Get PJ Media on your Apple

PJM Lifestyle

Book Plug Friday! Bad Romance

Friday, September 26th, 2014 - by Sarah Hoyt and Charlie Martin
YouTube Preview Image

No, this is not about Wuthering Heights which I – Hi, this is Sarah – hate with a burning passion, perhaps because I read it for the first time at thirty, when my husband found me laughing as I read it.  Because this whole dying for love thing, and the chick’s attraction for the unwashed one had to be meant as a comedy.

I still think the Brontes were trolling literature and generations of college professors have missed the point.  My husband says I’m wrong, though, and, who knows? He might be right.

Which brings us to another bad romance.  No, not my marriage.  We’re fine, thank you.  He might think I’m a little crazy, but I think I amuse him.

No, the bad romance I’m talking about is between two groups of people.  Or rather one group and each of several groups.

The first group we’ll call the Missionaries. They’ve been called Social Justice Warriors but that is a bit specific.  A lot of them wouldn’t think of themselves that way, because they don’t think they’re Warring with anything, precisely.  Instead, they think of themselves as Missionaries of civilization going among the benighted.  Just like the nineteenth century Missionaries to Africa never wondered why the natives didn’t wear pants, nor wished to acquire the native customs, so the Missionaries of enlightenment have no interest in the quaint customs and history of the groups they choose to grace with their presence.  Instead, they’re there to preach the one true way and bring the recalcitrant into civilization.

The groups they choose to embrace vary: science fiction and fantasy; gaming; hobby groups.  The Missionaries are an universalist lot.  They want to go everywhere and make everywhere conform to their ideas of good.

Of course, the funny thing is that one of the things these Missionaries preach is multiculturalism, but they have no problem at all imposing their values on various communities that had their own values before they arrived.  This is because a) like all multiculturalists they are in fact oikophobic, hating the “less enlightened” of those they live among and cleaving instead to an imaginary superior “other.” b) These are cultures and groups they perceive as low status, sometimes because (like the game community) they are weighted towards males, but mostly because they’re weighted towards geeks and people considered outliers by society.

If I had a dime for every time I’ve been at a convention and heard someone – usually female, although not necessarily – proclaim loudly they haven’t read any of the seminal works of the field I wouldn’t need to write for a living.  They will tell how racist and sexist those works are, of course.

After all, the Missionary of the superior civilization doesn’t need to read your primitive tracts to realize he or she is far superior.

In fact, that script has become a point of pride. Instead of reading the early work in the field, these people who want to totally reform your area of interest will lecture you on your evil ways, which they know about because they’ve been told about them by other people in their group.  Thus they will tell you with a straight face that science fiction had no female writers or writers of color until they came along, somehow sweeping under the rug the history of the very awards they now demand to be given as representatives of discriminated against groups.

I was reading about the various crusades online – the whole stompy foot careening into various groups and trying to shame people for not wearing pants, having the exact mix of gender/orientation and race that the Missionaries think is civilized, and then I realized this entire psychological scenario is something I remembered vividly from college.

You see, even though I was a geek girl, I can pass. Also, I was cute and enjoyed dressing up. I ran with a group of girls who were generally richer and more upper class than I was.  This being Europe, they, of course, dated within their class.  Usually.

But there came that time when they were either between boyfriends, or upset at their current boyfriend, and became aware that there was a boy not-in-their-class (either social, or academic, or of presentation) who was making eyes at them.  Most of the time, these boys were fodder for being made fun of.  But sometimes my “friend” (and by friend I mean friendly acquaintance) was bored or needed a self-esteem boost.

She would make this boy her project.  It was always the same.  “If only you dressed more like this” and “If only you bought a different car” and “If only you rented a place here” and “If only you changed your major.”  At the end of that long list of “if only” was the unspoken promise that “I, who am so superior and so much better, will DATE you.”

Except they didn’t. Not once. They would swoop onto this guy’s life as an “interested friend” and change everything about him, and then go back to their boyfriend/find a new boyfriend more of their type.

These girls were in fact, “bad girlfriends.”

Never once had they any real interest in the boy.  He was just a plaything to be molded into their image thereby giving them an ego boost.  In fact, they would loudly proclaim that they would never be seen with this boy as he was or had been, but if he “only.”

The Missionaries are exactly the same.  They are not fans of science fiction and fantasy.  They actually have no interest in the field as it is.  They have an interest in the work produced by the other Missionaries trying to enlighten the heathens, of course.  And they hold out the promise that “If only.”  If only we were more socially conscious.  If only we celebrated the Other more.  If only we were less obvious about those uncouth fantasy and science fiction elements in our stories.  If only we were more like those cool-stories-literature-professors like.  If only we did all of this, THEN, oh, then they would be fans.  They would love us!

What this means for any self-respecting field of endeavor is that we can tune them off with impunity.  They don’t love us.  They haven’t ever, and they never will.  They just want to get an Ego Boost by making us twist ourselves into pretzels, and then they’ll sail off to court the “real literature” crowd or more likely (because they’re all actually fairly low brow masquerading as intellectuals) the TV and movie crowd.

And if we play their game, they’ll leave us behind with our fun field in ruins.  In some of these fields, like science fiction and fantasy, it has almost gone too far already.  In gaming they’re being politely shown the door.

But even in science fiction and fantasy there’s hope.  You see, we had to conform to their demands because the authorities in the field (the publishers in the old system) made us. The publishers, you see, belonged to the same set as the Missionaries and had gone to the same schools. So we had to write the “right” (which mostly meant the “wrong”) stuff, even if it was driving real readers away.

Now we have indie, so we don’t have to conform to the agenda anymore.

Yeah, yeah, yeah, the Missionaries say we have to wear pants, have inconclusive endings and write according to their “enlightened” check list.

Fortunately, they’re not fans and they have no power, now we don’t need to go through their pet publishers.

We know they don’t love us and are only using us as step-stools to “greater things” and also having much fun berating us.

We all met women (and men) like them. They’re not worth the effort.

And it’s time we collectively stopped listening to them.

Nothing annoys this type of Missionary as being soundly ignored.  Let’s do it.

It’s time to put an end to this bad romance.


cover

Worlds Of Wonder – August, 1956
By AUTHOR

Do you miss the fun SF pulp magazines of yesteryear? Have you noticed a lack of enjoyable short fiction lately? Are you looking for fantasy and humor, for high adventure, drama, and hard science? Pick up ‘Worlds of Wonder’ today! Assault Normandy on D-Day with our unsung allies of the S.A.F.! Fly for your life in the clouds of Jupiter! Reclaim a ruined planet for humanity! DON’T try to trick a genie, and change everything! Pick up the latest edition of ‘Worlds of Wonder’ for your Kindle now! Only 99₵, and guaranteed in stock today!


cover

No Network Found
By Jerry Lawson

The Nevada Test Site in the summer of 1954… A hot wasteland of rock and sand – but the appearance of a small sphere carrying a cell phone from the future is about to change everything. That cell phone was a test article, loaded with data to be compared after a time travel experiment – tens of thousands of books on computers, networks, material science, medicine and history… on all aspects of Future Tech.

Now – the people of 1954 have to deal with technology from 2016… and the first integrated circuit hasn’t even been invented yet!


cover

A Patriot’s Act
By Kenneth Eade

When a naturalized American citizen turns up missing in Iraq, Brent Marks fights the Goliath U.S. government with its own Constitution. Santa Barbara accountant Ahmed Khury responds to the plea of his brother, Sabeen, a suspected money launderer in Iraq. Before Ahmed realizes what has happened to him, he is in Guantanamo Bay Detention Camp, being subjected to torture to extract information that he doesn’t have. The drama outside the courtroom explodes, and when murder, corruption and cover-up enters the picture, nobody, including Brent, is safe.


cover

Sarya’s Song
By Kyra Halland

In a world where music is magic, Sarya dyr-Rusac has risen from her destitute childhood to become a respected Arranger of musical magic rituals, until a wedding ritual she wrote results in tragedy. As unprecedented disasters follow, a beautiful, nameless man in chains begins to appear in her dreams, begging her to sing him free. With time running out, Sarya must discover the truth: is he too dangerous and powerful to deal with, a threat to the man she loves and to their world, or does he have the power to end the catastrophes that threaten to tear the world apart?


cover

Nine empathies: Apprehending love and malice
By Greg Swann

Virtually all of philosophy, not just reductionist science, labors under the delusion – an empathy for the impossible – that people can be controlled from the outside, and can thus be impelled to betray their own interests and values. My impression is that the sole interest academia takes in empathy is to try to figure out how to build a better shmoo.

How do you adore your self while your loved ones suffer? How can you be so deeply in love with them that you cannot distinguish loving from being loved? How can you plan to share a lifetime – to build a home, a family, a future – with someone you really only know by conjecture? This is why you need empathy – and why its real-life expressions are never a self-sacrifice.


cover

Shot through the Heart
By Julia Blaine

Abduction. A duel. Murder.

Since birth, Galatea was betrothed to Lord Harte Whatley. Conscientiously he visits every Tuesday and Friday. Only on Tuesdays and Fridays. Surely her up-coming, magical London Season will kindle love between them, overcoming obligation. Then Harte replaces his fickle younger brother Pierce in a fatal duel. A third shot strikes accurately. Who is the intended victim? Believing both shooters dead, Galatea and Pierce comfort each other, attempting to solve a mystery with more than one villain — in spite of meddling aunts and an important monkey. Is Harte alive? How can Galatea know who she really loves?


cover

Acts of War
By James Young

August 1942. London is in flames. Heinrich Himmler’s Germany stands triumphant in the West, its “Most Dangerous Enemy” forced to the peace table by a hailstorm of nerve gas and incendiaries. With Adolf Hitler avenged and portions of the Royal Navy seized as war prizes, Nazi Germany casts its baleful gaze across the Atlantic towards an increasingly isolationist United States. With no causus belli, President Roosevelt must convince his fellow Americans that it is better to deal with a triumphant Germany now than to curse their children with the problem of a united, fascist Europe later.

Acts of War is the continuation of the Usurper’s War series, which charts a very different World War II. As young men and women are forced to answer their nation’s call, the choices they make and risks they take will write a different song for the Greatest Generation.


cover

Suraiya Jafari: An American President
By Cindy Moy

Suraiya Jafari is an Indian-American Muslim Congresswoman who accidentally becomes the U.S. President. Suraiya, a Republican and former Marine lawyer, is serving as the House Minority Leader in 2022 when the vice president is charged with fraud and forced to step down. Suraiya is tapped to be vice president in an effort to rebrand the party. Then the president dies, and Suraiya moves into the Oval Office. Thereafter she deals with secession, distrust from her own party, sabotage from her political rivals, and even the threat of a third world war, all while coming to terms with how others try to define her and figuring out how she defines herself.

Read bullet |

#IAmNotYourBitch

Friday, September 19th, 2014 - by Sarah Hoyt and Charlie Martin
SHE might be your b*tch.  I'm not.

SHE might be your b*tch. I’m not.

Hi, this is Sarah. One of my friends who, I think, hopes to see my head explode and my brain showered all over the walls some day (um… maybe I should revise the notion that he’s a friend) sent me this link: Authors United vs. Amazon, a primer.

Now to make things clear what I object to is not the link itself, but the site/movement it righteously mocks. Or to put it another way, I’m linking that site, because if I linked the original, there would be blood, possibly even someone else’s, as I mutated into the other form of Sarah, the one who walks around saying “Sarah smash.” (They won’t like me when I’m angry!)

Reading it once was bad enough.  (The things I do for you.)

The letter in the bad site, the one you can get to from the good site, but which I wouldn’t advise if you prize your sanity, is full of strange and wondrous claims that made me wonder what kind of world these people live in, and whether it has swiss cheese for a sky.

Take this gem for instance:

books are not mere consumer goods. Books cannot be written more cheaply, nor can authors be outsourced to another country. Books are not toasters or televisions. Each book is the unique, quirky creation of a lonely, intense, and often expensive struggle on the part of a single individual, a person whose living depends on his or her book finding readers.

First of all, there is the counterfactual: Books are not mere consumer goods. Books cannot be written more cheaply nor can authors be outsourced to another country.

Really?  Fascinating.  The first one is particularly interesting in view of the fact that just in the time I’ve been a professional – since around 1998 – the average advance on a book has gone down from five thousand to – I hear, now – two thousand. If the books are not being written more cheaply, they are certainly being bought more cheaply by traditional publishers.  And few of these books get royalties. No matter how much the statements/royalties have to be tweaked to avoid it. (Used to be that books were taken out of print on the day they earned out the advance. I know. Happened to six of mine. Now they just go into a sort of limbo, and you get zero sales reported, which considering that I sell more than that on my backlist on Amazon, I call shenanigans on.)

The second one is also fascinating, since I know people in several other countries who write, such as Dave Freer, for instance.

Then comes the tautological: Books are not toasters or televisions.  Indeed.  They’re also not peanuts, computers, wooden shelves or automobiles.  This is not an exhaustive list of what books aren’t.  I’ll leave it as an exercise for the great minds of Author’s United to provide the exhaustive list.

Then comes the interesting: Each book is the unique, quirky creation of a lonely, intense, and often expensive struggle on the part of a single individual, a person whose living depends on his or her book finding readers.

Oh…  You mean like those books that traditional publishers routinely send back with the instruction to “make this more like Fifty Shades of Grey” or whatever the latest manufactured mega-seller is?  Or, wait, wait, wait, this is why publishing executives refer to books as “widgets.”  Or it is why publishing houses routinely fail to “push” or do much of anything for midlisters, thereby leaving them to not sell at all, and thereby “firing” them after two books? (Or making them change names.)

Yes, siree, it is the way that traditional publishing respects the act of book creation and the uniqueness of the book that means we need to support traditional publishing against Amazon at all costs.

Or, this is an idea – we could stop being supine mats on the floor begging for traditional publishing to give us validation and love – and support Amazon, a company that pays authors on time, that pays any author who is willing to work hard enough a living wage, and that deals fairly and openly with its providers.

At some level, you know, I think the good folk of Author’s United is aware of this.  There are sentences in this letter that read like what we novelists call “Signal from Fred.”

From Turkey City Lexicon, one of SFWA’s decent creations:

  • Signal from Fred

A comic form of the “Dischism” in which the author’s subconscious, alarmed by the poor quality of the work, makes unwitting critical comments: “This doesn’t make sense.” “This is really boring.” “This sounds like a bad movie.” (Attr. Damon Knight)

Our position has been consistent. We have made a great effort not to take sides. We are not against Amazon.

Which given they’ve been agitating against Amazon from the beginning can only be read to mean “Help, the publisher is holding  our books hostage and demanding we come down on amazon good and hard. We have made a great effort not to take sides. We are not against Amazon.  Help! Help!

In fact this letter sounds rather familiar. Like those hostages forced to tape messages condemning their country, but signing with their blinks “I’m being coerced.”  Only, since I think these authors are also lying to themselves as hard as they can.

Which makes the situation very familiar. Look, I’ve had friends in bad relationships, before.  Arguably I was in at least one very bad relationship when I was very young.

You lie to yourself.  You tell yourself he really loves you, and he wants what’s best for you.  And you turn against friends and relatives who tell you he’s no good for you.

Only with publishing, this has been going on so long, that writers are treated like no other profession on Earth. In fact, we’re not treated like professionals at all. We’re treated like sluts. (And not the kind who hold slut walks.) “You’ll do this for near-nothing because you like it.  We’re so nice, that we’ll give you a little gift to make you happy, even though you write because you love it, you dirty girl, you!”

It’s time for those poor souls in Authors United and the others like them to realize that because you love to do something doesn’t mean you shouldn’t be paid for it. Arguably tons of people love their jobs.  But we never say “Oh, teachers love to teach, so we shouldn’t pay them.”  On the contrary, it seems the teachers Union (Teachers United!) is always agitating for higher pay.

And the publishers, do they ever say “I love publishing, I’d do it for free!”

No. They don’t.  They do it for money.  And there is money in publishing, because they have offices in Manhattan and publishers don’t have day jobs to support their publishing habit.  It’s writers who must have day jobs to support their writing habit, because they love writing, and they don’t deserve any better.

Is that what you’re thinking?

Well then come off it. You know what we call the person who takes the money someone makes by doing something they love, and then abuses that person? A pimp.  An abusive pimp at that.

Publishers like Hachette are evil pimps browbeating their authors into submission and making them give it up for next to nothing while they grow fat on the writers’ efforts.

It doesn’t have to be like that. I got rid of all my pimp-like publishers and kept only Baen books, who treat me with respect.

But what if you don’t write science fiction or fantasy, which is the only thing Baen publishes.  What if you can’t find a house that will treat you with respect?

There’s an Amazon for that.

I’m not saying you shouldn’t do the occasional freebie for a friend or a cause you love.  It’s okay to do things for free for people you like. But love it or not, your craft is worth money and you should be paid.  If other people can sell it, what makes you think you can’t? (Witchfinder has now made me my regular advance from Baen, which is far more than two thousand dollars.)

But those publishers who hold you down? Who pay you nothing and blame you for their failures?

Stop carrying water for them and writing whiny letters to Amazon.

Dear traditional evil pimps: #IAmNotYourBitch.


[Charlie here:] This is the section where I remind you to let your friends know that you can mail book.plug.friday@gmail.com for submission guidelines, which say to send me your AUTHOR’S NAME, TITLE, a BLURB of close to 100 words and no that doesn’t mean 100 words each for every story in your story collection, and an AMAZON LINK, preferably to the Kindle book although if you’re doing paper only for some reason I’ll cope, grudgingly.

I thought it might help if I were to explain how I do these. When you send me a plug, I copy and paste the pieces into an HTML template. One reason I prefer the Kindle version is that, for inscrutable reasons of their own, Amazon makes the cover of a Kindle book easily hotlinkable, but puts covers of print books into some goofy encoded form that’s a pain to cope with.

When you don’t include the author’s name, and send it from, say, Frederick Xavier Ample’s email account, I have to dig around to find out that it was published under Fred X Ample, or worse, Mary Worthy. This doesn’t help me get it right.

Similarly, when you send me a three page excerpt as the blurb — don’t laugh, it’s happened — then I end up having to edit it down, write a blurb for you, or depending on how egregious it is and how cranky and pressed for time I am, simply send you back the guidelines with “about 100 words” highlighted.

Finally, if you have a promotion coming up, remember that these things are published on Friday. That’s why it’s called Book Plug Friday. (Even on the days I’m late and it ends up on Saturday.) The theoretical deadline in the Tuesday of the preceding week to give some slack, but recently I’ve been able to get things published the week they come in. HOWEVER, it happens fairly often that I get a plug for a book with a promotion running from Monday to Thursday on the preceding Saturday or Sunday. It is a theorem in the algebra of rings on the natural numbers modulo 7 that if I get a blurb on Saturday, for a promotion running the following Monday through Thursday, and I publish on Friday, that your promotion ain’t gonna make it.

Now, on to the plugs.


cover

U.S. Army Mage Corps: SWORD
By John F. Holmes

What if … magic were part of every day US Military Operations? In a backwater Central Asian Country, a threat to Western Civilization is growing, unnoticed by the world. The men and women of the US Army Mage Corps, feared on the battlefield and despised back home, enter into a struggle which may cost them their lives and their country.


cover

Starship’s Mage
By Glynn Stewart

Starship’s Mage is a serialized adventure set in a future we would never have predicted: where humanity’s far flung interstellar colonies are tied together by the Protectorate of the Mage King of Mars and the magic of the Jump Mages.

Damien Montgomery is a newly-trained member of this elite order. Unable to find a ship to take him on, he joins the crew of a freighter as desperate as he is – without looking hard enough at why they’re desperate.
Thus begins an adventure that will take him to the edges of known space and to the limits of his own magic.

Starship’s Mage: Episode 1 is a 20,789 word novella, the first of five in a serial story.

(Charlie here: I’ve got to admit I was a little puzzled how to handle this: it’s a serial, and the author sent me links to episodes 1 and 4. So I’m linking episode 1, figuring no one wants to start a serial on episode 4.)


cover

Impossible Odds
By Jenna Vincent

Impossible Odds contains a pair of stories involving everyday people, making difficult choices in uncertain times and coming out ahead, despite the odds.


cover

Appalling Yarns
By Dutch Heckman

An anthology of truly bent surrealistic vignettes. There is the one about the bear in Yellowstone Park who wakes up one morning with human desires and tastes, playing off of both Hanna-Barbera and Franz Kafka. And then there is the one about the television broadcaster who sells his soul to the devil, with an unusual codicil . . . and then gets found out:

“The public reaction to the revelation that Apache and the rest of the entertainment industry were pawns in thrall to the Dark Master of all Evil was remarkably subdued…. It really didn’t surprise many people; they felt that unholy powers most likely held sway in the programming suites of most networks already, and clearly the basic cable channels had already fallen or verged on tumbling into their grasp. The fate of the premium channels troubled many.”

There is the one about tortoise, the ant, and the country mouse, who achieved success in the world of fables but grow into dreadful drunken bores later on in life.

The book posits a hilariously amoral universe with no happy endings, and yet places on display the brokenness of human nature, in all its warty glory, for Heckman’s readers’ amusement.


cover

Auntie Jodi’s Helpful Hints
By Jodi Adler

In a world where small children are often allowed to run wild, snatching at strangers’ phones, someone has to stand up for adulthood. Auntie Jodi’s hints are partly a life guideline for negotiating parties, partly a sendup of cosmopolitan life—and all very funny. Auntie Jodi holds the line against political correctness while fighting rudeness, all without putting on a cape.

People who live on the coasts and big cities will especially recognize the awkward and dreary social situations Auntie Jodi addresses. Some of the hints are serious, and some are comic hokum: the reader has to decide which are which.

A sample hint:

“When in public, if you should be engaged in a mad, passionate, or achingly sweet embrace or kiss, be sure to slyly check for surveillance cameras, drones, or snoopy neighbors…. However, if you should be lucky enough to observe a high-profile A-lister in such a situation it’s best to snap your photos quickly—so that you can be first in line to collect a high finder’s fee from a tabloid, website, or government agency.”

Read bullet |

In Which I Admit My Crystal Ball IS Broken

Friday, September 12th, 2014 - by Sarah Hoyt and Charlie Martin
Managed Economies, Comrade!  Always the future of the past.

Managed Economies, Comrade! Always the future of the past.

(Hi, this is Sarah.)

Making predictions is hard, particularly when they’re about the future.

If you’d asked me in the mid nineties what was wrong with the book business, I’d have told you.  It was the top down, planned-economy model, where the big chain stores stocked according to the whims of their business managers – whims that were mostly based on degree of “confidence” (read supposed print run and ability to pay for better shelving) from the publisher.

I had reason to know that more often than not no one in that chain, from acquiring editor to bookstore manager had read the book.  In fact, while editors read proposals, often the only person who’d read the book was the copyeditor.  (Who was a just out of college kid, more often than not.)

