We had the honor of attending our son’s graduation from Hillsdale College last week on a picture-perfect May day with chairs lined up in tight rows on the east lawn of the beautiful campus. In addition to the joy of watching our eldest son walk across the stage to receive his diploma, we were blessed to hear the insightful commencement address from author Eric Metaxas. In addition to sharing stories from his youth and his faith journey, Metaxas, author of Bonhoeffer: Pastor, Martyr, Prophet, Spy, discussed at length the connection between faith, virtue, and freedom. You’ll find the video of the speech at the end of this post.
Here are ten incisive quotes from Metaxas’ address, “The Role of Faith in the Story of Liberty”:
1. Real faith is never something that can be forced by the state.
Real faith is never something that can be forced by the state. It’s something that either be encouraged and smiled upon or discouraged and frowned-upon. Or, simply crushed, as it has been in every Communist country…Religious freedom, which was at the very heart of the Founders’ vision for America, cannot be compromised without all our liberties being compromised and America as we know her being redefined into non-existence.
“And now I know that every single day, the best and the worst, only lasts for twenty-four hours.” — Tricia Lott Williford
Two days before Christmas in 2010, amid the festive pictures of family Christmas celebrations, cookie recipes, and excited discussions about plans for the holidays, some terrible, heart-sickening news began to spread through my network of Facebook friends and acquaintances:
Stunned by some news. Please pray for a friend and her young family. The husband and father was unexpectedly taken to heaven for Christmas.
Pray for Tricia Williford as her husband went to heaven this morning. They have two little boys, Tucker and Tyler. What a sad day this is.
Three years later, I have fresh tears in my eyes as I re-read those words and I think about the shattering of lives, dreams, and families in that one terrible moment. How does a family survive such a profound tragedy? Can those shattered pieces be fused back together again? What does that really look like? I mean, in real life, starting with how you get out of bed the next day and how in the world you explain to two little boys that their daddy has died?
Tricia Lott Williford, a writer and editor — and a fabulous storyteller — had a blog at the time of her husband’s unexpected death at age thirty-five. Her bio explains, “On the day of her husband’s death, an unknown someone posted a link to her blog on Twitter with the words, ‘Please pray for this woman. Her husband died this morning.’ Overnight, her blog went viral and her community of readers grew exponentially.” Tricia continued with her long-established discipline of writing every day and shared her story, in all its brutal transparency, with friends and strangers around the world. Her story has now been turned into a book, And Life Comes Back: A Wife’s Story of Love, Loss, and Hope Reclaimed, released February 18th.
Gay at a time when homosexuality was a felony and Jewish in an era of “polite” antisemitism, one Liverpool lad broke into entertainment management at a time when the Anglo Lords in London ruled the biz. 50 years later the music world is only beginning to acknowledge that there’d be no Beatles without their manager, Brian Epstein.
This past weekend, Vivek Tiwary, the Gen-X producer that brought Green Day’s American Idiot to Broadway, spoke to an enthusiastic crowd at The Fest for Beatles Fans about his mission to bring Epstein’s little known story to life via a critically acclaimed graphic novel, The Fifth Beatle, released by Dark Horse Comics.
What I unearthed after much difficult research (there is a paltry amount of information readily available on Brian, which is part of why I want to bring his story to the world) was not just an inspirational business story and a blueprint for what I wanted to accomplish with my career, but also a very human story, as summarized above. It’s a story I could relate to—and wanted to relate to—on so many levels. Brian became my “historical mentor”, if you will. A person from whose history I’ve tried to learn from—both what to do and what NOT to do. Brian was certainly a flawed and imperfect hero, but a hero all the same.
Tiwary has drawn inspiration from Epstein’s trailblazing ingenuity, citing that without Epstein’s persistence, Ed Sullivan never would have brought The Beatles to America. “People scoffed when I brought Sean Combs to Broadway in A Raisin in the Sun because they didn’t believe that Broadway attracted a black audience. I told them that was ridiculous; if we gave them a product they wanted, they would come.” Like Epstein decades before, Tiwary’s was a winning gamble.
