

Robbing the Midlist
Have you seen the well to do?
Walking down Marx avenue
Crying that everything’s unfair
While their butlers do their hair
High-toned, caterwaulers
Condoned with lots of dollars
Spending every dime
Made on other guy’s lines!If you’re blue, and you want dough
Why not lean on someone you know
In the pubbing biz?
Robbing the midlistDifferent types will write a dystop-
ian cliché or bash on the pope
It all fits
When you’re robbing the midlist
 
Cashing in their six-figure advances
Even if their book has got no chances
Of a profit
 
Come let’s mix where pampered authors
Politic to get job offers
Hope they’re picked
For robbing the midlist
 
Tips the scales to favor their own voices
Tries to “Push” to cover their bad choices
Disappoint usNYT Bestsellers topping the list
Make readers stop or numb their wits
Robbing the midlist
Robbing the midlist
Robbing the midlist!

“Mercury retrograde” is the term used in astrology for the times when the planet Mercury appears to be moving backwards against the “fixed stars”. According to astrological lore, during periods when Mercury is retrograde, matters of communication, information, and relationships are impaired. Computers and networks are more likely to fail. Mail may go astray.

Mercury went retrograde on the 4th of October this year. I am a scientific materialist and of course don’t believe in this astrology stuff, but Mercury goes back prograde on the 25th of October. And not a minute too damn soon.

So, if you want to get your book plugged on Book Plug Friday, send an email to book.plug.friday@gmail.com.

But maybe wait until tomorrow.

Just sayin’


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Witchfinder (Magical Empires)
By Sarah Hoyt 

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


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Nevermore – A Novel of Love, Loss, & Edgar Allan Poe
By David Niall Wilson 

Nevermore is a dark, historical fantasy filled with romance, southern charm, and all the trappings of a classic historical romance. Walking the line between the occult, the paranormal, and the reality of 1800s life in The Great Dismal Swamp, Nevermore is also chock full of action and adventure. Follow Edgar Allan Poe and Lenore into The Great Dismal Swamp and experience one version of the birth of Poe’s famous poem, “The Raven.”


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I Would Like My Bailout in Bacon
By Wesley Morrison 

Satire, politics, geekery, and dogs.

Any questions?


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A Deed With No Name – A Rae Vigil 911 Story
By Jenna Vincent 

“In Jenna Vincent’s Romantic Suspense novel, Rae Vigil stumbles into an ugly case of domestic violence with a young child caught in the middle. The parents are very powerful and the police are powerless. Torn between saving the child and professional confidentiality, every instinct tells her not to get involved, but sometimes instincts are wrong.”


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Lone Star Sons
By Celia Hayes 

Jim Reade, a volunteer Texas Ranger, is the sole survivor of an ambush in the contested Nueces Strip. Rescued by Indian scout Toby Shaw, the two pursue a mysterious wagon carrying a cursed treasure. Sworn blood-brothers, Jim and Toby meet with other challenges and mysteries, including a trove of documents sought after by spies of three nations and a den of murderous robbers on the Opelousas Trace. The classic Wild West rides again, in this collection of adventures intended for younger readers by the author of the Adelsverein Trilogy.


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A Few Good Men
By Sarah Hoyt 

The Son Also Rises . . .

On a near future Earth, Good Man does not mean good at all. Instead, the term signifies a member of the ruling class, and what it takes to become a Good Man and to hold onto power is downright evil. Now a conspiracy hundreds of years in the making is about to be brought to light when the imprisoned son of the Good Man of Olympic Seacity escapes from his solitary confinement cell and returns to find his father assassinated.

But when Luce Keeva attempts to take hold of the reins of power, he finds that not all is as it seems, that a plot for his own imminent murder is afoot—and that a worldwide conflagration looms. It is a war of revolution, and a shadowy group known as the Sons of Liberty may prove to be Luce’s only ally in a fight to throw off an evil from the past that has enslaved humanity for generations.

Sequel to Sarah A. Hoyt’s award-winning Darkship Thieves, and Darkship Renegades, this is Book One in the Earth’s Revolution saga.

At the publisher’s request, this title is sold without DRM (DRM Rights Management).

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Atlas Shrugged in 7 minutes: Saving You 47 Hours, 21 Minutes, and Perhaps Your Very Soul

Tuesday, October 21st, 2014 - by Scott Ott

Atlas Shrugged, by Ayn RandI just read Atlas Shrugged. It was my third attempt in 20 years. It took me five weeks of fierce determination. If you’ve mulled reading the book, I may be able to add precious days to your span on this mortal coil. (WARNING: The rest of this little essay is pure, unalloyed spoiler.)

Dagny Taggart runs a transcontinental railroad company. Dagny is slim, elegant, bold. In her spare time, she’s writing a 1,168-page novel in which she has sex with three different slim, elegant, bold men. She’s not a slut, mind you, nor horny as a rabbit during the rut.

No, she has sex with each man because she agrees with his philosophy, best summarized thus: I am the most important being in the universe, and my pleasure is the goal of the universe, so leave me alone.

Dagny has sex in her youth with Francisco D’Anconia, heir to an historic copper fortune and the richest man on earth, who’s also writing a 1,168-page novel.

Dagny has sex repeatedly with Hank Rearden, a rich (unhappily married) steel magnate, who, in his spare time, is writing a 1,168-page novel.

And finally, Dagny has sex with John Galt, the most interesting man in the world (who’s not pushing Dos Equis), but  who IS writing an 1,168-page novel which, like the others’, contains a mix of economics, philosophy, daily news and sex. It’s basically the Huffington Post, in book form.

Galt has worked as a laborer for Dagny’s company for 12 years, in the same building as she, though Dagny doesn’t know it. In his spare time, Galt works to shut down the economy of the entire world by getting a handful of effective producers to abandon their life’s work and to defect to Galt’s Gulch, an idyllic hideaway in the mountains.

Is it just coincidence that each svelte, ingenious, wealthy member of this foursome has all of this amazing perfect sex while running his or her massive business, and writing a 1,168-page novel?

No, not coincidence: It’s Ayn Rand.

Miss Rand (whose first name is pronounced any way you please) is the author of a 1,168-page novel called Atlas Shrugged. She’s her own inspiration for each of these characters. So, in a very real sense, Atlas Shrugged is about a svelte genius who wants to be left alone, to fantasize about an industrial Utopia while having sex with herself.

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Come On In, The Publishing Is Fine

Friday, October 10th, 2014 - by Sarah Hoyt and Charlie Martin
Come on in.  The publishing is fine!

Come on in. The publishing is fine!

Sometimes we need to get back to the oldies but goodies.  For me, right now, the proximate cause of this is that this week someone sent me two articles by Lawrence Block.

Combined, these articles constitute such a close mimicking of my own experience as I became aware of indie and started publishing in it that it could have been written by me three years ago.

And I don’t think you can find two writers more different than Lawrence Block and me.

In “Are you sure Knopf started this way?” he chronicles the experience of self-publishing back in the eighties, when the world was new and self publishing was not only the worst possible of all alternatives but – at least by the time I came along in the nineties – often amounted to career suicide.

From the article: For many self-publishers, the alternative is no publication at all. Writers turn to self-publishing when they’ve been unable to interest commercial publishers in their work.

But do go and read the whole thing, including the unloading and storing of trucks-full of books from the publisher.

In “All changed, changed utterly,” he describes his experiences with self-publishing after Amazon and realizing the potential out there.

To me the salient section of it is this:

3. A few years ago I led a seminar at Listowel Writers Week, in Ireland’s County Kerry. There were ten or a dozen participants, but I’ve forgotten everything about all but one of them. She was a young Englishwoman whose stories just sprang off the page at you. And she was a demon for work, too, with a trunk full of unsold novels.

After class I took her aside and told her how much I liked her work, and that she’d probably have a hell of a time getting published. Her stories were a mix of genres, all the products of a wholly original imagination that defied categorization. But if she kept at it, I said, something would resonate with the right person, and it would all Work Out Fine.

We’ve stayed in touch. A few times I’ve suggested she try this editor or that agent, and nothing’s ever quite come of it. She got a gig writing a pair of biblical romance novels, and they’re better than they have any right to be, but her own work hasn’t made anyone stand up and salute.

She emailed me last week, and here’s what I found myself writing in reply:

“Have you thought about self-publishing? It seems to me you’re a great candidate for it, with a stack of unpublished books waiting to be shared with the world. I know that you know how much the publishing world has changed, and that self-publishing does not have the odium that once attached to it. And I know you know, through personal experience, how the gateway to commercial publication keeps narrowing—and what’s on the other side of it isn’t so great, anyway.

What strikes me as wonderful about self-publishing is that it allows material to find an audience. What struck me about your work way back in Listowel was the originality of your voice and vision; I think I said then that it might be a while before you found an agent and/or an editor who shared it. (It’s taken rather longer than I thought it would!)

In fact, self publishing or indie publishing with smaller presses removes the fetters from your imagination. If you can think it, you can publish it.

Even supposing that big publishers weren’t politically motivated in what they push and what they fail to push (hey, indulge me, okay, I write fantasy!) there would still be some blinkered decisions, because you see, publishers don’t view books the way you do. They tend to shove them in categories whether they belong there or not. Say you write regency romances, with little on-screen sex (or none). You are going to get compared to Heyer, even if your work is far more introspective and contains, say, a murder mystery.  (Or a dragon – but I view being compared to Heyer as a compliment.)  If you write Mil SF then Drake or Weber will come up, no matter how differently nuanced you are.

And the problem with this is that they’ll then decide that your book will sell or not based on how those do.  Take a friend of mine who wrote a mystery with gay characters.  He couldn’t get them published even though the house loved the book because “we published a book with a cross dresser before and it didn’t sell.”  The differences between those, and the very different audiences they’d attract were completely non existent to publishers.

Or take my book Witchfinder. While it is nothing new to science fiction/fantasy readers, the book takes place mostly in a parallel world that is stuck at a regency level while the main female character was raised on our Earth and is a computer programmer. My agent (back when I had one) wouldn’t even send it out, because “we don’t know if it’s science fiction or fantasy.  It involves machines and spells.”  (No, really, mostly it involves spells and magic.  The woman is a computer programmer, that’s the extent of the tech involved.)

So after years of the proposal sitting, I finished it on my blog in weekly installments and it’s doing quite well on Amazon. (Though not this month.  Nothing is doing well for me this month. Really, guys, good escapist fun!)

Indie in fact, allows the renaissance (naissance?) of new literary movements that the publishers would stomp on pretty hard.  You heard of Human Wave, right?  It now has a sister movement called Superversive.  Read about it here.

The difference from Human Wave is pretty obvious here.

An Example:

I don’t want to give too much away about Winter’s Tale, part of the wonder of the story is that everything is so unexpected. But I think I can describe this scene without ruining too much of the joy.

Crime boss Pearly Soames approaches another man in 1915 New York, reminding the second man that he owes Pearly a favor. He asks for help in his plan to kill Beverly Penn. The second man wants nothing to do with it, but Pearly calls the debt and insists.

Then, suddenly, in the midst of this intrigue scene, Pearly says:

I’ve been wondering.

With all these trying to go up…and you come down.

Was it worth it, becoming human?  Or was it an impulse buy?

You must miss the wings, right?

Oh, come on. You must.

And in that instant, you suddenly realize that something very different is going on that you first thought, and it opens a glimpse into some greater working of the universe, a glimpse that makes you pause and think…about heaven and fallen angels and what it means to be human and whether it is a good thing or no.

And that, my friends, is Superversive.

Can you write superversive Human Wave? I don’t know. Why don’t you give it a try?  There’s an indie for that.

Of course I still (also) publish traditional and so if you like my short stories be on the look out for the Baen Big Book of Monsters, in which I not only invented a very odd monster but returned to some of my favorite obsessions. Also, consider preordering Shattered Shields, in which I also return to one of my favorite obsessions: the Red Baron. (And no, this doesn’t make the story Word War Two, no matter what a reviewer thought.)

And now I’m going to go back to writing Through Fire which is proving more difficult than any book has the right to be. Catch you next week.


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The Dwarf’s Dryad
By Cedar Sanderson

Free from Friday Oct 10 through Oct. 15

Short Story

Two people who share a common plight… His magic holds the key to release both of them, but first, she has to steal it back. It’s a good thing she is a professional thief, but it’s a bad thing that her target is a witch.


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The Speedy Journey
By Eberhard Christian Kindermann

(Edited and Translated by Dwight R. Decker)

“The Speedy Journey” adds a footnote to the history of both science fiction and astronomy by publishing the first English translation of what may be the first fictional account ever written about a trip to Mars, or at least one of its moons. A German astronomer thought he had made the discovery of a lifetime in 1744 — a previously unseen Martian moon over 130 years before any were officially discovered. Instead of announcing it the usual way, however, he wrote a pioneering science fiction story about it. This edition includes historical essays putting the story in the context of its times, including a possible solution to the mystery of what the astronomer actually did see, as well as both new and vintage artwork.


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The Sky Suspended
By Laura Montgomery

A generation has passed since asteroid scares led the United States to launch its first and only interstellar starship. The ship returns and announces the discovery of another Earth. People are star-struck, crowds form in Washington, DC, and a boy from Alaska and two lawyers fight for the chance for ordinary people to emigrate to the stars.

This is bourgeois, legal science fiction with a hearty helping of space policy wonkery.


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Superintendent
By Jeremiah Wolfe

Exiled to the far reaches of Empire, Brad Guthrie must take office as Superintendent of a backwater district to stake his last claim on a chance at redemption. He knows nothing of the oppressed natives, the failing economy or the plantation holders who cling desperately to power, willing to sell him cheap if it lets them hang on for just one more season. When the ancient past demands payment in the present, only Brad has a chance to answer for the sins of empire. Drawing strong parallels from our own history, Superintendent is science fiction, whodunit, and social commentary about the little people on whom history hinges.


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Portals of Infinity:
Book One: Champion for Hire

By John Van Stry

William is just your typical engineer fresh out of college with a stressful job, a boring life, and not a lot of prospects of anything better in the future.

Until one weekend while hiking in the woods he stumbles across a portal to another time, or perhaps another place. The more he investigates this new world the more he realizes that it may just be able to offer him a lot more than the one he’s been living in.

However, there are forces at work beyond anything that Will has ever come across before and the local Goddess seems to have taken a liking to him. Will may soon find himself getting an offer he cannot afford to refuse.


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Sci Phi Journal: Issue #1, October 2014: The Journal of Science Fiction and Philosophy
By John C. Wright et al.

Sci Phi is an online science fiction and philosophy magazine. In each issue you will find stories that explore questions of life, the universe and everything and articles that delve into the deep philosophical waters of science fiction universes.


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Giants (A Distant Eden Book 6)
By Lloyd Tackitt

A short story about two kinds of giants. One of stature and one of courage. Told in a steampunk setting a young boy is raised by a father with an indomitable spirit. Together they face the worst terror on the planet, a rampaging giant.


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COMING OF AGE, Volume 2: Endless Conflict
By Thomas T. Thomas

The Italian proverb says: “Hold your friends close, but your enemies even closer.” Sometimes you must hold family closest of all. Volume 2 of Coming of Age follows John Praxis and Antigone Wells as they benefit from regenerative medicine to enter that unknown space beyond the traditional three score and ten—only to discover that the endless conflicts of family, business, and politics still pursue them. They must cope with familial treachery, political reverberations from the Second Civil War, dislocations from a Bay Area earthquake, and societal collapse following a mid-continent volcanic eruption and foreign invasion.

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The Joy of Matchmaking

Monday, October 6th, 2014 - by Helen Smith

Screen Shot 2014-10-06 at 4.33.21 AM

I don’t generally read fiction, I prefer non-fiction. However, Glenn received a book from Instapundit reader Suri Rosen who wrote a gem of a book called Playing With Matches that I couldn’t resist reading last night while everyone else in the country was watching football.

I worked as a matchmaker at a dating service for a while in graduate school and it was really a skill to figure out what people actually wanted and liked in a potential mate. Rosen’s book tells the story of a 16- year- old girl who has these skills in a close knit Jewish community where she anonymously matches up desperate singles from twenty to seventy and older. From the description:

When 16-year-old Raina Resnick is expelled from her Manhattan private school, she’s sent to live with her strict aunt — but Raina feels like she’s persona non grata no matter where she goes. Her sister, Leah, blames her for her broken engagement, and she’s a social pariah at her new school. In the tight-knit Jewish community, Raina finds she is good at one thing: matchmaking! As the anonymous “MatchMaven,” Raina sets up hopeless singles desperate to find the One. A cross between Jane Austen’s Emma, Dear Abby, and Yenta the matchmaker, Raina’s double life soon has her barely staying awake in class. Can she find the perfect match for her sister and get back on her good side, or will her tanking grades mean a second expulsion? In her debut novel, Suri Rosen creates a comic and heartwarming story of one girl trying to find happiness for others, and redemption for herself.

I found the idea of a matchmaker who acts as a coach to nervous singles kind of interesting. Nowadays with Match.com or other online dating services, no one gets much good advice in an old fashion way about how to deal realistically with another person. Dating and relationships have lost a lot of the human touch that this book brings to life. It’s a fun book and was a nice change from the political and financial books I generally read.

****

Cross-posted from Dr. Helen

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Book Plug Friday! Bad Romance

Friday, September 26th, 2014 - by Sarah Hoyt and Charlie Martin
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No, this is not about Wuthering Heights which I – Hi, this is Sarah – hate with a burning passion, perhaps because I read it for the first time at thirty, when my husband found me laughing as I read it.  Because this whole dying for love thing, and the chick’s attraction for the unwashed one had to be meant as a comedy.

I still think the Brontes were trolling literature and generations of college professors have missed the point.  My husband says I’m wrong, though, and, who knows? He might be right.

Which brings us to another bad romance.  No, not my marriage.  We’re fine, thank you.  He might think I’m a little crazy, but I think I amuse him.

No, the bad romance I’m talking about is between two groups of people.  Or rather one group and each of several groups.

The first group we’ll call the Missionaries. They’ve been called Social Justice Warriors but that is a bit specific.  A lot of them wouldn’t think of themselves that way, because they don’t think they’re Warring with anything, precisely.  Instead, they think of themselves as Missionaries of civilization going among the benighted.  Just like the nineteenth century Missionaries to Africa never wondered why the natives didn’t wear pants, nor wished to acquire the native customs, so the Missionaries of enlightenment have no interest in the quaint customs and history of the groups they choose to grace with their presence.  Instead, they’re there to preach the one true way and bring the recalcitrant into civilization.

The groups they choose to embrace vary: science fiction and fantasy; gaming; hobby groups.  The Missionaries are an universalist lot.  They want to go everywhere and make everywhere conform to their ideas of good.