So, how were books stocked?  Mostly they were stocked on feel, on blurb, on general “sense of what should sell” and on – of course – prior numbers.

Only prior numbers were often a matter of GIGO.  For instance, if you only got stocked two books per store, it was known it would sell at most 50% (because of the low visibility and also shoplifting) and then the next book would only print that much, and in three books your career was dead.  (Though often not, it’s just they got to reset your name and take you back to the beginner level advance.)

With one of my books, I was told my best shot at a good distribution was if someone made a movie about the historical period.  Then all the bookstores would stock me.

Think about this.  This was an industry that was, almost exclusively, relying on another industry to do its publicity for it.  And who was stocking not on the basis of quality of the written word, but on the vague feeling that the subject was trendy and therefore people would want to see it.

If you’d asked me in the mid nineties what that would mean for the book business, I’d have told you “nothing. Chains are now the only game in town.  So they’ll keep on keeping on, selling a little less each year, and when they go under in 20 years, they take all of the book business with them.”

I should turn in my crystal ball right now.  Oh, wait, I don’t have one.

Because Amazon came in and everything changed.

For clothing and electronics and automobiles, that workflow is in sync with consumer behavior. Consumers want new fashion, the newest flat-screen, the latest model car. Book consumers aren’t the same. Yes, new titles can drive sales, but book buyers also look for forgotten classics and hidden gems. That means poring over shelves, and that requires old inventory. The chains and their management could have tried to set investors’ expectations for higher unsold inventories as a healthy part of the specific business of buying and selling books. But they didn’t. They treated old inventory as a drag rather than an asset and began to trim their shelves of titles. (Alternatively, they could have tried to position themselves as larger, better-stocked versions of the independents, focusing on the particular desires of book customers.)

Independent bookstores never had to answer to the dictates of public markets. Many of their proprietors understood, intuitively and from conversations with customers, that a well-curated selection—an inventory of old and new books—was their primary and maybe only competitive advantage. In the words of Oren Teicher, CEO of the American Booksellers Association, “The indie bookselling amalgam of knowledge, innovation, passion, and business sophistication has created a unique shopping experience.”

Or, in other words – readers prefer buying from other readers, and books aren’t pieces of fruit that go bad after two weeks.  Also, books (and authors) aren’t fungible.  Who knew?

Not I.  I could have told you five years ago to go long on Amazon, but the last thing I expected was a resurgence of indies.

So I’m not going to make any predictions – I’m merely going to say I’m very glad the misery and failure results of a managed economy have been curtailed for my field by disruptive technology.

And that these are interesting times to be alive in.


And interesting times to publish an independent book and get it plugged on Book Blug Friday! Send an email to book.plug.friday@gmail.com for submission guidelines


cover

The Unexpected Enlightenment of Rachel Griffin
By L. Jagi Lamplighter

Roanoke Academy for the Sorcerous Arts—a school of magic like no other!

Who knew so much could go awry in one week?

Rachel Griffin has one goal. She wants to know everything.

Arriving at Roanoke Academy in the Hudson Highlands, she discovers that her perfect memory has an unexpected side effect. With it, she can see through the enchantment that sorcerers use to hide their secrets.

When someone tries to kill a fellow student, Rachel investigates. She soon discovers that, in the same way her World of the Wise hides from mundane folk, there is another more secret world hiding from the Wise. Rushing forward where others fear to tread, Rachel finds herself beset by wraiths, embarrassing magical pranks, a Raven that brings the doom of worlds, and at least one fire-breathing teacher.

Meanwhile, she’s busy learning magic, making friends and, most importantly, finding romance!

Curiosity might kill a cat, but nothing stops Rachel Griffin!


cover

Portals of Infinity: Book Two: The God Game
By John Van Stry

Will’s life has definitely changed since that day he went hiking in the woods. Learning about the portals opened his eyes to the wider reality. Being setup to become a God’s Champion was an even more startling event.

Now it’s time to pay for his ‘recruitment’. While Gods on a single world maneuver for power, the older Gods from the infinite spheres play a larger and more complicated game. The Goddess Aryanna has a quest she needs completed, and five Champions are needed to do it. Leaving Will to wonder, what could a Goddess possibly need?


cover

Memories of the Abyss
By Cedar Sanderson

Free novella from Sept 12-16

Violet is trapped in the prison of her own mind. Her body is dwelling in the insane asylum, but when her friend Walter is killed, she must make a decision to avenge his death, or stay safely locked in her own broken soul. He’d drawn her out of her shell, and she finds she still has honor left… But will anyone believe the crazy woman?


cover

Chosen of Azara
By Kyra Halland

Lucie, a pampered young noblewoman, has no idea of her true heritage and the power she holds to restore a lost land to life. When a handsome stranger appears at her father’s house, claiming to be a long-dead king and telling tales of a beautiful, mythical land, she fights to deny what he says and cling to the comfortable life she knows. But in her heart, she knows she must find the courage to believe Sevry and join him on his quest to defeat the evil that destroyed Savaru and bring the land and its magic back to life.

Read bullet |

Learning Liberty

Friday, September 5th, 2014 - by Sarah Hoyt and Charlie Martin
Give us your poor, your rejected, your tired writers yearning to publish indie.

Give us your poor, your rejected, your tired writers yearning to publish indie.

Hi, guys.  This is Sarah. Some time, now about two years ago, I realized that I was now free to write whatever I wanted and that I could sell whatever I wrote, without having to go through a publisher.

To explain what this means, I have to tell you how I used to sell.  The process went something like this: I had an idea.  My first procedure, when confronted with an idea is to try to forget it. You see, I already have … a lifetime worth of ideas.

When this didn’t work, I’d sit down and write the first few chapters. If the idea still wouldn’t die, I would then write a proposal for the book, explaining why it was marketable, (in my opinion) and what the rest of the plot was.

Then I would send it out.  And wait.

One summer, while I was unemployed, I wrote seventeen proposals. Of those I sold eight, but not all at once.  I sold one that summer, and then the sales trickled in.

The most time that passed between a proposal and an acceptance was eight years, and finishing that book was fun, since the long-dormant characters no longer were pushing to be written and I had other projects I wanted to do.

In case this doesn’t come across in the description, this was far from a normal process for writing, particularly for someone like me who, while not being a pantser, approaches books like all-consuming obsessions.  (I’m very lazy. I’m also obsessive.  I use the obsession to write.)

But for ten years, that’s how I made a living.  There was no virtue in finishing books the publishers wouldn’t buy, and I had to write books as fast as I could to survive.

So the realization that from now on whatever I wrote I could sell directly to the public, felt like… like utter relaxation.

And then the writing stopped. Not just on indie, but on the books due at Baen. For a year and a half now.

Now, part of this was that I was doing a weekly column for Lifestyle, and trying to work at other things, and it was simply too much.

The other part, though…  Ah, the other part.

I realized, sometime ago that part of my problem was that I had a lot of novels in process of completion that needed to be written now.  The problem … is not a problem.  I can write six novels a year. Though the last time I did that, I was also homeschooling and that’s a bit much. I can do it – have done it – while also writing five or six proposals which easily take the work of half a novel.

So, why the stop?

And then today I realized I was stopping myself.  You see, while my front brain KNOWS that the novels can be sold – by being put online and sold to the public – and that, in fact, Witchfinder is close to earning out a normal advance for me, the other part of me, the backbrain taught through years of experience in the field, tells me that I can’t do that.  I’m just wasting my time and no one will buy this and wha—

And the fight between me and the backbrain is stopping everything, even novels already sold.

Do I know how to solve it?  No idea.  I’m hoping writing this helps.

Sometimes it’s hard to be free. I understand tigers kept in tiny cages and then moved to large, more natural habitats have been known to pace within the confines of imaginary cages.

The way the book business is changing, we’re going to need to learn to tear down a lot of cages and teach ourselves we’re free.


Remember: Tell your friends to send an email to book.plug.friday@gmail.com for submission guidelines. For submissions, please include author’s name, book title, a short blurb (no more than about 100 words) and a link to Amazon, preferably to a Kindle book as those are easier to list. Please don’t bother with fancy formatting, shortened links (like amzn.co), review copies (neither Sarah nor I have the time right now) or cover art (I get it directly from Amazon in the HTML.)


cover

Survival Test
By David L. Burkhead

War!

A series of diplomatic crises precipitate a limited nuclear war on Earth. Missile defenses block access to space. Nothing goes up and nothing comes down.
The people of the various space stations, the moon base, and a space colony whose construction had just begun must find a way to survive until the war is over.
The ultimate survival test.


cover

Witchfinder
By Sarah A. Hoyt

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


cover

Nocturnal Lives (Box Set)
By Amanda S. Green

Special price of $2.99 though September 5th.

This “box set” includes the first three novels in the Nocturnal Lives series.


cover

Gentleman Takes a Chance (Shifter Series Book 2)
By Sarah Hoyt

Shape-Shift Into Adventure!

Shapeshifters Kyrie and Tom try to live a normal life in a small Colorado town—normal, that is, considering one of them is secretly a panther and the other a dragon. But now a primeval Shifter feud grows infinitely more deadly, and Kyrie and Tom find themselves warriors in an ancient struggle for Shifter destiny itself!

Quick-witted fantasy doyenne Sarah Hoyt continues the brilliant contemporary fantasy “Shifter” saga begun in Draw One in the Dark.

At the publisher’s request, this title is sold without DRM (DRM Rights Management).

“An engaging main character, and the book . . . romps along.”
—Publishers Weekly on Sarah Hoyt’s delightful Ill Met by Moonlight.

Read bullet |

Read All You Want, the Forces of Writing Darkness Will Write More

Friday, August 29th, 2014 - by Sarah Hoyt and Charlie Martin
An accurate of the villainous indie writing tying the publishing industry to the train tracks.  Don't it just break your hearts?

An accurate representation of the villainous indie writer tying the virtuous publishing industry to the train tracks. Don’t it just break your hearts?

Hello ladies, gentlemen and creatures not yet identified by science.  This is Sarah Hoyt, once more missing Dragoncon to bring you these pearls of wisdom.  Okay, fine.  I’m missing Dragoncon because I’m broke, so I might as well bring you these pearls of wisdom.

Over this weekend, forcibly away from my colleagues who are having way too much fun starting right about now, I’ve been giving some thought to the whole traditional and indie model, which, as you know, is something I never do – coff.

Cons and publishers and the whole enterprise of publishing as I entered it, oh, thirteen years ago or so with the publication of my first novel, was very much a social thing.  What I mean is, from the outside, it looked like a collegial and harmonious enterprise.  All the authors seemed to know each other and at least superficially get along.  And you read – at least in books published a long time ago – that all the authors helped each other.

Was this true?

Well, now.  Some of it was.  Some number of my colleagues were always big-hearted professionals, willing to help a newby who kept her nose clean and worked really hard.  I’m minded here of Kevin J. Anderson who unbent from his Olympian heights to keep me sane and keep my hope alive after the publishing world shut its doors in my face when my first book series failed, back in 2003.  I’m thinking of Dave Drake, who gave me my introduction to Baen.

But these were, at the time, almost acts of exceptional courage.  When I found myself on the outside looking in, the people who helped shine by their exceptional courage. It was a whispered truism in the field that you shouldn’t stand too close to someone the gods of publishing disfavored, because, you know, the publishers might think you were tainted.

This made perfect sense in an oligopsony that could control your fortunes not just what they did, but with what they failed to do (such as promote your books) and when you had no way to make a living through these at best indifferent gatekeepers.

The oligopsony created a finite pie, too.  There were so many slots for so many authors, so many spaces in the shelves of bookstores.  Even if it were your best friend being picked up and promoted, you felt a twinge of … not quite envy, because that slot couldashouldamighta have been yours.

This precluded the amity between writers from being quite as it appeared in public. As did the often random preferential treatment given to those with connections and publishing contacts.

My dentist once told me he knew I was a novelist because I had tooth grinding problems. (This worried me a little.  How many novelists are there in my neighborhood?)

How much things have changed. Nowadays, despite certain people at Teh Grauniad lamenting the “reactionary” and individualistic tendencies of indie publishing, where it’s apparently a writer eat writer world, in fact, I’ve found a lot more cooperation, a lot more help in the new model.

And why not? After all, in the new model there is no finite pie. If any of you falls madly in love with my historical mysteries, it doesn’t mean you’ll buy fewer historical mysteries, but rather more, as I can’t write as fast as anyone reads, and you’ll need more books to feed the habit.

There is also a sort of spontaneous cooperation.  For instance, I said on a couple of facebook groups “Wouldn’t it be fun if we could have a labor day sale?”  And lo and behold, there is a Labor Day sale, with writers who don’t even know each other, but who all figured that there is … sales generation in numbers.

So – at this link are a bunch of books, all of which are 2.99 or less.  Some of which are advertised below.  And some of which are mine. And it all happened spontaneously, through a bunch of authors, cooperating and stuff. Indie authors, you know, those reactionary forces of darkness. (If I’m going to be a force of darkness I must have a cloak and a moustache!)

Have a good Labor Day weekend and read a lot.  Don’t worry about finite pies, either. We’ll write more.


Congratulations,for this week’s links, every last one of the submissions wins the “Authors who can read as well as write” No Prize for submitting the TITLE, AUTHOR’s NAME, BLURN of less than 100 words, and AMAZON LINK to book.plug.friday@gmail.com. Tell all your friends, let’s see if we can keep the run going.

Well, okay, except for one. If your blurb looks a little abbreviated (by which I mean massively cut) you’ll know who you are.

Remember, send your entries to book.plug.friday@gmail.com. In return you’ll receive your very own copy of the guidelines for submission.


cover

SKORPIO
By Mike Baron

Vaughan Beadles, Professor of Anthropology at toney Creighton University, is on top of the world. Married to the beautiful Betty, Beadles has just taken possession of the largest uncatalogued Amerindian collection in the US. For years Beadles has theorized that the previously unknown Azuma were among the conquistadors’ first encounters. But when one of Beadles’ students dies from a scorpion sting his world comes crashing down. Betty leaves him and the University charges him with grand larceny and manslaughter.

Beadles’ only hope for redemption is to prove the Azuma were real and find the epicenter of their civilization, a journey that takes him from Illinois to Arizona and a fateful encounter with a monster literally from his own nightmares.


cover

Monster Story
By McCarty Griffin

After years of self-imposed exile, Christy McCauley finally returns home, unaware that the hollows of rural Augusta County where she grew up have become the hunting grounds for an unknown creature that has authorities baffled as it grows ever bolder and more savage. When Christy finds herself caught in the beast’s path, she must choose between fleeing her home to save her own life or standing her ground, and with the help of her friends, hunting down the predator before it kills again.


cover

Half-Inch
By McCarty Griffin

On a lovely spring day in April, he finally pushes her that tiny bit too far and she snaps. Deep within her, a cold, cruel voice she barely recognizes as her own pronounces those fateful words, “I’m going to kill you, Bobby Hilts.” Ride the crazy train along with Pammy as she gleefully plots her soon-to-be ex’s demise and the diabolical means that ensure that his body will never be found.


cover

ELSINORE CANYON
By “J.M.”

Madness, morality, murder, revenge, and unrequited love: A modern take on Shakespeare’s Hamlet, suitable for adults and older teens.


cover

Gods and The City
By Steve Statham

For a thousand years, the new gods of mankind have protected the remnants of humanity. Reduced to a handful of survivors after a devastating alien invasion, a desperate human race accepted these gods as defenders against the terrors of a hostile universe. But when the greatest of man’s redoubts, The City, is assaulted by a power rivaling even that of the guardian god, the burden of protecting mankind’s future will fall to others. And what can mere men and women do against forces that can reshape and manipulate the universe itself?


cover

The Morning Which Breaks (Loralynn Kennakris #2)
By Jordan Leah Hunter & Owen R. O’Neill

For eight years, Kris was the property of a brutal slaver captain.
Now she’s free and a cadet at the League’s military academy. All she brings
to this new life is a unique set of skills, a profound ignorance of
‘civilized’ society, and a large chip on her shoulder.

But if Kris isn’t quite sure what to make of the Academy, the Academy isn’t
at all sure what to make of her. The medical staff thinks she’s homicidal,
her fellow cadets think she’s crazy, and her instructors don’t know what to
think.

So when she’s asked to help capture a terrorist warlord, she’s more than
happy to leave the halls of academia behind for awhile. Kris knows she’s not
signing up for any pleasure cruise. What she doesn’t know is that the key to
the mission’s success is reliving her very worst nightmare . . .


cover

Urdaisunia
By Kyra Halland

Urdaisunia, once favored by the gods above all other lands, now lies defeated and in ruins. The gods, displeased by the Urdais’ weakness, have turned their backs on the land and left it to die.

Rashali, a widowed Urdai peasant, has vowed to destroy the conquering Sazars and restore Urdaisunia to greatness, but her people are too broken by famine, plague, and poverty to fight.

Prince Eruz, heir to the Sazar throne, is driven by his conscience to do what is best for all the people of Urdaisunia, Urdai and Sazar alike. His father the King views his concern for the Urdai as an unforgivable weakness, and Eruz must walk a dangerous line between loyalty and treason to do what he believes is right.

When Rashali and Eruz meet by chance, the gods take notice. As Rashali struggles to find a way to free her people and Eruz risks all to bring peace to the land, a divine wager sends peasant and prince on intertwining paths of danger, love, and war in their fight to save the land they both love – Urdaisunia.


cover

Across Four Realms
By James Young and Anita C Young

Across Four Realms is a collection of short stories that introduces the reader to four disparate universes, with the sole constant that chaos knows no boundaries…and pain is a companion to all.

Read bullet |

Lies, d*mn lies and publishing

Friday, August 22nd, 2014 - by Sarah Hoyt and Charlie Martin
This is not the tsunami you're looking for.

This is not the tsunami you’re looking for. 

It never fails. (Sarah here.)  I find myself on some forum with traditionally, indie and hybrid authors, and someone brings out two old canards:

1-      You’ll never get there by your wits alone.  I.e. indie is all very well, if you want to sell a 100 copies of your precious little effort, but to make the big bucks you need traditional publishing.

2-      Indie publishing is submerged in the proverbial tsunami of cr*p.

Do I need to tell you that not only neither of these are true, but that they’re almost the opposite.

Yes, you can do very well financially from indie.  And I’m not talking the big name cases like Amanda Hocking, or Hugh Howey.   No, everyday people who have been publishing indie for five years or so and do well enough to make six figures and are considering quitting their job.  This might seem like nothing to you, if you think that every traditionally published author plays poker with Stephen King and has his own swimming pool filled with gold coins, like Uncle Scrooge, but “making a living from writing” has been impossible for most writers for the last forty or fifty years.  Ten years ago the average income from writing of the members of Science Fiction and Fantasy Writers of America was five thousand dollars a year.  And most people in the professional organization made less than that.  (And it’s probably worse now.)

What about the tsunami of cr*p, then?

This rings true, especially to many writers, because, well… we’ve most of us had to read for contests, or even have downloaded ebooks that are appalling.

But is there a tsunami?

I can tell you that whatever it was, tsunami or gentle rain storm, it was much worse back when ebooks started.  Either I’ve got better at picking books, or the really seriously bad ones have given up and gone home. And I think a lot of them have.  The people putting up a book in hopes of being millionaires tomorrow get disappointed and stop writing.

There is another factor too.  Almost every hopeless “die trying” case of wanting to write I’ve ever met doesn’t want to go indie.  They want validation and “books on the shelves” and to do the morning talk shows and…  In fact in the indie versus traditional battles they’re the loudest pro-traditional voices.  Hope springs eternal, I guess, and it prevents their ever coming to grips with their shortcomings.

Mind you, there are plenty of awful books out there.  I just returned one to Amazon, something I don’t remember doing with a free book, ever.

First, the main character had gender dysfunction issues he didn’t seem aware of. As in, I was in the head of a six foot something male and he was reacting/thinking/viewing people as though he were a small female. This is something that can/does happen when women write first person (or third person close in) males. Yes, it’s worse than men writing females, because then she just comes across “Strong” and “independent” because she’s not afraid to be out at night. But a tall, strong man doesn’t go all feely over “there’s a knot of people ahead. Oh, my, are they aggressive?” unless he’s wounded or otherwise incapacitated.

Second – I thought “maybe the character is a very swishy gay male. Whatever.” BUT it kept pulling me out. I kept seeing a petite female and then being told this was a male.

Third- the knot of people turned out to be a “disturbance”. There’s a man screaming at someone else in a square in Regency England. A guardsman shoots him, and then says “He was just a peasant” and there’s no consequences. France, before the revolution? Sure. England in the Regency? No. Yeah, it could happen in a riot, but if the guard weren’t lynched, he’d be tried. I thought “Oh, boy, someone read too much Marxist theory and knows no real history” but kept reading.

Fourth-The man goes in and has a pointless discussion with the alleged villain in which they explain all the social rules of Regency England and half of them are WRONG or at least the writer has no clue what she’s trying to explain having got the smell but not the taste of the thing.

Fifth- Our hero goes home. There’s a woman (ravishing, natch) waiting in his rooms and she makes sweet sweet love to him. Look, it’s not even the “why would she” it’s the SHE made love to him. I.e. he was utterly passive in a way I’d find hard to believe for most women, and I don’t think the most passive of men can be. The book got deleted.

Yes, yes, it was an indie book.

Now the kicker and the chaser. THE KICKER: it was an indie book republished by the author AFTER rights reverted from…. drumroll … Berkley Prime Crime. THE CHASER: It’s third for historical mystery and VERY high for historical romance.

This brings me to my final point: Look, we’re in unknown territory here.  For longer than any of us has been alive, the publishing houses have been publishing not what sold (if they even knew what that was, through their arcane accounting system) but two things: the correct politics and something to impress their colleagues.  So we got leftist litrachure.

We also got a whole bunch of things that editors decided was “good” and lost a lot of things they decided was “bad.”  When indie started, despite the fact that most golden age sf/f was first-person, the publishers were well on their way to banning first person.  Other things have been banned that were part of the story teller’s art forever: omniscient viewpoint, male action heroes, things that have nothing to do with quality but with the echo chamber of NYC publishing.

And what we’re finding with indie is that those often sell.  Because we’ve been trained in a certain type of market/storytelling, they often strike us as bad, but the public likes them.

So, if you’re a writer, indie or not?  Try things.  Your first book probably won’t sell a lot, but keep writing.  In indie, there’s a virtue in volume.  I hear there’s a huge increase in all numbers after your fourth indie novel.  Just get it out there. Write the best you can, and put it up.  If this is what you want to do, strive to improve and don’t lose faith.

Go indie, young man, go indie.


cover

Crawling Between Heaven And Earth
By Sarah A Hoyt

Only 99¢ through tomorrow.