Beatles-themed sensory overload: That is how to describe The Fest for Beatles Fans in New York City, held from February 7-9 to commemorate the 50th anniversary of the Fab Four’s appearance on The Ed Sullivan Show. What’s it like roaming a Fest that fills four floors of a New York hotel with musicians, historians, artists, authors, yogis, meditators, the famous and well over 8,000 fans from 40-odd states and five continents? Take a look at a day in the life of The Fest.
Beatles author and historian Bruce Spizer opened Saturday with a presentation on how the Beatles conquered America, no thanks to Dave Dexter, Jr., the Capitol Records guy who rejected hits like ”Love Me Do” and “Please Please Me” because they had “too much harmonica.”
Dear Prudence Farrow spoke about her spiritual journey in India with the Maharishi and the Beatles before leading an introductory transcendental meditation session. The room, dubbed the Ashram for the occasion, was so packed that more chairs had to be brought in for the standing room only crowd.
Good Ol’Freda Kelly, secretary to Brian Epstein, manager of the Beatles, and president of the original Beatles fan club, is signing autographs! Quick, get in line!
Still down to earth after all these years, Freda hates being the center of attention but enjoys being with the fans. Her grandson, a toddler, was happily drawing next to her. “Would you like Nile’s autograph?” she casually asked, to which I happily agreed. Good Ol’Freda is the Queen of Beatles Fans: regal, royal, lovely. Her documentary Good Ol’ Freda is a must-watch.
America is celebrating The Beatles’ Jubilee. 50 years ago this year The Fab Four landed on this side of the Atlantic and the ’60s officially began. (At least, that is, according to PBS.) With the announcement that Paul McCartney and Ringo Starr, the two surviving Beatles, will reunite at the Grammys on January 26 and perform a concert to air on February 9, 50 years to the day of their Ed Sullivan premiere, it would seem that Beatlemania (unlike much of organized religion) is making a resurgence in pop culture. Think the Fab Four are so yesterday? Think again:
A 2009 Pew Research Center survey placed the Beatles in the top four favorite music acts of Americans ages 16 to 64 — suggesting the band that helped create the 1960s Generation Gap ultimately helped us come together. Perhaps that’s the Beatles’ greatest gift: music that can be shared not only across the universe, but across generational lines.
Imagine a mathematician trying to quantify each Beatles’ album with Martha Stewart-like graphics. Wait, you don’t have to, just check out one Millennial’s 4 Simple Charts Visualizing The Beatles’ Major Albums and you’ll find out that The Beatles aren’t just for rock n’rollers, they’re for nerds, too. ”A new project on Kickstarter aims to tap into the passion of teenyboppers young and old withVisualising the Beatles, a book of infographics about each of the Fab Four’s major records.” Seriously: If that doesn’t make you want to start a Revolution, nothing will.
Huff Po details A Comprehensive Guide to The Beatles’ Invasion of Comic Culture for Millennial comic fans:
“Thanks to a book by Enzo Gentile and Fabio Schiavo, appropriately titled “The Beatles in Comic Strips,” we’ve been enlightened on the Fab Four’s history of comic book appearances. From subtle cameos to entire issues, the group managed to squeeze their iconic faces and psychedelic style into more than a few works of comic art.”
In March, Vans will release four pairs of Beatles-themed shoes for their Millennial audience:
“The most expensive of the bunch, the Sk8-Hi Reissue, features stylized portraits of all four Beatles running up the ankles apropos to cartoon portraits of each as they were animated for the film. The other shoes each feature psychedelic tableaus from the film. The Classic Slip-Ons play off the movie’s Sea of Monsters, showing trippy marine life swimming in an ocean of pink. The Era shoes depict all four band members, some wearing rainbow pants, hanging out in a yellow garden. And the final pair, a model called Authentic, is adorned with a pattern that reads “Allyouneedislove” running over and over again and into itself in purple, yellow and green.”