Of course, the funny thing is that one of the things these Missionaries preach is multiculturalism, but they have no problem at all imposing their values on various communities that had their own values before they arrived.  This is because a) like all multiculturalists they are in fact oikophobic, hating the “less enlightened” of those they live among and cleaving instead to an imaginary superior “other.” b) These are cultures and groups they perceive as low status, sometimes because (like the game community) they are weighted towards males, but mostly because they’re weighted towards geeks and people considered outliers by society.

If I had a dime for every time I’ve been at a convention and heard someone – usually female, although not necessarily – proclaim loudly they haven’t read any of the seminal works of the field I wouldn’t need to write for a living.  They will tell how racist and sexist those works are, of course.

After all, the Missionary of the superior civilization doesn’t need to read your primitive tracts to realize he or she is far superior.

In fact, that script has become a point of pride. Instead of reading the early work in the field, these people who want to totally reform your area of interest will lecture you on your evil ways, which they know about because they’ve been told about them by other people in their group.  Thus they will tell you with a straight face that science fiction had no female writers or writers of color until they came along, somehow sweeping under the rug the history of the very awards they now demand to be given as representatives of discriminated against groups.

I was reading about the various crusades online – the whole stompy foot careening into various groups and trying to shame people for not wearing pants, having the exact mix of gender/orientation and race that the Missionaries think is civilized, and then I realized this entire psychological scenario is something I remembered vividly from college.

You see, even though I was a geek girl, I can pass. Also, I was cute and enjoyed dressing up. I ran with a group of girls who were generally richer and more upper class than I was.  This being Europe, they, of course, dated within their class.  Usually.

But there came that time when they were either between boyfriends, or upset at their current boyfriend, and became aware that there was a boy not-in-their-class (either social, or academic, or of presentation) who was making eyes at them.  Most of the time, these boys were fodder for being made fun of.  But sometimes my “friend” (and by friend I mean friendly acquaintance) was bored or needed a self-esteem boost.

She would make this boy her project.  It was always the same.  “If only you dressed more like this” and “If only you bought a different car” and “If only you rented a place here” and “If only you changed your major.”  At the end of that long list of “if only” was the unspoken promise that “I, who am so superior and so much better, will DATE you.”

Except they didn’t. Not once. They would swoop onto this guy’s life as an “interested friend” and change everything about him, and then go back to their boyfriend/find a new boyfriend more of their type.

These girls were in fact, “bad girlfriends.”

Never once had they any real interest in the boy.  He was just a plaything to be molded into their image thereby giving them an ego boost.  In fact, they would loudly proclaim that they would never be seen with this boy as he was or had been, but if he “only.”

The Missionaries are exactly the same.  They are not fans of science fiction and fantasy.  They actually have no interest in the field as it is.  They have an interest in the work produced by the other Missionaries trying to enlighten the heathens, of course.  And they hold out the promise that “If only.”  If only we were more socially conscious.  If only we celebrated the Other more.  If only we were less obvious about those uncouth fantasy and science fiction elements in our stories.  If only we were more like those cool-stories-literature-professors like.  If only we did all of this, THEN, oh, then they would be fans.  They would love us!

What this means for any self-respecting field of endeavor is that we can tune them off with impunity.  They don’t love us.  They haven’t ever, and they never will.  They just want to get an Ego Boost by making us twist ourselves into pretzels, and then they’ll sail off to court the “real literature” crowd or more likely (because they’re all actually fairly low brow masquerading as intellectuals) the TV and movie crowd.

And if we play their game, they’ll leave us behind with our fun field in ruins.  In some of these fields, like science fiction and fantasy, it has almost gone too far already.  In gaming they’re being politely shown the door.

But even in science fiction and fantasy there’s hope.  You see, we had to conform to their demands because the authorities in the field (the publishers in the old system) made us. The publishers, you see, belonged to the same set as the Missionaries and had gone to the same schools. So we had to write the “right” (which mostly meant the “wrong”) stuff, even if it was driving real readers away.

Now we have indie, so we don’t have to conform to the agenda anymore.

Yeah, yeah, yeah, the Missionaries say we have to wear pants, have inconclusive endings and write according to their “enlightened” check list.

Fortunately, they’re not fans and they have no power, now we don’t need to go through their pet publishers.

We know they don’t love us and are only using us as step-stools to “greater things” and also having much fun berating us.

We all met women (and men) like them. They’re not worth the effort.

And it’s time we collectively stopped listening to them.

Nothing annoys this type of Missionary as being soundly ignored.  Let’s do it.

It’s time to put an end to this bad romance.


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Worlds Of Wonder – August, 1956
By AUTHOR

Do you miss the fun SF pulp magazines of yesteryear? Have you noticed a lack of enjoyable short fiction lately? Are you looking for fantasy and humor, for high adventure, drama, and hard science? Pick up ‘Worlds of Wonder’ today! Assault Normandy on D-Day with our unsung allies of the S.A.F.! Fly for your life in the clouds of Jupiter! Reclaim a ruined planet for humanity! DON’T try to trick a genie, and change everything! Pick up the latest edition of ‘Worlds of Wonder’ for your Kindle now! Only 99₵, and guaranteed in stock today!


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No Network Found
By Jerry Lawson

The Nevada Test Site in the summer of 1954… A hot wasteland of rock and sand – but the appearance of a small sphere carrying a cell phone from the future is about to change everything. That cell phone was a test article, loaded with data to be compared after a time travel experiment – tens of thousands of books on computers, networks, material science, medicine and history… on all aspects of Future Tech.

Now – the people of 1954 have to deal with technology from 2016… and the first integrated circuit hasn’t even been invented yet!


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A Patriot’s Act
By Kenneth Eade

When a naturalized American citizen turns up missing in Iraq, Brent Marks fights the Goliath U.S. government with its own Constitution. Santa Barbara accountant Ahmed Khury responds to the plea of his brother, Sabeen, a suspected money launderer in Iraq. Before Ahmed realizes what has happened to him, he is in Guantanamo Bay Detention Camp, being subjected to torture to extract information that he doesn’t have. The drama outside the courtroom explodes, and when murder, corruption and cover-up enters the picture, nobody, including Brent, is safe.


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Sarya’s Song
By Kyra Halland

In a world where music is magic, Sarya dyr-Rusac has risen from her destitute childhood to become a respected Arranger of musical magic rituals, until a wedding ritual she wrote results in tragedy. As unprecedented disasters follow, a beautiful, nameless man in chains begins to appear in her dreams, begging her to sing him free. With time running out, Sarya must discover the truth: is he too dangerous and powerful to deal with, a threat to the man she loves and to their world, or does he have the power to end the catastrophes that threaten to tear the world apart?


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Nine empathies: Apprehending love and malice
By Greg Swann

Virtually all of philosophy, not just reductionist science, labors under the delusion – an empathy for the impossible – that people can be controlled from the outside, and can thus be impelled to betray their own interests and values. My impression is that the sole interest academia takes in empathy is to try to figure out how to build a better shmoo.

How do you adore your self while your loved ones suffer? How can you be so deeply in love with them that you cannot distinguish loving from being loved? How can you plan to share a lifetime – to build a home, a family, a future – with someone you really only know by conjecture? This is why you need empathy – and why its real-life expressions are never a self-sacrifice.


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Shot through the Heart
By Julia Blaine

Abduction. A duel. Murder.

Since birth, Galatea was betrothed to Lord Harte Whatley. Conscientiously he visits every Tuesday and Friday. Only on Tuesdays and Fridays. Surely her up-coming, magical London Season will kindle love between them, overcoming obligation. Then Harte replaces his fickle younger brother Pierce in a fatal duel. A third shot strikes accurately. Who is the intended victim? Believing both shooters dead, Galatea and Pierce comfort each other, attempting to solve a mystery with more than one villain — in spite of meddling aunts and an important monkey. Is Harte alive? How can Galatea know who she really loves?


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Acts of War
By James Young

August 1942. London is in flames. Heinrich Himmler’s Germany stands triumphant in the West, its “Most Dangerous Enemy” forced to the peace table by a hailstorm of nerve gas and incendiaries. With Adolf Hitler avenged and portions of the Royal Navy seized as war prizes, Nazi Germany casts its baleful gaze across the Atlantic towards an increasingly isolationist United States. With no causus belli, President Roosevelt must convince his fellow Americans that it is better to deal with a triumphant Germany now than to curse their children with the problem of a united, fascist Europe later.

Acts of War is the continuation of the Usurper’s War series, which charts a very different World War II. As young men and women are forced to answer their nation’s call, the choices they make and risks they take will write a different song for the Greatest Generation.


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Suraiya Jafari: An American President
By Cindy Moy

Suraiya Jafari is an Indian-American Muslim Congresswoman who accidentally becomes the U.S. President. Suraiya, a Republican and former Marine lawyer, is serving as the House Minority Leader in 2022 when the vice president is charged with fraud and forced to step down. Suraiya is tapped to be vice president in an effort to rebrand the party. Then the president dies, and Suraiya moves into the Oval Office. Thereafter she deals with secession, distrust from her own party, sabotage from her political rivals, and even the threat of a third world war, all while coming to terms with how others try to define her and figuring out how she defines herself.

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In Which I Admit My Crystal Ball IS Broken

Friday, September 12th, 2014 - by Sarah Hoyt and Charlie Martin
Managed Economies, Comrade!  Always the future of the past.

Managed Economies, Comrade! Always the future of the past.

(Hi, this is Sarah.)

Making predictions is hard, particularly when they’re about the future.

If you’d asked me in the mid nineties what was wrong with the book business, I’d have told you.  It was the top down, planned-economy model, where the big chain stores stocked according to the whims of their business managers – whims that were mostly based on degree of “confidence” (read supposed print run and ability to pay for better shelving) from the publisher.

I had reason to know that more often than not no one in that chain, from acquiring editor to bookstore manager had read the book.  In fact, while editors read proposals, often the only person who’d read the book was the copyeditor.  (Who was a just out of college kid, more often than not.)

So, how were books stocked?  Mostly they were stocked on feel, on blurb, on general “sense of what should sell” and on – of course – prior numbers.

Only prior numbers were often a matter of GIGO.  For instance, if you only got stocked two books per store, it was known it would sell at most 50% (because of the low visibility and also shoplifting) and then the next book would only print that much, and in three books your career was dead.  (Though often not, it’s just they got to reset your name and take you back to the beginner level advance.)

With one of my books, I was told my best shot at a good distribution was if someone made a movie about the historical period.  Then all the bookstores would stock me.

Think about this.  This was an industry that was, almost exclusively, relying on another industry to do its publicity for it.  And who was stocking not on the basis of quality of the written word, but on the vague feeling that the subject was trendy and therefore people would want to see it.

If you’d asked me in the mid nineties what that would mean for the book business, I’d have told you “nothing. Chains are now the only game in town.  So they’ll keep on keeping on, selling a little less each year, and when they go under in 20 years, they take all of the book business with them.”

I should turn in my crystal ball right now.  Oh, wait, I don’t have one.

Because Amazon came in and everything changed.

For clothing and electronics and automobiles, that workflow is in sync with consumer behavior. Consumers want new fashion, the newest flat-screen, the latest model car. Book consumers aren’t the same. Yes, new titles can drive sales, but book buyers also look for forgotten classics and hidden gems. That means poring over shelves, and that requires old inventory. The chains and their management could have tried to set investors’ expectations for higher unsold inventories as a healthy part of the specific business of buying and selling books. But they didn’t. They treated old inventory as a drag rather than an asset and began to trim their shelves of titles. (Alternatively, they could have tried to position themselves as larger, better-stocked versions of the independents, focusing on the particular desires of book customers.)

Independent bookstores never had to answer to the dictates of public markets. Many of their proprietors understood, intuitively and from conversations with customers, that a well-curated selection—an inventory of old and new books—was their primary and maybe only competitive advantage. In the words of Oren Teicher, CEO of the American Booksellers Association, “The indie bookselling amalgam of knowledge, innovation, passion, and business sophistication has created a unique shopping experience.”

Or, in other words – readers prefer buying from other readers, and books aren’t pieces of fruit that go bad after two weeks.  Also, books (and authors) aren’t fungible.  Who knew?

Not I.  I could have told you five years ago to go long on Amazon, but the last thing I expected was a resurgence of indies.

So I’m not going to make any predictions – I’m merely going to say I’m very glad the misery and failure results of a managed economy have been curtailed for my field by disruptive technology.

And that these are interesting times to be alive in.


And interesting times to publish an independent book and get it plugged on Book Blug Friday! Send an email to book.plug.friday@gmail.com for submission guidelines


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The Unexpected Enlightenment of Rachel Griffin
By L. Jagi Lamplighter

Roanoke Academy for the Sorcerous Arts—a school of magic like no other!

Who knew so much could go awry in one week?

Rachel Griffin has one goal. She wants to know everything.

Arriving at Roanoke Academy in the Hudson Highlands, she discovers that her perfect memory has an unexpected side effect. With it, she can see through the enchantment that sorcerers use to hide their secrets.

When someone tries to kill a fellow student, Rachel investigates. She soon discovers that, in the same way her World of the Wise hides from mundane folk, there is another more secret world hiding from the Wise. Rushing forward where others fear to tread, Rachel finds herself beset by wraiths, embarrassing magical pranks, a Raven that brings the doom of worlds, and at least one fire-breathing teacher.

Meanwhile, she’s busy learning magic, making friends and, most importantly, finding romance!

Curiosity might kill a cat, but nothing stops Rachel Griffin!


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Portals of Infinity: Book Two: The God Game
By John Van Stry

Will’s life has definitely changed since that day he went hiking in the woods. Learning about the portals opened his eyes to the wider reality. Being setup to become a God’s Champion was an even more startling event.

Now it’s time to pay for his ‘recruitment’. While Gods on a single world maneuver for power, the older Gods from the infinite spheres play a larger and more complicated game. The Goddess Aryanna has a quest she needs completed, and five Champions are needed to do it. Leaving Will to wonder, what could a Goddess possibly need?


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Memories of the Abyss
By Cedar Sanderson

Free novella from Sept 12-16

Violet is trapped in the prison of her own mind. Her body is dwelling in the insane asylum, but when her friend Walter is killed, she must make a decision to avenge his death, or stay safely locked in her own broken soul. He’d drawn her out of her shell, and she finds she still has honor left… But will anyone believe the crazy woman?


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Chosen of Azara
By Kyra Halland

Lucie, a pampered young noblewoman, has no idea of her true heritage and the power she holds to restore a lost land to life. When a handsome stranger appears at her father’s house, claiming to be a long-dead king and telling tales of a beautiful, mythical land, she fights to deny what he says and cling to the comfortable life she knows. But in her heart, she knows she must find the courage to believe Sevry and join him on his quest to defeat the evil that destroyed Savaru and bring the land and its magic back to life.

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Read All You Want, the Forces of Writing Darkness Will Write More

Friday, August 29th, 2014 - by Sarah Hoyt and Charlie Martin
An accurate of the villainous indie writing tying the publishing industry to the train tracks.  Don't it just break your hearts?

An accurate representation of the villainous indie writer tying the virtuous publishing industry to the train tracks. Don’t it just break your hearts?

Hello ladies, gentlemen and creatures not yet identified by science.  This is Sarah Hoyt, once more missing Dragoncon to bring you these pearls of wisdom.  Okay, fine.  I’m missing Dragoncon because I’m broke, so I might as well bring you these pearls of wisdom.

Over this weekend, forcibly away from my colleagues who are having way too much fun starting right about now, I’ve been giving some thought to the whole traditional and indie model, which, as you know, is something I never do – coff.

Cons and publishers and the whole enterprise of publishing as I entered it, oh, thirteen years ago or so with the publication of my first novel, was very much a social thing.  What I mean is, from the outside, it looked like a collegial and harmonious enterprise.  All the authors seemed to know each other and at least superficially get along.  And you read – at least in books published a long time ago – that all the authors helped each other.

Was this true?

Well, now.  Some of it was.  Some number of my colleagues were always big-hearted professionals, willing to help a newby who kept her nose clean and worked really hard.  I’m minded here of Kevin J. Anderson who unbent from his Olympian heights to keep me sane and keep my hope alive after the publishing world shut its doors in my face when my first book series failed, back in 2003.  I’m thinking of Dave Drake, who gave me my introduction to Baen.

But these were, at the time, almost acts of exceptional courage.  When I found myself on the outside looking in, the people who helped shine by their exceptional courage. It was a whispered truism in the field that you shouldn’t stand too close to someone the gods of publishing disfavored, because, you know, the publishers might think you were tainted.

This made perfect sense in an oligopsony that could control your fortunes not just what they did, but with what they failed to do (such as promote your books) and when you had no way to make a living through these at best indifferent gatekeepers.

The oligopsony created a finite pie, too.  There were so many slots for so many authors, so many spaces in the shelves of bookstores.  Even if it were your best friend being picked up and promoted, you felt a twinge of … not quite envy, because that slot couldashouldamighta have been yours.

This precluded the amity between writers from being quite as it appeared in public. As did the often random preferential treatment given to those with connections and publishing contacts.

My dentist once told me he knew I was a novelist because I had tooth grinding problems. (This worried me a little.  How many novelists are there in my neighborhood?)

How much things have changed. Nowadays, despite certain people at Teh Grauniad lamenting the “reactionary” and individualistic tendencies of indie publishing, where it’s apparently a writer eat writer world, in fact, I’ve found a lot more cooperation, a lot more help in the new model.

And why not? After all, in the new model there is no finite pie. If any of you falls madly in love with my historical mysteries, it doesn’t mean you’ll buy fewer historical mysteries, but rather more, as I can’t write as fast as anyone reads, and you’ll need more books to feed the habit.

There is also a sort of spontaneous cooperation.  For instance, I said on a couple of facebook groups “Wouldn’t it be fun if we could have a labor day sale?”  And lo and behold, there is a Labor Day sale, with writers who don’t even know each other, but who all figured that there is … sales generation in numbers.

So – at this link are a bunch of books, all of which are 2.99 or less.  Some of which are advertised below.  And some of which are mine. And it all happened spontaneously, through a bunch of authors, cooperating and stuff. Indie authors, you know, those reactionary forces of darkness. (If I’m going to be a force of darkness I must have a cloak and a moustache!)

Have a good Labor Day weekend and read a lot.  Don’t worry about finite pies, either. We’ll write more.


Congratulations,for this week’s links, every last one of the submissions wins the “Authors who can read as well as write” No Prize for submitting the TITLE, AUTHOR’s NAME, BLURN of less than 100 words, and AMAZON LINK to book.plug.friday@gmail.com. Tell all your friends, let’s see if we can keep the run going.

Well, okay, except for one. If your blurb looks a little abbreviated (by which I mean massively cut) you’ll know who you are.

Remember, send your entries to book.plug.friday@gmail.com. In return you’ll receive your very own copy of the guidelines for submission.