A collection of short stories by Prometheus Award Winner Sarah A. Hoyt. The first edition of this collection was published by Dark Regions Press in paper, only. This updated edition contains two bonus short stories: High Stakes and Sweet Alice.
It also contains the stories: Elvis Died for Your Sins; Like Dreams Of Waking; Ariadne’s Skein;Thirst;Dear John;Trafalgar Square;The Green Bay Tree; Another George; Songs;Thy Vain Worlds;Crawling Between Heaven and Earth


cover

Trophies of War
By Christopher Remy

Fighting in over 100 countries.

Economies shattered, empires dissolved.

More than 60 million dead.

The Second World War was the most destructive conflict in human history, but it was more than just a battle of ideologies and nations—it was a war on culture. As they marched across the continent, Hitler and the Nazis looted the art of occupied Europe for the glory of the Thousand Year Reich as well as their own personal collections. Many artworks are still missing today, while others are the subjects of modern treasure hunts as survivors seek to bring their property home.

In Trophies of War, David Lyon discovers a family mystery in his mother’s basement that takes him across a former war zone where the secrets of the 1940s—and those who would do anything to keep them hidden—are still alive today.


cover

Portals of Infinity: Book One: Champion for Hire
By John Van Stry

William is just your typical engineer fresh out of college with a stressful job, a boring life, and not a lot of prospects of anything better in the future.

Until one weekend while hiking in the woods he stumbles across a portal to another time, or perhaps another place. The more he investigates this new world the more he realizes that it may just be able to offer him a lot more than the one he’s been living in.

However, there are forces at work beyond anything that Will has ever come across before and the local Goddess seems to have taken a liking to him. Will may soon find himself getting an offer he cannot afford to refuse.


cover

Genesis (Idolatry Book 1)
By Quent Cordair

In the twilight of the Roman Empire, a sculptor struggles to keep an 800-year dream alive while honoring the love of his life and raising his adoptive son. Part I of the *Idolatry* series, an epic story in five parts.


cover

Marie’s Tale
By Alma T.C. Boykin

Duchess Marie von Starland, wife of the great Aquila von Starland, mother of Princess Miranda Sobieski, tells her side of the story of the war against the Turkowi and the Siege of Vindobona.


cover

The Warrior and the Holy Man
By Kyra Halland

The Path of Haveshi Yellowcrow: When ill fortune strikes Haveshi’s clan, the remedy is devastating for the young wife and mother. Guided by the Yellowcrow, god of the forsaken, she sets out on a path to regain what she lost.

The Path of Latan the Clerk: Latan, a lowly clerk in service to the magical Source Tiati, has discovered a historical document of great importance, and is summoned to present his findings to the high priest of the Empire. Accompanied by the warrior named Haveshi Yellowcrow, he embarks on the journey of a lifetime and finds unexpected danger and self-discovery.

A novella-length duology set in the world of Chosen of Azara.


cover

Stories from Arisa – A Short Story Collection
By Davis Ashura

Arisa: a world of loss and hardship; of legend and wonder; the world of A Warrior’s Path. Return there now with Stories from Arisa, a short story collection featuring four wonderful new fables from that mythic place; each one a polished gem; together, an assemblage spanning the realms of hope, humor, tragedy, loss, and love.

Stories: Received Wisdom, The Prank, A Lesson Learned, The Missing Diamond

Also included are the prologue and chapter 1 of A Warrior’s Knowledge, Volume Two of The Castes and the OutCastes.


cover

Bloody Eden
By T.L. Knighton

Ten years after a nuclear war forced Jason Calvin to fight his way across Georgia and through a brutal warlord, life has settled down a bit in a town called New Eden. As the town sheriff, Jason keeps the peace.

After saving a family from a horrible fate, that peace becomes threatened when a sadistic military man shows up, claiming the family are fugitives from his draconian justice system and they’re coming back whether anyone in New Eden likes it or not…and maybe some of New Eden’s own as well.

Unfortunately for him, Jason isn’t about to just let something like that go.


cover

The Pericles Conspiracy
By Michael Kingswood

99¢ through the weekend.

Josephine Ishikawa’s last shift as Captain of the starliner Pericles changed the course of history, but no one knows about it. The powers that be took charge as soon as she got back to Earth, with only a select few permitted to learn about the beings she encountered during the run from Gliese, or the eggs they entrusted to her care.

Satisfied that the government would make good on her commitment to return the eggs home, Jo returned to her job of getting Pericles through a major maintenance overhaul and then back out to the stars. But when she learns that the authorities reneged and have begun experimenting on the eggs instead, she faces a difficult choice: keep the life and career she loves or embark on a quest to rescue the eggs and keep the promise she made to their dying parents, out in the depths of space. That quest could cost her more than she ever imagined as it plunges her into a shadow war against a planetary government that will stop at nothing to keep its secrets.

Read bullet |

Meet the Knight Who Was Misplaced in Time

Monday, August 18th, 2014 - by Hannah Sternberg

HS_Bulfinch_Frontcover_040114_Final-02-02

We’ve talked about a lot of things together, here. What to read, how not to date jerks, why the internet loves to hate Lana Del Rey, that time I dodged bears in West Virginia, and much more. I’ve really enjoyed the heck out of sharing these episodes with you, and I look forward to continuing to do so. If you’ve enjoyed the heck out of following my adventures, it’s time to join me in my latest big one: the launch of my second novel, Bulfinch.

Bulfinch is a whimsical tale about a history student whose imagination is so powerful that the knight from the book she’s reading pops out of her head and into real life. But he’s no fairytale visitor — he’s a very medieval fellow indeed, and our heroine Rosie is forced out of her reclusive bubble as she sets out into Baltimore to track him down and put him back into history where he belongs. Bulfinch is appropriate for readers aged 14+, and entertaining for all. By turns funny and tender, it’s a book you won’t be able to put down.

Bulfinch was released last Friday, to my delight! Don’t miss another day in ordering your copy, in paperback or Kindle formats. Buy it here.

Read bullet |

How to Be A Special Snowflake (Who No One Reads)

Friday, August 15th, 2014 - by Sarah Hoyt and Charlie Martin

shutterstock_106196360

Ladies, gentlemen and writers, this is Sarah speaking, and today I’m really, really, really myself.  I have, in fact, allowed myself to fall under my own influence. You may blame it on Pat Richardson who, under the amiable illusion that my blood pressure was too low, sent me the following article: Why I Will Never Self-Publish.

Now, first of all, I have to confess I looked at the title in wonder and puzzlement because I’ve been a professional in this field for going on sixteen years, and all along I’ve stuck to the principle I first heard from Kevin J. Anderson at a Pikes Peak Writer’s Conference around 1998 or so, which was “Sure, I can do that.”  In the ever-changing publishing landscape, I’ve seen arguably more prolific, harder working and far more talented people become lost along the way all for lack of “Sure, I can do that.”

I had a friend who refused her first contract for a YA series in England, because her lawyer said not to take the perfectly normal clause in the contract.  (Yes, I know, but back then the contracts weren’t even that bad.)  She didn’t get a second opinion.  She waited for the better contract that never came.  I’ve had friends who stopped writing because their advances weren’t increasing, friends who refused to write original mass market paperbacks, and friends who refused to write different series/short stories/other characters/different genres.

Sometimes you get lucky when you do that, but most of the time you just get abruptly retired.

But I thought, well, maybe this person is just under-informed.  After all, five years ago I’d have said the same thing, because my image of self publishing was Publish America or worse.  Yes, yes, in the days of Hugh Howey and after Amanda Hocking there is no excuse for that, but who knows?  Maybe he hasn’t heard that indie is viable and a perfectly respectable avenue for writers these days.  There’s no shame in indie, there’s shame in not selling.

And I’ll also confess I wouldn’t bother eviscerating this blog post, except that lately I’ve run into a number of people with the exact same ideas who will look down on those of us who write for a living.

So I started reading.

I sold my first novel to Unbridled Books without an agent and then, at my book release party at Watermark Books, during the Q&A section, someone asked me why I had self-published. I was crushed. I’d spent two years writing and rewriting the book, another six years trying to find an agent before giving up and submitting it to a few small presses.

Oh. Oh! You sold your book to Unbridled Books, did you?  Which is, exactly what? And you’re surprised people thought you self published?  And you had a … release party?

At this point it became obvious to me that I was in the presence of that ubiquitous creature in writing circles: the precious flower.

The precious flower is convinced his efforts at putting wordage on paper are going to make the world bow to him and explain their lives were empty – empty – until he came along.

The precious flower will clutch at a publisher like Unchained Unknown Unbridled Books rather than face the big, cold world alone, because, well, they’re a real publisher and they’ll do wonderful things for him.

The truth is, if he took two years to write his first novel, and six years to shop it around without (I presume) writing a second novel, the bigger publishers couldn’t have done anything with him, other than perhaps put him in the literary and little niche which doesn’t sell.  Rightly, wrongly or confusedly, to maintain a career as a traditionally published writer, you needed to have a book every year.  (Indie likes them rather more frequently.)

….Invariably there are the same old comments about keeping all my rights and getting to keep more of the money from sales. There have even been a few who have taken the semi-business based, utilitarian approach – just put your “product” out there and see if people will buy it. Most of the time, I let it slide because, frankly, I don’t have the energy to explain the publishing world to them, nor the difference between a utilitarian object – something used to accomplish other tasks and that has an objective, determinate value – and an object of art – something that is experienced for its own sake and has a subjective, indeterminate value.

Oh, my. You can’t explain the publishing world to them?  Dear ducky, you wouldn’t know the publishing world if it bit you really hard in the fleshy part of the buttocks.

The publishing world does make interesting noises like those you are making about Objects d’Art and “literachure” but in fact it runs on two things: prestige and cold hard cash. For prestige you need to be something special: a celebrity in another field; someone with an interesting life story or a particularly fascinating job. I see no evidence that you are any of these. And if you’re not going to be a prized status author, then you are there to make money. And if your book Object d’Art doesn’t make the house a sh*tton of money, they’re simply going to drop you after one book.  The value is neither subjective nor indeterminate.  Your book is worth what someone is willing to pay for it, and that’s not only true for the person paying the cost of a good carton of beer for it, but even more so to the publishers.

But I’m going to give it a shot now because, honestly, some people just won’t shut up about it. So, here it goes. First with the obvious: When a writer decides to self-publish, that writer then stops being a writer and becomes a publisher, which requires an entirely different skill set . . . and money.

largest publisher in the world, a small independent like my publisher, Unbridled Books, or Bob, from next door:

1) Editing and Proofreading
2) Book Design (yes, it’s even needed for ebooks)
3) Printing (optional if only doing ebooks)
4) Marketing and Publicity

And now I can’t read anymore.  You have just proven, dear ducky, that you know absolutely nothing about how the publishing world works.

1)      Editing and proofreading – at most publishing houses (I worked for a lot of them, and Baen is the only exception so far) the only person who ever reads your book start to finish is the copyeditor.  And most copyeditors, at least those I used to get at those other publishing houses, were recent high school graduates who knew less grammar, composition and style than I did.  For the love of … duckies… hire one of those.  Ten bucks and all the pizza she can eat ought to do it.  Or pay a real copyeditor. I recommend Jason Dycks though I’ll be danged if I can find his address right now, who does a better job than any of the “professionals” at the big houses. I think – and he can correct me in comments if I’m wrong, he will do your average sized novel for $500. Or you could, if you need more substantial editing, hire Pat Richardson who will even undertake some structural edits and will probably not cost you more than $1000.

2)      Book design – yes, we DO know it’s needed even for ebooks.  You could do worse than hiring Cedar Sanderson to do your cover design and she will hook you up with decent art, too, at a modest cost, the cost for the total package, purchased art + design being around $500 unless you really drive her insane. In traditional publishing houses, this usually defaults to a junior assistant, who gets some guidance from the art director.  I doubt that Unobtrusive Unbridled Books is hiring a top-of-the-field cover designer for you.  Most of the freelancers working for small press imbue their books with “literary and little” kind of clues that will ensure you never sell.  Oh, and most of them work for between $250 and $500.

3)      Printing.  Um… indeed.  But you do know that printing is only part of the package, right?  The real service of the big publishers is distribution.  And frankly they only really exert themselves for the darlings.  Mostly midlisters (which, trust me, is what you’d be) get hit or miss placement on store shelves.  Yes, that’s better than nothing.  And that’s better than Unfound Unbridled Books can do for you. If you go with a small or medium publisher, mostly you’re going to be stocked in a few small independent bookstores where, if you’re lucky, the publisher has contacts, or you’ll sell through Amazon.  For this, you can have your book on print on demand on Create Space for the grand total of zero.  And even technically illiterate me has learned to typeset books in three hours or so.

4)      Marketing and publicity.  Oh, doctor, really, it only hurts when I laugh.  Marketing and publicity!

I get some – not tons – from Baen (Not complaining.  It’s more than I got elsewhere.)  But for most publishers?  Ah!  Unless you’re the movie star du jour who just “co-wrote” a book, these days your marketing and publicity run something like “Will be listed in your catalogue.”  If you’re really lucky you’ll be part of a mass ad in some trade publication.

Most publishers and agents expect you to do your own marketing, anything from a blog/FB page, to your own self-paid tour.

Any substantive marketing from a publishing house other-than-Baen is pretty much an illusion designed to keep the writer happy.

And those are your reasons for not being self-published?  My dear Petunia, it’s time to wake up and smell the roses.  Come down off that unsteady pedestal you built out of your own ignorance and some really convincing cardboard boxes, and look around.

No, the world isn’t going to stop for your masterpiece, even if it really is a masterpiece – I don’t know.  It might be – and it’s not because most people are jealous of your genius.  Most people don’t know you exist. And that’s ultimately your problem.

If you write a book a year for a traditional publisher and make it good and it sells enough for them to keep buying you, your audience will grow.  Or if you write a book every six months for indie, and invest a very little, you could make a living in a couple of years.

Or you can continue being certain of your superiority and make nothing.

The choice is entirely yours.  Just remember if Shakespeare had written Object’s d’Art of indeterminate value, right now we’d consider Kit Marlowe the most important Elizabethan Playwright. Instead, old Will gave them what they wanted and plenty of it, with the funny bit with the man and the dog thrown in.  And centuries later we can ascertain that he did touch enough of eternal humanity for us to consider his books object’s d’art.

The rest, all the rest – your pride, your moral superiority, your ignorance about how publishing works or what the value is… is so much sound and fury.  Signifying nothing.

[Charlie now.]

Dear Precious,

You’re clearly an example of why MFA graduates aren’t hired for accounting jobs. Sarah, I think, has already soundly skewered your pretentious academic notions, so let’s just look at your arithmetic.  We’ll take as given your numbers — though I know some top New York copy-editors and they don’t get $40 an hour, you must put me in touch with that company.  But observe:

In this model, using the Scribe Freelance’s in-house editor, you can save some money, but it looks like you won’t get to choose your editor. I prefer to have a personal relationship with my editor, so I’d go with a separate freelance editor whose references and work I could look up and I’d end up spending the following:
$1,640 +$375 + $250 = $2,265

Now, I’m involved with some self-publishing, and I can tell you there are lots of people writing lots of things they self-publish for one helluva lot less than $2300, but as I say, take that as given, and let’s assume you were to publish it as an ebook at Amazon’s upper limit for the good royalties, $9.95.  You’d then make about $7 a book, which means you need to sell about 315 books to break even.

If you have a conventional publishing contract, you get a 25 percent royalty on ebook sales, and perhaps 10 percent on hardcover.  Let’s keep looking just at ebooks.  Whatever your publisher’s costs, we know they’re less than that $2300 — plus any promotion you get, but I haven’t noticed your name on any book tours recently — because the prices you quoted are all for contract labor. Those people have to charge more for each job to account for the risk they won’t have a job this week. For those services, you’re paying $4.48 per book.

Sell 314, and you are paying $1406 for that and netting $781. Sell 628, and you’re paying $2812. Sell 942, and you’re paying $4418.

Sell 2000 and you’re paying damn near ten grand.

What you’re really telling us is that you’re not a professional writer; you either have no actual pretensions of ever making a living from your writing, or you haven’t done the arithmetic. Writing is a hobby, and by refusing to self-publish, you’re paying even more than a “vanity press” would charge you for the privilege.


cover

The Alecto Initiative
By Jordan Leah Hunter and Owen R. O’Neill 

Life was never easy out in the Methuselah Cluster, but when her alcoholic father found her a ‘job’ while he went off-planet to look for ‘work’, 11-year-old Loralynn Kennakris began to learn just how ugly it could get. Within a year, her employers sold her to a brutal slaver captain, who took from her the last thing she owned: her name.

Most girls in Kris’s position last a year or two. The strong ones might last four. Kris survived eight before she was set free, thanks to the League Navy.

Unfortunately, eight years growing up in hell prepared Kris for nearly everything but freedom, and her new life isn’t at all what she imagined. Not only must she find her way in a bewildering society full of bizarre rules, but the very people who rescued her think she’s a terrorist plant, a beautiful interstellar celebrity is complicating matters in more ways than one . . . and now someone is trying to kill her.

But Kris hasn’t stayed alive by obeying rules, and her adopted society is about to find out what it’s like to collide with someone with no concept of a no-win scenario.


cover

Climbing Olympus
By Daniel Golliher 

Until now, humanity’s potential has been limited by its physical capability: of its body and its brain. In the middle of the twenty-first century, the mind itself is upgraded.

Three individuals hold humanity’s next stage in their hands:

Nikolas Rodrick, CEO of Rodrick Industries, oversees the largest corporate empire in the world. Grace Taylor holds the Earth casually on her shoulders as the aide-de-camp to Rodrick Industries. Both change when they meet Leo Apollus. Leo loves humanity, and sees its proper end above the clouds. Along with Grace and Rodrick, he takes it there.


cover

Sarya’s Song
By Kyra Halland 

Sarya dyr-Rusac has risen from her destitute childhood to become a respected arranger of musical magic rituals – until a wedding ritual she wrote results in tragedy. In exile for her failure, she hears powerful new music in the wind, heralding natural disasters like none ever before known. In hopes of learning what this strange new power is and finding a way to end the disasters, she returns to the musical service she left in disgrace.

There, she confronts the mistakes she made in the past and resumes her complicated relationship with the gloriously talented singer Adan Muari. Sarya believes that she and the wealthy, privileged Adan can have no place in each other’s lives. But, facing official resistance to her research and threatened by someone who is desperate to protect the secret of the mysterious music, she finds herself relying on Adan’s unwavering support – and increasingly unable to fight her attraction to him.

As the disasters worsen, a beautiful, nameless man in chains appears in Sarya’s dreams, begging her to sing the music she heard in the wind: the music that will free him. He could be a god with the power to save the world from destruction, or a threat to everything she knows and loves. With time running out, Sarya risks all, including her growing bond with Adan, to discover the chained man’s identity and the meaning of his song before the world itself is torn apart.


cover

LOVE in the DARK
By Isabel Pietri 

NYPD surveillance expert, Detective Millie Angeles has made a name for herself working in the elite TARU unit of the New York Police Department as the go-to girl for surveillance and tracking. However, when tragedy occurs, she finds herself casting about for a new chapter. That all falls into place when she lands a job at a private company, which dispatches her to the West Coast to work for Adrian Zaragosa, a blind, and strikingly handsome owner of a winery estate in the Napa Valley. As the plot thickens and their passion sparks, Millie finds herself in the throes of both extreme danger and overpowering desire. Millie’s talents seem to be just what Adrian needs. Or is he simply manipulating a situation to have her near?

A romantic thriller for mature adults only, please.

Read bullet |

Indie Author Experience: Mark Wandrey

Friday, August 8th, 2014 - by Sarah Hoyt and Charlie Martin

mark-wandrey

[Charlie here: Today we have a guest post by Mark Wandrey, who we often plug on BPF. ]

Sixteen years ago while watching an episode of Stargate SG-1, I thought they were seriously under-utilizing their universe. Here was a galaxy-spanning transportation network and the galaxy is populated by… humans. Sure, from the production standpoint of a TV show, having an alien a week was simply far beyond what could be afforded. Even Trek handled this mostly with a prosthetic head application here and there, and skin paint. Lots, and lots of skin paint.

Anyway that thought was filed away for later consideration. As any writer quickly learns, there is a big difference between an observation and an idea. But some time later I was re-reading a favorite of mine, Ender’s Game. The protagonist is a young child, plucked from his environment, who grows even at a young age to be a powerful war leader. Then in later books, the writer proceeds to spend untold thousands of words trying to apologize for what Ender does in the first book.

Such is the decision of a writer. Rather like a role playing GM; your game, your call. But it got me thinking. What if there was no apology? What if that kid became a legendary leader, and didn’t look back? Now I had something, and then I remembered the Stargate theme. It’s not like portals to the stars are anything new. Everyone from Carl Sagan to Robert A. Heinlein have used them. They’re not as common in hard/military sci-fi as space ships, but if you want to go to other planets you have to have a way to get there, and dimensional portals are a damned fast way of getting there!

Up until a short time before these ideas occurred I’d only really written short stories. Tons of short stories. They’re generally easier in execution than a novel. Oh, not easy! Shorts have their own issues, and they can drive a writer nuts in short order. You have to do a lot in only a few thousand words. But when you get into novels, you commit to a vast canvas. And the bigger the canvas, the easier to miss things.

The first novel I wrote front-to-back was a book about the colonization of Mars. Also motivated by what others did (wrong in my opinion), I was tired of every trip-to-Mars book being filled with aliens, and endless disasters. So I wrote about a guy running a project to both travel to Mars, and colonize it. That novel still sits in a hard drive, and may well forever (it’s horribly out of date now among other problems) but it was about 100k words of work that I hadn’t thought I could do, so this new idea wasn’t impossible.

Armed with a setting (galaxy full of aliens and intergalactic portals), and a basic plot (young person becomes warrior leader), I set out to put electrons in order. And that was the beginning of the Earth Song series. But it didn’t start as Earth Song, or even a series!

I wrote the original book, The Avatar’s Overture, in less than a year at lunch each day while working nights. With the basics of an idea, it came out fast. As often happens with a writer, it wasn’t what I’d originally thought. There was a galaxy of aliens out there, there were portals, and a protagonist. But she wasn’t young, and not a war leader. And I up and destroyed the whole planet. It was a good stand alone story, but that was it.

I knew the chances for a publisher to buy an unknowns book, especially a rather large one (160k). But I fished around, with the expected results. So, I figured WTF, and went self pub. But this was before the days of POD (print on demand) changed the world. I went with a company that’s still around, called Authorhouse. Pay them, and they make it available. I did, they did, and sold a few books. The internet wasn’t what it is now too, so without stacks of cash I was very limited in my ability to promote. It went nowhere, and I move on.

Then about 6 years ago, I revisited the world of the ‘Avatars’. Because a guy named Cameron was coming out with a movie called Avatar. Crap. If it couldn’t get worse, it was also sci-fi (albeit badly written sci-fi). But again, it got me thinking about that book, and the original idea. The thought struck one night. “What if that was just the prologue to  a vast saga?”