If you were to place a knife under your jaw and begin to slowly cut– with the intent of slitting your own throat, at some point before the deed was done your hand would stop. The searing pain, mingled with fear would make it physically impossible for you to continue–at least, unaided. Neither your physical body, nor your mind would allow you to continue on that unthinkable path.
So it is, when considering what it would be like, to lose a child. It’s simply impossible to accurately express the depth of that pain. There is a threshold, which your mind will not let you cross. Only by the blunt-force trauma of reality can that barrier be breached. Even then, the assault of reality must prove itself before the mind will allow that agony admittance.
In the same way, we are prohibited from truly grasping the atrocities suffered by the souls in the Auschwitz concentration camp. The mind simply will not permit us to grasp the sorrow of so many empty shoes.
In Viktor E. Frankl’s book Man’s Search for Meaning, the author, having survived Auschwitz, writes of his experience– not to record the atrocities, rather to answer the question as to why anyone at all would survive.
The preface to the 1992 edition explains:
“This book has now lived to see nearly one hundred printings in English–in addition to having been published in twenty-one other languages. And the English edition alone has sold more than three million copies.
These are the dry facts, and they may well be the reason why reporters of American newspapers and particularly of American TV stations more often than not start their interviews, after listing these facts, by exclaiming: ‘Dr. Frankl, your book has become a true bestseller– how do you feel about such a success?’ Where upon I react by reporting that in the first place I do not at all see in the bestseller status of my book an achievement and accomplishment on my part but rather an expression of the misery of our time: if hundreds of thousands of people reach out for a book whose very title promises to deal with the question of a meaning to life, it must be a question that burns under their fingernails.” [Emphasis mine]
Although the smoke from the Auschwitz crematorium has long ceased, evil still thrives in seats of power today. In the midst, is a new generation growing up in a culture that sends everyone home with a trophy. The relevance of Frankl’s work, and the lessons of the past may be the very thing missing to change the future.
You are cordially invited to walk with me over the next few Sundays, as we explore Man’s Search for Meaning.
Elizabeth Smart is making the rounds, flogging her new book My Story (written with Congressman Chris Stewart). Smart is, of course, the beautiful Mormon girl who in 2002 at 14 years old was abducted for nine months by evil lunatic Brian David Mitchell and his wife. Then, miraculously, she was found and reunited with her family. Today, she’s married and says she “couldn’t be happier.” She does good work fighting human trafficking and speaking to sexual abuse survivors.
I’ve always been kind of fascinated with Smart (I’ll read the book and get back to you on it if it’s any good). Her kidnappers dragged her around the country, chaining her up like an animal and raping her daily. And the two questions everyone always asks her are 1) why didn’t you run/call for help and 2) how come you’re not, like, bats**t crazy?
The first question doesn’t mean much to me. Fourteen-year-old-girl, threatened, brutalized, terrified: in the movies, she’d have run away. Real life, not so much. I think anyone with half an imagination can figure that one out.
But that second question — that haunts me. It really does. Nine months of trauma, raped every day, mentally tortured by these demonic lowlifes with their threats and their sick religious delusions. Hell, I know women who’ve been assaulted once and have never gotten over it. I know people whose whole lives are defined by the cruel things that were done to them. I myself just have to hear Smart’s story and I start having angry fantasies about what I’d like to do to Mitchell (hint: it involves a ball-peen hammer and pliers). So how does she, who actually went through this stuff… how does she live her life without being consumed by rage every day all the time?
So you’re paging through your calendar and you realize it’s Friday. Yes, almost the end of the week! You decide to flip through your weekend and THERE IT IS: “Father’s Day” scrolled sweetly across Sunday, June 16. Panic sets in. Whoops.
But, have no fear, there is still some times left and a multitude of awesome things to buy, or do, with your dad. Is he a car lover, a history buff, or a connoisseur of speed? Well, then I’ve gotcha covered.
Here are some great ideas to give Dad this weekend that he’s sure to love. Even Enzo would want these gifts on his bookshelf!
For the IndyCar Dad:
Does your dad still talk about the “good ole’ days of racing” with Mario Andretti, AJ Foyt, or Al Unser? If he’s a fan of the Indy 500 and/or biographies, I have just the book for him: Janet Guthrie: A Life At Full Throttle.