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SKORPIO
By Mike Baron

Vaughan Beadles, Professor of Anthropology at toney Creighton University, is on top of the world. Married to the beautiful Betty, Beadles has just taken possession of the largest uncatalogued Amerindian collection in the US. For years Beadles has theorized that the previously unknown Azuma were among the conquistadors’ first encounters. But when one of Beadles’ students dies from a scorpion sting his world comes crashing down. Betty leaves him and the University charges him with grand larceny and manslaughter.

Beadles’ only hope for redemption is to prove the Azuma were real and find the epicenter of their civilization, a journey that takes him from Illinois to Arizona and a fateful encounter with a monster literally from his own nightmares.


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Monster Story
By McCarty Griffin

After years of self-imposed exile, Christy McCauley finally returns home, unaware that the hollows of rural Augusta County where she grew up have become the hunting grounds for an unknown creature that has authorities baffled as it grows ever bolder and more savage. When Christy finds herself caught in the beast’s path, she must choose between fleeing her home to save her own life or standing her ground, and with the help of her friends, hunting down the predator before it kills again.


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Half-Inch
By McCarty Griffin

On a lovely spring day in April, he finally pushes her that tiny bit too far and she snaps. Deep within her, a cold, cruel voice she barely recognizes as her own pronounces those fateful words, “I’m going to kill you, Bobby Hilts.” Ride the crazy train along with Pammy as she gleefully plots her soon-to-be ex’s demise and the diabolical means that ensure that his body will never be found.


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ELSINORE CANYON
By “J.M.”

Madness, morality, murder, revenge, and unrequited love: A modern take on Shakespeare’s Hamlet, suitable for adults and older teens.


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Gods and The City
By Steve Statham

For a thousand years, the new gods of mankind have protected the remnants of humanity. Reduced to a handful of survivors after a devastating alien invasion, a desperate human race accepted these gods as defenders against the terrors of a hostile universe. But when the greatest of man’s redoubts, The City, is assaulted by a power rivaling even that of the guardian god, the burden of protecting mankind’s future will fall to others. And what can mere men and women do against forces that can reshape and manipulate the universe itself?


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The Morning Which Breaks (Loralynn Kennakris #2)
By Jordan Leah Hunter & Owen R. O’Neill

For eight years, Kris was the property of a brutal slaver captain.
Now she’s free and a cadet at the League’s military academy. All she brings
to this new life is a unique set of skills, a profound ignorance of
‘civilized’ society, and a large chip on her shoulder.

But if Kris isn’t quite sure what to make of the Academy, the Academy isn’t
at all sure what to make of her. The medical staff thinks she’s homicidal,
her fellow cadets think she’s crazy, and her instructors don’t know what to
think.

So when she’s asked to help capture a terrorist warlord, she’s more than
happy to leave the halls of academia behind for awhile. Kris knows she’s not
signing up for any pleasure cruise. What she doesn’t know is that the key to
the mission’s success is reliving her very worst nightmare . . .


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Urdaisunia
By Kyra Halland

Urdaisunia, once favored by the gods above all other lands, now lies defeated and in ruins. The gods, displeased by the Urdais’ weakness, have turned their backs on the land and left it to die.

Rashali, a widowed Urdai peasant, has vowed to destroy the conquering Sazars and restore Urdaisunia to greatness, but her people are too broken by famine, plague, and poverty to fight.

Prince Eruz, heir to the Sazar throne, is driven by his conscience to do what is best for all the people of Urdaisunia, Urdai and Sazar alike. His father the King views his concern for the Urdai as an unforgivable weakness, and Eruz must walk a dangerous line between loyalty and treason to do what he believes is right.

When Rashali and Eruz meet by chance, the gods take notice. As Rashali struggles to find a way to free her people and Eruz risks all to bring peace to the land, a divine wager sends peasant and prince on intertwining paths of danger, love, and war in their fight to save the land they both love – Urdaisunia.


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Across Four Realms
By James Young and Anita C Young

Across Four Realms is a collection of short stories that introduces the reader to four disparate universes, with the sole constant that chaos knows no boundaries…and pain is a companion to all.

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Lies, d*mn lies and publishing

Friday, August 22nd, 2014 - by Sarah Hoyt and Charlie Martin
This is not the tsunami you're looking for.

This is not the tsunami you’re looking for. 

It never fails. (Sarah here.)  I find myself on some forum with traditionally, indie and hybrid authors, and someone brings out two old canards:

1-      You’ll never get there by your wits alone.  I.e. indie is all very well, if you want to sell a 100 copies of your precious little effort, but to make the big bucks you need traditional publishing.

2-      Indie publishing is submerged in the proverbial tsunami of cr*p.

Do I need to tell you that not only neither of these are true, but that they’re almost the opposite.

Yes, you can do very well financially from indie.  And I’m not talking the big name cases like Amanda Hocking, or Hugh Howey.   No, everyday people who have been publishing indie for five years or so and do well enough to make six figures and are considering quitting their job.  This might seem like nothing to you, if you think that every traditionally published author plays poker with Stephen King and has his own swimming pool filled with gold coins, like Uncle Scrooge, but “making a living from writing” has been impossible for most writers for the last forty or fifty years.  Ten years ago the average income from writing of the members of Science Fiction and Fantasy Writers of America was five thousand dollars a year.  And most people in the professional organization made less than that.  (And it’s probably worse now.)

What about the tsunami of cr*p, then?

This rings true, especially to many writers, because, well… we’ve most of us had to read for contests, or even have downloaded ebooks that are appalling.

But is there a tsunami?

I can tell you that whatever it was, tsunami or gentle rain storm, it was much worse back when ebooks started.  Either I’ve got better at picking books, or the really seriously bad ones have given up and gone home. And I think a lot of them have.  The people putting up a book in hopes of being millionaires tomorrow get disappointed and stop writing.

There is another factor too.  Almost every hopeless “die trying” case of wanting to write I’ve ever met doesn’t want to go indie.  They want validation and “books on the shelves” and to do the morning talk shows and…  In fact in the indie versus traditional battles they’re the loudest pro-traditional voices.  Hope springs eternal, I guess, and it prevents their ever coming to grips with their shortcomings.

Mind you, there are plenty of awful books out there.  I just returned one to Amazon, something I don’t remember doing with a free book, ever.

First, the main character had gender dysfunction issues he didn’t seem aware of. As in, I was in the head of a six foot something male and he was reacting/thinking/viewing people as though he were a small female. This is something that can/does happen when women write first person (or third person close in) males. Yes, it’s worse than men writing females, because then she just comes across “Strong” and “independent” because she’s not afraid to be out at night. But a tall, strong man doesn’t go all feely over “there’s a knot of people ahead. Oh, my, are they aggressive?” unless he’s wounded or otherwise incapacitated.

Second – I thought “maybe the character is a very swishy gay male. Whatever.” BUT it kept pulling me out. I kept seeing a petite female and then being told this was a male.

Third- the knot of people turned out to be a “disturbance”. There’s a man screaming at someone else in a square in Regency England. A guardsman shoots him, and then says “He was just a peasant” and there’s no consequences. France, before the revolution? Sure. England in the Regency? No. Yeah, it could happen in a riot, but if the guard weren’t lynched, he’d be tried. I thought “Oh, boy, someone read too much Marxist theory and knows no real history” but kept reading.

Fourth-The man goes in and has a pointless discussion with the alleged villain in which they explain all the social rules of Regency England and half of them are WRONG or at least the writer has no clue what she’s trying to explain having got the smell but not the taste of the thing.

Fifth- Our hero goes home. There’s a woman (ravishing, natch) waiting in his rooms and she makes sweet sweet love to him. Look, it’s not even the “why would she” it’s the SHE made love to him. I.e. he was utterly passive in a way I’d find hard to believe for most women, and I don’t think the most passive of men can be. The book got deleted.

Yes, yes, it was an indie book.

Now the kicker and the chaser. THE KICKER: it was an indie book republished by the author AFTER rights reverted from…. drumroll … Berkley Prime Crime. THE CHASER: It’s third for historical mystery and VERY high for historical romance.

This brings me to my final point: Look, we’re in unknown territory here.  For longer than any of us has been alive, the publishing houses have been publishing not what sold (if they even knew what that was, through their arcane accounting system) but two things: the correct politics and something to impress their colleagues.  So we got leftist litrachure.

We also got a whole bunch of things that editors decided was “good” and lost a lot of things they decided was “bad.”  When indie started, despite the fact that most golden age sf/f was first-person, the publishers were well on their way to banning first person.  Other things have been banned that were part of the story teller’s art forever: omniscient viewpoint, male action heroes, things that have nothing to do with quality but with the echo chamber of NYC publishing.

And what we’re finding with indie is that those often sell.  Because we’ve been trained in a certain type of market/storytelling, they often strike us as bad, but the public likes them.

So, if you’re a writer, indie or not?  Try things.  Your first book probably won’t sell a lot, but keep writing.  In indie, there’s a virtue in volume.  I hear there’s a huge increase in all numbers after your fourth indie novel.  Just get it out there. Write the best you can, and put it up.  If this is what you want to do, strive to improve and don’t lose faith.

Go indie, young man, go indie.


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Crawling Between Heaven And Earth
By Sarah A Hoyt

Only 99¢ through tomorrow.

A collection of short stories by Prometheus Award Winner Sarah A. Hoyt. The first edition of this collection was published by Dark Regions Press in paper, only. This updated edition contains two bonus short stories: High Stakes and Sweet Alice.
It also contains the stories: Elvis Died for Your Sins; Like Dreams Of Waking; Ariadne’s Skein;Thirst;Dear John;Trafalgar Square;The Green Bay Tree; Another George; Songs;Thy Vain Worlds;Crawling Between Heaven and Earth


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Trophies of War
By Christopher Remy

Fighting in over 100 countries.

Economies shattered, empires dissolved.

More than 60 million dead.

The Second World War was the most destructive conflict in human history, but it was more than just a battle of ideologies and nations—it was a war on culture. As they marched across the continent, Hitler and the Nazis looted the art of occupied Europe for the glory of the Thousand Year Reich as well as their own personal collections. Many artworks are still missing today, while others are the subjects of modern treasure hunts as survivors seek to bring their property home.

In Trophies of War, David Lyon discovers a family mystery in his mother’s basement that takes him across a former war zone where the secrets of the 1940s—and those who would do anything to keep them hidden—are still alive today.


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Portals of Infinity: Book One: Champion for Hire
By John Van Stry

William is just your typical engineer fresh out of college with a stressful job, a boring life, and not a lot of prospects of anything better in the future.

Until one weekend while hiking in the woods he stumbles across a portal to another time, or perhaps another place. The more he investigates this new world the more he realizes that it may just be able to offer him a lot more than the one he’s been living in.

However, there are forces at work beyond anything that Will has ever come across before and the local Goddess seems to have taken a liking to him. Will may soon find himself getting an offer he cannot afford to refuse.


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Genesis (Idolatry Book 1)
By Quent Cordair

In the twilight of the Roman Empire, a sculptor struggles to keep an 800-year dream alive while honoring the love of his life and raising his adoptive son. Part I of the *Idolatry* series, an epic story in five parts.


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Marie’s Tale
By Alma T.C. Boykin

Duchess Marie von Starland, wife of the great Aquila von Starland, mother of Princess Miranda Sobieski, tells her side of the story of the war against the Turkowi and the Siege of Vindobona.


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The Warrior and the Holy Man
By Kyra Halland

The Path of Haveshi Yellowcrow: When ill fortune strikes Haveshi’s clan, the remedy is devastating for the young wife and mother. Guided by the Yellowcrow, god of the forsaken, she sets out on a path to regain what she lost.

The Path of Latan the Clerk: Latan, a lowly clerk in service to the magical Source Tiati, has discovered a historical document of great importance, and is summoned to present his findings to the high priest of the Empire. Accompanied by the warrior named Haveshi Yellowcrow, he embarks on the journey of a lifetime and finds unexpected danger and self-discovery.

A novella-length duology set in the world of Chosen of Azara.


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Stories from Arisa – A Short Story Collection
By Davis Ashura

Arisa: a world of loss and hardship; of legend and wonder; the world of A Warrior’s Path. Return there now with Stories from Arisa, a short story collection featuring four wonderful new fables from that mythic place; each one a polished gem; together, an assemblage spanning the realms of hope, humor, tragedy, loss, and love.

Stories: Received Wisdom, The Prank, A Lesson Learned, The Missing Diamond

Also included are the prologue and chapter 1 of A Warrior’s Knowledge, Volume Two of The Castes and the OutCastes.


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Bloody Eden
By T.L. Knighton

Ten years after a nuclear war forced Jason Calvin to fight his way across Georgia and through a brutal warlord, life has settled down a bit in a town called New Eden. As the town sheriff, Jason keeps the peace.

After saving a family from a horrible fate, that peace becomes threatened when a sadistic military man shows up, claiming the family are fugitives from his draconian justice system and they’re coming back whether anyone in New Eden likes it or not…and maybe some of New Eden’s own as well.

Unfortunately for him, Jason isn’t about to just let something like that go.


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The Pericles Conspiracy
By Michael Kingswood

99¢ through the weekend.

Josephine Ishikawa’s last shift as Captain of the starliner Pericles changed the course of history, but no one knows about it. The powers that be took charge as soon as she got back to Earth, with only a select few permitted to learn about the beings she encountered during the run from Gliese, or the eggs they entrusted to her care.

Satisfied that the government would make good on her commitment to return the eggs home, Jo returned to her job of getting Pericles through a major maintenance overhaul and then back out to the stars. But when she learns that the authorities reneged and have begun experimenting on the eggs instead, she faces a difficult choice: keep the life and career she loves or embark on a quest to rescue the eggs and keep the promise she made to their dying parents, out in the depths of space. That quest could cost her more than she ever imagined as it plunges her into a shadow war against a planetary government that will stop at nothing to keep its secrets.

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Meet the Knight Who Was Misplaced in Time

Monday, August 18th, 2014 - by Hannah Sternberg

HS_Bulfinch_Frontcover_040114_Final-02-02

We’ve talked about a lot of things together, here. What to read, how not to date jerks, why the internet loves to hate Lana Del Rey, that time I dodged bears in West Virginia, and much more. I’ve really enjoyed the heck out of sharing these episodes with you, and I look forward to continuing to do so. If you’ve enjoyed the heck out of following my adventures, it’s time to join me in my latest big one: the launch of my second novel, Bulfinch.

Bulfinch is a whimsical tale about a history student whose imagination is so powerful that the knight from the book she’s reading pops out of her head and into real life. But he’s no fairytale visitor — he’s a very medieval fellow indeed, and our heroine Rosie is forced out of her reclusive bubble as she sets out into Baltimore to track him down and put him back into history where he belongs. Bulfinch is appropriate for readers aged 14+, and entertaining for all. By turns funny and tender, it’s a book you won’t be able to put down.

Bulfinch was released last Friday, to my delight! Don’t miss another day in ordering your copy, in paperback or Kindle formats. Buy it here.

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How to Be A Special Snowflake (Who No One Reads)

Friday, August 15th, 2014 - by Sarah Hoyt and Charlie Martin

shutterstock_106196360

Ladies, gentlemen and writers, this is Sarah speaking, and today I’m really, really, really myself.  I have, in fact, allowed myself to fall under my own influence. You may blame it on Pat Richardson who, under the amiable illusion that my blood pressure was too low, sent me the following article: Why I Will Never Self-Publish.

Now, first of all, I have to confess I looked at the title in wonder and puzzlement because I’ve been a professional in this field for going on sixteen years, and all along I’ve stuck to the principle I first heard from Kevin J. Anderson at a Pikes Peak Writer’s Conference around 1998 or so, which was “Sure, I can do that.”  In the ever-changing publishing landscape, I’ve seen arguably more prolific, harder working and far more talented people become lost along the way all for lack of “Sure, I can do that.”

I had a friend who refused her first contract for a YA series in England, because her lawyer said not to take the perfectly normal clause in the contract.  (Yes, I know, but back then the contracts weren’t even that bad.)  She didn’t get a second opinion.  She waited for the better contract that never came.  I’ve had friends who stopped writing because their advances weren’t increasing, friends who refused to write original mass market paperbacks, and friends who refused to write different series/short stories/other characters/different genres.

Sometimes you get lucky when you do that, but most of the time you just get abruptly retired.

But I thought, well, maybe this person is just under-informed.  After all, five years ago I’d have said the same thing, because my image of self publishing was Publish America or worse.  Yes, yes, in the days of Hugh Howey and after Amanda Hocking there is no excuse for that, but who knows?  Maybe he hasn’t heard that indie is viable and a perfectly respectable avenue for writers these days.  There’s no shame in indie, there’s shame in not selling.

And I’ll also confess I wouldn’t bother eviscerating this blog post, except that lately I’ve run into a number of people with the exact same ideas who will look down on those of us who write for a living.

So I started reading.

I sold my first novel to Unbridled Books without an agent and then, at my book release party at Watermark Books, during the Q&A section, someone asked me why I had self-published. I was crushed. I’d spent two years writing and rewriting the book, another six years trying to find an agent before giving up and submitting it to a few small presses.

Oh. Oh! You sold your book to Unbridled Books, did you?  Which is, exactly what? And you’re surprised people thought you self published?  And you had a … release party?

At this point it became obvious to me that I was in the presence of that ubiquitous creature in writing circles: the precious flower.

The precious flower is convinced his efforts at putting wordage on paper are going to make the world bow to him and explain their lives were empty – empty – until he came along.

The precious flower will clutch at a publisher like Unchained Unknown Unbridled Books rather than face the big, cold world alone, because, well, they’re a real publisher and they’ll do wonderful things for him.

The truth is, if he took two years to write his first novel, and six years to shop it around without (I presume) writing a second novel, the bigger publishers couldn’t have done anything with him, other than perhaps put him in the literary and little niche which doesn’t sell.  Rightly, wrongly or confusedly, to maintain a career as a traditionally published writer, you needed to have a book every year.  (Indie likes them rather more frequently.)

….Invariably there are the same old comments about keeping all my rights and getting to keep more of the money from sales. There have even been a few who have taken the semi-business based, utilitarian approach – just put your “product” out there and see if people will buy it. Most of the time, I let it slide because, frankly, I don’t have the energy to explain the publishing world to them, nor the difference between a utilitarian object – something used to accomplish other tasks and that has an objective, determinate value – and an object of art – something that is experienced for its own sake and has a subjective, indeterminate value.

Oh, my. You can’t explain the publishing world to them?  Dear ducky, you wouldn’t know the publishing world if it bit you really hard in the fleshy part of the buttocks.

The publishing world does make interesting noises like those you are making about Objects d’Art and “literachure” but in fact it runs on two things: prestige and cold hard cash. For prestige you need to be something special: a celebrity in another field; someone with an interesting life story or a particularly fascinating job. I see no evidence that you are any of these. And if you’re not going to be a prized status author, then you are there to make money. And if your book Object d’Art doesn’t make the house a sh*tton of money, they’re simply going to drop you after one book.  The value is neither subjective nor indeterminate.  Your book is worth what someone is willing to pay for it, and that’s not only true for the person paying the cost of a good carton of beer for it, but even more so to the publishers.