As is often my style, I started writing before I’d fully formed an idea. But within a few chapters, I knew I’d hit on something. The descendant of that first heroine, many centuries later, earth long dead, and now they meet the aliens. Lots of aliens. Lots of aliens that don’t like us. Lots of aliens with better technology. But the galaxy is also in decay, decadent, falling apart.

As I wrote more and more pieces came into focus. This is a trilogy, I realized. But by the time I finished the book (2nd in the series), I knew it was a lot more than three books. Probably five. As I’ve written it went to six, and now seven. The galaxy got more and more crowded. Plots began to evolve, and motivations (both hidden and obvious) materialized. There was stuff going on I had no idea what I would do with later, just wrote it anyway.

With the 2nd book done, I went back and fixed the 1st. It had to be a clear series now, so I repaired some bad writing and some glaring plot holes, and brought it into the modern realm of a series launching book. I actually almost trashed it entirely, just leaving it as an unmentioned prologue of sorts, but friends convinced me otherwise. They said; “Overture is a good book by itself”. Overture. Well, that was the basis of the name. Dump the Avatar crap. More editing. But a series needs a title. “Overture” is a musical term for the beginning of a much larger movement. The second book takes place in humanities new home, Gamma Orionis. The title would be Sonata in Orionis. Another musical term. And now I had a series title, Earth Song.

As the second book launched and the first book relaunched, this time on Amazon’s Createspace, I set to work doing what I didn’t do nearly as well last time, and what wasn’t really that possible. I started building a web presence online. I use Facebook almost exclusively (to my detriment maybe). But even an indie has to have time to write, so if I’m on Facebook, twitter, G+, etc. all the time, when can I write?

The presence building has been a careful combination of cultivating fans I gathered from new sales (not a lot, but they started coming in), people I came across from wandering other writers pages (avoid plugging your stuff on other writers walls, it tends to piss them off), and building writers pages on Goodreads, Amazon, etc. I also never pass up an opportunity to write a bit for someone else (like this) and to self promote.

Next came conventions. And THAT can be a double edge sword. They’re expensive (even if you do them on the cheap), and as an indie you have to buy boxes of your own books to sell. I invested in some advertising, cards, flyers, and a nice banner that came from the cover to my third book (getting good cover art as an indie is a must). These are things you just have to do. If you show up at a con, buy a table, and just sit a couple books there, no one will even slow down. Put a nice looking book there, at a 6 foot banner with nice graphics, and they’ll slow down. If they slow down, they might look at a book. If they look at a book, they might buy it. And you get a sale! Indies make it one sale at a time.

And this is where I advise against eBook only. Yes, it’s easier. Yes, it’s cheaper. Yes, it’s also often a lot faster. But dead trees will be popular for a long time to come. I sell almost as many hard copies as eBooks.

So here I am now, 15 years after the adventure began, and the 3rd book in the series (The Lost Aria) is about to come out. I’ve been done with the 4th book for over a year (Etude to War), and am about ¼ of the way through the 5th book (Nocturne’s Reckoning). Promotion has become a lot of my online time, but when the eBook of Aria went live this week, I instantly saw sales. It came up a few days early (by mistake), and I looked at their tracking information and was surprised to see a bunch of sales. And this one was priced at $5.99. Remember, if you have a series, resist the urge to go for the money and reduce the older ones in steps. My first book is now only $0.99 (I barely make anything on each sale), the 2nd is $2.99, and the third $5.99. You’ve got to make that first taste cheap. Almost anyone will pop $0.99 for an eBook. I have fans that buy a half dozen a week just looking for that one good one.

I’ve been ordering paper copies of Aria for weeks, slowly building up inventory in prep of the 6/28 official launch (at Libertycon in Chattanooga). In the course of that, I put up on my blog a paypal button to preorder autographed copies. Sold quite a few of those as well. It’s beginning to develop momentum. Will I sell thousands? I really don’t know yet. Readers love a good long series with engaging characters and a dynamic story. That is my goal. So I will continue onward.

Oh, book 6 is titled Oblivions Waltz and book 7 Requiem, just in case it was eating you alive.


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it's on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


cover

Meet Bri (Part Two)
By Lilith Revnik 

Free Friday 8/8 and Sunday 8/10Jerry is dead and Charlie’s in jail. Saul turned out to be a bigger jerk than she could have imagined–what else could go wrong?

Bri races back to Charlie’s side to find he’s more than her next boyfriend. He’s the man she’s meant to be with. But before she can marry Charlie, she needs to confront Saul. The only problem is–he’s dead, too. Coincidence, or are Bri and Charlie headed for more than a simple Key West honeymoon?

[Note: This is an erotic thriller. If you don't like erotica, it's not for you.]


cover

Lost Book of Anggird
By Kyra Halland 

Stodgy Professor Roric Rossony has been asked to find a way to stop the deterioration of the powerful magica. He hires Perarre Tabrano to translate books for his research, and finds his orderly existence turned upside down by his unexpected romance with her. Caught up in his new-found love and the most important work of his life, he goes too far in his search, delving into forbidden books hidden away for centuries. When the most dangerous book of all falls into the Professor’s hands, magical disaster strikes, and he and Perarre flee from the authorities in search of the secret of the magica’s origins, a journey that only their growing magical powers and their love for each other will help them survive.


cover

The Sky Suspended
By Laura Montgomery 

A generation has passed since asteroid scares led the United States to launch its first and only interstellar starship. The ship returns and announces the discovery of another Earth. People are star-struck, crowds form in Washington, DC, and a boy from Alaska and two lawyers grapple with questions surrounding whether ordinary people will emigrate to the stars.

This is bourgeois, legal science fiction with a hearty helping of space policy wonkery.

[I love the blurb. --C]


cover

Cities and Throngs and Power
By AUTHOR 

Which is stronger, love or honor?

The Collapse of 2015 left parts of Denver in ashes, the US economy in a mess, and the Salazar family with little besides their pride and honor. Now Alicia Salazar must repay her father’s debt by working in Illif House. She discovers a recluse, a wonder, too many tomatoes, and freedom. When Cousin Ernesto threatens to drag her away, Alicia must choose between freedom and honor. Will love and a Power prove stronger than lead and fury?

Novella includes bonus teaser.


cover

Cat’s Paw (King of Cats Book 1)
By Robert A. Hoyt 

Many humans know there is a mountain at the end of the universe to which a bird flies every thousand years to sharpen its beak, until the end of the mountain comes, and thus the end of eternity. What few of them know is that of the mountain only a few small grains of sand remain. And the bird that is to end eternity is alive and ready to fly. At half past noon at the end of the universe, the last great hopes of everything that exists, ever existed or has yet to exist, rests with a stray cat with alcohol issues, a Siamese cat with gender issues, and a Persian cat with pregnancy issues. Things are just about to get fun.

[Yes, those Hoyts. --C]


cover

A Touch of Night
By Sarah A. Hoyt 

PriDe and Prejudice – now with more dragons.

In a world where shape shifters are forbidden and being a shape shifter is forbidden, the Bennet family has a terrible secret. So does the Darcy family. They’re not what you expect.

Pride, Prejudice, werewolves and dragons, oh, my.


cover

The Kitsune Stratagem (Inari’s Children, Book 1)
By David A. Tatum 

The Inari’s Children Series: Once magic was plentiful and the world was dominated by a singular empire whose name has long been lost to history. In its time, the great wizard Inari developed his greatest creation: The kitsune. His enemies were quick to copy him, and soon the world was populated with many different types of this remarkable creature. Two thousand years later and these different breeds of kitsune are fighting amongst themselves, and the rest of the human world joins them.

Book I: The Kitsune Stratagem: To avoid being used as a political pawn against her father, a young kitsune vixen named Kieras must leave her homeland. She soon gets caught up in the fortunes of Mathis, a vagabond hunter from Ekholm, a once sleepy little town on the verge of becoming a small city. To find a way to return home, Kieras must first help Mathis save Ekholm from threats both inside and out.

Read bullet |

Reading and Writing for Love [With Dinosaurs]

Friday, August 1st, 2014 - by Sarah Hoyt and Charlie Martin
shutterstock_158506421

picture of the author as a young dinosaur.

 

(Hi, this is Sarah.)  When I was a  young writer, knee high to a trilogy print out, I subscribed to every possible market listing in the world.  [“What is a market listing?” “That’s what people used to have, back when they needed gate keepers to publish them. Back in prehistory.  Publishing was expensive, on account of having to dispose of the chips you carved out of the rock with your chisel.”]  Partly this was, of course, because there was no internet. [“Seriously, no internet?  Now you’re just making stuff up.”  “Okay, you’re right.  There was internet.  It’s just the t-rexes kept snapping the cable with their toe claws.”]  You couldn’t just search for “markets for science fiction” and then spend three hours reading about Amazon’s dispute with Hatchette and dino porn.  [“I don’t read dino porn.”  “Of course not, the Amazon/Hatchette thing makes you feel dirty enough.”]

Anyway, so I subscribed to all of these in the certain hope that eventually I’d find the one that said, “You, Sarah A. Hoyt, sitting there, with your manuscript of dino porn inchoate pseudo literature, you’re the person we want to publish.”

Alas, this never happened.  But I used to come across this listing that baffled me.  After the pro markets to which I sent for fastest rejections, and the semi-pro markets which were buying me, and the penny markets, where I sent stuff that had been rejected everywhere else, there was a “for the love” column.

Look, I yield to no one in my love for writing. [“Liar, you just say that to get it into bed.”  “Only because the pterodactyl isn’t willing.”]  And I’m one of those people who think if something is not making you rich, and you don’t love it, then you’d be better off doing something else.  [“Unless of course writing is the only thing you can do.  Not that this has ever happened at low points in our personal finances.”  “Er… right, never.”] Writing, in particular, while easier than digging ditches, is still a lot to do day after day if you don’t enjoy it.  But… “for the love?”

I mean, if no one is ever going to pay you, are you going to give this story away just so someone will read it?  [“Yeah, like someone who wrote fanfic so that it would actually get read, when nothing else was selling.”  “That was different.  How many people make money rewriting Jane Austen with dragons? Don’t answer that.”]

Then I broke in, started selling to those pro markets, and then started getting paid more so the pro-markets attracted me, and I never gave this another thought.

Until today when I was thinking about writing for readers and writing for prestige.  For most of my traditional career, I argued with my agents/editors/publishers that I wanted to write popular and accessible fiction, while they tried to push me into writing convoluted, difficult “literary” fiction.

My fault in a way, because I broke in with a series that was a re-imagining of Shakespeare’s biography, this time with elves.  But at least I realized that though I loved that series, it had a limited audience. The average person on the street doesn’t want to relax after a hard day with Shakespearean word-play.  Also, the idea of writing nothing but literary fantasy forever made me want to slit my wrists.

I wanted to write mystery, and science fiction, and funny things, and serious things, and romantic things.  And while some of them would come out in a way that could be described as “literary” that was not what I was aiming for.  I mostly wanted to write to be read and to make a living.

I knew for a fact that “literary” works sold very little.

So why were publishers and agents so interested in them? Because their interests aren’t the same as writers’.  Writers want to make a living, and to get the sincerest form of appreciation in foldable form. Publishers, or at least editors, working for multinational corporations where their salary is assured, don’t want that – they want to be hailed at the next cocktail party as the person who discovered the literary wonder of the century.  And agents, too, want the prestige of being known to have exquisite taste. They won’t object to a lot of money, but mostly they need the prestige.

Eric S. Raymond said that what is destroying mainstream science fiction… (and more so mystery.  I’m going through my shelves to get rid of excess paper books, and if I had a dime for each “high prestige” mystery I got because it was up for some award or other and which is now worth less than one cent, I’d have a lot of dimes.) … is not so much politics, as this entire idea of “worth” that’s predicated on an academic culture which ignores readers and the ludic aspects of reading. [“Ludic. My, aren’t we posh?”  “Ludic means fun.  Like, you know, dinosaur porn.  At least I presume people have fun with it.  Never having read any, I wouldn’t know.” “Yes, but growing up in the Jurassic would give you a different perspective.]

He is right at that. But I don’t think it’s something that can be wrung out of the publishing establishment.  If the shrinking of the bottom line didn’t convince them, neither will our telling them what they’re doing wrong.

Fortunately, though, we don’t have to. It’s entirely possible that, after the shocks and aftershocks, traditional publishing will settle into a prestige and validation role for academic writers, bringing out little gems of books (possibly leather bound) for a small clientele for whom they’re objets d’art and not a way to while away a couple of hours of a rainy evenings.

I’m fine with that.  They can do whatever they want.

Those who want to read and write for fun can always go Indie.


cover

Blood and Dreams: Lost Years II (Parsival Book 4
By Richard Monaco 

Set some time after Lost Years: The Quest for Avalon and before The Grail War, Blood and Dreams continues the story of Parsival, who in middle age finds himself more the jaded cynic than the wide-eyed fool of his youth. Waylaid as he journeys home from his latest “bloody bit of work for Arthur,” Parsival must escape his captors, save his kidnapped family, and prevent the forces of Clinschor, the mad sorcerer bent on world domination, from finding and exploiting the Holy Grail, all while enduring the disdain of his teenaged son, Lohengrin.

(Charlie here: Richard has been one of my favorite writers for longer than either of us would care to think. This is free for the rest of today, and worth the $4.99 any time.)


cover

The God’s Wolfling
By Cedar Sanderson 

When The God’s Wolfling opens Linnea Vulkane has grown up since the summer of Vulcan’s Kittens. Sanctuary, the refuge of immortals on an Hawaiian island, is boring. When the opportunity for an adventure arises, she jumps right into it, only realizing too late the water may be over her head. Literally, as she is embroiled in the affairs of the sea god Manannan Mac’Lir. Merrick Swift has a secret he’s ashamed of. Then when he meets Linnea and her best friend, he doesn’t like her. She’s bossy, stuck up… and oddly accepting of his wolf heritage. Like her or not, he must do his duty and keep her alive. The children of the myths are being plunged into the whirlpool of immortal politics, intrigue, goblin wars, and they might be the only ones who can save a world.


cover

Screams from My Father: Stories by Paul F. Gleeson
By Paul F. Gleeson 

Entertaining pulp crime stories written in 1979 and 1980. Paul F. Gleeson was a lawyer, but he ached to be a writer, of tales of murder and intrigue and dark forces and witty twist endings. He submitted manuscripts to the pulp mags, and actually got two stories published, but the rejection letters kept piling up, and he finally stopped writing. After he died in 2012, his sons and daughter found the manuscripts in a cardboard box. They collectively decided that these stories would finally be published for the world to enjoy, the way their dad always wanted.

“Paul F. Gleeson’s hardboiled fiction paints characters who live in swirling cesspools of corrupt human nature in a rich, distinct voice that’s not to be missed.” — David Cranmer, editor of BEAT to a PULP


cover

The Book of Barkley
By L.B. Johnson 

LB Johnson knew how to get things done. The former jet commander was singularly driven, capable and highly educated, immersed in a world of complex puzzles, tangled story lines and the intricacies of the law. So how hard would it be for one redheaded federal agent to raise a black Labrador retriever puppy?

Mayhem on four legs was named Barkley and he led his owner down a path of joyful self discovery, loving frustration and self sacrifice, changing the way she viewed the world, and those that shared it with her. Her home and her heart were never the same.


cover

Stargazer
By Cedar Sanderson 

Free from August 1-5

A short story of a woman who looks to the stars as she tries to protect her children and offer them a future. In a world with no escape for those who cannot undergo a genescan, a fugitive mother has vanishingly few options left to her. Ultimately, only her sacrifice can change the world… but what becomes of the children?


cover

A Warrior’s Path
By Davis Ashura 

Two millennia ago, a demon named Suwraith thundered into the skies and cast down the First World. In a single horrific night, a glorious age of enlightenment was ended, leaving the world in fearful darkness. Humanity survives by a thread, only surviving in cities protected by an Oasis, mysterious places impervious to Suwraith’s power. Throughout the rest of the world Humanity is an endangered species, fodder for Suwraith’s deadly Chimeras. Into this world is born Rukh Shektan, a peerless young warrior from a Caste of warriors. He is well-versed in the keen language of swords and the sacred law of the seven Castes: for each Caste is a role and a Talent given, and none may seek that to which they were not born. It is the iron-clad decree by which all cities maintain their fragile existence and to defy this law means exile and death. But all his knowledge and devotion may not save him because soon he must join the Trials, the holy burden by which by which the cities of Humanity maintain their slender connection with one another. In the Wildness, Rukh will struggle to survive as he engages in the never-ending war with the Chimeras, but he will also discover a challenge to all he has held to be true and risk losing all he holds dear. And it will come in the guise of one of Humanity’s greatest enemies – perhaps its greatest allies. Worse, he will learn of Suwraith’s plans. The Sorrow Bringer has dread intentions for his home. The city of Ashoka is to be razed and her people slaughtered.


cover

Kiwi
By Richard Alan Chandler 

Free on 8/1 and 8/2

Alex Sanderson doesn’t like much of anything, but of all the things he hates, getting locked up in an alien prison on trumped-up charges tops the list. All he wants is a fair hearing and he’s sure he can get out. His cellmate on the other hand, she has different plans for Alex….

Note: This story contains profanity, some violence, and sexual situations, although not especially graphic, they may be offensive to some readers.

This story is a Novellette, about 14,500 words long.

Read bullet |

18 Influential Voices in Literature on the Internet

Friday, July 25th, 2014 - by Sarah Hoyt and Charlie Martin
Image 4

Cedar Sanderson, author of today’s guest BPF.

The first thing you have to understand about this list, 18 Influential Voices in Literature on the Internet, it’s not mine. Yes, I published it on my blog, but that was after polling a bunch of people and then tallying up how many votes for whom. This isn’t a list of old school friends, or my twitter followers, it’s the names I was given when I asked simply “who do you listen to?”

The list of the top names voted for appeared on my blog, and I was surprised at the response to it. See, the original list was of 35 literary people who run the internet, and it was a list of (mostly) people none of us had heard of. My list, on the other hand, tilted heavily toward people who were mentors, who nurture good stories, and mostly, people who are vocal in caring about literature. Story is king, and these folks never lose sight of that.

Larry Correia tops out the list, which was ranked by number of votes received. Why? Well, Larry may not blog about the ins and outs of writing and publishing, but he does serve as an inspiration to indie authors, having gone from self-publishing to his new (hilariously funny) rating of being a “D-List” author. He also gives other new writers a hand up with his semi-regular Book Bombs. In short, he’s awesome.

Hugh Howey has become practically the voice of the Indie Author, with his best-selling series Wool, and his reports on the nitty-gritty of how independents are eating Big Publishing’s pie. In a recent blog post, he says “I advocate for: Reasonably priced e-books, for publishers to take risks and do exciting things, for us to embrace the future of storytelling and allow it to coexist with the past, to release all editions of a work at once, to get rid of DRM, to mix up genres and do something fresh and new . . . these are all things I’ve wanted as a reader for longer than I’ve been writing. These are things I complained about with fellow readers and bookstore workers long before I sat down and penned my first novel.”

Sarah A. Hoyt came in next, and her reaction to seeing this was ‘I don’t belong there… Why am I there?’ Sarah, you’re there for two reasons. One, alphabetically Hoyt comes before Konrath, and you were tied with him. Two, you are a strong, clear voice for writers to come to for help. You’re paving the way for some, and publishing how-to’s on the Mad Genius Club blog, providing support for those who are trying to find a place to start. Like Larry, you’re an inspiration and you put story above navel gazing. Of course we think of you. You’re like a mother to us… ducks and runs, fast

JA Konrath on his blog tackles thorny issues independent writers are concerned with, he’s responsible for the brilliant Writer’s Declaration of Independence, and spot-on for this particular topic, had this to say about legacy authors, publishers, and group narcissism: “I wish other people would recognize the authority of my group -Self-pubbed authors have no group. But many of us strive to be heard because we want to help, not because we want our authority recognized. Whereas the Authors Guild is recognized by the media, and many authors, as having authority.

My group has all predispositions to influence others – Self-pubbers don’t predispose to influence. We want to help. Legacy folks believe they are part of a special club. It is an ideology to them.”

Passive Guy, the formerly anonymous man who founded Passive Voice, is an attorney, although he warns nothing he says on the blog is to be taken as legal counsel. But a great deal of what he doe say is enormously helpful if you want to stay informed in this industry. Tapping into Passive Voice will keep any of us writers abreast of the news, as he posts lengthy quotes from blogs and other media several times a day, sometimes with pithy and relevant comments of his own attached.

John C. Wright, when I contacted him to ask him for a quote for this article, first sent me his bio, then rather than words from him, a nomination for someone he felt better suited to fill the place of an influential voice. “I nominate Tom Simon. He is the man who invented the term ‘Superversive’ which I took as inspiration to start a superversive literary movement in science fiction. The goal of the movement is to get SFF out of the doldrums. He has written several books, including nonfiction.” Which is interesting, and I look forward to reading them, but Mr Wright, I will insist you do belong on this list, as you have a way with words that may not cut to the heart of the matter immediately, but rather as an artist creates a sculpture with a thousand precise cuts.

Jerry Pournelle, one of the grand old men of Science Fiction, made it onto the list despite not having a traditional blog. What he does instead is to take fan mail and publish it, with his own trenchant comments. Less about the mechanics of writing will appear here, but for the earnest writer who wants to find bleeding-edge science, the site is a trove of information. Also, he is reviving his review column, which I will be interested to see what he has to say about new books.

Toni Weisskopf of Baen Publishing pointed out she hates talking about herself, Baen doesn’t really have a mission statement besides making SFF fun, and suggested that I refer my readers instead to something she wrote earlier this year when it seemed fandom was ripping itself apart from the inside out. “Yes, it took the brilliance and guidance of one person to set it in motion and shape it throughout, but it is the result of hundreds of people pulling together to explore and create on their own. Not as some side “fan fiction” endeavor, but as part of the—commercially viable—whole. And when I say “commercially viable” it is shorthand for: “lots of people like it and are willing to show this by paying money for it to continue.”

Brad Torgerson sent me to a blog post of his when I asked him for a few words, and suggested I glean from it. It’s all good stuff, and I recommend you take a look at his whole post. But the very first topic is perfect for this article, I think you will agree: “1. You must never self-publish.”

This was gospel when I was plowing through my proverbial first million words of “practice” fiction. And at the time, it was good advice. Self-publishing invariably meant vanity publishing, which is a form of publishing where the author spends hundreds or even thousands of dollars of his/her own money, to put his/her book into print. Vanity presses tend to be scams as often as not, and with the advent of widespread electronic book platforms (Kindle, Kobo, Nook, etc.) as well as print-on-demand options like Amazon.com’s CreateSpace, vanity presses are also wholly unnecessary. Plus, self-publishing doesn’t carry the same stigma it used to. Once upon a time self-publishing was a warning flag to the rest of the genre—hey guys, I couldn’t cut it with editors! These days, not so much. There are good writers who are self-publishing, and making a decent amount of money. You have no doubt heard of a few.”