Janet Guthrie’s account of her breakthrough into both Indy and NASCAR is a gripping read. I found myself white-knuckling my book whenever she described her experiences in the cock-pit. The book is filled with funny inside stories with some of racing’s biggest stars. Your dad is sure to be impressed by Janet Guthrie, a pioneer in racing for women, and enjoy this little foray into history. Expect intermittent chuckles — Janet is a very witty writer.
There is still time to head over to Amazon to place an order in time for Father’s Day delivery! I’ve linked the images below to help you out.
by John McPhee
“The Swiss Army has served as a model for less languid nations. The Israeli Army is a copy of the Swiss Army. … They are a civilian army, a trained and practiced militia, ever ready to mobilize. They serve for thirty years. All six hundred and fifty thousand are prepared to be present at mobilization points and battle stations in considerably less than forty-eight hours.”
This book, written at the end of the Cold War, gives a compelling view of the Swiss military system. The pastoral views in the Alps don’t reveal that beneath those mountains are bunkers stocked with munitions caches and that the winding roads all have bridges that can be blown to pieces at a moment’s notice to thwart an attack.
The book might provoke some intriguing thoughts and conversations about forced conscription, responsibility as citizens, what some like to call “military adventurism,” and the implications of heavily armed neutrality.
- Version 1.0 of my 2013 Self-Improvement Program: 7 New Year’s Resolutions I Invite Others to Steal
- Version 1.5, published a month later after my 29th birthday: The Plan So I Don’t Waste the Last Year of My 20s
Today I am joining Charlie Martin and Sarah Hoyt in attempting a 13 Weeks Blogging Self-Improvement Program. I invite others to join me and assist in the continued development of what we should call The Charlie Martin 13 Weeks Method. (Has a nice alliterative ring to it, methinks.) Back in February Charlie laid out his approach:
By accident, however, I’d noticed a process, or pattern.
- Decide there’s something you want to change.
- Find ways to measure your progress.
- Decide on some small unthreatening things you can do that should affect those measures.
- Track the results for 13 weeks and see what happens. It helps to pick appropriate tools and techniques for that tracking, but something as simple as a Seinfeld calendar, where you just draw an X on a calendar for every day you do something can be very powerful.
So here’s my 1-2-3-4 for The 13 Weeks Radical Reading Regimen:
1. The problem that I’d like to change is the one that Sarah identified in her PJ Lifestyle article yesterday: being buried in books for research. Over the past year I’ve tried to figure out how to organize the various subjects that I want to study in order to best make sense of them and find the connections across the disciplines. I want to read more books and do a better job of staying organized with the ideas and research that I find in them for my future writing and editing projects. I want to continue to explore connections across disciplines, reading both novels and a wide variety of nonfiction, both very serious philosophy and absurd satire.
2. I will continue to share the most interesting nuggets of my research in one daily PJ Lifestyle Bookshelf post that features an excerpt. Additional snapshots from my research will appear at my Instagram and Twitter accounts which can be followed here and here.
3. I will only create seven piles of books, one for each day, and then base each day’s reading on the titles from that pile. I won’t have to think about which books I’ll read each day. I’ll just draw from each pile. Each day will be based on 1-3 authors and 1-4 related subjects that I want to juxtapose together. This will not be a hard rule that I can only read from that day’s pile. If a book on another subject has caught my enthusiasm then I can still read it after dong the day’s necessary reading.
But I need to find at least two excerpts worth Instagramming and at least one of them should appear as a PJ Lifestyle Bookshelf selection to inspire debate and discussion. (That’s the purpose of those posts — for the regular readers who have complained, asking why I don’t take a few paragraphs to spell out my opinion of each excerpt offered. They appear because I am more interested in hearing reader feedback on them than pontificating my own ideas.) These seven piles will then flow into the six categories that I created in my original Counterculture Conservative book list from back in October. The seventh (and last) category I plan to add will be based on my list of the The 15 Best Books for Understanding Barack Obama’s Mysterious Political Theology. (This will be the basis for Friday’s systematic exploration of evil ideas.)