But I’m going to give it a shot now because, honestly, some people just won’t shut up about it. So, here it goes. First with the obvious: When a writer decides to self-publish, that writer then stops being a writer and becomes a publisher, which requires an entirely different skill set . . . and money.

largest publisher in the world, a small independent like my publisher, Unbridled Books, or Bob, from next door:

1) Editing and Proofreading
2) Book Design (yes, it’s even needed for ebooks)
3) Printing (optional if only doing ebooks)
4) Marketing and Publicity

And now I can’t read anymore.  You have just proven, dear ducky, that you know absolutely nothing about how the publishing world works.

1)      Editing and proofreading – at most publishing houses (I worked for a lot of them, and Baen is the only exception so far) the only person who ever reads your book start to finish is the copyeditor.  And most copyeditors, at least those I used to get at those other publishing houses, were recent high school graduates who knew less grammar, composition and style than I did.  For the love of … duckies… hire one of those.  Ten bucks and all the pizza she can eat ought to do it.  Or pay a real copyeditor. I recommend Jason Dycks though I’ll be danged if I can find his address right now, who does a better job than any of the “professionals” at the big houses. I think – and he can correct me in comments if I’m wrong, he will do your average sized novel for $500. Or you could, if you need more substantial editing, hire Pat Richardson who will even undertake some structural edits and will probably not cost you more than $1000.

2)      Book design – yes, we DO know it’s needed even for ebooks.  You could do worse than hiring Cedar Sanderson to do your cover design and she will hook you up with decent art, too, at a modest cost, the cost for the total package, purchased art + design being around $500 unless you really drive her insane. In traditional publishing houses, this usually defaults to a junior assistant, who gets some guidance from the art director.  I doubt that Unobtrusive Unbridled Books is hiring a top-of-the-field cover designer for you.  Most of the freelancers working for small press imbue their books with “literary and little” kind of clues that will ensure you never sell.  Oh, and most of them work for between $250 and $500.

3)      Printing.  Um… indeed.  But you do know that printing is only part of the package, right?  The real service of the big publishers is distribution.  And frankly they only really exert themselves for the darlings.  Mostly midlisters (which, trust me, is what you’d be) get hit or miss placement on store shelves.  Yes, that’s better than nothing.  And that’s better than Unfound Unbridled Books can do for you. If you go with a small or medium publisher, mostly you’re going to be stocked in a few small independent bookstores where, if you’re lucky, the publisher has contacts, or you’ll sell through Amazon.  For this, you can have your book on print on demand on Create Space for the grand total of zero.  And even technically illiterate me has learned to typeset books in three hours or so.

4)      Marketing and publicity.  Oh, doctor, really, it only hurts when I laugh.  Marketing and publicity!

I get some – not tons – from Baen (Not complaining.  It’s more than I got elsewhere.)  But for most publishers?  Ah!  Unless you’re the movie star du jour who just “co-wrote” a book, these days your marketing and publicity run something like “Will be listed in your catalogue.”  If you’re really lucky you’ll be part of a mass ad in some trade publication.

Most publishers and agents expect you to do your own marketing, anything from a blog/FB page, to your own self-paid tour.

Any substantive marketing from a publishing house other-than-Baen is pretty much an illusion designed to keep the writer happy.

And those are your reasons for not being self-published?  My dear Petunia, it’s time to wake up and smell the roses.  Come down off that unsteady pedestal you built out of your own ignorance and some really convincing cardboard boxes, and look around.

No, the world isn’t going to stop for your masterpiece, even if it really is a masterpiece – I don’t know.  It might be – and it’s not because most people are jealous of your genius.  Most people don’t know you exist. And that’s ultimately your problem.

If you write a book a year for a traditional publisher and make it good and it sells enough for them to keep buying you, your audience will grow.  Or if you write a book every six months for indie, and invest a very little, you could make a living in a couple of years.

Or you can continue being certain of your superiority and make nothing.

The choice is entirely yours.  Just remember if Shakespeare had written Object’s d’Art of indeterminate value, right now we’d consider Kit Marlowe the most important Elizabethan Playwright. Instead, old Will gave them what they wanted and plenty of it, with the funny bit with the man and the dog thrown in.  And centuries later we can ascertain that he did touch enough of eternal humanity for us to consider his books object’s d’art.

The rest, all the rest – your pride, your moral superiority, your ignorance about how publishing works or what the value is… is so much sound and fury.  Signifying nothing.

[Charlie now.]

Dear Precious,

You’re clearly an example of why MFA graduates aren’t hired for accounting jobs. Sarah, I think, has already soundly skewered your pretentious academic notions, so let’s just look at your arithmetic.  We’ll take as given your numbers — though I know some top New York copy-editors and they don’t get $40 an hour, you must put me in touch with that company.  But observe:

In this model, using the Scribe Freelance’s in-house editor, you can save some money, but it looks like you won’t get to choose your editor. I prefer to have a personal relationship with my editor, so I’d go with a separate freelance editor whose references and work I could look up and I’d end up spending the following:
$1,640 +$375 + $250 = $2,265

Now, I’m involved with some self-publishing, and I can tell you there are lots of people writing lots of things they self-publish for one helluva lot less than $2300, but as I say, take that as given, and let’s assume you were to publish it as an ebook at Amazon’s upper limit for the good royalties, $9.95.  You’d then make about $7 a book, which means you need to sell about 315 books to break even.

If you have a conventional publishing contract, you get a 25 percent royalty on ebook sales, and perhaps 10 percent on hardcover.  Let’s keep looking just at ebooks.  Whatever your publisher’s costs, we know they’re less than that $2300 — plus any promotion you get, but I haven’t noticed your name on any book tours recently — because the prices you quoted are all for contract labor. Those people have to charge more for each job to account for the risk they won’t have a job this week. For those services, you’re paying $4.48 per book.

Sell 314, and you are paying $1406 for that and netting $781. Sell 628, and you’re paying $2812. Sell 942, and you’re paying $4418.

Sell 2000 and you’re paying damn near ten grand.

What you’re really telling us is that you’re not a professional writer; you either have no actual pretensions of ever making a living from your writing, or you haven’t done the arithmetic. Writing is a hobby, and by refusing to self-publish, you’re paying even more than a “vanity press” would charge you for the privilege.


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The Alecto Initiative
By Jordan Leah Hunter and Owen R. O’Neill 

Life was never easy out in the Methuselah Cluster, but when her alcoholic father found her a ‘job’ while he went off-planet to look for ‘work’, 11-year-old Loralynn Kennakris began to learn just how ugly it could get. Within a year, her employers sold her to a brutal slaver captain, who took from her the last thing she owned: her name.

Most girls in Kris’s position last a year or two. The strong ones might last four. Kris survived eight before she was set free, thanks to the League Navy.

Unfortunately, eight years growing up in hell prepared Kris for nearly everything but freedom, and her new life isn’t at all what she imagined. Not only must she find her way in a bewildering society full of bizarre rules, but the very people who rescued her think she’s a terrorist plant, a beautiful interstellar celebrity is complicating matters in more ways than one . . . and now someone is trying to kill her.

But Kris hasn’t stayed alive by obeying rules, and her adopted society is about to find out what it’s like to collide with someone with no concept of a no-win scenario.


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Climbing Olympus
By Daniel Golliher 

Until now, humanity’s potential has been limited by its physical capability: of its body and its brain. In the middle of the twenty-first century, the mind itself is upgraded.

Three individuals hold humanity’s next stage in their hands:

Nikolas Rodrick, CEO of Rodrick Industries, oversees the largest corporate empire in the world. Grace Taylor holds the Earth casually on her shoulders as the aide-de-camp to Rodrick Industries. Both change when they meet Leo Apollus. Leo loves humanity, and sees its proper end above the clouds. Along with Grace and Rodrick, he takes it there.


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Sarya’s Song
By Kyra Halland 

Sarya dyr-Rusac has risen from her destitute childhood to become a respected arranger of musical magic rituals – until a wedding ritual she wrote results in tragedy. In exile for her failure, she hears powerful new music in the wind, heralding natural disasters like none ever before known. In hopes of learning what this strange new power is and finding a way to end the disasters, she returns to the musical service she left in disgrace.

There, she confronts the mistakes she made in the past and resumes her complicated relationship with the gloriously talented singer Adan Muari. Sarya believes that she and the wealthy, privileged Adan can have no place in each other’s lives. But, facing official resistance to her research and threatened by someone who is desperate to protect the secret of the mysterious music, she finds herself relying on Adan’s unwavering support – and increasingly unable to fight her attraction to him.

As the disasters worsen, a beautiful, nameless man in chains appears in Sarya’s dreams, begging her to sing the music she heard in the wind: the music that will free him. He could be a god with the power to save the world from destruction, or a threat to everything she knows and loves. With time running out, Sarya risks all, including her growing bond with Adan, to discover the chained man’s identity and the meaning of his song before the world itself is torn apart.


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LOVE in the DARK
By Isabel Pietri 

NYPD surveillance expert, Detective Millie Angeles has made a name for herself working in the elite TARU unit of the New York Police Department as the go-to girl for surveillance and tracking. However, when tragedy occurs, she finds herself casting about for a new chapter. That all falls into place when she lands a job at a private company, which dispatches her to the West Coast to work for Adrian Zaragosa, a blind, and strikingly handsome owner of a winery estate in the Napa Valley. As the plot thickens and their passion sparks, Millie finds herself in the throes of both extreme danger and overpowering desire. Millie’s talents seem to be just what Adrian needs. Or is he simply manipulating a situation to have her near?

A romantic thriller for mature adults only, please.

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Indie Author Experience: Mark Wandrey

Friday, August 8th, 2014 - by Sarah Hoyt and Charlie Martin

mark-wandrey

[Charlie here: Today we have a guest post by Mark Wandrey, who we often plug on BPF. ]

Sixteen years ago while watching an episode of Stargate SG-1, I thought they were seriously under-utilizing their universe. Here was a galaxy-spanning transportation network and the galaxy is populated by… humans. Sure, from the production standpoint of a TV show, having an alien a week was simply far beyond what could be afforded. Even Trek handled this mostly with a prosthetic head application here and there, and skin paint. Lots, and lots of skin paint.

Anyway that thought was filed away for later consideration. As any writer quickly learns, there is a big difference between an observation and an idea. But some time later I was re-reading a favorite of mine, Ender’s Game. The protagonist is a young child, plucked from his environment, who grows even at a young age to be a powerful war leader. Then in later books, the writer proceeds to spend untold thousands of words trying to apologize for what Ender does in the first book.

Such is the decision of a writer. Rather like a role playing GM; your game, your call. But it got me thinking. What if there was no apology? What if that kid became a legendary leader, and didn’t look back? Now I had something, and then I remembered the Stargate theme. It’s not like portals to the stars are anything new. Everyone from Carl Sagan to Robert A. Heinlein have used them. They’re not as common in hard/military sci-fi as space ships, but if you want to go to other planets you have to have a way to get there, and dimensional portals are a damned fast way of getting there!

Up until a short time before these ideas occurred I’d only really written short stories. Tons of short stories. They’re generally easier in execution than a novel. Oh, not easy! Shorts have their own issues, and they can drive a writer nuts in short order. You have to do a lot in only a few thousand words. But when you get into novels, you commit to a vast canvas. And the bigger the canvas, the easier to miss things.

The first novel I wrote front-to-back was a book about the colonization of Mars. Also motivated by what others did (wrong in my opinion), I was tired of every trip-to-Mars book being filled with aliens, and endless disasters. So I wrote about a guy running a project to both travel to Mars, and colonize it. That novel still sits in a hard drive, and may well forever (it’s horribly out of date now among other problems) but it was about 100k words of work that I hadn’t thought I could do, so this new idea wasn’t impossible.

Armed with a setting (galaxy full of aliens and intergalactic portals), and a basic plot (young person becomes warrior leader), I set out to put electrons in order. And that was the beginning of the Earth Song series. But it didn’t start as Earth Song, or even a series!

I wrote the original book, The Avatar’s Overture, in less than a year at lunch each day while working nights. With the basics of an idea, it came out fast. As often happens with a writer, it wasn’t what I’d originally thought. There was a galaxy of aliens out there, there were portals, and a protagonist. But she wasn’t young, and not a war leader. And I up and destroyed the whole planet. It was a good stand alone story, but that was it.

I knew the chances for a publisher to buy an unknowns book, especially a rather large one (160k). But I fished around, with the expected results. So, I figured WTF, and went self pub. But this was before the days of POD (print on demand) changed the world. I went with a company that’s still around, called Authorhouse. Pay them, and they make it available. I did, they did, and sold a few books. The internet wasn’t what it is now too, so without stacks of cash I was very limited in my ability to promote. It went nowhere, and I move on.

Then about 6 years ago, I revisited the world of the ‘Avatars’. Because a guy named Cameron was coming out with a movie called Avatar. Crap. If it couldn’t get worse, it was also sci-fi (albeit badly written sci-fi). But again, it got me thinking about that book, and the original idea. The thought struck one night. “What if that was just the prologue to  a vast saga?”

As is often my style, I started writing before I’d fully formed an idea. But within a few chapters, I knew I’d hit on something. The descendant of that first heroine, many centuries later, earth long dead, and now they meet the aliens. Lots of aliens. Lots of aliens that don’t like us. Lots of aliens with better technology. But the galaxy is also in decay, decadent, falling apart.

As I wrote more and more pieces came into focus. This is a trilogy, I realized. But by the time I finished the book (2nd in the series), I knew it was a lot more than three books. Probably five. As I’ve written it went to six, and now seven. The galaxy got more and more crowded. Plots began to evolve, and motivations (both hidden and obvious) materialized. There was stuff going on I had no idea what I would do with later, just wrote it anyway.

With the 2nd book done, I went back and fixed the 1st. It had to be a clear series now, so I repaired some bad writing and some glaring plot holes, and brought it into the modern realm of a series launching book. I actually almost trashed it entirely, just leaving it as an unmentioned prologue of sorts, but friends convinced me otherwise. They said; “Overture is a good book by itself”. Overture. Well, that was the basis of the name. Dump the Avatar crap. More editing. But a series needs a title. “Overture” is a musical term for the beginning of a much larger movement. The second book takes place in humanities new home, Gamma Orionis. The title would be Sonata in Orionis. Another musical term. And now I had a series title, Earth Song.

As the second book launched and the first book relaunched, this time on Amazon’s Createspace, I set to work doing what I didn’t do nearly as well last time, and what wasn’t really that possible. I started building a web presence online. I use Facebook almost exclusively (to my detriment maybe). But even an indie has to have time to write, so if I’m on Facebook, twitter, G+, etc. all the time, when can I write?

The presence building has been a careful combination of cultivating fans I gathered from new sales (not a lot, but they started coming in), people I came across from wandering other writers pages (avoid plugging your stuff on other writers walls, it tends to piss them off), and building writers pages on Goodreads, Amazon, etc. I also never pass up an opportunity to write a bit for someone else (like this) and to self promote.

Next came conventions. And THAT can be a double edge sword. They’re expensive (even if you do them on the cheap), and as an indie you have to buy boxes of your own books to sell. I invested in some advertising, cards, flyers, and a nice banner that came from the cover to my third book (getting good cover art as an indie is a must). These are things you just have to do. If you show up at a con, buy a table, and just sit a couple books there, no one will even slow down. Put a nice looking book there, at a 6 foot banner with nice graphics, and they’ll slow down. If they slow down, they might look at a book. If they look at a book, they might buy it. And you get a sale! Indies make it one sale at a time.

And this is where I advise against eBook only. Yes, it’s easier. Yes, it’s cheaper. Yes, it’s also often a lot faster. But dead trees will be popular for a long time to come. I sell almost as many hard copies as eBooks.

So here I am now, 15 years after the adventure began, and the 3rd book in the series (The Lost Aria) is about to come out. I’ve been done with the 4th book for over a year (Etude to War), and am about ¼ of the way through the 5th book (Nocturne’s Reckoning). Promotion has become a lot of my online time, but when the eBook of Aria went live this week, I instantly saw sales. It came up a few days early (by mistake), and I looked at their tracking information and was surprised to see a bunch of sales. And this one was priced at $5.99. Remember, if you have a series, resist the urge to go for the money and reduce the older ones in steps. My first book is now only $0.99 (I barely make anything on each sale), the 2nd is $2.99, and the third $5.99. You’ve got to make that first taste cheap. Almost anyone will pop $0.99 for an eBook. I have fans that buy a half dozen a week just looking for that one good one.

I’ve been ordering paper copies of Aria for weeks, slowly building up inventory in prep of the 6/28 official launch (at Libertycon in Chattanooga). In the course of that, I put up on my blog a paypal button to preorder autographed copies. Sold quite a few of those as well. It’s beginning to develop momentum. Will I sell thousands? I really don’t know yet. Readers love a good long series with engaging characters and a dynamic story. That is my goal. So I will continue onward.

Oh, book 6 is titled Oblivions Waltz and book 7 Requiem, just in case it was eating you alive.


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it's on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


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Meet Bri (Part Two)
By Lilith Revnik 

Free Friday 8/8 and Sunday 8/10Jerry is dead and Charlie’s in jail. Saul turned out to be a bigger jerk than she could have imagined–what else could go wrong?

Bri races back to Charlie’s side to find he’s more than her next boyfriend. He’s the man she’s meant to be with. But before she can marry Charlie, she needs to confront Saul. The only problem is–he’s dead, too. Coincidence, or are Bri and Charlie headed for more than a simple Key West honeymoon?

[Note: This is an erotic thriller. If you don't like erotica, it's not for you.]


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Lost Book of Anggird
By Kyra Halland 

Stodgy Professor Roric Rossony has been asked to find a way to stop the deterioration of the powerful magica. He hires Perarre Tabrano to translate books for his research, and finds his orderly existence turned upside down by his unexpected romance with her. Caught up in his new-found love and the most important work of his life, he goes too far in his search, delving into forbidden books hidden away for centuries. When the most dangerous book of all falls into the Professor’s hands, magical disaster strikes, and he and Perarre flee from the authorities in search of the secret of the magica’s origins, a journey that only their growing magical powers and their love for each other will help them survive.


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The Sky Suspended
By Laura Montgomery 

A generation has passed since asteroid scares led the United States to launch its first and only interstellar starship. The ship returns and announces the discovery of another Earth. People are star-struck, crowds form in Washington, DC, and a boy from Alaska and two lawyers grapple with questions surrounding whether ordinary people will emigrate to the stars.

This is bourgeois, legal science fiction with a hearty helping of space policy wonkery.

[I love the blurb. --C]


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Cities and Throngs and Power
By AUTHOR 

Which is stronger, love or honor?