There are more names on my original list, but in an attempt at brevity, which I have deeply failed, I’m leaving them to you to research through the links provided at my blog. I hope I have introduced worthwhile people to you, and I’m curious: who do you consider an influential, positive, nurturing voice in literature active on the internet? Comment below, and perhaps we can make another list of great voices to listen in on!

Oh, and I have permission to add this… my fifth novel is being released in a week. The God’s Wolfling is a tale of adventure, myths, goblins, troll blood, and more. If you’re interested in entering to win a signed print copy, possibly sketched in if the mood strikes me, step over to my blog and leave a comment here. Winner will be announced on August 2, the day after the release.

********

[Charlie here:] Sorry the links didn’t make it in on time. As I said in the comments, when I was prepping the links, Google Mail suddenly decided not to let me get at the BPF email (at book.plug.friday@gmail.com, where you can also send an email to get submission guidelines, which say “Send the TITLE, AUTHOR’S NAME, a SHORT blurb, and an AMAZON KINDLE LINK.)

Oh, and here’s some hints: don’t bother to send a cover photo — I link to the one on Amazon anyway. Don’t forget that the official deadline is the Tuesday of the preceding week. I’m keeping up right now, but this turned out to be pretty long; if you submit a book with the necessary information, it’ll get up eventually, but if you hae a promotion, then make sure you send the book in plenty of time.

Oh, and I do try to be flexible about the submission format, but I’ve been giving a BPF No-Prize for the first submission that actually completely follows the guidelines, and it’s often not awarded until the fourth or fifth book. However, if your submission is like one this week, with no title, no author’s name, an Amazon link and about a five page excerpt of the book, then you’ll just get a new copy of the guidelines.


cover

Witchfinder (Magical Empires)
By Sarah A Hoyt 

ON SALE FOR 2.99 7/25 THROUGH 7/29 ONLY

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


cover

Sundowning
By Walt Pimbley 

FREE on Kindle for a few days!

Korea vet steps irritably into the twilight, but unexpected guests make him feel young again. (Warning: a few salty epithets, and maybe some VIOLENCE.)

Amazon reviews:

“Short. Deadly. Hilarious.”

“[I]t’s like a punch in the solar plexus, only it tickles.”


cover

Forgiving Michael
By Walt Pimbley 

A teen trying to improve concrete for a science prize stumbles onto a formula that transforms the foundation of his parents’ house to mud. Hilarity does not ensue, even when it dries into something “rich and strange.”

Moscow wants that formula, and so do Tehran, Peking, and Tel Aviv. Can Michael and his family find a safe haven?

Amazon reviews:

“Unique and Thoughtful Thriller”

“A Gem in a Genre that Usually Lacks Gems”


cover

A Cat Among Dragons: Between Flood and Flame
By Alma Boykin 

Trouble’s never more than an ear-twitch away.

After fifty years away, Rada Ni Drako and her business partner Zabet return to Drakon IV and find themselves entangled in Lineage politics. Then a corrupt King-Emperor and a series of natural disasters force Rada to choose between obedience and duty, with near-fatal consequences for all involved. Add a dash of feudal justice and a child whose death uncovers a hidden crime, and Rada’s got her forefeet full in this Cat among Dragons story set.


cover

Dragonhunters
By Sabrina Chase 

Only one Mage Guardian now defends Aerope from the malevolent plans of Denais and his dreams of conquest and revenge. Ardhuin desperately tries to make the Allied governments see the danger and replace their murdered Guardians, but the long peace dulls any sense of urgency. Her new husband Dominic fears the Allies consider Ardhuin’s phenomenal power sufficient—and in no need of help from their mages. And yet…a weary traveler from the ends of the earth rushes to their home to deliver a message from a man thought dead. A desperate plea for help, invoking the Compact—as only another Mage Guardian would. Does another survive after all? And what new danger threatens the world?


cover

Spring That Never Came
By D. Jason Fleming 

(FREE this weekend!)

Tammy Kirsch has had her shot at fame. She came to Hollywood with stars in her eyes and lint in her pockets and looks that would open any door in town just to try to get her onto the casting couch. After several guest roles in TV shows, one starring role in a movie that nobody saw, inadvertently dodging the mid-70s porno chic moment and keeping her dignity and reputation intact, her career sputtered to a halt.

Then she lost her daughter in a custody case, and what was left of her world came crashing down around her ears. When the crazy homeless man tried to talk to her incoherently as she was leaving the court building, that only seemed to be the cherry on top of the layered dessert of her misery. In fact, it was just the first step on her path, a path that would end with her defending the entire world from an invasion of other-dimensional eldritch horrors.


cover

A Piece of Eternity
By Wesley Morrison 

“Better a world that might kill you, than a world you know wants you dead.”

A premium human in a genetically enhanced future, Rylen Weir was bred for a life of harmony and balance. Being kidnapped by unenhanced “throwbacks” and finding himself the key to which version of humanity survives was never in the plan.

Rylen has little choice, however. An unknowing test subject for the Traveller Enhancement, allowing him to send his consciousness back through time among his own ancestors, Rylen can possess the one man who set this future in motion. Which gives Rylen the power to save everyone, and everything, that he has ever known—or to prevent his world from ever happening.

Only neither side knows what Rylen will choose, because Rylen Weir is flawed.

A screenplay for a film that never was…


cover

Red on Blue: Establishing Republican Governance
By Art Chance 

Red on Blue is a former high-level bureaucrat and Republican appointee’s observations on re-organizing and managing a government designed by and for Democrats so that a Republican executive can actually run that government. The primary focus is on getting control of the money, people, and stuff in the government, getting the holdover Democrats out, and avoiding scandal in the process. Since there are few Republicans in government where there are heavily unionized public employees there is a dearth of working knowledge in conservative/Republican circles concerning dealings with unionized public employees. When I was Alaska’s director of labor relations Swartzenegger’s guy and I were the only Republican appointee-level heads of a state’s labor relations function; the rest of the union states were Democrat controlled. Consequently, I put a heavy emphasis on the dynamics of taking over a government from the Democrats and dealing with public employee unions in the aftermath.


cover

Take The Shilling
By Raymund Eich 

The Confederated Worlds, Book 1

The Confederated Worlds implanted in Tomas’ brain the skills to make him a soldier. He had to learn for himself how to survive interstellar war.

Tomas Neumann sought escape from his backwater planet and overbearing mother, and a mentor to replace his long-dead father. “Taking the shilling”—enlisting in the Confederated Worlds military—promised both. But despite the soldier’s skills implanted in his brain, combat still threatened to destroy him, in body and in spirit. Grieving for lost comrades, demoralized by a spiral of atrocities, could Tomas learn what he needed to survive, before facing his war’s ultimate challenge?


cover

Operation Iago
By Raymund Eich 

The Confederated Worlds, Book 2

The Confederated Worlds lost the war.
Can Lt. Tomas Neumann win the peace?

By the terms of the peace treaty, the citizens of the planet Arden will vote to stay in the Confederated Worlds or join the victorious Progressive Republic. Newly-minted Lieutenant Tomas Neumann leads his overstretched and demoralized Confederated Worlds Ground Force platoon in a mission that pushes men and machines to their limits, against elusive, deceptive foes out to tilt Arden to the Progressive Republic—and turn the Confederated Worlds against itself.


cover

Pixie Noir
By Cedar Sanderson 

Book one in the Pixie for Hire series.

You can’t keep a tough Pixie down…

Lom is a bounty hunter, paid to bring magical creatures of all descriptions back Underhill, to prevent war with humans should they discover the strangers amongst them. Bella is about to find out she’s a real life fairy princess, but all she wants to do is live peacefully in Alaska, where the biggest problems are hungry grizzly bears. He has to bring her in. It’s nothing personal, it’s his job…

“They had almost had me, that once. I’d been young and foolish, trying to do something heroic, of course. I wouldn’t do that again anytime soon. Now, I work for duty, but nothing more than is necessary to fulfill the family debt. I get paid, which makes me a bounty hunter, but she’s about to teach me about honor. Like all lessons, this one was going to hurt. Fortunately, I have a good gun to fill my hand, and if I have to go, she has been good to look at.”

Dave Freer, author of Dog and Dragon, The Forlorn, and many others, says: “”To those of you who thought there was nothing new worth reading in Fantasy: Cedar Sanderson’s Pixie Noir proves that you are wrong. The author plainly knows and loves her setting and characters, and this carries through to the reader. The pace picks up throughout, so save this book for a weekend, or you’ll be complaining about a lack of sleep at work. A very good read!”


cover

Times of Turmoil
By Cliff Ball 

In this first novel in The End Times Saga, we follow how the Evans family gained their riches and eventually their power to influence events in the United States. We see important events that the Evans family gets themselves involved in: such as the return of the Israelites to Israel, the assassination of President Kennedy, the terrorism of 9/11, and eventually events that lead to government tyranny in the United States with the sole purpose of destroying Christianity and its influence in the United States.


cover

Sammy: Dallas Detective
By Robin Hardy 

Do you believe in miracles?

When Marni Taylor meets her new apartment neighbor—brash, good-looking Dallas Narcotics Detective Sammy Kidman—she pegs him right away as a heartbreaker, a user. Still, she agrees to help him with an undercover assignment. By the time he’s through with her, Marni is so traumatized that she is driven to find healing in a faith she never knew she had.

That same faith forces Marni to decide what to do about a man she both hates and loves, while Sammy, faced with the terrifying consequences of his actions, makes a blind grab at redemption. But Sammy is a cop, first and last, and his life comes down to the choice every cop must make of how much of himself to give. The question is, when the time comes to give your all . . . how much do you believe?

Sammy: Dallas Detective is the first book in The Sammy Series. The story continues in Sammy: Women Troubles.

Read bullet |

It’s Your Party Too — Book Plug Friday 53

Friday, July 18th, 2014 - by Sarah Hoyt and Charlie Martin

We can't wait for our terrible twos!  You ain't seen nothing yet!

We can’t wait for our terrible twos! You ain’t seen nothing yet!

 

Book Plug Friday turns one today.  Like all toddlers, it’s mobile, running around and creating havoc.  It’s still somewhat ineffectual, but we pride ourselves in thinking that over this last year we brought to the attention of readers many fine books or entertaining reads that they would otherwise never have heard of.

And since that was all we wanted to do: to lend a little impetus on the outer fringes of the digital book revolution, little Book Plug Friday is mighty proud today.

Out there, the adults in this business are winning battles too.

We’re the barbarians at the gates of publishing, yeah, sure, and our little horses are mighty fast, but you know we’d not be half as effective, if publishing hadn’t stopped adapting and started imploding from within long before technology set us free.

The Fall of Rome is still debated. How could such an empire fall? Various theories are floated; taxes were too high, barbarians joined the army, borders became too porous, corruption and incompetence were rampant.

But I would argue that these were mitigating factors. Empires always fall for the same reason.

They stop adapting.

Adaptive Capacity is the technical term for an ecological or social system’s response to changing conditions in the environment.

A system that cannot adapt, self destructs.

Go read the whole thing.

And there are true signs of hope out there.

At a glance, we can see how each publishing path performs in the top genre categories, and we can also see how these genres compare to one another in both total revenue and market share by publishing path. This last distinction is crucial, because the old-time advice to “never self-publish” has now faded to the advice that “self-publishing only works in certain genres.”

The truth is that, regardless of which publishing path an author chooses, some genres of trade ebooks sell vastly better than others, period. Other genres languish. For Big 5 authors, Mystery, Thriller, & Suspense is by far the most lucrative genre. But you don’t hear many people assert that traditional publishing is only good for people writing sleuths. Another common refrain is that nonfiction and literary fiction are uncrackable genres for indies. But in non-fiction, self-published authors are earning 26% to the Big 5′s 35%.

It turns out that Big 5 publishers have nearly as small a portion of Romance earnings (18%) and Science Fiction & Fantasy earnings (29%) as indies have of Literary Fiction earnings (13%) and Nonfiction earnings (26%), respectively.

Here, too, we say onto thee, go read the whole thing.

There are riches in the comments there too.

 Data Guy: The short answer to your question is yes, time and schedules permitting.

I did take a brief look Historical Fiction earlier today.

Historical Fiction makes up 7% of the overall gross Kindle sales. Indie books are somewhat underrepresented in Historical Fiction today, having so far captured 10% of the unit sales and 14% of the author earnings. I’d tend to see that as an opportunity.

And you know, he’s right.  Sarah’s top performing book of the reissues (books previously traditionally published and a whole different ball game from new and original indie releases, which do better for various reasons,) is No Will But His, straight up historical fiction.  It does so well in fact, that as soon as she finds the time, she will write the rest of what she terms “dead queens.”  That is the queens of Henry VIII and possibly, time permitting the queens of the War of the Roses.  There is gold in them there hills.

And that’s the message we want you to take on this anniversary of Book Plug Friday.  Go forth and write what you will.  Try any path to sales.  You no longer need to sell to a traditional publisher, and if they don’t like your idea, you can still publish it and make money.

Set yourself free.

And send us your book plugs!

 


cover

Streiker’s Bride
By Robin Hardy

What would you do if you received the offer of a lifetime—marriage to a billionaire—with one catch: you had to make up your mind without ever seeing him? When lowly bank teller Adair Weiss receives such an offer from reclusive philanthropist Fletcher Streiker, she is dumbfounded and disbelieving: Why me? What does he know about me? What does he want?

Rejecting his offer would end her dream of dancing. But accepting it would change her life in ways she never guessed. . . .


cover

The Lost Book of Anggird
By Kyra Halland

Stodgy Professor Roric Rossony has been asked to find a way to stop the deterioration of the powerful magica. He hires Perarre Tabrano to translate books for his research, and finds his orderly existence turned upside down by his unexpected romance with her. Caught up in his new-found love and the most important work of his life, he goes too far in his search, delving into forbidden books hidden away for centuries. When the most dangerous book of all falls into the Professor’s hands, magical disaster strikes, and he and Perarre flee from the authorities in search of the secret of the magica’s origins, a journey that only their growing magical powers and their love for each other will help them survive.


cover

A Distant Eden (Book 1 of 5)
By Lloyd Tackitt

December 2012, a massive solar storm knocks out the power grid. Three hundred million Americans are suddenly faced with a survival situation. They have no water, electricity or fuel. Food rapidly disappears from the store shelves, not to be replaced. Only three percent will survive. Those three percent will have much in common. What does it take to be one of them?


cover

Adrian’s War
By Lloyd Tackitt

Three years after a solar storm wiped out the power grid Adrian Hunter embarks on a journey to the mountains, determined to live and survive by utilizing his knowledge of stone age techniques. He encounters a band of raiders who attempt to take him prisoner – and Adrian’s War begins.


cover

The Last Falangist
By Kevin Trainor

A military history buff shares his thoughts on religion, society, science fiction, anime, and affairs of the heart.

It is both a personal book and a glimpse, at moments, into the history of “The Blogosphere.” Readers are treated to a retrospective of moments in online life–the debates that raged at various points in the 2000s and 20-teens—along with moments in the life of the author, one of the co-bloggers at the online magazine The Other McCain. As a bonus, there’s an appendix, “21 Books,” that discusses the war stories, Russian novels, Westerns, and history books that have left the most lasting imprint on Trainor’s life.

Together, the entries and essays comprise a slice of gritty reality.


cover

Moonstone Obsession
By Elizabeth Ellen Carter

Secrets, scandal, and passion…

Selina Rosewall had given up on love, but while helping her brother further his merchant fleet business, she meets Sir James Mitchell, Lord of Penventen. Their attraction is mutual, but what James wants from the relationship goes further—much further—than Selina could have expected. And she learns that in the world of the Ton, scandal and deceit are commonplace.

For Sir James Mitchell, Lord of Penventen, it’s hard to say which is more dangerous: being a spy or being considered husband material by the Ladies of the Ton. With political machinations threatening to draw England into the violent wake of the French Revolution, the last thing James expected was to fall in love with Selina Rosewall, daughter of an untitled seafaring family. But when James’ investigation stirs up a hornet’s nest, can he protect Selena from danger that threatens her very life?


cover

Men Are Pigs: And That’s A Good Thing
By Ron Sturgeon with Mark Stuertz

Entertaining and enlightening, Men are Pigs is an unabashed peek into the differences between men and women. Women (and “enlightened” men) think men are pigs because all they think about is sex. Men think women are pigheaded because they think men are nothing more than women with whiskers. In Pigs serial entrepreneur Ron Sturgeon (and PJ Media contributor Mark Stuertz) takes aim at the current orthodoxy that idealizes the feminine and maligns the masculine, and how this destroys relationships and frays the social fabric. A little naughty and packed with humor and actionable tips, Pigs offers strategies on how men can attract more women, enjoy better sex and relationships, understand the differences between men and women, and keep the fires burning hotter and longer. Though written for men by a man, Pigs offers valuable insights for women too.


cover

Jennifer’s Neighbors: Part One: Try This
By Lilith Revnik

Jennifer’s parents are having troubles; Sammy has lived with her stepfather since her mother died. They’ve been next-door neighbors since they were little girls, and they’re the best of best friends.

So Jennifer and Sammy are just two teen-age girls — beautiful, sexy and sexual, shy, scared, learning about themselves, what they want, what they need, what they like. One of the things they want is sex, and they’re … uninhibited about getting what they want. Intrepid explorers. It’s not always easy, but they learn a lot about themselves, and even more about the ways of the world.

[Ed. Note: This book is erotica. If you don't like erotica, don't buy it.]

Read bullet |

Why the Freed Tiger Sings

Friday, July 11th, 2014 - by Sarah Hoyt and Charlie Martin
FREEDOM!

FREEDOM!

This is Sarah and I have a message for my friends and colleagues still trapped in and only in Traditional Publishing:

First of all, that moist stuff on the back of your neck?  I don’t care how often they tell you that, but that ain’t no gentle rain.

Look, people, you might choose to close your eyes, put your fingers in your ears, and believe that your publishers are your friends.  They’re not.

Oh, okay, perhaps a small exception can be made for Baen books, a small family run company that treats its authors like family.  The others?

They’ve made it very clear what you are.  Widgets.  Another can of beans.  Burn your career (snap of fingers.) No skin off their noses.  There are another ten saps, patsies, writers just like you in line waiting to break in.

I learned this lesson in 2003.

I first started to write when I came to the US in ’85.  It’s not the publishing industry’s fault I didn’t make it in earlier.  Oh, okay, fine, maybe it is a little, as barriers to entry had accumulated and the preferred method of selling by the time I broke in was to meet the editor and pitch in person.  It took me to ’98 to be able to do so.  One of the books (oh, heck, Darkship Thieves) I’d later publish had gone in the drawer by then because my agent (which I’d acquired by then, the first of four) didn’t want to send it out.

So in ’98 I pitched my Shakespeare trilogy on proposal. The first came out October 2001.

You might have heard of the little contretemps a month before.  I don’t know if you remember what you were doing then.  I do.  I was trying to finish the third book in the series only I was so anxious I could only work in front of the TV, with the news on.

No one was buying books. Some people might have been reading old favorites for comfort.

Of course the publishing industry knew this, right?  I mean, had to.  They are in NYC.

Of course – considering all the paeans we hear to how caring, how wonderful traditional publishing houses are – publishers accounted for this, and gave all those writers who were new and hadn’t sold any so well another chance, right?

Are you kidding me? Baby, Cold Equations and its strict calculations of mass and fuel didn’t have anything on the publishing industry. It had taken me almost twenty years to break in, hand over hand from pays in copies to penny mags, to finally professional shorts, to going to a workshop and selling my novel, to—

But you see, my book didn’t even get unpacked in most stores. It spent the entire time in a closet.  I know.  I tried to do drive by signings. And then it went back.

And at the 2003 World Fantasy, my editor attempted to fire me.  She had fired most of the people who came in that year by then.  I’ve never seen so many crying people, not even at my grandfather’s funeral.

Tried to fire me? Well, I refused to say fired, but that’s a story for another day.  For months after World Fantasy I thought I was fired, and that all the years of working and improving my craft meant nothing.  That I’d done it all for nothing, because events outside my control could kill my career forever.

Hey, readers, did you like Darkship Thieves? Consider I already had it in the drawer at that time. Imagine Baen hadn’t picked me up, and Berkley hadn’t decided they didn’t want to be left behind.  You’d never have read it.

Now think of all those Darkship Thieves, or perhaps better books, languishing in drawers.

Hey, you know who allows writers to put their work up, to let readers decide what they want to read?

Oh, that’s right, Amazon does.

Which is why SFWA is so grateful to Amazon hates Amazon with the fire of a thousand suns.

Wait, what? Isn’t SFWA supposed to be a writers organization?

Ah!  Fooled you, did they?

They’re not really, you know?  They’re an organization of the establishment and their main function is to keep the establishment going without change. Otherwise, explain to me letter the first, and letter the second, both supporting a publisher known for its numerous dirty tricks, while berating the people who would set them free.  (Or to quote my colleague Cedar Sanderson, F%$K me, SFWA, One More Time.

Oh, wait, I can explain it.  In a novel (Revolt in 2100 unless it’s the Benadryl speaking) Heinlein talks about a tiger who is set free but who still paces in the confines of imaginary bars.

Oh, yes, here it is:

“Please understand me-it is easy to be free when you have been brought up in freedom, it is not easy otherwise. A zoo tiger, escaped, will often slink back into the peace and security of his bars. If he can’t get back, they tell me he will pace back and forth within the limits of bars that are no longer there. The human mind is a tremendously complex thing; it has compartments in it that its owner himself does not suspect. I had thought that I had given my mind a thorough housecleaning already and had rid it of all the dirty superstitions I had been brought up to believe. I was learning that the ‘housecleaning’ had been no more than a matter of sweeping the dirt under the rugs-it would be years before the cleansing would be complete, before the clean air of reason blew through every room. “

Right now SFWA and those of you who agree with SFWA are that tiger. You’ve grown so used to and so comfy in your prison – treated like widgets, forced to do more and more of your publicity and even your editing, all for the princely fraction of profit you get of your books, and even in that scammed – that you’re afraid of the bars going down.  You’re afraid of being free.  Freedom is scary and cold. Or as the ever loving Grauniad  El Guardian tells us self-publishing is a reactionary activity and antithetical to community.

Oh sure, I have more colleagues I cooperate with, help and encourage than I did when I was strictly traditional, because there are no publishers playing mind games, and this is no longer a zero sum business. But never mind that.  It’s “anti-community” and you’re afraid of dying alone in the dark with no one to close your eyes. (You are aware, right, that your publisher would steal the sesterce from your eyes before you cooled. Never mind.)

Which brings us to my second point: You’re free. You’re not dependent on anyone to get your stories in front of the reading public. Whatever you want to imagine the bars are gone.

Get used to the scary now. Once you get over your fear you’ll realize you have control – real control not just doing all the work and being blamed for others’ mistakes and even for national tragedies – over your career for the first time in your life.

You’re free.  Surely you can get out of that cage at the computer and walk into your own career.

Do try. You’re letting the writer side down.