4. I will create a calendar on a page of my journal broken up into 13 weeks and at the beginning of each day I will notate which page I am on in the books that I am reading associated with that day. I will photograph this calendar and blog about it each week, noting and analyzing my results on Tuesdays (the PJ Lifestyle day focused on writing, media, and technology). At the end of the 13 weeks I will see the progress I made on each author and subject. Then I will decide how to adjust each day’s reading focus, maybe taking a break from an author for a bit or adding another writer whose ideas are worth juxtaposing with the other thinkers of the day.
So what will the reading subjects be for the seven days of this “first season,” as Charlie calls it, of the The 13 Weeks Radical Reading Regimen? I’m doubling down on the authors and subjects of previous self-improvement plans, but focusing some plans and expanding others. As always, your recommendations for additional books and authors that I need to read are sincerely appreciated. Please leave suggestions in the comments or email me.
And publishers, authors and publicists: any and all paperback/hardback books received by mail will be photographed and blogged about. (And e-books that are especially interesting may also be featured. But actual books are of course more photogenic.)
Related at PJ Lifestyle:
Golly, I feel old sometimes.
I became a buddhist in 1966. It turns out my new favorite Zen Master — boy, he’s gonna flinch if he reads that — is a guy who was about four years old at the time. His name is Brad Warner, and he’s rockin’ the Zen world.
Literally. Brad is a hardcore punk rock bass player, who recorded with hardcore bands like 0DFX (Zero Defex) and started a psychedelic band Dementia 13, and I’m telling you right here and now that my knowledge of punk rock is entirely derived from reading Brad’s books and a couple of Wikipedia articles: when punkers were listening to the Dead Kennedys, I was listening to Styx and Kansas.
I also like Glenn Miller. Sue me.
Brad then moved to Japan, where after a year of teaching English, managed to wangle a job working for Tsuburya Productions, which made Ultraman; he acted in bit parts in a number of Ultraman movies and did promotion in English for the company. He also married. While he was there, he also started to study Zen with Gudo Nishijima, a teacher in the Soto lineage, and as he tells it in his first book Hardcore Zen: Punk Rock, Monster Movies and the Truth About Reality, Nishijima-sensei decided to confer Transmission, making him an official certified Zen Master and Nishijima’s Dharma heir. He then moved back to the US, lost his job, got divorced, and began writing for the general public with Hardcore Zen, followed by becoming a columnist for the Suicide Girls website, largely a repository of pictures of young hipster girls with lots of tattoos and few clothes.
Brad has been controversial more or less from the start. (Not every Zen Master writes for a porn site.) First of all, he doesn’t look the part.
This guy looks like a Zen Master.
This guy looks like a Zen Master.
And then there’s Brad.
Release Date: October 1, 2012
THE GREATEST IMMIGRANT SUCCESS STORY OF OUR TIMEHis story is unique, and uniquely entertaining, and he tells it brilliantly in these pages.
He was born in a year of famine, in a small Austrian town, the son of an austere police chief. He dreamed of moving to America to become a bodybuilding champion and a movie star.
By the age of twenty-one, he was living in Los Angeles and had been crowned Mr. Universe.
Within five years, he had learned English and become the greatest bodybuilder in the world.
Within ten years, he had earned his college degree and was a millionaire from his business enterprises in real estate, landscaping, and bodybuilding. He was also the winner of a Golden Globe Award for his debut as a dramatic actor in Stay Hungry.
Within twenty years, he was the world’s biggest movie star, the husband of Maria Shriver, and an emerging Republican leader who was part of the Kennedy family.
Thirty-six years after coming to America, the man once known by fellow bodybuilders as the Austrian Oak was elected governor of California, the seventh largest economy in the world.
He led the state through a budget crisis, natural disasters, and political turmoil, working across party lines for a better environment, election reforms, and bipartisan solutions.