The Collapse of 2015 left parts of Denver in ashes, the US economy in a mess, and the Salazar family with little besides their pride and honor. Now Alicia Salazar must repay her father’s debt by working in Illif House. She discovers a recluse, a wonder, too many tomatoes, and freedom. When Cousin Ernesto threatens to drag her away, Alicia must choose between freedom and honor. Will love and a Power prove stronger than lead and fury?

Novella includes bonus teaser.


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Cat’s Paw (King of Cats Book 1)
By Robert A. Hoyt 

Many humans know there is a mountain at the end of the universe to which a bird flies every thousand years to sharpen its beak, until the end of the mountain comes, and thus the end of eternity. What few of them know is that of the mountain only a few small grains of sand remain. And the bird that is to end eternity is alive and ready to fly. At half past noon at the end of the universe, the last great hopes of everything that exists, ever existed or has yet to exist, rests with a stray cat with alcohol issues, a Siamese cat with gender issues, and a Persian cat with pregnancy issues. Things are just about to get fun.

[Yes, those Hoyts. --C]


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A Touch of Night
By Sarah A. Hoyt 

PriDe and Prejudice – now with more dragons.

In a world where shape shifters are forbidden and being a shape shifter is forbidden, the Bennet family has a terrible secret. So does the Darcy family. They’re not what you expect.

Pride, Prejudice, werewolves and dragons, oh, my.


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The Kitsune Stratagem (Inari’s Children, Book 1)
By David A. Tatum 

The Inari’s Children Series: Once magic was plentiful and the world was dominated by a singular empire whose name has long been lost to history. In its time, the great wizard Inari developed his greatest creation: The kitsune. His enemies were quick to copy him, and soon the world was populated with many different types of this remarkable creature. Two thousand years later and these different breeds of kitsune are fighting amongst themselves, and the rest of the human world joins them.

Book I: The Kitsune Stratagem: To avoid being used as a political pawn against her father, a young kitsune vixen named Kieras must leave her homeland. She soon gets caught up in the fortunes of Mathis, a vagabond hunter from Ekholm, a once sleepy little town on the verge of becoming a small city. To find a way to return home, Kieras must first help Mathis save Ekholm from threats both inside and out.

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Reading and Writing for Love [With Dinosaurs]

Friday, August 1st, 2014 - by Sarah Hoyt and Charlie Martin
shutterstock_158506421

picture of the author as a young dinosaur.

 

(Hi, this is Sarah.)  When I was a  young writer, knee high to a trilogy print out, I subscribed to every possible market listing in the world.  [“What is a market listing?” “That’s what people used to have, back when they needed gate keepers to publish them. Back in prehistory.  Publishing was expensive, on account of having to dispose of the chips you carved out of the rock with your chisel.”]  Partly this was, of course, because there was no internet. [“Seriously, no internet?  Now you’re just making stuff up.”  “Okay, you’re right.  There was internet.  It’s just the t-rexes kept snapping the cable with their toe claws.”]  You couldn’t just search for “markets for science fiction” and then spend three hours reading about Amazon’s dispute with Hatchette and dino porn.  [“I don’t read dino porn.”  “Of course not, the Amazon/Hatchette thing makes you feel dirty enough.”]

Anyway, so I subscribed to all of these in the certain hope that eventually I’d find the one that said, “You, Sarah A. Hoyt, sitting there, with your manuscript of dino porn inchoate pseudo literature, you’re the person we want to publish.”

Alas, this never happened.  But I used to come across this listing that baffled me.  After the pro markets to which I sent for fastest rejections, and the semi-pro markets which were buying me, and the penny markets, where I sent stuff that had been rejected everywhere else, there was a “for the love” column.

Look, I yield to no one in my love for writing. [“Liar, you just say that to get it into bed.”  “Only because the pterodactyl isn’t willing.”]  And I’m one of those people who think if something is not making you rich, and you don’t love it, then you’d be better off doing something else.  [“Unless of course writing is the only thing you can do.  Not that this has ever happened at low points in our personal finances.”  “Er… right, never.”] Writing, in particular, while easier than digging ditches, is still a lot to do day after day if you don’t enjoy it.  But… “for the love?”

I mean, if no one is ever going to pay you, are you going to give this story away just so someone will read it?  [“Yeah, like someone who wrote fanfic so that it would actually get read, when nothing else was selling.”  “That was different.  How many people make money rewriting Jane Austen with dragons? Don’t answer that.”]

Then I broke in, started selling to those pro markets, and then started getting paid more so the pro-markets attracted me, and I never gave this another thought.

Until today when I was thinking about writing for readers and writing for prestige.  For most of my traditional career, I argued with my agents/editors/publishers that I wanted to write popular and accessible fiction, while they tried to push me into writing convoluted, difficult “literary” fiction.

My fault in a way, because I broke in with a series that was a re-imagining of Shakespeare’s biography, this time with elves.  But at least I realized that though I loved that series, it had a limited audience. The average person on the street doesn’t want to relax after a hard day with Shakespearean word-play.  Also, the idea of writing nothing but literary fantasy forever made me want to slit my wrists.

I wanted to write mystery, and science fiction, and funny things, and serious things, and romantic things.  And while some of them would come out in a way that could be described as “literary” that was not what I was aiming for.  I mostly wanted to write to be read and to make a living.

I knew for a fact that “literary” works sold very little.

So why were publishers and agents so interested in them? Because their interests aren’t the same as writers’.  Writers want to make a living, and to get the sincerest form of appreciation in foldable form. Publishers, or at least editors, working for multinational corporations where their salary is assured, don’t want that – they want to be hailed at the next cocktail party as the person who discovered the literary wonder of the century.  And agents, too, want the prestige of being known to have exquisite taste. They won’t object to a lot of money, but mostly they need the prestige.

Eric S. Raymond said that what is destroying mainstream science fiction… (and more so mystery.  I’m going through my shelves to get rid of excess paper books, and if I had a dime for each “high prestige” mystery I got because it was up for some award or other and which is now worth less than one cent, I’d have a lot of dimes.) … is not so much politics, as this entire idea of “worth” that’s predicated on an academic culture which ignores readers and the ludic aspects of reading. [“Ludic. My, aren’t we posh?”  “Ludic means fun.  Like, you know, dinosaur porn.  At least I presume people have fun with it.  Never having read any, I wouldn’t know.” “Yes, but growing up in the Jurassic would give you a different perspective.]

He is right at that. But I don’t think it’s something that can be wrung out of the publishing establishment.  If the shrinking of the bottom line didn’t convince them, neither will our telling them what they’re doing wrong.

Fortunately, though, we don’t have to. It’s entirely possible that, after the shocks and aftershocks, traditional publishing will settle into a prestige and validation role for academic writers, bringing out little gems of books (possibly leather bound) for a small clientele for whom they’re objets d’art and not a way to while away a couple of hours of a rainy evenings.

I’m fine with that.  They can do whatever they want.

Those who want to read and write for fun can always go Indie.


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Blood and Dreams: Lost Years II (Parsival Book 4
By Richard Monaco 

Set some time after Lost Years: The Quest for Avalon and before The Grail War, Blood and Dreams continues the story of Parsival, who in middle age finds himself more the jaded cynic than the wide-eyed fool of his youth. Waylaid as he journeys home from his latest “bloody bit of work for Arthur,” Parsival must escape his captors, save his kidnapped family, and prevent the forces of Clinschor, the mad sorcerer bent on world domination, from finding and exploiting the Holy Grail, all while enduring the disdain of his teenaged son, Lohengrin.

(Charlie here: Richard has been one of my favorite writers for longer than either of us would care to think. This is free for the rest of today, and worth the $4.99 any time.)


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The God’s Wolfling
By Cedar Sanderson 

When The God’s Wolfling opens Linnea Vulkane has grown up since the summer of Vulcan’s Kittens. Sanctuary, the refuge of immortals on an Hawaiian island, is boring. When the opportunity for an adventure arises, she jumps right into it, only realizing too late the water may be over her head. Literally, as she is embroiled in the affairs of the sea god Manannan Mac’Lir. Merrick Swift has a secret he’s ashamed of. Then when he meets Linnea and her best friend, he doesn’t like her. She’s bossy, stuck up… and oddly accepting of his wolf heritage. Like her or not, he must do his duty and keep her alive. The children of the myths are being plunged into the whirlpool of immortal politics, intrigue, goblin wars, and they might be the only ones who can save a world.


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Screams from My Father: Stories by Paul F. Gleeson
By Paul F. Gleeson 

Entertaining pulp crime stories written in 1979 and 1980. Paul F. Gleeson was a lawyer, but he ached to be a writer, of tales of murder and intrigue and dark forces and witty twist endings. He submitted manuscripts to the pulp mags, and actually got two stories published, but the rejection letters kept piling up, and he finally stopped writing. After he died in 2012, his sons and daughter found the manuscripts in a cardboard box. They collectively decided that these stories would finally be published for the world to enjoy, the way their dad always wanted.

“Paul F. Gleeson’s hardboiled fiction paints characters who live in swirling cesspools of corrupt human nature in a rich, distinct voice that’s not to be missed.” — David Cranmer, editor of BEAT to a PULP


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The Book of Barkley
By L.B. Johnson 

LB Johnson knew how to get things done. The former jet commander was singularly driven, capable and highly educated, immersed in a world of complex puzzles, tangled story lines and the intricacies of the law. So how hard would it be for one redheaded federal agent to raise a black Labrador retriever puppy?

Mayhem on four legs was named Barkley and he led his owner down a path of joyful self discovery, loving frustration and self sacrifice, changing the way she viewed the world, and those that shared it with her. Her home and her heart were never the same.


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Stargazer
By Cedar Sanderson 

Free from August 1-5

A short story of a woman who looks to the stars as she tries to protect her children and offer them a future. In a world with no escape for those who cannot undergo a genescan, a fugitive mother has vanishingly few options left to her. Ultimately, only her sacrifice can change the world… but what becomes of the children?


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A Warrior’s Path
By Davis Ashura 

Two millennia ago, a demon named Suwraith thundered into the skies and cast down the First World. In a single horrific night, a glorious age of enlightenment was ended, leaving the world in fearful darkness. Humanity survives by a thread, only surviving in cities protected by an Oasis, mysterious places impervious to Suwraith’s power. Throughout the rest of the world Humanity is an endangered species, fodder for Suwraith’s deadly Chimeras. Into this world is born Rukh Shektan, a peerless young warrior from a Caste of warriors. He is well-versed in the keen language of swords and the sacred law of the seven Castes: for each Caste is a role and a Talent given, and none may seek that to which they were not born. It is the iron-clad decree by which all cities maintain their fragile existence and to defy this law means exile and death. But all his knowledge and devotion may not save him because soon he must join the Trials, the holy burden by which by which the cities of Humanity maintain their slender connection with one another. In the Wildness, Rukh will struggle to survive as he engages in the never-ending war with the Chimeras, but he will also discover a challenge to all he has held to be true and risk losing all he holds dear. And it will come in the guise of one of Humanity’s greatest enemies – perhaps its greatest allies. Worse, he will learn of Suwraith’s plans. The Sorrow Bringer has dread intentions for his home. The city of Ashoka is to be razed and her people slaughtered.


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Kiwi
By Richard Alan Chandler 

Free on 8/1 and 8/2

Alex Sanderson doesn’t like much of anything, but of all the things he hates, getting locked up in an alien prison on trumped-up charges tops the list. All he wants is a fair hearing and he’s sure he can get out. His cellmate on the other hand, she has different plans for Alex….

Note: This story contains profanity, some violence, and sexual situations, although not especially graphic, they may be offensive to some readers.

This story is a Novellette, about 14,500 words long.

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18 Influential Voices in Literature on the Internet

Friday, July 25th, 2014 - by Sarah Hoyt and Charlie Martin
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Cedar Sanderson, author of today’s guest BPF.

The first thing you have to understand about this list, 18 Influential Voices in Literature on the Internet, it’s not mine. Yes, I published it on my blog, but that was after polling a bunch of people and then tallying up how many votes for whom. This isn’t a list of old school friends, or my twitter followers, it’s the names I was given when I asked simply “who do you listen to?”

The list of the top names voted for appeared on my blog, and I was surprised at the response to it. See, the original list was of 35 literary people who run the internet, and it was a list of (mostly) people none of us had heard of. My list, on the other hand, tilted heavily toward people who were mentors, who nurture good stories, and mostly, people who are vocal in caring about literature. Story is king, and these folks never lose sight of that.

Larry Correia tops out the list, which was ranked by number of votes received. Why? Well, Larry may not blog about the ins and outs of writing and publishing, but he does serve as an inspiration to indie authors, having gone from self-publishing to his new (hilariously funny) rating of being a “D-List” author. He also gives other new writers a hand up with his semi-regular Book Bombs. In short, he’s awesome.

Hugh Howey has become practically the voice of the Indie Author, with his best-selling series Wool, and his reports on the nitty-gritty of how independents are eating Big Publishing’s pie. In a recent blog post, he says “I advocate for: Reasonably priced e-books, for publishers to take risks and do exciting things, for us to embrace the future of storytelling and allow it to coexist with the past, to release all editions of a work at once, to get rid of DRM, to mix up genres and do something fresh and new . . . these are all things I’ve wanted as a reader for longer than I’ve been writing. These are things I complained about with fellow readers and bookstore workers long before I sat down and penned my first novel.”

Sarah A. Hoyt came in next, and her reaction to seeing this was ‘I don’t belong there… Why am I there?’ Sarah, you’re there for two reasons. One, alphabetically Hoyt comes before Konrath, and you were tied with him. Two, you are a strong, clear voice for writers to come to for help. You’re paving the way for some, and publishing how-to’s on the Mad Genius Club blog, providing support for those who are trying to find a place to start. Like Larry, you’re an inspiration and you put story above navel gazing. Of course we think of you. You’re like a mother to us… ducks and runs, fast

JA Konrath on his blog tackles thorny issues independent writers are concerned with, he’s responsible for the brilliant Writer’s Declaration of Independence, and spot-on for this particular topic, had this to say about legacy authors, publishers, and group narcissism: “I wish other people would recognize the authority of my group -Self-pubbed authors have no group. But many of us strive to be heard because we want to help, not because we want our authority recognized. Whereas the Authors Guild is recognized by the media, and many authors, as having authority.

My group has all predispositions to influence others – Self-pubbers don’t predispose to influence. We want to help. Legacy folks believe they are part of a special club. It is an ideology to them.”

Passive Guy, the formerly anonymous man who founded Passive Voice, is an attorney, although he warns nothing he says on the blog is to be taken as legal counsel. But a great deal of what he doe say is enormously helpful if you want to stay informed in this industry. Tapping into Passive Voice will keep any of us writers abreast of the news, as he posts lengthy quotes from blogs and other media several times a day, sometimes with pithy and relevant comments of his own attached.

John C. Wright, when I contacted him to ask him for a quote for this article, first sent me his bio, then rather than words from him, a nomination for someone he felt better suited to fill the place of an influential voice. “I nominate Tom Simon. He is the man who invented the term ‘Superversive’ which I took as inspiration to start a superversive literary movement in science fiction. The goal of the movement is to get SFF out of the doldrums. He has written several books, including nonfiction.” Which is interesting, and I look forward to reading them, but Mr Wright, I will insist you do belong on this list, as you have a way with words that may not cut to the heart of the matter immediately, but rather as an artist creates a sculpture with a thousand precise cuts.

Jerry Pournelle, one of the grand old men of Science Fiction, made it onto the list despite not having a traditional blog. What he does instead is to take fan mail and publish it, with his own trenchant comments. Less about the mechanics of writing will appear here, but for the earnest writer who wants to find bleeding-edge science, the site is a trove of information. Also, he is reviving his review column, which I will be interested to see what he has to say about new books.

Toni Weisskopf of Baen Publishing pointed out she hates talking about herself, Baen doesn’t really have a mission statement besides making SFF fun, and suggested that I refer my readers instead to something she wrote earlier this year when it seemed fandom was ripping itself apart from the inside out. “Yes, it took the brilliance and guidance of one person to set it in motion and shape it throughout, but it is the result of hundreds of people pulling together to explore and create on their own. Not as some side “fan fiction” endeavor, but as part of the—commercially viable—whole. And when I say “commercially viable” it is shorthand for: “lots of people like it and are willing to show this by paying money for it to continue.”

Brad Torgerson sent me to a blog post of his when I asked him for a few words, and suggested I glean from it. It’s all good stuff, and I recommend you take a look at his whole post. But the very first topic is perfect for this article, I think you will agree: “1. You must never self-publish.”

This was gospel when I was plowing through my proverbial first million words of “practice” fiction. And at the time, it was good advice. Self-publishing invariably meant vanity publishing, which is a form of publishing where the author spends hundreds or even thousands of dollars of his/her own money, to put his/her book into print. Vanity presses tend to be scams as often as not, and with the advent of widespread electronic book platforms (Kindle, Kobo, Nook, etc.) as well as print-on-demand options like Amazon.com’s CreateSpace, vanity presses are also wholly unnecessary. Plus, self-publishing doesn’t carry the same stigma it used to. Once upon a time self-publishing was a warning flag to the rest of the genre—hey guys, I couldn’t cut it with editors! These days, not so much. There are good writers who are self-publishing, and making a decent amount of money. You have no doubt heard of a few.”

There are more names on my original list, but in an attempt at brevity, which I have deeply failed, I’m leaving them to you to research through the links provided at my blog. I hope I have introduced worthwhile people to you, and I’m curious: who do you consider an influential, positive, nurturing voice in literature active on the internet? Comment below, and perhaps we can make another list of great voices to listen in on!

Oh, and I have permission to add this… my fifth novel is being released in a week. The God’s Wolfling is a tale of adventure, myths, goblins, troll blood, and more. If you’re interested in entering to win a signed print copy, possibly sketched in if the mood strikes me, step over to my blog and leave a comment here. Winner will be announced on August 2, the day after the release.

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[Charlie here:] Sorry the links didn’t make it in on time. As I said in the comments, when I was prepping the links, Google Mail suddenly decided not to let me get at the BPF email (at book.plug.friday@gmail.com, where you can also send an email to get submission guidelines, which say “Send the TITLE, AUTHOR’S NAME, a SHORT blurb, and an AMAZON KINDLE LINK.)

Oh, and here’s some hints: don’t bother to send a cover photo — I link to the one on Amazon anyway. Don’t forget that the official deadline is the Tuesday of the preceding week. I’m keeping up right now, but this turned out to be pretty long; if you submit a book with the necessary information, it’ll get up eventually, but if you hae a promotion, then make sure you send the book in plenty of time.

Oh, and I do try to be flexible about the submission format, but I’ve been giving a BPF No-Prize for the first submission that actually completely follows the guidelines, and it’s often not awarded until the fourth or fifth book. However, if your submission is like one this week, with no title, no author’s name, an Amazon link and about a five page excerpt of the book, then you’ll just get a new copy of the guidelines.