Even if you never came up against the “Writers are widgets” mentality, you are bound to, sooner or later. Because you see, in traditional publishing, you have no power. The publishers have all the power  When things get pinched, you’re out of there. They think they can replace you just like that.

Indie publishing is scary, but it’s also yours.  You do it, you take responsibility.  You reap the rewards.

I understand that freed slaves walked as far away as they could from their place of captivity, just in case someone changed his/her mind and enslaved them again.  Surely you can at least stop beating the companies that allow indie publishing long enough to start your own career.  All it requires is that you walk the road to freedom in your own mind.

Forget the Stockholm syndrome.  You’re free.  Act like it.


cover

Hunter’s Home
By Ellie Ferguson

They say you can never go home. That’s something CJ Reamer has long believed. So, when her father suddenly appears on her doorstep, demanding she return home to Montana to “do her duty”, she has other plans. Montana hasn’t been home for a long time, almost as long as Benjamin Franklin Reamer quit being her father. Dallas is now her home and it’s where her heart is. The only problem is her father doesn’t like taking “no” for an answer.

When her lover and mate is shot and she learns those responsible come from her birth pride and clan, CJ has no choice but to return to the home she left so long ago. At least she won’t be going alone. Clan alphas Matt and Finn Kincade aren’t about to take any risks where their friend is concerned. Nor is her mate, Rafe Walkinghorse, going to let her go without him.

Going home means digging up painful memories and family secrets. But will it also mean death – or worse – for CJ and her friends?


cover

Vengeance from Ashes
By Sam Schall

First, they took away her command. Then they took away her freedom. But they couldn’t take away her duty and honor. Now they want her back.

Captain Ashlyn Shaw has survived two years in a brutal military prison. Now those who betrayed her are offering the chance for freedom. All she has to do is trust them not to betray her and her people again. If she can do that, and if she can survive the war that looms on the horizon, she can reclaim her life and get the vengeance she’s dreamed of for so long.

But only if she can forget the betrayal and do her duty.


cover

Chosen of Azara
By Kyra Halland

Juzeva: Born a princess of the beautiful land of Savaru, dedicated to the service of the magical Source Azara, she is forced to marry a man she doesn’t know for the sake of her country’s survival, and finds herself trapped in a web of evil and betrayal…

Sevry: The last king of the war-ravaged land of Savaru, he is tasked by Azara with finding the secret that his aunt Juzeva carried with her when she disappeared – the secret that will bring Savaru back to life – and finds himself hounded by evil men who want to use that secret for their own terrible purposes…

Lucie: A pampered young noblewoman, haunted by visions of a desperate man, she is unaware of her true heritage and the power she holds to restore life to a long-dead land…

Then Sevry, Savaru’s past, and Juzeva’s secret catch up with Lucie, leading her to adventure, danger, and a love that will forever change her life and the lost land of Savaru.


cover

Wings
By Sarah A Hoyt

From Elizabethan England to the Far Future, discover who really was Shakespeare and why Marlowe was called The Muses Darling. Discover the horrifying secret that Leonardo DaVinci found beneath a cave in his home village. In the far future, find a new way to keep Traveling, Traveling. Use cold sleep to find your love again, and join the (high tech) Magical Legion.

Seventeen short stories from Prometheus Award Winning Author, Sarah A. Hoyt. This edition features an Introduction by Dave Freer and a Bonus Short Story “With Unconfined Wings.”


cover

Witchfinder (Magical Empires)
By Sarah A. Hoyt

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


cover

Elizabeth of Vindobona: Book Three in the Colplatschki Chronicles
By Alma T.C. Boykin

All’s unfair in love and politics.

Countess Colonel Elizabeth of Vindobona has fought against Frankonia and the Turkowi, faced down a heretic traitor, evaded the romantic attentions of the emperor’s brother, and rebuilt the estate of Donatello Bend. But Court politics prove too much even for her. Sent to the far end of the Empire, Elizabeth and her allies race to save the Empire when a surprise invasion puts all else to naught. Even if she succeeds, love may prove Elizabeth’s final undoing.

Fortune favors the bold—but gunpowder settles everything.


cover

The Grave Artist
By Paula Lynn Johnson

“Johnson presents a believable, multilayered heroine whose narration is lively and insightful . . . The action is brisk, with a surprising but believable twist near the end. Never stilted or clumsy, this debut novel reads like the work of a far more experienced writer.” – Kirkus Reviews

16-year-old Clare can’t stop drawing the bizarre, winged skulls she calls “Sammies”. Her psychiatrist assumes the compulsive drawings are just expressions of Clare’s grief over her father abandoning her. But then Clare discovers that her Sammies are exact matches for the Death’s Head on the grave of Samantha Forsythe, a teen who reportedly fell to her death over two centuries ago.

Before long, Clare’s drawings morph into cryptic writings that urge her to uncover the truth behind Samantha’s death. Together with Neil — the friend she might be falling for — Clare scours the local history for clues. She finds that, although Samantha was engaged to a wealthy landowner, there were whispered rumors of her involvement with a younger, biracial man.

Soon, Clare is haunted by disturbing dream images — a mysterious eye, a broken chain — that point to someone Samantha called her “Dearest”. But who is Dearest? And why does Samantha need Clare to find him so badly?

Isolated and carrying hidden scars of her own, Clare fears her obsession with Samantha will threaten her sanity and safety. But it seems she has no choice in the matter . . .

The Grave Artist is a compelling paranormal murder mystery and a poignant story about loss and what it means thrive in a less-than-perfect reality.


cover

Cold Trap
By Jon Waskan

Economic geologist Og Rowley knows Unity well. He helped design it. He led its first science team. And upon his return home, he looked forward to reuniting with gal pal Moochy and plucky protégé Sej, who were each completing Unity missions of their own. But when word arrives that Sej has vanished, NASA sends Og back to Unity to investigate, launching him headlong into a secret battle to thwart the global aspirations of the Sino-Russian Entente. As for Moochy, well she has a secret of her own, one that could unlock the mystery of complex life and even deliver up a key to the stars … if it doesn’t cause a mass extinction first.


cover

What the Deaf Mute Heard
By G.D. Gearino

When ten-year-old Sammy awakens in an empty bus after an overnight trip, it’s a moment of paralyzing disorientation: He doesn’t know where he is, his mother has disappeared, and he’s surrounded by strangers.

The town is Barrington, Georgia, and Sammy grows up there — never leaving the bus station, in fact — and almost three decades pass before he speaks another word. But the man who everyone in Barrington assumes is a deaf-mute handyman reveals the town’s secrets, and in the process learns the story of his own life.

The basis for the most popular television movie in a generation (not to mention the most-watched Hallmark Hall of Fame presentation in history), “What the Deaf-Mute Heard” is a tale that stays with you long after the last page is turned.


cover

Slow Death in the Fast Lane
By J.W. Kerwin

On the surface, Slow Death in the Fast Lane is a wildly entertaining story about an unconventional attorney who defends a client charged with criminal tax fraud by putting the IRS and America’s tax laws on trial. But underneath the fast action, quirky characters, and outrageous courtroom stunts is a scathing indictment of a federal agency that many believe has become far too powerful.

Although a work of fiction, the book reveals a number of IRS practices, including a little known sting operation targeting small businesses.

In the particularly entertaining chapter, “Dean Wormer must be running the IRS,” an expert witness uses the “double secret probation” scene from National Lampoon’s Animal House to explain why the Internal Revenue Code violates constitutionally mandated due process requirements.


cover

The Mystery of the Dying Woman
By Paul Leone

London, 1888 AD. Zillah Harvey came to the city to make a better living than the country could offer… but a brutal encounter on the streets of Whitechapel opens doorways to a new and sinister world. The first in an occasional series of Victorian occult detective stories.


cover

Trail of Second Chances
By Paul Duffau

A high-octane adventure on a wild Montana mountain as one girl finds herself racing for her life against a malignant fire. It should have been the highlight of the summer, a training camp for elite runners in the mountains of Montana. Coached by her father, and frustrated by his efforts to hold her back, Becca Hawthorne dreams of competing in the Olympics. She earned her chance to test herself against the best runners in the Pacific Northwest. But now she faces a tougher opponent than even the fastest girl. An action-filled roller coaster ride that keeps you turning the pages as the fire creeps closer.

Read bullet |

The Declaration of Independents

Saturday, July 5th, 2014 - by Sarah Hoyt and Charlie Martin

uc006330

“When in the course of human events….”

The funny thing about revolutions is that they don’t stop, even though there are always Tories who think things would be better done The Old Way. These words, 238 years ago, started a revolution that goes on today — a revolution of people who asserted their right to their own life, liberty and property.

For all the halting and inconsistent progress, this revolution continues — this week, there were demonstrations in Hong Kong demanding greater political freedom. In the Anglophone West, the revolutions are smaller, but happen every day: cell phones making us independent of the old Ma Bell, and independent even of wires; the Internet letting us contact people world wide in real time; the World Wide Web becoming the platform from which we do business with everyone from major corporations to a small-time craftsperson on e-Bay.

One of those revolutions is the e-publishing revolution: now we get our music, our news, and increasingly our books in the form of bits transferred over the Internet. In some ways, perhaps, the most exciting part of this revolution is the e-book publishing revolution: through Amazon (primarily) and the Kindle platform (again primarily) it has become possible for a writer to publish a book and make it available to an international audience without needing a publisher, or the limited and expensive resource of a printing plant and a distribution network.

(See, this is a Book Plug Friday column, even though it’s probably Saturday when you see it because that’s the way Thursday and Friday went; and this is Charlie, by the way. If you listen closely you can probably hear Sarah struggling against her bonds in the background.)

Even better than being able to be published, the e-book revolution has made it possible for writers to make a living by getting published, with everything from 99¢ thrillers to porn to science-fictional series that would be wrist-breaking volumes in physical realization.

This is really new, and as Sarah has been detailing for the last year, it’s causing consternation and dislocations that have been amazing to behold. Fiction had become, really, pretty limited — personally, I blame the Iowa Writer’s Workshop and MFA programs. We have been learning to see “good fiction” as approved fiction, and the approvers increasingly have seen themselves as an Elite, the Guardians of Proper Literature, with the Right Attitudes and the Politically Appropriate Opinions.

It hasn’t been quick, but it’s been amazingly thorough, and while it went on, we saw the death of many markets, especially for short fiction. The funny thing was that when there was a market for short fiction, it was publishing Hornblower, and Heinlein, and Agatha Christie — writers and characters we still read today. But as it became necessary to write serious IWW fiction to get published, it also became harder and harder to pay for a fiction magazine. By the time I was first trying to write fiction, there were probably at most a dozen commercial magazines that still published fiction, and usually one short story a month.

Strangest thing though — if you looked at the magazine stand, down a couple racks and to the left, there were another two dozen or more monthly “true confession” magazines that had pretty immense circulation. But they weren’t “serious” fiction, just as the pulps weren’t “serious” fiction. What they were is emotionally involving, mimetic, and cathartic. Basically, Aristotle would recognize true confessions and pulp as good art. The IWW literati would say those were boring old clichés and not good art at all — and this recent generation would ask if there were enough women, gays, people “of color”, and transgendered people, and whether the author was from an under-represented group.

All that has changed because of the possibility of publishing independently through Amazon, and the Boston-New York Literature Mavens don’t like it. People are writing, and sometimes writing wonderfully well, the fiction that Aristotle would recognize, and they’re selling it too.

The big publishers, and the literature Tories, don’t like it. They’re like everyone to stay in proper line and read what’s good for us.

The ability to publish without their permission that comes from ebook publishing is a Declaration of independence, a revolt against another aristocracy that knows what’s good for us.


I wanted to correct something from my piece last week. Since it was published, I was contacted by a source, an industry insider with some knowledge of the big publisher contracts with Amazon. It appears that the big publishers do indeed manage to get the 70 percent royalty from Amazon, even when their books are outside the Kindle Direct guidelines.

Here’s the kicker, though: they pay the same royalty to the author (assuming they report ebook sales honestly, which is a whole ‘nother kettle of fish.) So, if a publisher sells a book for $30 in hardcover, they get something like $15 for it, out of which they have to pay for the printing, shipping, warehousing, and so on. Then they pay the author something like $3.

If they sell the ebook for $13, they get $9.10 from Amazon. It costs them effectively nothing on the margin to “print” or “warehouse” the book. They still pay the author $3.


cover

CRIMSON
By Warren Fahy 

Voyage into an enchanted world in this epic fantasy of adventure and romance as a young king with god-like powers inherits a kingdom and a curse: what he loves most will be his doom. How he decides to fight his fate will endanger his entire kingdom, unite him with his true love in another world, and launch a desperate voyage across a sea of seething monsters and fearsome illusions that will test the will of an intrepid crew of mariners and determine the fate of their world forever. Get ready for an epic fantasy like no other in CRIMSON by Warren Fahy, author of the New York Times bestseller FRAGMENT and PANDEMONIUM.


cover

Extendedcompanion
By William Krasinski 

Breakthrough technology is great, until you live long enough to become obsolete. Wilek and the other ABC Captains have successfully handled this over the past century, but a resurgent Earth jealousy eying the Off Worlds will soon put the hype to the test. Add to the mix an unasked for new crew ‘mate’, salty recruits and a happy bio, Captain Wilek may reach his last good nerve long before Earth.


cover

Au Pair Girl
By Judy Klass 

Janine Larson’s parents don’t like her spending her summer hanging out with her boyfriend and her ditsy friends. To teach her responsibility, they get her a job taking care of the kids of a rich, unpleasant doctor and his wife in their summer island home. Janine wins over the small boy, but not the creepy little girl. Janine tries to see the rotten job through, and wonders if she is paranoid about some things . . . When the doctor and his wife realize she has discovered their unsavory, criminal secrets, her cell phone disappears. That night, they chase her around the island, trying to kill her.


cover

The Morning Which Breaks (Loralynn Kennakris #2)
By Jordan Leah Hunter & Owen R. O’Neill 

For eight years, Kris was the property of a brutal slaver captain. Now she’s free and a cadet at the League’s military academy. All she brings to this new life is a unique set of skills, a profound ignorance of ‘civilized’ society, and a large chip on her shoulder.

But Kris isn’t quite sure what to make of the Academy, and the Academy isn’t at all sure what to make of her. The medical staff thinks she’s homicidal, her fellow cadets think she’s crazy, and her instructors don’t know what to think.

So when she’s approached about helping capture a terrorist warlord, she’s more than happy to leave the halls of academia behind for awhile. Kris knows she’s not signing up for any pleasure cruise. What she doesn’t know is that the key to the mission’s success is reliving her very worst nightmare .

Read bullet |

The Publishing Business Is In Crisis

Friday, June 20th, 2014 - by Sarah Hoyt and Charlie Martin

 People surround a statue of Soviet state founder Vladimir Lenin, which was toppled by protesters during a rally organized by supporters of EU integration in Kiev

This is Sarah and this week I realized that traditional publishing is in more trouble than I thought.  In fact it’s entirely possible the end is nigh at least for the business as it’s been since I entered.

You see, there have always been cracks and signs of break down amid the glitzy façade of traditional publishing.  Most of it, though, was the normal churn of the business, as it changed and tilted and adapted, for a certain version of adapting, to new conditions.

When I came into this field I was told two things by older and more experienced colleagues.  One of them was that for all its glitzy innovation and its very real new ways of doing business, the publishing business remained at heart a nineteenth century business: contracts weren’t as important as a hand shake; who you were as someone for people to work with was more important than cold hard sales; your publisher would take care of you.  All of these things – except for one publisher in the field (Baen Books) – were a lie by the time I started in the late nineties.  Well, maybe not the first.  If your book was a year late in being published, and technically out of contract (my very first published book, Ill Met By Moonlight, now indie) the contract meant nothing.

This was my first experience with the fact that the book business was in fact not a nineteenth century business, but a fourteenth century one. You came in and you were an indentured serf.  No matter how badly you were treated, you had to be nice to the Lord, because he held your life in his hands. And no matter how badly you were treated, the other Lords would side with each other and conspire to keep you in servitude and destroy you if you spoke out against it.

The second thing I was told when I came in was “the publishing business is in crisis.  And it’s always been.”

This was meant to imply that for all the moaning and bitching from publishers about how bad things were (usually when making an offer for a book) things went on and the publishers continued being paid their salaries and their pensions and writers had both the security of knowing the business would continue and the awful certainty it would continue the same way – with them as peons.

This was the same kind of truth as the one above.  To an extent it was true.  You saw churn and failing lines and ups and downs in the field, but the field went on, no matter how many times your publisher told you they were effectively broke.

Except it wasn’t true in another way.  For all the “keep on keeping on” the average print run for your “normal” (midlist) author had changed drastically, from around 70K or so books in the seventies, to around 7K nowadays.

The excuses abounded: “People no longer read” and “It’s all the other entertainment media” and even “Our books are too smart/daring/special for those dumb readers.”

Truth of course was nothing of the kind, as most of us who are readers knew.  It’s more that the books that were being offered and how people found them had changed profoundly under the cloak of business as usual.

How many of you in the past twenty years or so went into a chain book store and came out with no books and disappointed?  You remembered perfectly well going to the convenience store around the corner and against your will spending your last dime on a paperback because it looked so good, but now here you were, in a chain store, surrounded by metric miles of books and unable to find anything you even wanted to look at.

I realized around the early nineties that my reading life had changed.  It had changed because I rarely found a book I wanted to read.  Reading remained my main form of entertainment, but in the mid nineties I turned to fanfic on line, because I couldn’t find anything to read in the stores.

The problem was this: most of the books on the shelves, whether at our large indie store, or Barnes and Noble, or Borders (all then within easy distance from my house) completely failed to interest me.  And I read Science Fiction, Fantasy, Mystery and both popular history and historical novels.

However, with very few exceptions, no matter what I got from the shelves in SF/F it always turned out to be a lament about oppression, a glorification of victimhood or a “Humanity is vermin on the Earth” book.  So I stayed home and re-read my Heinleins until they became part of my thought process.

As for Mystery it went through a long slog of trying to be “realistic.”  I don’t read mystery to read about real cops doing their jobs, which, like most other jobs, are boring day-to-day routine, even when the results turn out exciting.  And I certainly don’t read mystery to come up in the end against the conclusion that there is no justice in this sad workaday world.  For that, I read the news.

I knew what the issue was, at least to an extent.  As a would-be writer I’d bought a ton of how-to-write mystery books, all of whom sneered at Agatha Christie and explained to us that cozies weren’t “real” mysteries.  In real mysteries, professionals solved murders, and the professionals were always right.  This maligning a fiction genre because it isn’t “real” is something that could only make sense to intellectuals.  People on the street know enough to say “of course it’s not, you dope. Real life isn’t FUN and fiction is supposed to be. In fact, this is still going on.  See this for instance, which a friend of mine characterized as the publisher equivalent of a chocolate manufacturer complaining that the customers liked sugar and not ground glass in their chocolate and were therefore “unsophisticated rubes”

That is part of how the business had changed.  It had changed to becoming a “push” business in which the customer would take what the publishers wanted to sell them and like it.  (Which is why even when “cozy mysteries” came back, we kept getting weird waves of stuff no one wanted to read, like the solid two years when EVERY character in a mystery sounded like a Sex in the City character to the point even this shoe addict had no interest in it.)

But publishing had been taken over by MBAs and had been concentrated in the hands of six conglomerates. Selling books the public wants to read is fickle.  You never know what those rubes your clients will want. Look how they embraced Dune which was published by a tiny press. Who could have guessed they’d like it? And why had all those mom and pop bookstore owners pushed this obscure book from nowhere?

When publishing fell in the hands of people trained to manage businesses predicting how a book would do was REALLY important.  It was also impossible.  So the new CEOs moved to do what dictators always do: eliminate the human factor.

Slowly — helped by changes in book retail, which in turn was helped by giving discounts to chain bookstores and leaving mom and pop’s out in the cold — they turned book selling into a “command economy”.  Someone at the top had a five year plan, predicted how much each book would sell, and it sold that.  This was accomplished by telling the stores how many books to stock and it was aided and abetted by stores stocking the same books in a “tri-state area” and also stocking according to “publisher confidence,” i.e. how many books the publisher said they would sell.  Fortunately the new bookstore managers were “Sales Professionals,” not readers, so very few read or hand-pushed a book.  Also fortunately most of those messy power readers whose main form of entertainment was reading (on vacation I can power through six novels a day, while doing stuff with my husband and sons on the side) had given up.  They were re-reading their extensive collection, or they kept changing genres in search of one that was still fun to read.  (In the early two thousands I found that most of my friends were now reading popular history because, bizarrely, it was less politically correct than fiction. It didn’t last. The publishers caught on and started pushing PC there too.  In fact, about five years ago, when things started falling apart for them, they were in the process of doing this to Romance, where I’d been driven to escape their insanity. I read my first romance in my thirties, and by five years ago was reading five or six a day. And then all the new releases featured historical heroines who were suffragettes or modern-day-style feminists, or evil business owners, or… you know the drill and so do I.)

The result were lowered print runs, but by gum, the publishers had total control on how a book would do.  If they targeted you for bestseller, you’d become one, even if they had to fudge the numbers to do it. (Look, the numbers are inherently fudged because according to the publishers themselves, they pay according to Nielsen numbers.  Those of us who have become publishers and know what ships know that Nielsen represents at best one-third of books sold.  For some books – those that sell in less traditional markets, like military-base stores or comic bookshops – it represents one tenth or less of sales.  Yes, you’d think it would be a matter of counting how many books shipped and how many were returned, but trust me, because of legacy systems it’s far crazier than that.  And even ebook sales, due to the byzantine way in which they’re reported, are very hard if you’re keeping track for anyone but yourself.)

This worked about as well as you expect of top-down systems. By the time Amazon came along, we were more than ready for them.  Don’t let the Amazon-whiners deceive you.  If everything had been fine in publishing – say if Amazon had come around in the seventies – it would have had an impact, but not nearly as large.

But Amazon moved in on a vacuum. Even now, the main publishers don’t get it (as Joe Konrath proves, taking Hachette to task.) Suddenly readers could find the authors that never got stocked, and found out that hey, books were still being published they wanted to read.  (From the other side, the authors’ statements didn’t change much, even though they suddenly found themselves hailed as celebrities by neighbors and repairmen who came to the house.  Strange.  It’s almost like those numbers are the ones the publishing house decided on, and not what really sold.  Some day, when my husband has time, he’s going to do a dissection of my mystery royalty reports, where – I swear – the print run changes in a quantum manner, to avoid paying me royalties. It’s obvious even to me that they’re lying, but my husband is a mathematician and will have lots of fun with it.)

Then Amazon opened the market to self-publishing, and people could find things that they wanted to read that insulted neither their intelligence nor their political beliefs.

Thereby precipitating whining, denial and outright illegal price-fixing from the publishers.

But you know, I didn’t quite believe in the revolution.  Oh, I believed I could make a living from it, at least at the level I was making.  Witchfinder proved that, if nothing else.  (Though I need to bring out the two sequels soon or sales will crash.  Indie has low attention span, because it’s spoiled for choice.)