With Maria Shriver, he raised four fantastic children. In the wake of a scandal he brought upon himself, he tried to keep his family together.
Until now, he has never told the full story of his life, in his own voice.
Here is Arnold, with total recall.
Comments from PJ Lifestyle frequent commenter Ari:
I bought his biography for _____ for Christmas, and then I spent two days reading it from cover to cover? What happened?
He’s got this life: 2/3 of this book is poor kid from the sticks learns business and makes his way in the world. The last 1/3, he becomes governor and literally forgets every lesson he learned from his own experience and reading.
What happened? Really? I mean, he has bits in the last 1/3 that completely contradict what he lived through— AND NOTICED!– in the first 2/3. What happened?
He starts a bricklaying business, for $3.75 registration fee, with his immigrant buddy, because the union hall doesn’t have enough work. He works on movies in non- union nations. He chides Sargent Shriver for not relying on the free market to sort out milk prices. He gets elected………….and turns into a Mexican President- what can I build using public moneys that is a monument to MEEEEEE? He doesn’t connect rolling black-outs and skyrocketing energy prices to his policies, at all. Policies like, breaking down dams, requiring fuel mixes……….he gets upset when people question the content of his production- the violence in his movies- but he questions the production of someone else’s material- car engines. If he wants great green cars, why not open a company that makes green cars? He makes all sorts of companies to provide the things that people really want- sweat-stained weightbelts, is the gooniest example I can think of.
Conan is made for half the price, in Spain, than California, with union-workers. It’s even more half-price than Italy, with union workers.
He even cooks up an early Obamacare.
And, second, do the Kennedys viscerally hate all Americans? They keep reverting to ” You all killed my relatives.” Like, Maria having panic attacks when Arnold wants to get into politics. She also has this really strong divide between family and friends ( all her friends are high-achievers- Oprah Winfrey or her producer) and the servants, which, I think is everybody else in America. Do they really hate and despise us? We keep not electing them, Or maybe we elect them some places,
And what is with the slumming with Special Olympics and extraordinarily poor people? Is this some ” God Bless You, Mr Rosewater” moment? They might care, but they really need people who are entirely obviously never, ever going to compete with them in any fashion? I mean, there isn’t a single middle-class American in contact with the entire clan. Not one.
He could have proposed the system that gave him his first freedom: an apprenticeship while in high school: and California would be nearly 8 years into this, with extraordinarily trained young workers. That would be prosperous like crazy. Like, seriously, Summer School? The movie? Has an indifferent teacher seeking tenure, slow students, all that. But two of the students are special effects brilliant kids. Why aren’t they in an apprenticeship program? Why aren’t there apprentice-ships for building computers? or building buildings? or machining solar panels? or stores? or cooking?
Fredericksburg, a city in Texas, was settled by Germans. It has a system like that. Kids graduate ready to take the Medical Assistant licensing exam, or a hair-dressing exam, or become professional cowboys. They’ve already managed stock. I met one in Austin. He was married, with a kid by age 20. Not, poor, living on welfare, clueless, but actually working on a ranch, while his wife taught dance classes, which is what she had studied in school. Their parents, on both sides, approved. He had been very business-like about getting out of high school. He didn’t like one class, and rather than drop-out, he worked with the teacher and counselor to pass. He knew he had a life waiting for him. He was working at Michael’s, the craft store, the same Christmas I worked. His girlfriend, too. He got a friend hired, the kid didn’t show up, he called him and bawled him out for making him look bad. That’s what people want, right?
The Black Count:
Glory, Revolution, Betrayal, and the Real Count of Monte Cristo
By Tom Reiss
Crown, $27, 414 pp.
Review by David Forsmark
It sounds like one of those goofy Black History Month blog posts put out by an activist — hey, did you know the inspiration for the Count of Monte Cristo was really black … and his name was Alexandre Dumas?
The first thought that crossed my mind while reading The Black Count — the fascinating new book by Tom Reiss — was “why the heck hadn’t anyone written a major biography of General Alex Dumas before 2012?” This was immediately followed by “why the heck do we have Black History Month if it’s not going to uncover and publicize this man’s story?”