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Witchfinder (Magical Empires)
By Sarah A Hoyt 

ON SALE FOR 2.99 7/25 THROUGH 7/29 ONLY

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


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Sundowning
By Walt Pimbley 

FREE on Kindle for a few days!

Korea vet steps irritably into the twilight, but unexpected guests make him feel young again. (Warning: a few salty epithets, and maybe some VIOLENCE.)

Amazon reviews:

“Short. Deadly. Hilarious.”

“[I]t’s like a punch in the solar plexus, only it tickles.”


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Forgiving Michael
By Walt Pimbley 

A teen trying to improve concrete for a science prize stumbles onto a formula that transforms the foundation of his parents’ house to mud. Hilarity does not ensue, even when it dries into something “rich and strange.”

Moscow wants that formula, and so do Tehran, Peking, and Tel Aviv. Can Michael and his family find a safe haven?

Amazon reviews:

“Unique and Thoughtful Thriller”

“A Gem in a Genre that Usually Lacks Gems”


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A Cat Among Dragons: Between Flood and Flame
By Alma Boykin 

Trouble’s never more than an ear-twitch away.

After fifty years away, Rada Ni Drako and her business partner Zabet return to Drakon IV and find themselves entangled in Lineage politics. Then a corrupt King-Emperor and a series of natural disasters force Rada to choose between obedience and duty, with near-fatal consequences for all involved. Add a dash of feudal justice and a child whose death uncovers a hidden crime, and Rada’s got her forefeet full in this Cat among Dragons story set.


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Dragonhunters
By Sabrina Chase 

Only one Mage Guardian now defends Aerope from the malevolent plans of Denais and his dreams of conquest and revenge. Ardhuin desperately tries to make the Allied governments see the danger and replace their murdered Guardians, but the long peace dulls any sense of urgency. Her new husband Dominic fears the Allies consider Ardhuin’s phenomenal power sufficient—and in no need of help from their mages. And yet…a weary traveler from the ends of the earth rushes to their home to deliver a message from a man thought dead. A desperate plea for help, invoking the Compact—as only another Mage Guardian would. Does another survive after all? And what new danger threatens the world?


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Spring That Never Came
By D. Jason Fleming 

(FREE this weekend!)

Tammy Kirsch has had her shot at fame. She came to Hollywood with stars in her eyes and lint in her pockets and looks that would open any door in town just to try to get her onto the casting couch. After several guest roles in TV shows, one starring role in a movie that nobody saw, inadvertently dodging the mid-70s porno chic moment and keeping her dignity and reputation intact, her career sputtered to a halt.

Then she lost her daughter in a custody case, and what was left of her world came crashing down around her ears. When the crazy homeless man tried to talk to her incoherently as she was leaving the court building, that only seemed to be the cherry on top of the layered dessert of her misery. In fact, it was just the first step on her path, a path that would end with her defending the entire world from an invasion of other-dimensional eldritch horrors.


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A Piece of Eternity
By Wesley Morrison 

“Better a world that might kill you, than a world you know wants you dead.”

A premium human in a genetically enhanced future, Rylen Weir was bred for a life of harmony and balance. Being kidnapped by unenhanced “throwbacks” and finding himself the key to which version of humanity survives was never in the plan.

Rylen has little choice, however. An unknowing test subject for the Traveller Enhancement, allowing him to send his consciousness back through time among his own ancestors, Rylen can possess the one man who set this future in motion. Which gives Rylen the power to save everyone, and everything, that he has ever known—or to prevent his world from ever happening.

Only neither side knows what Rylen will choose, because Rylen Weir is flawed.

A screenplay for a film that never was…


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Red on Blue: Establishing Republican Governance
By Art Chance 

Red on Blue is a former high-level bureaucrat and Republican appointee’s observations on re-organizing and managing a government designed by and for Democrats so that a Republican executive can actually run that government. The primary focus is on getting control of the money, people, and stuff in the government, getting the holdover Democrats out, and avoiding scandal in the process. Since there are few Republicans in government where there are heavily unionized public employees there is a dearth of working knowledge in conservative/Republican circles concerning dealings with unionized public employees. When I was Alaska’s director of labor relations Swartzenegger’s guy and I were the only Republican appointee-level heads of a state’s labor relations function; the rest of the union states were Democrat controlled. Consequently, I put a heavy emphasis on the dynamics of taking over a government from the Democrats and dealing with public employee unions in the aftermath.


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Take The Shilling
By Raymund Eich 

The Confederated Worlds, Book 1

The Confederated Worlds implanted in Tomas’ brain the skills to make him a soldier. He had to learn for himself how to survive interstellar war.

Tomas Neumann sought escape from his backwater planet and overbearing mother, and a mentor to replace his long-dead father. “Taking the shilling”—enlisting in the Confederated Worlds military—promised both. But despite the soldier’s skills implanted in his brain, combat still threatened to destroy him, in body and in spirit. Grieving for lost comrades, demoralized by a spiral of atrocities, could Tomas learn what he needed to survive, before facing his war’s ultimate challenge?


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Operation Iago
By Raymund Eich 

The Confederated Worlds, Book 2

The Confederated Worlds lost the war.
Can Lt. Tomas Neumann win the peace?

By the terms of the peace treaty, the citizens of the planet Arden will vote to stay in the Confederated Worlds or join the victorious Progressive Republic. Newly-minted Lieutenant Tomas Neumann leads his overstretched and demoralized Confederated Worlds Ground Force platoon in a mission that pushes men and machines to their limits, against elusive, deceptive foes out to tilt Arden to the Progressive Republic—and turn the Confederated Worlds against itself.


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Pixie Noir
By Cedar Sanderson 

Book one in the Pixie for Hire series.

You can’t keep a tough Pixie down…

Lom is a bounty hunter, paid to bring magical creatures of all descriptions back Underhill, to prevent war with humans should they discover the strangers amongst them. Bella is about to find out she’s a real life fairy princess, but all she wants to do is live peacefully in Alaska, where the biggest problems are hungry grizzly bears. He has to bring her in. It’s nothing personal, it’s his job…

“They had almost had me, that once. I’d been young and foolish, trying to do something heroic, of course. I wouldn’t do that again anytime soon. Now, I work for duty, but nothing more than is necessary to fulfill the family debt. I get paid, which makes me a bounty hunter, but she’s about to teach me about honor. Like all lessons, this one was going to hurt. Fortunately, I have a good gun to fill my hand, and if I have to go, she has been good to look at.”

Dave Freer, author of Dog and Dragon, The Forlorn, and many others, says: “”To those of you who thought there was nothing new worth reading in Fantasy: Cedar Sanderson’s Pixie Noir proves that you are wrong. The author plainly knows and loves her setting and characters, and this carries through to the reader. The pace picks up throughout, so save this book for a weekend, or you’ll be complaining about a lack of sleep at work. A very good read!”


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Times of Turmoil
By Cliff Ball 

In this first novel in The End Times Saga, we follow how the Evans family gained their riches and eventually their power to influence events in the United States. We see important events that the Evans family gets themselves involved in: such as the return of the Israelites to Israel, the assassination of President Kennedy, the terrorism of 9/11, and eventually events that lead to government tyranny in the United States with the sole purpose of destroying Christianity and its influence in the United States.


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Sammy: Dallas Detective
By Robin Hardy 

Do you believe in miracles?

When Marni Taylor meets her new apartment neighbor—brash, good-looking Dallas Narcotics Detective Sammy Kidman—she pegs him right away as a heartbreaker, a user. Still, she agrees to help him with an undercover assignment. By the time he’s through with her, Marni is so traumatized that she is driven to find healing in a faith she never knew she had.

That same faith forces Marni to decide what to do about a man she both hates and loves, while Sammy, faced with the terrifying consequences of his actions, makes a blind grab at redemption. But Sammy is a cop, first and last, and his life comes down to the choice every cop must make of how much of himself to give. The question is, when the time comes to give your all . . . how much do you believe?

Sammy: Dallas Detective is the first book in The Sammy Series. The story continues in Sammy: Women Troubles.

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It’s Your Party Too — Book Plug Friday 53

Friday, July 18th, 2014 - by Sarah Hoyt and Charlie Martin

We can't wait for our terrible twos!  You ain't seen nothing yet!

We can’t wait for our terrible twos! You ain’t seen nothing yet!

 

Book Plug Friday turns one today.  Like all toddlers, it’s mobile, running around and creating havoc.  It’s still somewhat ineffectual, but we pride ourselves in thinking that over this last year we brought to the attention of readers many fine books or entertaining reads that they would otherwise never have heard of.

And since that was all we wanted to do: to lend a little impetus on the outer fringes of the digital book revolution, little Book Plug Friday is mighty proud today.

Out there, the adults in this business are winning battles too.

We’re the barbarians at the gates of publishing, yeah, sure, and our little horses are mighty fast, but you know we’d not be half as effective, if publishing hadn’t stopped adapting and started imploding from within long before technology set us free.

The Fall of Rome is still debated. How could such an empire fall? Various theories are floated; taxes were too high, barbarians joined the army, borders became too porous, corruption and incompetence were rampant.

But I would argue that these were mitigating factors. Empires always fall for the same reason.

They stop adapting.

Adaptive Capacity is the technical term for an ecological or social system’s response to changing conditions in the environment.

A system that cannot adapt, self destructs.

Go read the whole thing.

And there are true signs of hope out there.

At a glance, we can see how each publishing path performs in the top genre categories, and we can also see how these genres compare to one another in both total revenue and market share by publishing path. This last distinction is crucial, because the old-time advice to “never self-publish” has now faded to the advice that “self-publishing only works in certain genres.”

The truth is that, regardless of which publishing path an author chooses, some genres of trade ebooks sell vastly better than others, period. Other genres languish. For Big 5 authors, Mystery, Thriller, & Suspense is by far the most lucrative genre. But you don’t hear many people assert that traditional publishing is only good for people writing sleuths. Another common refrain is that nonfiction and literary fiction are uncrackable genres for indies. But in non-fiction, self-published authors are earning 26% to the Big 5′s 35%.

It turns out that Big 5 publishers have nearly as small a portion of Romance earnings (18%) and Science Fiction & Fantasy earnings (29%) as indies have of Literary Fiction earnings (13%) and Nonfiction earnings (26%), respectively.

Here, too, we say onto thee, go read the whole thing.

There are riches in the comments there too.

 Data Guy: The short answer to your question is yes, time and schedules permitting.

I did take a brief look Historical Fiction earlier today.

Historical Fiction makes up 7% of the overall gross Kindle sales. Indie books are somewhat underrepresented in Historical Fiction today, having so far captured 10% of the unit sales and 14% of the author earnings. I’d tend to see that as an opportunity.

And you know, he’s right.  Sarah’s top performing book of the reissues (books previously traditionally published and a whole different ball game from new and original indie releases, which do better for various reasons,) is No Will But His, straight up historical fiction.  It does so well in fact, that as soon as she finds the time, she will write the rest of what she terms “dead queens.”  That is the queens of Henry VIII and possibly, time permitting the queens of the War of the Roses.  There is gold in them there hills.

And that’s the message we want you to take on this anniversary of Book Plug Friday.  Go forth and write what you will.  Try any path to sales.  You no longer need to sell to a traditional publisher, and if they don’t like your idea, you can still publish it and make money.

Set yourself free.

And send us your book plugs!

 


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Streiker’s Bride
By Robin Hardy

What would you do if you received the offer of a lifetime—marriage to a billionaire—with one catch: you had to make up your mind without ever seeing him? When lowly bank teller Adair Weiss receives such an offer from reclusive philanthropist Fletcher Streiker, she is dumbfounded and disbelieving: Why me? What does he know about me? What does he want?

Rejecting his offer would end her dream of dancing. But accepting it would change her life in ways she never guessed. . . .


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The Lost Book of Anggird
By Kyra Halland

Stodgy Professor Roric Rossony has been asked to find a way to stop the deterioration of the powerful magica. He hires Perarre Tabrano to translate books for his research, and finds his orderly existence turned upside down by his unexpected romance with her. Caught up in his new-found love and the most important work of his life, he goes too far in his search, delving into forbidden books hidden away for centuries. When the most dangerous book of all falls into the Professor’s hands, magical disaster strikes, and he and Perarre flee from the authorities in search of the secret of the magica’s origins, a journey that only their growing magical powers and their love for each other will help them survive.


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A Distant Eden (Book 1 of 5)
By Lloyd Tackitt

December 2012, a massive solar storm knocks out the power grid. Three hundred million Americans are suddenly faced with a survival situation. They have no water, electricity or fuel. Food rapidly disappears from the store shelves, not to be replaced. Only three percent will survive. Those three percent will have much in common. What does it take to be one of them?


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Adrian’s War
By Lloyd Tackitt

Three years after a solar storm wiped out the power grid Adrian Hunter embarks on a journey to the mountains, determined to live and survive by utilizing his knowledge of stone age techniques. He encounters a band of raiders who attempt to take him prisoner – and Adrian’s War begins.


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The Last Falangist
By Kevin Trainor

A military history buff shares his thoughts on religion, society, science fiction, anime, and affairs of the heart.

It is both a personal book and a glimpse, at moments, into the history of “The Blogosphere.” Readers are treated to a retrospective of moments in online life–the debates that raged at various points in the 2000s and 20-teens—along with moments in the life of the author, one of the co-bloggers at the online magazine The Other McCain. As a bonus, there’s an appendix, “21 Books,” that discusses the war stories, Russian novels, Westerns, and history books that have left the most lasting imprint on Trainor’s life.

Together, the entries and essays comprise a slice of gritty reality.


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Moonstone Obsession
By Elizabeth Ellen Carter

Secrets, scandal, and passion…

Selina Rosewall had given up on love, but while helping her brother further his merchant fleet business, she meets Sir James Mitchell, Lord of Penventen. Their attraction is mutual, but what James wants from the relationship goes further—much further—than Selina could have expected. And she learns that in the world of the Ton, scandal and deceit are commonplace.

For Sir James Mitchell, Lord of Penventen, it’s hard to say which is more dangerous: being a spy or being considered husband material by the Ladies of the Ton. With political machinations threatening to draw England into the violent wake of the French Revolution, the last thing James expected was to fall in love with Selina Rosewall, daughter of an untitled seafaring family. But when James’ investigation stirs up a hornet’s nest, can he protect Selena from danger that threatens her very life?


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Men Are Pigs: And That’s A Good Thing
By Ron Sturgeon with Mark Stuertz

Entertaining and enlightening, Men are Pigs is an unabashed peek into the differences between men and women. Women (and “enlightened” men) think men are pigs because all they think about is sex. Men think women are pigheaded because they think men are nothing more than women with whiskers. In Pigs serial entrepreneur Ron Sturgeon (and PJ Media contributor Mark Stuertz) takes aim at the current orthodoxy that idealizes the feminine and maligns the masculine, and how this destroys relationships and frays the social fabric. A little naughty and packed with humor and actionable tips, Pigs offers strategies on how men can attract more women, enjoy better sex and relationships, understand the differences between men and women, and keep the fires burning hotter and longer. Though written for men by a man, Pigs offers valuable insights for women too.


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Jennifer’s Neighbors: Part One: Try This
By Lilith Revnik

Jennifer’s parents are having troubles; Sammy has lived with her stepfather since her mother died. They’ve been next-door neighbors since they were little girls, and they’re the best of best friends.

So Jennifer and Sammy are just two teen-age girls — beautiful, sexy and sexual, shy, scared, learning about themselves, what they want, what they need, what they like. One of the things they want is sex, and they’re … uninhibited about getting what they want. Intrepid explorers. It’s not always easy, but they learn a lot about themselves, and even more about the ways of the world.

[Ed. Note: This book is erotica. If you don't like erotica, don't buy it.]

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Why the Freed Tiger Sings

Friday, July 11th, 2014 - by Sarah Hoyt and Charlie Martin
FREEDOM!

FREEDOM!

This is Sarah and I have a message for my friends and colleagues still trapped in and only in Traditional Publishing:

First of all, that moist stuff on the back of your neck?  I don’t care how often they tell you that, but that ain’t no gentle rain.

Look, people, you might choose to close your eyes, put your fingers in your ears, and believe that your publishers are your friends.  They’re not.

Oh, okay, perhaps a small exception can be made for Baen books, a small family run company that treats its authors like family.  The others?

They’ve made it very clear what you are.  Widgets.  Another can of beans.  Burn your career (snap of fingers.) No skin off their noses.  There are another ten saps, patsies, writers just like you in line waiting to break in.

I learned this lesson in 2003.

I first started to write when I came to the US in ’85.  It’s not the publishing industry’s fault I didn’t make it in earlier.  Oh, okay, fine, maybe it is a little, as barriers to entry had accumulated and the preferred method of selling by the time I broke in was to meet the editor and pitch in person.  It took me to ’98 to be able to do so.  One of the books (oh, heck, Darkship Thieves) I’d later publish had gone in the drawer by then because my agent (which I’d acquired by then, the first of four) didn’t want to send it out.

So in ’98 I pitched my Shakespeare trilogy on proposal. The first came out October 2001.

You might have heard of the little contretemps a month before.  I don’t know if you remember what you were doing then.  I do.  I was trying to finish the third book in the series only I was so anxious I could only work in front of the TV, with the news on.

No one was buying books. Some people might have been reading old favorites for comfort.

Of course the publishing industry knew this, right?  I mean, had to.  They are in NYC.

Of course – considering all the paeans we hear to how caring, how wonderful traditional publishing houses are – publishers accounted for this, and gave all those writers who were new and hadn’t sold any so well another chance, right?

Are you kidding me? Baby, Cold Equations and its strict calculations of mass and fuel didn’t have anything on the publishing industry. It had taken me almost twenty years to break in, hand over hand from pays in copies to penny mags, to finally professional shorts, to going to a workshop and selling my novel, to—

But you see, my book didn’t even get unpacked in most stores. It spent the entire time in a closet.  I know.  I tried to do drive by signings. And then it went back.

And at the 2003 World Fantasy, my editor attempted to fire me.  She had fired most of the people who came in that year by then.  I’ve never seen so many crying people, not even at my grandfather’s funeral.

Tried to fire me? Well, I refused to say fired, but that’s a story for another day.  For months after World Fantasy I thought I was fired, and that all the years of working and improving my craft meant nothing.  That I’d done it all for nothing, because events outside my control could kill my career forever.

Hey, readers, did you like Darkship Thieves? Consider I already had it in the drawer at that time. Imagine Baen hadn’t picked me up, and Berkley hadn’t decided they didn’t want to be left behind.  You’d never have read it.

Now think of all those Darkship Thieves, or perhaps better books, languishing in drawers.

Hey, you know who allows writers to put their work up, to let readers decide what they want to read?

Oh, that’s right, Amazon does.

Which is why SFWA is so grateful to Amazon hates Amazon with the fire of a thousand suns.