However for real push, for real penetration of market, traditional publishing still held control. They could still make something a bestseller if they wanted to and pushed enough. Or at least so I thought.

I saw some signs it might not be so, because if I’m right, they tried to push Night Circus to the same level of publicity as Twilight.  It didn’t get there.  Nowhere near.

But then maybe I was wrong, because this was like a middle school chick watching the boys to see who liked her, or the free world watching the May day parade to see who was in and who was out at the Kremlin.  One thing was sure, we’d get things wrong.

And then this week, I saw the walls tumble down.  I saw the statue of Lenin dragged through the streets.

I saw Hillary’s book tank.

Oh, sure, they spin it.  They’re publishers.  They know how to spin.  They’ve been doing it for decades.  They say it’s selling well enough.  They say it’s the “changing book market.”  But it’s not.

““The rollout was touted as the best planned book tour ever, meticulously crafted by the smartest Hillary aides, publishing PR gurus, and the savviest superagents,” writes another publishing source.

“The book will probably debut on the bestseller list at number one and then fall like a rock. After the smoke clears, with tens of thousands of books sitting in warehouses collecting dust, there’ll be a lot of handwringing and probably a few people without jobs.”

The book will debut on the bestseller list, because that’s determined not by books bought but by “laydown”, i.e. how many books the publisher shipped.  (Bet you didn’t know a book can be a “bestseller” without selling a single book.

What you might not appreciate from the outside is how amazing, how impossible this is.  They still have control over what ships (and therefore gets on the bestseller list for at least one week), they have control over the figures they show, they have control over publicity, they can strong-arm bookstores to stock a book and to push it.  And you bet your bottom dollar they deployed all this in favor of Hillary.

And it tanked.  It tanked so publicly, so visibly, it can’t be denied.

Even five years ago, they could push Obama to bestsellerdom, whether that was true or Memorex.  (Those of us with experience saw a lot of discounted Obama merchandise, but never mind.)

Now they can’t.  And if they can’t do it for Hillary! having pulled all the stops, then they certainly can no longer do it for the industry darlings, those politically correct parrots they’ve been pushing up readers’ noses for years.  They can still probably lie about those.  They’re not as public a flop as Hillary.  But all the lies and all the gloss won’t save them from losing their shirts.

Will they go bankrupt?  I doubt it.  As we’ve learned with Russia the fall of evil empires is complex.

However, it’s safe to say their domination of the market is over.

I’ve seen the equivalent of Lenin’s statue dragged through the streets this week.  They can’t take that away from me.  And they can’t take my freedom.  I’m like one of those East Germans who, when the wall came down, rode their Trabants as far as they could and then walked away, west, ever west, many of them ending up in Portugal, by the sea.

As both a writer and a libertarian who decries the domination of the left-pc point of view in our culture, I’m perhaps more moved by this than the average person. Forgive me the religious-sounding quotation.  I’m going to quote Elizabeth the first, quoting the Bible. When, against all odds, she found she had survived her two siblings (without being killed) and become Queen (news were brought to her in the tower, so it was a near thing) she’s reported to have said “This is the day the Lord has made, and it is marvelous in our sight.”

And so it is.


Hat tip to reader Laura Montgomery, who points us to Indie Author Land:

Indie-Author-Land

 

Their “about us” page describes them as:

But since you’re here, this is what there is to know: Indie Author Land is run by a couple.  She is a journalist covering the arts, and he is a computer programmer. Neither one of us is an author, but we are both voracious readers and both want to contribute, in whatever way we can, to the creation of good fiction.

Hence, Indie Author Land…

The site is growing, and this is what we want. Our idea is for that growth to be organic, fluid – growing to fill whatever void it may come across.

(And, selfishly, helping us find our next favourite book!)

They sound like the right kind of folks.


cover

Witchfinder (Magical Empires)
By Sarah Hoyt 

In Avalon, where the world runs on magic, the king of Britannia appoints a witchfinder to rescue unfortunates with magical power from lands where magic is a capital crime. Or he did. But after the royal princess was kidnapped from her cradle twenty years ago, all travel to other universes has been forbidden, and the position of witchfinder abolished. Seraphim Ainsling, Duke of Darkwater, son of the last witchfinder, breaks the edict. He can’t simply let people die for lack of rescue. His stubborn compassion will bring him trouble and disgrace, turmoil and danger — and maybe, just maybe, the greatest reward of all.


cover

Cardinal Points
By Dory Codington 

Adventure / Romance. Cardinal Points begins at the very beginning of the American Revolution, the night the colonists of Boston, threw crates and crates of good China tea into the harbor to protest, taxes and Governors Hutchinson’s decisions about shipping and selling.
Jason, a merchant sailor and the fourth son of a Duke, arrived in Boston just in time to get caught in the brewing turmoil over the tea stored on three ships.
Oona was there to help, anxious to be a part of the town’s search for freedom and independence. She did not expect, while she stuck feathers in dark wool caps and boot black on familiar faces, to see a smile she had not seen for ten years. When the man attached to the impish grin picked her up and kissed her while the crowd of disguised men howled, it was as if her dreams had come true


cover

Deadly Secrets
By Autumn Killingham 

The murder of socialite, Jackie Johnson, during a dinner party in her mansion, plunges Detective Slivy Brown into an unfamiliar world drenched with privilege and excess. Besides an unfaithful husband eager to inherit her fortune, dinner guests and servants harbor marvelous motives for murder.

Slivy, the daughter of a cop killed in the line of duty, is unhappily partnered with Detective Wilbur Pendleton, the annoyingly pompous son of the police chief. Together, they chase elusive clues and watch each suspect slither away.

Stumped by the evidence and stymied by Slivy’s recurrent nightmares, the investigation stalls until Slivy uncovers a sordid family secret that brings her face-to-face with the murderer and drags the detective into the heart of her own spine-chilling nightmare. There, she confronts the demons of her past and the challenges of her future.


cover

The Long Voyage of the Little Fleet
By Mackey Chandler 

In the first book of this series “Family Law”, Lee’s parents and their business partner Gordon found a class A habitable planet. They thought their quest as explorers was over and they’d live a life of ease. But before they could return and register their claim Lee’s parents died doing a survey of the surface. That left Lee two-thirds owner of the claim and their partner Gordon obligated by his word with her parents to raise Lee. She had grown up aboard ship with her uncle Gordon and he was the only family she’d ever known. Him adopting her was an obvious arrangement – to them. Other people didn’t see it so clearly over the picky little fact Gordon wasn’t human.

After finding prejudice and hostility on several worlds Lee was of the opinion planets might be nice to visit, but terrible places to live. She wanted back in space exploring. Fortunately Gordon was agreeable and the income from their discovery made outfitting an expedition possible. Lee wanted to go DEEP – out where it was entirely unknown and the potential prizes huge. After all, if they kept exploring tentatively they might run up against the border of some bold star faring race who had gobbled up all the best real estate. It wasn’t hard to find others of a like mind for a really long voyage. This sequel to “Family Law” is the story of their incredible voyage.


cover

The Fields Where Soldiers Play
By B. J. Beck 

FROM THE DEPTHS of a tunnel to the peak of a mountain, a soldier rarely chooses his battlefield …

Sir Jacien Blyne of Newelen was coming home, but a conspiracy has formed in his absence to overthrow the kingdom. Given no time for rest or to reconcile with his wife, Jacien must take up arms once again.

Along with a cave-dwelling Daferin and a disciplined female warrior, Jacien will face an overwhelming enemy with the advantage of Reticulative Magic on its side.

His chances, however, are irrelevant when his country is at stake.

Unfortunately, the invaders want more than Newelen.


cover

Priestesses
By Francis W. Porretto 

Helen and Martine run unusual establishments: “sex shops” in Los Angeles and New York that never ask payment for their wares. They aren’t there to make a monetary profit. Their mission is more serious than that. As priestesses of fleshly desire, they seek to spread erotic knowledge throughout Mankind. Quoth Helen: “A dollop of physical pleasure here and there, a little instruction in the ways of the body, a helping hand toward the fulfillment of this marriage or that affair, can sometimes avert the most terrible alternatives you could imagine.” Erotica for good people.


cover

Let No False Angels
By Wesley Morrison 

The others came for Heinrich Aguirre when he was a child. Born in one of the Germanies with a light inside his mind, Aguirre is raised to take his place as one of the Magian, the rare few who can part the veil between the many versions of Earth. Vowing to protect these endless worlds and all who live in them, Magian do not hesitate. But during his first battle, while still less than a man, Aguirre does, only to see the magus who raised him die instead.

For his sin, the others banish Aguirre to the solitary path.

Seventeen years later, Magian are being slaughtered, and with a kind of power no magus has ever seen before. Suspicion quickly falls on Aguirre, who realizes that his only hope is to find the truth himself. So Aguirre turns his back on those who have already turned their backs on him, and with the Magian in pursuit, he races to save his own kind before they kill him first.

Read bullet |

Mars the Hard Way

Friday, June 13th, 2014 - by Sarah Hoyt and Charlie Martin

My friend Les Johnson, my colleague at Baen, is both a real writer and a real scientist, one of those renaissance men we all aspired to be at some time. Most of us never made it, but Les did.

Recently Les co-authored the book Rescue Mode with Science Fiction legend Ben Bova, and he was kindly enough to allow us to interview him about space, about working with Ben Bova, and about our chances to get off the rock and go out to space.

Sarah: What is holding us back on the rock, in your opinion, from the practical viewpoint?

Les: First of all, I need to say that the opinions expressed here are my own, and do not represent NASA.

There is no technological reason keeping us from going back to the Moon to visit or to set up a base there. What we’re lacking are the systems to go. By systems, I mean the actual hardware to launch the people and the hardware needed to keep them alive while they are on their way to the Moon or living on the surface. NASA and several private companies have the technologies to develop the hardware we need — all they are lacking are the money and the will to make it happen. By the way, the same can be said of sending humans to Mars. We can go if we want to.

An aside about money. I contend that going to the Moon, Mars or an asteroid with people is not that expensive – in relative terms. For reference, look at the 2015 NASA budget of $17 billion. For you and me, that’s a lot of money. For most countries and certainly most private businesses it is a lot of money. But for the US Government it is a relatively small amount when you consider that our total budget is over $3.9 trillion (or $3,900 billion). $3900 – $17 = $3883, which is, in practical terms, not much different from the $3900. In other words, NASA’s budget is a rounding error on the total federal budget. Sending humans beyond Earth, which would cost less than $17 billion and be spread out over 5 years or so, is a very small cost in the grand scheme of things. It just isn’t a priority. People spend more money on Coca Cola than they do on space exploration! ($46 billion global revenue for Coca Cola versus $17 billion for NASA.)

To make the money available from a government or from the private sector, we need a vision and an explanation why space exploration and development is important – one that people can hear and understand. We haven’t adequately done either.

What are hopeful developments in space exploration?

I am optimistic about the future of space exploration. Our military and our economy now depend upon space satellites. (You don’t believe me? Ask any major retailer if they can manage inventory, shipping, and other logistics without GPS and satellite communications.) We will eventually run out of easily accessible resources and be forced to go to the asteroids to keep our civilization going. It is just a matter of when this will happen. It could be in 30 years or 300 years. The Earth has finite accessible resources and we will one day stress the system to the point where costs make space resources look attractive. Environmental concerns may make this happen sooner rather than later. My personal vision of how we can use space to solve our resource, environment and energy problems is described in my book, Harvesting Space for a Greener Earth (Springer 2014).

Space tourism will make space accessible to more people and that is great. The increased flight rate will also drive down launch costs, making science and exploration missions less expensive to fly – enabling more to be flown. NASA’s new heavy lift rocket will enable us more easily send people beyond the Earth-Moon system to asteroids or to Mars. Our robotic probes will continue informing us of our place in the universe and help us to understand the local neighborhood that is the solar system. I am hopeful.

If you had your dream funding and dream project, what would you be doing?

My dream project has to be Interstellar Probe. Imagine a square solar sail 1/3 of a kilometer on a side, carrying a small spacecraft out of the solar system at speeds greater than 50 kilometers per second, racing into nearby interstellar space. Solar sails use sunlight for propulsion, requiring no fuel. And when they are deployed close to the Sun, they get a much larger push than a comparable sail deployed at the Earth-to-Sun distance. Solar sails are real. The Japanese are flying one called IKAROS and NASA is building one called Sunjammer. The neat thing about sails is their scalability; today’s solar sails can be made ever larger to go ever faster to even greater distances. I believe a very large solar sail will one day take a spacecraft to another star and Interstellar Probe will have been the first step.

What was it like to work with Ben Bova?

Working with Ben on Rescue Mode was just… awesome. Ben is an icon and the inheritor of the Asimov/Heinlein/Clarke legacy. His writings have inspired me since I was in high school (many years ago) and working with him on a book was an opportunity of a lifetime. He provided guidance throughout the project and seemingly effortlessly guided me out of many literary corners and potholes as the book was evolving. The nuts and bolts of the collaboration occurred by email, though we did talk on the phone a few times to bounce ideas off each other. Mars exploration is his passion and I think our story complements his other ideas about how this might actually happen. Though hopefully without some of the near-death experiences we put our characters through!

Tell us a little about your book.

Rescue Mode, published last week by Baen Books, is about the first international human mission to Mars. The mission is launched after a robotic mission finds signs of life there. Worldwide interest in learning more finally causes a few nations to come together to make it happen. But, in the spirit of the classic “man versus nature” theme, something goes horribly wrong during the journey which places our characters in a struggle to survive. In the process of surviving, they come up with a novel approach to assure that Mars exploration continues beyond their one mission. I better not say much more — I want you to read the book!


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it's on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


cover

A Touch of Power: A Cat Among Dragons short story pack
By Alma T.C. Boykin

“Just a little consulting work,” Joschka said. “Nothing dangerous,” Joschka said.

After all, just how much trouble can Rada get into serving as the “strange things” adviser to a minor military group on a small, backwater world? Wandering interstellar anthropologists, an increased Trader bounty on her head, and a musician who’s just a little too good all make Rada Ni Drako’s easy new part-time job a lot more interesting than planned. Interesting enough to make serving a Lord Defender of Drakon IV look like a quiet vacation.


cover

War To The Knife (Laredo War Trilogy Book 1)
By Peter Grant

Laredo’s defenders were ground down and its people ruthlessly slaughtered when the Bactrians invaded the planet. Overwhelmed, its Army switched to guerrilla warfare and went underground. For three years they’ve fought like demons to resist the occupiers. They’ve bled the enemy, but at fearful cost. The survivors are running out of weapons, supplies, and places to hide.

Then a young officer, Dave Carson, uncovers news that may change everything. An opportunity is coming to smash the foe harder than they’ve ever done before, both on and off the planet. Success may bring the interplanetary community to their aid – but it’ll take everything they’ve got. Win or lose, many of them will die. Failure will mean that Bactria will at last rule unopposed.

That risk won’t stop them. When you’re fighting a war to the knife, in the end you bet on the blade.


cover

Spring That Never Came
By D. Jason Fleming

Tammy Kirsch has had her shot at fame. She came to Hollywood with stars in her eyes and lint in her pockets and looks that would open any door in town just to try to get her onto the casting couch. After several guest roles in TV shows, one starring role in a movie that nobody saw, inadvertently dodging the mid-70s porno chic moment and keeping her dignity and reputation intact, her career sputtered to a halt.

Then she lost her daughter in a custody case, and what was left of her world came crashing down around her ears. When the crazy homeless man tried to talk to her incoherently as she was leaving the court building, that only seemed to be the cherry on top of the layered dessert of her misery. In fact, it was just the first step on her path, a path that would end with her defending the entire world from an invasion of other-dimensional eldritch horrors.


cover

Somewhere In His Arms
By Katia Nikolayevna

She was drawn to the dark stranger; she could not help it. He was everything her broken heart needed, and everything her body desired. She was shy and sweet and he would never let her go.

She married him that night and he took her virginity. He seared her mind and body with the remembrance of erotic bliss and tormented every waking moment even as she tried to forget…

She fled her husband’s loving embrace but searched for him in her dreams. That is when he comes to her…and claims her as his.

But Lucy cannot forget, even as she tries to pick up the pieces of her shattered life and finds another..

He will always be her husband. For he is the one who seduced her in a night of drunken passion and the only man she craves…

Read bullet |

How to Compete With Amazon — if you really want to

Friday, June 6th, 2014 - by Sarah Hoyt and Charlie Martin
Whining is not fighting, and complaining is not competing.  You want to be a contender?  Put your gloves on and fight.

Whining is not fighting, and complaining is not competing. You want to be a contender? Put your gloves on and fight.

So, Amazon.  We’re now supposed to have a mini hate in or something, right.

What I – Sarah, by the way, nice to meet you – would like to know is why?  Why has hating Amazon become the cool or chic thing to do?  Why is Amazon the villain?

Oh, never mind me, I understand it from the other side – that is the side of the traditional publishers, the distributors, the people who were used to controlling who got to see what on the shelves, the people who before Amazon’s ascendance, could make or break a book, sight unseen, and make sure that either no one ever found it, or it was a mega success (at least on paper).

I understand why they’re upset at Amazon.  Why they’re screaming that everyone must now destroy the monster.  But why?

I am not implying Amazon is perfect.  As I cued my stuff for various promotions today I was reminded again of Amazon’s extremely stupid requirement that you give them exclusive rights in order to do a give away or sale.

Stupid, you say?  But it’s the stuff of evil geniuses!  They get exclusivity on the book!

Stupid I said, and stupid I meant.  See, yeah, they get exclusivity on the book – but none of the big names are availing themselves of this – so the exclusivity they get is at best with us, midlisters.  Look, guys, I have a head as big as the next writer, but I think the only people who REMEMBER my book for three months are people who sleep with me. And there’s only one of those.  I don’t mean I write unmemorable books, I mean that with the spoiling for choice we get, the only people who remember I had a book release, three months later, are people who really, really, really like me.

So, let’s see how Amazon’s exclusive-to-promote policy shoots itself in the foot.  Let’s say I’m a compulsive reader (I am) and download Pretty Darn Good Writer’s book when it’s free.  I download it, and get around to read it in a month or so, when it’s no longer free.  To my shock, it rocks my world.  So I go to my Reader Friend (I have a few!) and say “you must, must, must read this.”  Reader Friend says, “Oh, okay.  But I have a nook.”  She goes and searches it on B & N and the book isn’t there – of course, since it’s still in the three month exclusivity period.

By the time the book comes out of that and goes on B & N Reader friend has forgotten all about it.  Which means that Barnes and Noble lost a sale, you say, and no skin off Amazon’s nose?

This is as stupid a line of thought as the old traditional publishers’ idea that people choose books by publisher, instead of by author, plot or title.

See, Reader friend has twenty other friends to whom she would have recommended the book.  But she can’t do it because she never read it.  And I guarantee 18 of those friends would be on kindle.

So, in the long run the exclusivity policy – I don’t think even with my moderate name anyone is going to change reading platforms for me – hurts Amazon, as well as being an unholy annoyance.

The same with pricing.  I don’t actually object to having a $2.99 floor for novels.  All my indie friends whom I yelled at and said “you can sell it for $2 more and you’ll be fine, know I think the natural price is more like $4.99.  But to put that floor (via pricing incentives) under short stories is not the best thing in the world in the current economy.

And this is why Amazon needs competition, you say.

Yes, yes, they do.  And I have been working (in my copious spare time) on a four part series on how to compete with Amazon – at least on ebooks, which isn’t even the core of Amazon’s business.

You see, I work across five ebook platforms and what I’m here to tell you is that none of them are serious competition.  I only get about 10% of the income I get from Amazon from any of these places.  And that’s on a good month.

But the thing is I know why.  I also know why, with the best will in the world, I end up putting only 1/10th of my books in other platforms.  And it’s not Amazon’s fault.  It’s the other houses’.

A forceful breakup of Amazon will do nothing to help these houses, because they are too stupid to help themselves.  I will expand on this in the articles, I promise, and if I weren’t up to my neck in work (as are my friends – and my husband) who can program I’d give it a crack myself.  BUT for now, I’ll give some areas in which the other ebook sellers drive me nuts:

1-      Stop treating me like an amateur.  I have almost 20 years experience as a published author.  If you send me congratulations whenever I sell a copy of a book on your site and talk about the wonderful occasion and how it will change my life, I’ll get testy.  It’s not that we can’t be friends anymore, but I get a feeling you think I’m less than five.  Treat me like a professional, please.

2-      While you’re treating me like a professional, realize my time (particularly for us hybrid authors) is limited.  STOP telling me that I got error 342 and I should check your manual to see what I’m doing wrong.  Either have a clickable explanation or – here’s an idea – have your site so that when I upload an ebook format that works everywhere else, it doesn’t gag on imaginary code.  I really don’t have the whole day to spend uploading a short story into your site.  And uploading novels is a tortuous process that I gave up on after the first.

3-      Make sure your platform is intuitive and self explanatory.  This breaks my heart with the site that comes second to Amazon in making me money.  Their platform for uploading books is SO visually oriented, it takes me an hour and help from younger son to find out where to upload.  Make it obvious and easy to return to.

4-      One more thing – make sure your reports of sales and payment makes sense.  Do not change the report six months later, and pay me for some sale I didn’t know about.  I need to know things like how my promotions did.

 

So, that’s for attracting writers.  What about readers?

5-      Give up on exclusivity.  Yes, I know.  You want me to read from you only.  Tough.  I’m not giving up my kindle library.  Make it possible for me to beam a kindle-format book to my kindle, and you got me.

6-      If you want to have your proprietary reader, same thing applies.  Make sure I can read my Amazon books on your system.  I refuse to keep two separate libraries, and I’m not alone.

There is more, and a lot more detail.  As I said, I’m working on it in my copious spare time.  But this should be enough to get started.

Amazon is not evil.  (My friend Cedar Sanderson explains the thing with Hatchette here. And my friend Dave Freer explains it here.) BUT it needs competition.  The thing is to compete with Amazon the competitor must give up on being the “anti-amazon.”  That gets you anti-sales.  You should instead steal what works and improve on what doesn’t.  And then maybe you’ll have a fighting chance.

(Special Note: Sarah’s books, and Cedar’s book, this time are on special. Which is why it’s a special note. Isn’t that special?)


cover

TITLE
By Sarah A. Hoyt 

From Elizabethan England to the Far Future, discover who really was Shakespeare and why Marlowe was called The Muses Darling. Discover the horrifying secret that Leonardo DaVinci found beneath a cave in his home village. In the far future, find a new way to keep Traveling, Traveling. Use cold sleep to find your love again, and join the (high tech) Magical Legion.