First, to avoid any confusion, the book’s subject is not the 19th century author who penned such adventure classics as The Three Musketeers, The Corsican Brothers, and The Count of Monte Cristo. Rather, this is the tale of the writer’s father, who is not nearly as well known as he deserves to be.
Reiss, author of The Orientalist, presents the story of the son of a French aristocrat and a Dominican slave who rose through the ranks of the French army through feats of incredible valor, only to be betrayed by racist backlash. In the process, Reiss offers a unique look at the first modern-style totalitarian government to be born of revolution.
The Black Count begins in the slave-trading world of colonial France, an oddly hybrid system where French legal protections for people of mixed race clashed with perhaps the most brutal form of European-sponsored slavery in the New World.
Alex enters the historical record at the age of 14, when his father, a rebellious French nobleman who disappeared into the Haitian wilds with his slave mistress, returns after a years-long absence to reclaim his inheritance. Alex, however, is his father’s sole companion when they return to France; his mother and sisters were sold off by his father before the journey. Alex, in fact, was recorded as his father’s slave upon their return.
Alex, however, was brought up as a nobleman’s son and grew into an intellectually and physically imposing figure. Still, he entered the French army as an enlisted dragoon, rather than taking advantage of his titles.
Television’s Mad Men would have you believe that America was a monolithic bastion of Puritanism, untrammeled by European or socialist influences (despite the rise of Woodrow Wilson and FDR!) until the Beatles touched down at JFK Airport in 1964. The reality though, as Allen Bloom memorably wrote in The Closing of the American Mind, was that almost immediately upon the US winning World War II, America began to slowly — often unwittingly — become an unofficial enclave of Germany’s Weimar Republic.
Take architecture. As Tom Wolfe noted in From Bauhaus to Our House, his classic debunking of modernism’s excesses, because America’s intellectuals tend to think of themselves as an artistic colony in thrall to Europe, when the leaders of the Weimar-era German Bauhaus of the 1920s were evicted by the Nazis, they were welcomed by Depression-era American universities as “The White Gods! Come from the skies at last!”
[Walter Gropius, the founder of the Bahaus] was made head of the school of architecture at Harvard, and Breuer joined him there. Moholy-Nagy opened the New Bauhaus, which evolved into the Chicago Institute of Design. Albers opened a rural Bauhaus in the hills of North Carolina, at Black Mountain College. [Ludwig Mies van der Rohe, its last director, when the Nazis shuttered its doors in 1933] was installed as dean of architecture at the Armour Institute in Chicago. And not just dean; master builder also. He was given a campus to create, twenty-one buildings in all, as the Armour Institute merged with the Lewis Institute to form the Illinois Institute of Technology. Twenty-one large buildings, in the middle of the Depression, at a time when building had come almost to a halt in the United States— for an architect who had completed only seventeen buildings in his career—
O white gods.
Mies van der Rohe (1886-1969) is the titular subject of the newly published biography by architectural historian Franz Schulze and architect Edward Windhorst (who studied his craft under a protégé of Mies). They’ve collaborated on an extensively — very extensively — revised version of the biography of Mies that Schulze first published in 1986, the centennial of Mies’s birth.
While he was America’s most influential postwar modern architect and teacher, Mies never quite become a household name on the same order as Frank Lloyd Wright. (Despite a prominent Life magazine feature in 1957.) But he’s been the subject of numerous biographies and book-length profiles, beginning with his prominent role in The International Style, the pioneering Museum of Modern Art exhibition by Philip Johnson and Henry Russell Hitchcock, which first put modern architecture on the map in America, back in 1932.
Even as Mies was associated with several prominent buildings deserving of respect after World War II, perhaps his greatest accomplishment was to singlehandedly invent the language of postwar American architecture. We take tall steel and glass office buildings and apartments for granted, but it was Mies who created their look, beginning with 1951′s Farnsworth House (which would also provide the inspiration for Philip Johnson’s own Glass House) and from that same year, the 860-880 Lake Shore Drive apartment complex.