Wait, what? Isn’t SFWA supposed to be a writers organization?

Ah!  Fooled you, did they?

They’re not really, you know?  They’re an organization of the establishment and their main function is to keep the establishment going without change. Otherwise, explain to me letter the first, and letter the second, both supporting a publisher known for its numerous dirty tricks, while berating the people who would set them free.  (Or to quote my colleague Cedar Sanderson, F%$K me, SFWA, One More Time.

Oh, wait, I can explain it.  In a novel (Revolt in 2100 unless it’s the Benadryl speaking) Heinlein talks about a tiger who is set free but who still paces in the confines of imaginary bars.

Oh, yes, here it is:

“Please understand me-it is easy to be free when you have been brought up in freedom, it is not easy otherwise. A zoo tiger, escaped, will often slink back into the peace and security of his bars. If he can’t get back, they tell me he will pace back and forth within the limits of bars that are no longer there. The human mind is a tremendously complex thing; it has compartments in it that its owner himself does not suspect. I had thought that I had given my mind a thorough housecleaning already and had rid it of all the dirty superstitions I had been brought up to believe. I was learning that the ‘housecleaning’ had been no more than a matter of sweeping the dirt under the rugs-it would be years before the cleansing would be complete, before the clean air of reason blew through every room. “

Right now SFWA and those of you who agree with SFWA are that tiger. You’ve grown so used to and so comfy in your prison – treated like widgets, forced to do more and more of your publicity and even your editing, all for the princely fraction of profit you get of your books, and even in that scammed – that you’re afraid of the bars going down.  You’re afraid of being free.  Freedom is scary and cold. Or as the ever loving Grauniad  El Guardian tells us self-publishing is a reactionary activity and antithetical to community.

Oh sure, I have more colleagues I cooperate with, help and encourage than I did when I was strictly traditional, because there are no publishers playing mind games, and this is no longer a zero sum business. But never mind that.  It’s “anti-community” and you’re afraid of dying alone in the dark with no one to close your eyes. (You are aware, right, that your publisher would steal the sesterce from your eyes before you cooled. Never mind.)

Which brings us to my second point: You’re free. You’re not dependent on anyone to get your stories in front of the reading public. Whatever you want to imagine the bars are gone.

Get used to the scary now. Once you get over your fear you’ll realize you have control – real control not just doing all the work and being blamed for others’ mistakes and even for national tragedies – over your career for the first time in your life.

You’re free.  Surely you can get out of that cage at the computer and walk into your own career.

Do try. You’re letting the writer side down.

Even if you never came up against the “Writers are widgets” mentality, you are bound to, sooner or later. Because you see, in traditional publishing, you have no power. The publishers have all the power  When things get pinched, you’re out of there. They think they can replace you just like that.

Indie publishing is scary, but it’s also yours.  You do it, you take responsibility.  You reap the rewards.

I understand that freed slaves walked as far away as they could from their place of captivity, just in case someone changed his/her mind and enslaved them again.  Surely you can at least stop beating the companies that allow indie publishing long enough to start your own career.  All it requires is that you walk the road to freedom in your own mind.

Forget the Stockholm syndrome.  You’re free.  Act like it.


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Hunter’s Home
By Ellie Ferguson

They say you can never go home. That’s something CJ Reamer has long believed. So, when her father suddenly appears on her doorstep, demanding she return home to Montana to “do her duty”, she has other plans. Montana hasn’t been home for a long time, almost as long as Benjamin Franklin Reamer quit being her father. Dallas is now her home and it’s where her heart is. The only problem is her father doesn’t like taking “no” for an answer.

When her lover and mate is shot and she learns those responsible come from her birth pride and clan, CJ has no choice but to return to the home she left so long ago. At least she won’t be going alone. Clan alphas Matt and Finn Kincade aren’t about to take any risks where their friend is concerned. Nor is her mate, Rafe Walkinghorse, going to let her go without him.

Going home means digging up painful memories and family secrets. But will it also mean death – or worse – for CJ and her friends?


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Vengeance from Ashes
By Sam Schall

First, they took away her command. Then they took away her freedom. But they couldn’t take away her duty and honor. Now they want her back.

Captain Ashlyn Shaw has survived two years in a brutal military prison. Now those who betrayed her are offering the chance for freedom. All she has to do is trust them not to betray her and her people again. If she can do that, and if she can survive the war that looms on the horizon, she can reclaim her life and get the vengeance she’s dreamed of for so long.

But only if she can forget the betrayal and do her duty.


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Chosen of Azara
By Kyra Halland

Juzeva: Born a princess of the beautiful land of Savaru, dedicated to the service of the magical Source Azara, she is forced to marry a man she doesn’t know for the sake of her country’s survival, and finds herself trapped in a web of evil and betrayal…

Sevry: The last king of the war-ravaged land of Savaru, he is tasked by Azara with finding the secret that his aunt Juzeva carried with her when she disappeared – the secret that will bring Savaru back to life – and finds himself hounded by evil men who want to use that secret for their own terrible purposes…

Lucie: A pampered young noblewoman, haunted by visions of a desperate man, she is unaware of her true heritage and the power she holds to restore life to a long-dead land…

Then Sevry, Savaru’s past, and Juzeva’s secret catch up with Lucie, leading her to adventure, danger, and a love that will forever change her life and the lost land of Savaru.


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Wings
By Sarah A Hoyt

From Elizabethan England to the Far Future, discover who really was Shakespeare and why Marlowe was called The Muses Darling. Discover the horrifying secret that Leonardo DaVinci found beneath a cave in his home village. In the far future, find a new way to keep Traveling, Traveling. Use cold sleep to find your love again, and join the (high tech) Magical Legion.

Seventeen short stories from Prometheus Award Winning Author, Sarah A. Hoyt. This edition features an Introduction by Dave Freer and a Bonus Short Story “With Unconfined Wings.”


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Witchfinder (Magical Empires)
By Sarah A. Hoyt

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


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Elizabeth of Vindobona: Book Three in the Colplatschki Chronicles
By Alma T.C. Boykin

All’s unfair in love and politics.

Countess Colonel Elizabeth of Vindobona has fought against Frankonia and the Turkowi, faced down a heretic traitor, evaded the romantic attentions of the emperor’s brother, and rebuilt the estate of Donatello Bend. But Court politics prove too much even for her. Sent to the far end of the Empire, Elizabeth and her allies race to save the Empire when a surprise invasion puts all else to naught. Even if she succeeds, love may prove Elizabeth’s final undoing.

Fortune favors the bold—but gunpowder settles everything.


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The Grave Artist
By Paula Lynn Johnson

“Johnson presents a believable, multilayered heroine whose narration is lively and insightful . . . The action is brisk, with a surprising but believable twist near the end. Never stilted or clumsy, this debut novel reads like the work of a far more experienced writer.” – Kirkus Reviews

16-year-old Clare can’t stop drawing the bizarre, winged skulls she calls “Sammies”. Her psychiatrist assumes the compulsive drawings are just expressions of Clare’s grief over her father abandoning her. But then Clare discovers that her Sammies are exact matches for the Death’s Head on the grave of Samantha Forsythe, a teen who reportedly fell to her death over two centuries ago.

Before long, Clare’s drawings morph into cryptic writings that urge her to uncover the truth behind Samantha’s death. Together with Neil — the friend she might be falling for — Clare scours the local history for clues. She finds that, although Samantha was engaged to a wealthy landowner, there were whispered rumors of her involvement with a younger, biracial man.

Soon, Clare is haunted by disturbing dream images — a mysterious eye, a broken chain — that point to someone Samantha called her “Dearest”. But who is Dearest? And why does Samantha need Clare to find him so badly?

Isolated and carrying hidden scars of her own, Clare fears her obsession with Samantha will threaten her sanity and safety. But it seems she has no choice in the matter . . .

The Grave Artist is a compelling paranormal murder mystery and a poignant story about loss and what it means thrive in a less-than-perfect reality.


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Cold Trap
By Jon Waskan

Economic geologist Og Rowley knows Unity well. He helped design it. He led its first science team. And upon his return home, he looked forward to reuniting with gal pal Moochy and plucky protégé Sej, who were each completing Unity missions of their own. But when word arrives that Sej has vanished, NASA sends Og back to Unity to investigate, launching him headlong into a secret battle to thwart the global aspirations of the Sino-Russian Entente. As for Moochy, well she has a secret of her own, one that could unlock the mystery of complex life and even deliver up a key to the stars … if it doesn’t cause a mass extinction first.


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What the Deaf Mute Heard
By G.D. Gearino

When ten-year-old Sammy awakens in an empty bus after an overnight trip, it’s a moment of paralyzing disorientation: He doesn’t know where he is, his mother has disappeared, and he’s surrounded by strangers.

The town is Barrington, Georgia, and Sammy grows up there — never leaving the bus station, in fact — and almost three decades pass before he speaks another word. But the man who everyone in Barrington assumes is a deaf-mute handyman reveals the town’s secrets, and in the process learns the story of his own life.

The basis for the most popular television movie in a generation (not to mention the most-watched Hallmark Hall of Fame presentation in history), “What the Deaf-Mute Heard” is a tale that stays with you long after the last page is turned.


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Slow Death in the Fast Lane
By J.W. Kerwin

On the surface, Slow Death in the Fast Lane is a wildly entertaining story about an unconventional attorney who defends a client charged with criminal tax fraud by putting the IRS and America’s tax laws on trial. But underneath the fast action, quirky characters, and outrageous courtroom stunts is a scathing indictment of a federal agency that many believe has become far too powerful.

Although a work of fiction, the book reveals a number of IRS practices, including a little known sting operation targeting small businesses.

In the particularly entertaining chapter, “Dean Wormer must be running the IRS,” an expert witness uses the “double secret probation” scene from National Lampoon’s Animal House to explain why the Internal Revenue Code violates constitutionally mandated due process requirements.


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The Mystery of the Dying Woman
By Paul Leone

London, 1888 AD. Zillah Harvey came to the city to make a better living than the country could offer… but a brutal encounter on the streets of Whitechapel opens doorways to a new and sinister world. The first in an occasional series of Victorian occult detective stories.


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Trail of Second Chances
By Paul Duffau

A high-octane adventure on a wild Montana mountain as one girl finds herself racing for her life against a malignant fire. It should have been the highlight of the summer, a training camp for elite runners in the mountains of Montana. Coached by her father, and frustrated by his efforts to hold her back, Becca Hawthorne dreams of competing in the Olympics. She earned her chance to test herself against the best runners in the Pacific Northwest. But now she faces a tougher opponent than even the fastest girl. An action-filled roller coaster ride that keeps you turning the pages as the fire creeps closer.

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A Mainstream Publisher May Not Be Your Friend

Friday, June 27th, 2014 - by Sarah Hoyt and Charlie Martin

mrpotter

Charlie here. So Sarah is away at science-fiction-writer summer camp, and I’m doing the prose for the book plug links this week. (Don’t forget to email book.plug.friday@gmail.com for guidelines if you would like your book plugged here, leading to fame and fortune.) I can’t promise a fiery Latin rant like last week, but think of this as an appendix — small, kinda slimy, and no one is quite sure what it does.

This time, I’m going to do a little arithmetic. Amazon’s royalty options are a little bit arcane, because of special programs and multiple currencies, but here are the basic rules:

  • You can get 35 percent of the sale price as a flat rate for any book from a minimum of between 99¢ and $2.99 — depending on the size of the book in megabytes — up to $200. I don’t think I’ve ever seen a $200 ebook.
  • Or if you meet some conditions, you can get 70 percent of the sale price, as long as the price you set is between $2.99 and $9.99. You also pay a data transfer fee, which is 15¢ a megabyte. (Which, for most fiction, means about 15¢.)

The conditions aren’t particularly onerous: first, if you have the right to publish the work in some country, Amazon has to be able to e-publish your book in that country; second, the book can’t consist primarily of public-domain content — you can’t ebookify something from Project Gutenberg and get the 70 percent rate; third, the e-book has to be enabled for text-to-speech; and you have to set the e-book price at least 20 percent below the cover price of the physical edition.

So, now I picked a novel at random from the ones Amazon is pushing, The Hurricane Sisters. It’s from the most mainstream of mainstream publishers: William Morrow, part of HarperCollins. From the blurb, it’s a standard sort of Southern-gothic chick-book, with the powerful lover, the gay brother, the BFF, family troubles. (God, no, I haven’t read it! The blurb sounds like it would be a more honest work redone as porn, but that’s a topic for another time.)


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The Hurricane Sisters: A Novel
By Dorothea Benton Frank 

Hurricane season begins early and rumbles all summer long, well into September. Often people’s lives reflect the weather and The Hurricane Sisters is just such a story.

Once again Dorothea Benton Frank takes us deep into the heart of her magical South Carolina Lowcountry on a tumultuous journey filled with longings, disappointments, and, finally, a road toward happiness that is hard earned. There we meet three generations of women buried in secrets. The determined matriarch, Maisie Pringle, at eighty, is a force to be reckoned with because she will have the final word on everything, especially when she’s dead wrong. Her daughter, Liz, is caught up in the classic maelstrom of being middle-age and in an emotionally demanding career that will eventually open all their eyes to a terrible truth. And Liz’s beautiful twenty-something daughter, Ashley, whose dreamy ambitions of her unlikely future keeps them all at odds.

[Shortened....]

The Lowcountry has endured its share of war and bloodshed like the rest of the South, but this storm season we watch Maisie, Liz, Ashley, and Mary Beth deal with challenges that demand they face the truth about themselves. After a terrible confrontation they are forced to rise to forgiveness, but can they establish a new order for the future of them all?


But look at the price. $12.99. Easily more than 20 percent less that the hardcover price, text-to-speech is enabled, and I’m sure that HC will happily sell it anywhere they have publication rights.

So, this is the part of Book Plug Friday where we do arithmetic.

$ 12.99  
x  0.35  
-------
   4.65  

Amazon is paying $4.65 to HarperCollins for each copy of the e-book they sell. But they seem to be able to qualify for the better rate in terms of the other conditions. Which means

$  9.99  
x  0.70  
-------
   6.99  

Let that be a lesson to you indie writers: 70 percent is better than 35 percent. Also, let that be a lesson to you, HarperCollins: 70 percent of $9.99 is better than 35 percent of $12.99.

And let that be a lesson to you, Dorothea Benton Frank: for some reason, HarperCollins is happy to give up $2.34 of your money.

Don’t you wonder why?


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Golf Cart Blues
By Walt Pimbley 

“A foursome from Fordo (Iran’s nuclear bomb research center) take a breather on the links, where they discover that Commies make poor caddies. When Mossad
shows up to play through, things get dicey.”

FREE on Kindle for a few days!


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Master Minds
By Edited by Juliana Rew 

A new collection of science fiction and fantasy stories for Summer 2014 on the theme of “intelligence.”


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In Treachery Forged
By David A. Tatum 

Following the rebellion of the Borden Isles, the Kingdom of Svieda was forced to make a pact with the Sho’Curlas Alliance in order to maintain the world’s balance of power.

Many years later, that pact was betrayed, suddenly and irrevocably, when the Sword King of Svieda was brutally assassinated by the Sho’Curlas Ambassador in the opening act of an invasion.

To help save his country in the ensuing war, Sword Prince Maelgyn must travel to the Province of Sopan, take command of his armies, and join his cousins in battle. Along the way he rescues a Dwarven caravan, forges a badly needed alliance, and accidentally gets married.

And then he learns about the dragons….


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Urdaisunia
By Kyra Halland 

Rashali, a widowed Urdai peasant, has vowed to destroy the Sazars who conquered Urdaisunia and brought her people to ruin.

Prince Eruz, heir to the Sazar throne, walks a dangerous line between loyalty and treason as he tries to do what is best for all the people of Urdaisunia.

The gods who once favored Urdaisunia have turned their backs on the land and left it to die.

When Rashali and Eruz meet by chance, the gods take notice, sending peasant and prince on intertwining paths of danger, intrigue, love, and war – paths that will change their lives, the destiny of Urdaisunia, and even the fate of the gods, forever.


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Wizard’s Heir
By Michael A, Hooten
Gwydion ap Don is a talented harpist, and a known rogue. But his Uncle Math sees something more: a young man with the magical talent to succeed him as Lord Gwynedd. But to learn magic, Gwydion will also have to learn self-control, duty, honor, and the martial arts. He’s not sure which will be the hardest. And when his training in magic begins in earnest, his whole world will change, as well as how he sees himself.

Based on the ancient Welsh myths from the Mabinogion, but set in the world of Cricket’s Song, this new series looks at one of the three great bards of Glencairck, Gwydion. But long before he became a great bard, he had to learn how to be a good man. This is the story of how his uncle tries to temper him into a leader, and a suitable heir.


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Fate and Fair Winds
By Dory Codington 

Adventure / Romance: Fate and Fair Winds takes place in Philadelphia in the months after the signing of the Declaration of Independence. The novel explores what it means to be free and independent from both a personal and a political standpoint.

Rebecca is a stubborn Pennsylvania farm girl, searching for her right to independence. Her father has used her dowry to buy a neighbor’s land and has offered to arrange her marriage to that neighbor as an alternative to having a dowry. This is an option she finds repugnant, but perhaps inevitable.

John FitzSimmon has been traveling the coastal colonies to learn what he can about the mood of the Colonists for his commander Gen. William Howe. He stops in Philadelphia to meet with his brother Jason, the captain of a merchant vessel docked at the harbor. When his shadow falls over the sketch Rebecca has made of the pretty ship, she asks him a question that will change both their lives.


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Self-Publishing With Burning Slug
By Anthony W. Hursh 

The Burning Slug book engine (http://burningslug.com/) is quite possibly the fastest way to get your text into book form. From the same manuscript file you can produce:

  • EPUB format (iBooks, the Barnes & Noble Nook, and many other readers)
  • MOBI format (Kindle)
  • Print-ready PDF
  • Stand-alone website

This manual was itself compiled with Burning Slug. The EPUB, Kindle, and print versions were all generated from the same manuscript without any text changes for the different versions.


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What About the Boy? A Father’s Pledge to His Disabled Son
By Stephen Gallup 

Nobody knew what hurt little Joseph, and no one was offering a way to help him. He cried most of the time, and thrashed about as if in pain. He wasn’t learning how to crawl, talk, or interact normally. Doctors told his parents to seek counseling, because nothing could help their son, and the quality of their own lives was at risk. Refusal to accept that advice changed their lives forever. WHAT ABOUT THE BOY? A Father’s Pledge to His Disabled Son chronicles a family’s rejection of hopelessness and their commitment to the pursuit of normalcy.


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Father’s Day: More Married. More Husband. More Father. More Man.
By Greg Swann 

Families without fathers typically are not families for long, and they are rarely strong families. The families from which children emerge the strongest – best-prepared intellectually, emotionally and in future earning-power – are the best-fathered families. Dad is the unchallenged leader of his brood, and everyone recognizes that it is his steady, unwavering, mission-critical leadership that most makes them a family. He never stops driving his family, and – in direct consequence – they are proud to go where he takes them.

Father’s Day is about making more families like that, helping Dad find his way back to his leadership role, helping him take charge and get his family moving again.


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Scout’s Honor
By Henry Vogel 

Told in a relentlessly fast-paced and breathless style, SCOUT’S HONOR is an exciting modern homage to the classic tales of planetary romance made famous by writers such as Edgar Rice Burroughs and Leigh Brackett, as well as the cliffhanger-driven energy of the early science fiction movie serials. If you like your heroes unabashedly heroic, your heroines feisty and true, and your plots filled with dangers, twists, turns, and double-crosses upon triple-crosses, you’ll enjoy SCOUT’S HONOR.


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Dark Invasion
By Mark Whittington 

Having escaped the Nazi vampire hunter, SS officer Kurt Hesselman, the Contessa Gabriella Doria finds herself in neutral Switzerland and in the company of American spy master Allen Dulles. Dulles sends Gabriella on a mission that might cut short the war by a year. She is to infiltrate occupied France, contact Field Marshal Erwin Rommel, and persuade him to change sides and fight on the side of the allies. But Gabriella will soon face peril from all sides, including from an enemy that she had thought dead and buried.

A direct sequel to Gabriella’s first World War II adventure, Dark Sanction.


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War To the Knife
By Peter Grant 

Laredo’s defenders were ground down and its people ruthlessly slaughtered when the Bactrians invaded the planet. Overwhelmed, its Army switched to guerrilla warfare and went underground. For three years they’ve fought like demons to resist the occupiers. They’ve bled the enemy, but at fearful cost. The survivors are running out of weapons, supplies, and places to hide.

Then a young officer, Dave Carson, uncovers an opportunity to smash the foe harder than they’ve ever done before, both on and off the planet. Success may bring the interplanetary community to their aid – but it’ll take everything they’ve got. Win or lose, many of them will die. Failure will mean that Bactria will at last rule unopposed.

That risk won’t stop them. When you’re fighting a war to the knife, in the end you bet on the blade.

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The Publishing Business Is In Crisis

Friday, June 20th, 2014 - by Sarah Hoyt and Charlie Martin

 People surround a statue of Soviet state founder Vladimir Lenin, which was toppled by protesters during a rally organized by supporters of EU integration in Kiev

This is Sarah and this week I realized that traditional publishing is in more trouble than I thought.  In fact it’s entirely possible the end is nigh at least for the business as it’s been since I entered.

You see, there have always been cracks and signs of break down amid the glitzy façade of traditional publishing.  Most of it, though, was the normal churn of the business, as it changed and tilted and adapted, for a certain version of adapting, to new conditions.

When I came into this field I was told two things by older and more experienced colleagues.  One of them was that for all its glitzy innovation and its very real new ways of doing business, the publishing business remained at heart a nineteenth century business: contracts weren’t as important as a hand shake; who you were as someone for people to work with was more important than cold hard sales; your publisher would take care of you.  All of these things – except for one publisher in the field (Baen Books) – were a lie by the time I started in the late nineties.  Well, maybe not the first.  If your book was a year late in being published, and technically out of contract (my very first published book, Ill Met By Moonlight, now indie) the contract meant nothing.

This was my first experience with the fact that the book business was in fact not a nineteenth century business, but a fourteenth century one. You came in and you were an indentured serf.  No matter how badly you were treated, you had to be nice to the Lord, because he held your life in his hands. And no matter how badly you were treated, the other Lords would side with each other and conspire to keep you in servitude and destroy you if you spoke out against it.

The second thing I was told when I came in was “the publishing business is in crisis.  And it’s always been.”

This was meant to imply that for all the moaning and bitching from publishers about how bad things were (usually when making an offer for a book) things went on and the publishers continued being paid their salaries and their pensions and writers had both the security of knowing the business would continue and the awful certainty it would continue the same way – with them as peons.

This was the same kind of truth as the one above.  To an extent it was true.  You saw churn and failing lines and ups and downs in the field, but the field went on, no matter how many times your publisher told you they were effectively broke.

Except it wasn’t true in another way.  For all the “keep on keeping on” the average print run for your “normal” (midlist) author had changed drastically, from around 70K or so books in the seventies, to around 7K nowadays.

The excuses abounded: “People no longer read” and “It’s all the other entertainment media” and even “Our books are too smart/daring/special for those dumb readers.”

Truth of course was nothing of the kind, as most of us who are readers knew.  It’s more that the books that were being offered and how people found them had changed profoundly under the cloak of business as usual.

How many of you in the past twenty years or so went into a chain book store and came out with no books and disappointed?  You remembered perfectly well going to the convenience store around the corner and against your will spending your last dime on a paperback because it looked so good, but now here you were, in a chain store, surrounded by metric miles of books and unable to find anything you even wanted to look at.

I realized around the early nineties that my reading life had changed.  It had changed because I rarely found a book I wanted to read.  Reading remained my main form of entertainment, but in the mid nineties I turned to fanfic on line, because I couldn’t find anything to read in the stores.

The problem was this: most of the books on the shelves, whether at our large indie store, or Barnes and Noble, or Borders (all then within easy distance from my house) completely failed to interest me.  And I read Science Fiction, Fantasy, Mystery and both popular history and historical novels.

However, with very few exceptions, no matter what I got from the shelves in SF/F it always turned out to be a lament about oppression, a glorification of victimhood or a “Humanity is vermin on the Earth” book.  So I stayed home and re-read my Heinleins until they became part of my thought process.

As for Mystery it went through a long slog of trying to be “realistic.”  I don’t read mystery to read about real cops doing their jobs, which, like most other jobs, are boring day-to-day routine, even when the results turn out exciting.  And I certainly don’t read mystery to come up in the end against the conclusion that there is no justice in this sad workaday world.  For that, I read the news.

I knew what the issue was, at least to an extent.  As a would-be writer I’d bought a ton of how-to-write mystery books, all of whom sneered at Agatha Christie and explained to us that cozies weren’t “real” mysteries.  In real mysteries, professionals solved murders, and the professionals were always right.  This maligning a fiction genre because it isn’t “real” is something that could only make sense to intellectuals.  People on the street know enough to say “of course it’s not, you dope. Real life isn’t FUN and fiction is supposed to be. In fact, this is still going on.  See this for instance, which a friend of mine characterized as the publisher equivalent of a chocolate manufacturer complaining that the customers liked sugar and not ground glass in their chocolate and were therefore “unsophisticated rubes”

That is part of how the business had changed.  It had changed to becoming a “push” business in which the customer would take what the publishers wanted to sell them and like it.  (Which is why even when “cozy mysteries” came back, we kept getting weird waves of stuff no one wanted to read, like the solid two years when EVERY character in a mystery sounded like a Sex in the City character to the point even this shoe addict had no interest in it.)

But publishing had been taken over by MBAs and had been concentrated in the hands of six conglomerates. Selling books the public wants to read is fickle.  You never know what those rubes your clients will want. Look how they embraced Dune which was published by a tiny press. Who could have guessed they’d like it? And why had all those mom and pop bookstore owners pushed this obscure book from nowhere?

When publishing fell in the hands of people trained to manage businesses predicting how a book would do was REALLY important.  It was also impossible.  So the new CEOs moved to do what dictators always do: eliminate the human factor.

Slowly — helped by changes in book retail, which in turn was helped by giving discounts to chain bookstores and leaving mom and pop’s out in the cold — they turned book selling into a “command economy”.  Someone at the top had a five year plan, predicted how much each book would sell, and it sold that.  This was accomplished by telling the stores how many books to stock and it was aided and abetted by stores stocking the same books in a “tri-state area” and also stocking according to “publisher confidence,” i.e. how many books the publisher said they would sell.  Fortunately the new bookstore managers were “Sales Professionals,” not readers, so very few read or hand-pushed a book.  Also fortunately most of those messy power readers whose main form of entertainment was reading (on vacation I can power through six novels a day, while doing stuff with my husband and sons on the side) had given up.  They were re-reading their extensive collection, or they kept changing genres in search of one that was still fun to read.  (In the early two thousands I found that most of my friends were now reading popular history because, bizarrely, it was less politically correct than fiction. It didn’t last. The publishers caught on and started pushing PC there too.  In fact, about five years ago, when things started falling apart for them, they were in the process of doing this to Romance, where I’d been driven to escape their insanity. I read my first romance in my thirties, and by five years ago was reading five or six a day. And then all the new releases featured historical heroines who were suffragettes or modern-day-style feminists, or evil business owners, or… you know the drill and so do I.)

The result were lowered print runs, but by gum, the publishers had total control on how a book would do.  If they targeted you for bestseller, you’d become one, even if they had to fudge the numbers to do it. (Look, the numbers are inherently fudged because according to the publishers themselves, they pay according to Nielsen numbers.  Those of us who have become publishers and know what ships know that Nielsen represents at best one-third of books sold.  For some books – those that sell in less traditional markets, like military-base stores or comic bookshops – it represents one tenth or less of sales.  Yes, you’d think it would be a matter of counting how many books shipped and how many were returned, but trust me, because of legacy systems it’s far crazier than that.  And even ebook sales, due to the byzantine way in which they’re reported, are very hard if you’re keeping track for anyone but yourself.)

This worked about as well as you expect of top-down systems. By the time Amazon came along, we were more than ready for them.  Don’t let the Amazon-whiners deceive you.  If everything had been fine in publishing – say if Amazon had come around in the seventies – it would have had an impact, but not nearly as large.

But Amazon moved in on a vacuum. Even now, the main publishers don’t get it (as Joe Konrath proves, taking Hachette to task.) Suddenly readers could find the authors that never got stocked, and found out that hey, books were still being published they wanted to read.  (From the other side, the authors’ statements didn’t change much, even though they suddenly found themselves hailed as celebrities by neighbors and repairmen who came to the house.  Strange.  It’s almost like those numbers are the ones the publishing house decided on, and not what really sold.  Some day, when my husband has time, he’s going to do a dissection of my mystery royalty reports, where – I swear – the print run changes in a quantum manner, to avoid paying me royalties. It’s obvious even to me that they’re lying, but my husband is a mathematician and will have lots of fun with it.)

Then Amazon opened the market to self-publishing, and people could find things that they wanted to read that insulted neither their intelligence nor their political beliefs.

Thereby precipitating whining, denial and outright illegal price-fixing from the publishers.

But you know, I didn’t quite believe in the revolution.  Oh, I believed I could make a living from it, at least at the level I was making.  Witchfinder proved that, if nothing else.  (Though I need to bring out the two sequels soon or sales will crash.  Indie has low attention span, because it’s spoiled for choice.)

However for real push, for real penetration of market, traditional publishing still held control. They could still make something a bestseller if they wanted to and pushed enough. Or at least so I thought.

I saw some signs it might not be so, because if I’m right, they tried to push Night Circus to the same level of publicity as Twilight.  It didn’t get there.  Nowhere near.

But then maybe I was wrong, because this was like a middle school chick watching the boys to see who liked her, or the free world watching the May day parade to see who was in and who was out at the Kremlin.  One thing was sure, we’d get things wrong.

And then this week, I saw the walls tumble down.  I saw the statue of Lenin dragged through the streets.

I saw Hillary’s book tank.

Oh, sure, they spin it.  They’re publishers.  They know how to spin.  They’ve been doing it for decades.  They say it’s selling well enough.  They say it’s the “changing book market.”  But it’s not.

““The rollout was touted as the best planned book tour ever, meticulously crafted by the smartest Hillary aides, publishing PR gurus, and the savviest superagents,” writes another publishing source.

“The book will probably debut on the bestseller list at number one and then fall like a rock. After the smoke clears, with tens of thousands of books sitting in warehouses collecting dust, there’ll be a lot of handwringing and probably a few people without jobs.”

The book will debut on the bestseller list, because that’s determined not by books bought but by “laydown”, i.e. how many books the publisher shipped.  (Bet you didn’t know a book can be a “bestseller” without selling a single book.

What you might not appreciate from the outside is how amazing, how impossible this is.  They still have control over what ships (and therefore gets on the bestseller list for at least one week), they have control over the figures they show, they have control over publicity, they can strong-arm bookstores to stock a book and to push it.  And you bet your bottom dollar they deployed all this in favor of Hillary.

And it tanked.  It tanked so publicly, so visibly, it can’t be denied.

Even five years ago, they could push Obama to bestsellerdom, whether that was true or Memorex.  (Those of us with experience saw a lot of discounted Obama merchandise, but never mind.)

Now they can’t.  And if they can’t do it for Hillary! having pulled all the stops, then they certainly can no longer do it for the industry darlings, those politically correct parrots they’ve been pushing up readers’ noses for years.  They can still probably lie about those.  They’re not as public a flop as Hillary.  But all the lies and all the gloss won’t save them from losing their shirts.

Will they go bankrupt?  I doubt it.  As we’ve learned with Russia the fall of evil empires is complex.

However, it’s safe to say their domination of the market is over.

I’ve seen the equivalent of Lenin’s statue dragged through the streets this week.  They can’t take that away from me.  And they can’t take my freedom.  I’m like one of those East Germans who, when the wall came down, rode their Trabants as far as they could and then walked away, west, ever west, many of them ending up in Portugal, by the sea.

As both a writer and a libertarian who decries the domination of the left-pc point of view in our culture, I’m perhaps more moved by this than the average person. Forgive me the religious-sounding quotation.  I’m going to quote Elizabeth the first, quoting the Bible. When, against all odds, she found she had survived her two siblings (without being killed) and become Queen (news were brought to her in the tower, so it was a near thing) she’s reported to have said “This is the day the Lord has made, and it is marvelous in our sight.”

And so it is.


Hat tip to reader Laura Montgomery, who points us to Indie Author Land:

Indie-Author-Land

 

Their “about us” page describes them as:

But since you’re here, this is what there is to know: Indie Author Land is run by a couple.  She is a journalist covering the arts, and he is a computer programmer. Neither one of us is an author, but we are both voracious readers and both want to contribute, in whatever way we can, to the creation of good fiction.

Hence, Indie Author Land…

The site is growing, and this is what we want. Our idea is for that growth to be organic, fluid – growing to fill whatever void it may come across.

(And, selfishly, helping us find our next favourite book!)

They sound like the right kind of folks.


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Witchfinder (Magical Empires)
By Sarah Hoyt 

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


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Cardinal Points
By Dory Codington 

Adventure / Romance. Cardinal Points begins at the very beginning of the American Revolution, the night the colonists of Boston, threw crates and crates of good China tea into the harbor to protest, taxes and Governors Hutchinson’s decisions about shipping and selling.
Jason, a merchant sailor and the fourth son of a Duke, arrived in Boston just in time to get caught in the brewing turmoil over the tea stored on three ships.
Oona was there to help, anxious to be a part of the town’s search for freedom and independence. She did not expect, while she stuck feathers in dark wool caps and boot black on familiar faces, to see a smile she had not seen for ten years. When the man attached to the impish grin picked her up and kissed her while the crowd of disguised men howled, it was as if her dreams had come true


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Deadly Secrets
By Autumn Killingham 

The murder of socialite, Jackie Johnson, during a dinner party in her mansion, plunges Detective Slivy Brown into an unfamiliar world drenched with privilege and excess. Besides an unfaithful husband eager to inherit her fortune, dinner guests and servants harbor marvelous motives for murder.

Slivy, the daughter of a cop killed in the line of duty, is unhappily partnered with Detective Wilbur Pendleton, the annoyingly pompous son of the police chief. Together, they chase elusive clues and watch each suspect slither away.

Stumped by the evidence and stymied by Slivy’s recurrent nightmares, the investigation stalls until Slivy uncovers a sordid family secret that brings her face-to-face with the murderer and drags the detective into the heart of her own spine-chilling nightmare. There, she confronts the demons of her past and the challenges of her future.


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The Long Voyage of the Little Fleet
By Mackey Chandler 

In the first book of this series “Family Law”, Lee’s parents and their business partner Gordon found a class A habitable planet. They thought their quest as explorers was over and they’d live a life of ease. But before they could return and register their claim Lee’s parents died doing a survey of the surface. That left Lee two-thirds owner of the claim and their partner Gordon obligated by his word with her parents to raise Lee. She had grown up aboard ship with her uncle Gordon and he was the only family she’d ever known. Him adopting her was an obvious arrangement – to them. Other people didn’t see it so clearly over the picky little fact Gordon wasn’t human.

After finding prejudice and hostility on several worlds Lee was of the opinion planets might be nice to visit, but terrible places to live. She wanted back in space exploring. Fortunately Gordon was agreeable and the income from their discovery made outfitting an expedition possible. Lee wanted to go DEEP – out where it was entirely unknown and the potential prizes huge. After all, if they kept exploring tentatively they might run up against the border of some bold star faring race who had gobbled up all the best real estate. It wasn’t hard to find others of a like mind for a really long voyage. This sequel to “Family Law” is the story of their incredible voyage.


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The Fields Where Soldiers Play
By B. J. Beck 

FROM THE DEPTHS of a tunnel to the peak of a mountain, a soldier rarely chooses his battlefield …

Sir Jacien Blyne of Newelen was coming home, but a conspiracy has formed in his absence to overthrow the kingdom. Given no time for rest or to reconcile with his wife, Jacien must take up arms once again.

Along with a cave-dwelling Daferin and a disciplined female warrior, Jacien will face an overwhelming enemy with the advantage of Reticulative Magic on its side.

His chances, however, are irrelevant when his country is at stake.

Unfortunately, the invaders want more than Newelen.


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Priestesses
By Francis W. Porretto 

Helen and Martine run unusual establishments: “sex shops” in Los Angeles and New York that never ask payment for their wares. They aren’t there to make a monetary profit. Their mission is more serious than that. As priestesses of fleshly desire, they seek to spread erotic knowledge throughout Mankind. Quoth Helen: “A dollop of physical pleasure here and there, a little instruction in the ways of the body, a helping hand toward the fulfillment of this marriage or that affair, can sometimes avert the most terrible alternatives you could imagine.” Erotica for good people.


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Let No False Angels
By Wesley Morrison 

The others came for Heinrich Aguirre when he was a child. Born in one of the Germanies with a light inside his mind, Aguirre is raised to take his place as one of the Magian, the rare few who can part the veil between the many versions of Earth. Vowing to protect these endless worlds and all who live in them, Magian do not hesitate. But during his first battle, while still less than a man, Aguirre does, only to see the magus who raised him die instead.

For his sin, the others banish Aguirre to the solitary path.

Seventeen years later, Magian are being slaughtered, and with a kind of power no magus has ever seen before. Suspicion quickly falls on Aguirre, who realizes that his only hope is to find the truth himself. So Aguirre turns his back on those who have already turned their backs on him, and with the Magian in pursuit, he races to save his own kind before they kill him first.

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