Seventeen short stories from Prometheus Award Winning Author, Sarah A. Hoyt. This edition features an Introduction by Dave Freer and a Bonus Short Story “With Unconfined Wings.”


cover

Heart’s Fire
By Sarah A. Hoyt 

When a priceless magical jewel is stolen, Ausenda, who has no magical power, has to track it down before the thief uses the jewel for some unspeakable crime.


cover

The Eternity Symbiote
By Cedar Sanderson 

On Sale for the month of June!

Earth sits at the center of a galactic power struggle humanity knows nothing about. Then an alien delegation suffers a fatal accident and hidden plans unravel around the wreckage in the Alaskan wilderness. Infectious disease expert Gabrielle McGregor discovers the hidden machinations and what they’ll mean for her and her family.


cover

Finishing Kick
By Paul Duffau 

A humorous peek inside one girl’s dream to guide her team to the winner’s podium, Finishing Kick takes an inspirational look into girls cross country. Callie finds herself holding the keys to the nuthouse when she agrees to be team captain of the cross country squad. She cares so much and tries so hard, you can’t help but cheer her on as Callie and her team challenges powerhouse Fairchild Academy.


cover

Right to Know
By Edward Willett 

A fast-paced space opera about first contact – with a difference. When Art Stoddard, civilian information officer of the generation ship Mayflower II, is kidnapped by a secret military organization determined to overthrow the power of Captain and crew, he becomes embroiled in a conflict that tests everything he thought he knew. Now, he is forced to choose between preserving social order and restoring the people’s right to know. But what if knowledge is the most dangerous thing of all?


cover

Fenrir Reborn
By Anita C. Young 

Sindri Modulf has been tested many times throughout his long life, but for every feat he has faced, he has artfully dodged countless more with easy humour and a deadly axe. Those well-honed abilities will prove useless when he is faced with one of the greatest challenges of his life; he must bring back a grief-stricken Seer from the edge of catatonia. Unwilling to let the mind of the most powerful woman in 1000 years be ravaged by Empaths and Telepaths, Sindri does something he hasn’t done for centuries: bare his soul.

Read bullet |

Future Shock

Friday, May 23rd, 2014 - by Sarah Hoyt and Charlie Martin
We're citizens of a future that the dinosaurs clinging to the past fear. Their gospel of envy has no hold over us.

We’re citizens of a future that the dinosaurs clinging to the past fear. Their gospel of envy and division has no hold over us. We invent the future, and it’s going to be great!

Hi.  This is Sarah.  When Charlie asked me to write the intro tonight I told him I couldn’t, because I was too angry at a series of events unfolding in the science fiction “community,” a word that never made much sense, and which now is even more over-strained, but which is the only way to describe both fans and professionals.  Both sets of science fiction “people” are involved in what made the week disturbing for me, at any rate.  And I really am angry.

Charlie said “then write about that.” And then I thought perhaps I should.

Look, the science fiction “community”, from SFWA to the loose associations of fans who sacrifice years of their lives and points off their sanity to put on conventions that get together people interested in the field, was in large part what set science fiction and fantasy apart from other genres.  It was a “we’re all weird together” sort of support, and it helped both writers and readers make contact and improve the genre.  Little by little this community was copied by other genres, from mystery to romance.

I don’t know how the other fields are doing, but the science fiction community is sick onto death, and the infection it suffers from is an odd one.

One of the seminal books of my intellectual formation was Alvin Toffler’s Future Shock, which I read in my early teens. I know there are some errors in the methodology and the set up, but his prediction that technology development would accelerate and in turn accelerate changes in how we live till people had trouble coping with it and developed “future shock” seems to have held on target, from everything I’ve seen.

And it explains to an extent everything I’m seeing in the “science fiction community.”  At the same time that new technologies (no one saw the computer coming, for crying in bed!) are making the world completely different, science fiction authors decided they wanted to be the approved sort of intellectual and went careening into bankrupt past ideologies, monstrous children of the Marxist Leninism that has left more than 100 million dead around the world.  They also decided that there was nothing exciting about technology anymore.  Everything that was human or made by human hands was evil, poisonous, scary.

Abetted by a publishing establishment staffed entirely by those with “excellent” liberal arts educations of the sort one can get at eastern colleges infected with victimhood and hatred of the West, these writers have abjured all hope for the future, all joy in humanity, even all understanding that there is a common humanity beneath our forms, colors and cultures.  They also abjured all understanding that not all cultures are alike and some are not conducive to free life.  They have chosen to embrace cultures and religions in which women and gays are enslaved and killed, and the only culture they denounce is their own, of which they know nothing but the lies taught to them by their “Studies” programs, which study only little particles of society, groups divided by the poison of Marxist thought.  (Why this long dead white male is the only one worthy of their respect, I don’t know, except perhaps it feeds their stunted egos and makes a virtue of envy, their predominant characteristic.)

This is how, this week, we were treated to the shabby and creepy spectacle of a bunch of grown women, a bunch of women supposed to be intellectual workers, for crying out loud, celebrating that all the Nebula awards were given to women.  Note that nothing was said about how great the stories were or how important – the important thing was what was between the writers’ legs and their defeat of an imaginary “patriarchy.” (Imaginary patriarchies are very safe to defeat.  REAL ones, the ones that stone you for going about with your face uncovered, those they approve of, because see, they aren’t western, and therefore they’re holy.)

Mind you, this is an award voted on by the same members of SFWA who recently went on a jihad against two men for using the word “ladies” to refer to women – so I was upset, but more on the visceral disgust level.

And then Archon, a science fiction convention which had invited Tim Bolgeo (known as Uncle Timmy to Southern fandom) as Fan Guest of Honor, got a complaint from an anonymous source about a fanzine Uncle Timmy publishes.

This fanzine is sort of a newsletter for everyone who attends the con Uncle Timmy founded – Liberty con – and it contains interesting articles (usually science, since Uncle Timmy was a nuclear scientist before retiring,) news about attendees and – always – jokes sent in by the readers.  These jokes are labeled as being from the left and from the right, since Liberty con is politically diverse.

Are they always funny?  No.  Are they always tasteful? Hell no.  Tasteful humor is sort of like low-fat cream and about as satisfying. Usually he puts a warning before the worse ones, and he nixes the worst ones, which never make it to the Revenge of the Hump Day.

Well, someone went through these fanzines and took out of context stories and fragments of jokes and went running to Archon concom complaining that Uncle Timmy was a racist.  The concom took panic and uninvited him – within twenty four hours of an anonymous accusation —  after months of advertising and preparation.  By doing this, they lent credence to the accusations.

If the spectacle of the Nebulas had made me queasy, this made me angry.

I met Uncle Timmy I guess ten years ago, when I first started writing for Baen. From the first, he treated me with kindness and consideration.  When I was completely unknown, he treated me as though I were a star at the convention.  At a particularly low point in my life and career, he supported my self-esteem and my morale so I could write again.

He hasn’t told me anything about other authors he’s helped that way, but I know a lot of them.  I’ve seen him select for special attention someone who is going through a rough patch.  I’ve heard from other people about how he supported older writers, sometimes financially.

Liberty con is probably one of the most diverse cons in the field in any way you want to slice it, race, gender, politics. Uncle Timmy is a great part of the reason all of us feel welcome there.

To watch his reputation being shredded and Archon choosing to commit an injustice rather than risk the mao-maoing by the politically correct brigade made me angry. Very angry.

I am still angry.  And I will fight them in any way I can.  I will fight them because it must stop here.  If they can go after Uncle Timmy – presumably for the crime of being male, Southern and white – they can go after everyone and anyone.  No one is safe from their rages and tantrums

Everything you say can be twisted to show that you’re not loyal enough to their ever-changing party line.  In a world in which “lady” is an insult, ask yourself who is safe.

It is a form of future shock, of course. At the very same time that technology allows writers to escape the stifling restraints of editorial gatekeeping that enforced political correctness, these people are trying to bring back the past.

Unfortunately the past they want to bring back is stained with blood and reeks of opened mass graves. It is not so much the past as the future of the past. This is the future that thank heavens  never was, the future with which they’d feel comfortable, the future in which a boot stomps on a human face forever, the future in which there is only one party and it determines everything you think.  And in which they’re in charge.

They are the people George Orwell was talking about in, 1984:

Now I will tell you the answer to my question. It is this. The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power, pure power. What pure power means you will understand presently. We are different from the oligarchies of the past in that we know what we are doing. All the others, even those who resembled ourselves, were cowards and hypocrites. The German Nazis and the Russian Communists came very close to us in their methods, but they never had the courage to recognize their own motives. They pretended, perhaps they even believed, that they had seized power unwillingly and for a limited time, and that just around the corner there lay a paradise where human beings would be free and equal. We are not like that. We know that no one ever seizes power with the intention of relinquishing it. Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now you begin to understand me.

Unfortunately for them, I do understand them very well.  And I’ve had just about enough.  And I don’t think I’m alone.

Let them huddle in the darkness of their blood-stained divisions and hatreds, their failed promise of Marxism.  There is a real future out there.  Perhaps they can’t perceive it.  Perhaps they’re too besmirched by the evil ideology of the past to enter the promised land.

Wave to them as we walk by and ignore their tantrums, their insults and the mud they fling.  They’re people of the past.  We?  We come from the hopeful future.  We invent it and we live in it.  And that’s where we’re headed.


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it's on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


cover

No Will But His
By Sarah A. Hoyt

Kathryn Howard belongs to a wealthy and powerful family, the same family that Anne Boleyn, Henry VIII’s great love originated from. From a young age, her ambitious relatives maneuver to make her queen. Brought up in a careless manner, ignorant of the ways of the court, Kathryn falls victim to her kind heart, all the while wishing she could be the wife of Thomas Culpepper.


cover

Death of a Musketeer (Musketeers Mysteries)
By Sarah A. Hoyt

April in Paris 1625. D’Artagnan, a young Gascon – and his new friends who hide their true identities under the assumed names of Athos, Porthos and Aramis – discover the corpse of a beautiful woman who looks like the Queen of France. Suspecting an intrigue of Cardinal Richelieu’s and fearing the murder will go unpunished they start investigating. But the enterprise will be fraught with danger, traps from the Cardinal, duels with guards and plotting from the king himself.


cover

Dream Home
By J.J. DiBenedetto

“Oh, my God, I’m not even starting the job for four months! How can I have an enemy already?”

Sara thought she had found the perfect job, the perfect new house and the perfect place to build a bright future for herself and her family.

But her new life is not quite perfect. Her husband and her children are fitting right in, but before Sara even shows up for her first day of work, her coworkers are dreaming about getting rid of her.

If that wasn’t bad enough, the one friend she’s made is dreaming nightly about a disaster that could wipe out the entire town…and Sara is beginning to think he might be right…

Dream Home is the exciting seventh book in the Dream Series.


cover

Drift
By T.L. Knighton

Born and raised in a space station, Alan had never set foot on Earth. It made him unique. Unfortunately, uniqueness goes out the airlock when a meteorite damages the space station he’s stuck on all by himself.

Now, Alan is forced to try a desperate plan in a last ditch plan that will either help him survive or turn him into space debris.


cover

Empower: Fight Like A Girl
(Multiple Authors, a benefit anthology)

Lupus is called the “cruel mystery” because the chronic autoimmune disease can damage any part of the body, including the brain, heart, kidneys, liver, lungs, skin, and joints. “Marvel’s Agents of S.H.I.E.L.D. ” Executive Producer Maurissa Tachcharoen Whedon’s experiences with lupus inspired fellow TV scribes Jennifer Quintenz and Pang-Ni Landrum to launch the charitable fundraising project. They chose the book’s title and theme because 90 percent of individuals diagnosed with lupus are women.

“Empower: Fight Like A Girl” authors include writers from TV shows including “Marvel’s Agents of S.H.I.E.L.D.,” “Family Guy,” “Person of Interest,” “Grimm,” “Battlestar Galactica,” “Buffy the Vampire Slayer,” “Law & Order: SVU,” “Star Trek: Voyager,” “Eureka,” “Twisted,” “The 100,” “Malcolm in the Middle,” “Millennium,” “Being Human,” “The Shield,” “Castle,” “Chuck,” “Gilmore Girls,” and “Game of Thrones.”

The anthology features supernatural thrillers, crime mysteries, horror, and comedies.


cover

The Little Book of Big Enlightenment
By JP Mac

Suppose the New Age blockbuster The Power of Now had been written by a Viagra salesman: Master Lompoc Tollhaus knows the feeling. After pioneering a method of achieving rapid spiritual enlightenment, Tollhaus suffered a chakra mishap and was forced to co-author his “Little Book” with a marketing hack. The mismatched pair snipe away as they discuss the Big Spirit cartel running the New Age industry—and warn against “hyper-enlightenment”: a pathology arising from spiritual cheating. But then the unexpected happens, and Lompoc Tollhaus must question his beliefs in the face of something remarkable . . . and, possibly, gluten free.


cover

The Law & the Heart
By Kenneth Schneyer

Exploring the seams where humanity and technology, society and individuality intersect, Nebula- and Sturgeon-nominated author Kenneth Schneyer presents thirteen mind-bending, thought-provoking tales of near and far futures that will amuse, amaze, and unsettle. The law will change, and the heart will change, and the heart will change the law. These stories confront the question of just what makes and keeps us human.


cover

Bad Boyfriends: Using Attachment Theory to Avoid Mr. (or Ms.) Wrong and Make You a Better Partner
By Jeb Kinnison

BAD BOYFRIENDS offers some sensible and intelligent advice for those looking for a romantic relationship, or wondering why all their relationships seem to go sour.

Kinnison … encourages readers to seek a deeper, more intelligent connection between lovers and/or spouses. He shows, with empathy and perceptiveness, how different personality types are likely to interact, and what can be done in some cases to mitigate the negative effects of different insecurities and problems. His discussion of how to recognize and avoid an abusive mate is clear, precise, and firm. — Indie Reader


cover

REUNION
By Ken Lizzi

Ken is a spinner of tales, a writer of stories weird, savage, dark, humorous, or all of the above.


cover

Song of the Sword
By Edward Willett

Ariana’s life is already difficult. Her mother suddenly disappeared, she’s trying to get used to living with her aunt after a series of foster homes, and she’s taking a lot of grief from the “in” girls at school. But now she’s also having strange dreams about swords and battles, things get weird whenever she touches water—and someone, somewhere is singing to her. Soon, she’s met the famed Lady of the Lake—who turns out to be an ancestor—UNDER the lake, has acquired a nerdy sidekick, and is sent on a dangerous mission pitting her against otherworldly forces. Can she figure out what it all means…or even survive?

Read bullet |

Doing the Work

Friday, April 25th, 2014 - by Sarah Hoyt and Charlie Martin
Sometimes you just need another hand on the job.

Sometimes you just need another hand on the job.

So, hi, this is Sarah, and I’ve been writing for a long, long time.  Okay, I’ve been writing since I was about two, but writing with intent to become a professional since about six.  Obviously I didn’t have a very focused business plan for this, since it took me more than thirty years, though perhaps it was slightly more realistic than my previous career plans of becoming a cat or an angel.  (The first being morphologically unlikely and the second just unlikely, unless it were one of those angels with very dark wings.)

Having broken into my chosen field at almost forty, you’d think I’d be safe from a midlife crisis.  And in a way I am.  So the field decided to have a midlife crisis around me.  Which is… special.  We won’t rehash how we got here, and I will say right away that I’m very glad there are indie options.  I love my publisher, and I have no plans to replace them with Indie, but I like having the option of going indie for some books.  It means there are no unpublishable books.  By this I don’t mean quality-wise.  There are regrettably published books.  Of course IMHO some bestsellers fall in that category, so what do I know?

What I mean though is that there is no longer a bright line, delineated by others that says “you can’t write that.”  For a long time the “you can’t write that” for me was space opera, which hurt, since that’s what I started writing to write.  My novel (Prometheus Award Winner 2011 and still selling) Darkship Thieves wasn’t even submitted by my agents until I had sold it by unusual means.  It sat for 13 years in a drawer.  This was based not on quality but on “it will never sell” – you see, it was science fiction but not “big idea” or “introspective” enough.  So there was no market for it.

I have at least 10 other books that were rejected, most of them by agents who wouldn’t submit them. One of them, the one I just released indie – Witchfinder – was never sent out because “you can’t have a computer programmer fall into a magical world.  People won’t know how to shelf it.”

So, I appreciate the openness and ability to publish whatever of indie.  But I still have a traditional career, and… let’s face it, okay? I am fifty one, and I don’t have all the time in the world.  I’m managing, barely.

But there are people who are older than I, and who can’t either take the time to learn how to do this, or who simply don’t have the time.  And for those there are support professionals.

If you’re going to get a support professional, it’s important to know what you’re getting and what you’re paying for.  You should for instance figure out exactly what an editor would do. A structural editor should be paid more than a copyeditor.  He/she would also have a completely different background.  My structural editor is a friend with a professional history as an editor.

I wouldn’t trust someone I don’t know with that sort of thing, and if I needed to hire a total stranger, I’d interview him/her and then ask him/her to do a sample.

Of the people linked below (and if you’re a support professional feel free to send us a link to book plug Friday, I’ve worked with Patrick Richardson for copy editing (because his background is journalism, I prefer him for non-fiction, but he edited a novel for a friend, and he did a fine job,) Rune Wright for typesetting, Jason Dyck for proofing and Cedar Sanderson for cover design.  I can recommend all four of them.

So for typesetting and formatting: Rune Wright.  He has all the details on his website.

For Jason Dyck, we have an email address.  He was both affordable and prompt with proof-reading for me.

For Pat Richardson, we also have an email address. And I can recommend him for proof reading.

Cedar Sanderson is new, but comes from a graphic arts background and if you need a cover designed, her work is simply a cut above.  This is her website.

Then there is Barb Caffrey who has a testimonial from one of her clients. I’ve never worked with Barb, so I can’t personally recommend her.

And that’s it for now.  If you’re an indie publishing support professional, send us your info.

And I’m out of here. Below are links to some fine indie works, some of which might be by yours truly.  (If I remember if I can squeeze in this week, which I don’t, since I’m mid novel and don’t have a brain.)


Remember, tell all your writer friends [Pssst, Sarah!] to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

Deadlines are flexible, but in general the deadline for Friday is Tuesday the preceding week. So, for example, the deadline for March 7 was February 22.

That said, last week was a really big one, so some books are being put off until next week. Hey, we said the deadlines are flexible.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it’s on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


cover

After the Blast
By T. L. Knighton 

Jason wasn’t having a bad day, but all that changed with a blinding flash of light and a mushroom cloud on the horizon. Overweight and out of shape, Jason must struggle home, only to learn that finding his family would be more of a challenge.

Along the way, he transforms into someone different. Is he the kind of man that is the problem with this new world, or the kind of man this new world needs?


cover

An Elfy On The Loose
By Barb Caffrey 

He’s supposed to be the Watcher for his people, the representative on Earth from his dimension, but the small being known to his enemies as “Jonny-Wonny” wakes up to big trouble — trapped in a bizarre house in Knightsville, California with humans straight out of reality TV. Jon knows that something has gone dreadfully wrong — he’s starving, lonely and dressed in funny clothes.

Enter the couple’s ten-year-old diminutive daughter, who is “Not Daisy!” but is brilliant, sweet…and using high level magic with ease. She’s also desperately in need of a friend.

Insisting her name is really Sarah, and christening him Bruno, his new friend asks him how they’re going to get out of there.

The only thing that comes to mind is for Bruno to ask his teacher, Roberto the Wise, for help. But Roberto’s attempt at help only enmeshes all three of them further in a web of deceit and treachery. Bruno finds out that, unfortunately, most of what he thought he knew about himself was very wrong…and much of what Sarah knows about herself is also wrong, including her age.

Worst of all, a Dark Elf is on the scene and is intent on corrupting the local Humans, including Sarah’s parents.

New names, new locations, a new mission–Bruno is going to get to the bottom of all the craziness, and Sarah will be there for him every step of the way.

Watch out, universe–an Elfy is on the loose!


cover

In Time of Peril
By T.K. Naliaka 

Raised on the edge of chaos in West Africa, Christopher Decatur is back in America for college, leaving behind dunes, baobabs, and nomads. His history class embarks on a week-long American Revolution reenactment hiking trip near Lake Champlain, but the backwoods are no refuge from the dangers of the world as the group unexpectedly collides with a murderous and mysterious gang. As Chris faces an ordeal of deadly threats with uncooperative classmates in a high-stakes battle of wits and cultures against ruthless foes, Chris’s father Robert Decatur risks everything to rescue his son from the hands of evil. In Time of Peril launches The Decaturs adventure series, inspired by Louis L’Amour’s Sacketts.

Read bullet |

Free: 8 New Short Stories To Fire Up Your Imagination

Thursday, April 24th, 2014 - by Liberty Island

shutterstock_961624

Editor’s Note:  To learn more about the recently-launched new media publishing platform Liberty Island check out PJ Lifestyle’s ongoing series of author interviews and story excerpts. The first fifteen can be read in this collection here; the sixteenth, seventeenth, and eighteenth are herehere and here. Find out more about Liberty Island’s new writing contest here, running through the end of April. Please check out this interview Sarah Hoyt conducted with CEO Adam Bellow here to learn more: “It also has a unique mission: to serve as the platform and gathering-place for the new right-of-center counterculture.”

Here are links to eight new stories released this week across genres and styles: 

1. Karina Fabian: “Beautification Claws: From the Case Files of DragonEye, PI”

She stood on my doorstep wearing hot pink shorts and a blouse that looked like an art fair threw up. I almost breathed fire on her just to put her out of my misery. Nothing cures the aftermath of an ethanol binge like dragon-style pyrotechnics. But I played nice. After all, she might have a job for me, though with that artificially whitened smile, I doubted it. Her type didn’t have much use for dragon detectives.

2. Michael Sheldon: “Better than Fresh Apricots”

Two slender figures were approaching, each with a heavy canvas bundle–half her size and weight–strapped to her back. They were young, beautiful. The kind you expect to find shopping Fifth Avenue, not out here, alone, fishing in Grizzly Canyon.

3. Pierre Comtois: “There Are No Regrets in Skyview Towers”

Stoney Vander sighed as he gazed out over the towers of the aging Municiplex. It was an unusually clear day and he was not only able to see the massive foundations on which Skyview Tower and its neighbors had been built almost three centuries ago, but far in the distance, a hint of the green wild beyond, where civilization ended and unsupervised nature began. What was out there? Stoney wondered.

4. David Churchill Barrow: “A Soul Restored”

Color Sergeant Edmund Findlay Churchill, Company E, 18th Massachusetts, 3rd Brigade, 1st Division, V Corps, Army of the Potomac, was wondering why the hell the withdrawal from the battle lines had to be at 9:00 that night. He was tired — more bone weary than he’d been his whole life; and the last few years had been some life. It’s not like the march would be any big military secret. Everybody, up to and including the Johnnies, knew that they always pulled back behind some river to lick their wounds after taking a beating like that.

5. Ouisie: “GreenGro”

The Obama administration announced yesterday a series of sweeping regulations intended to improve the bottom lines of grocery stores and ensure the health of all Americans. The reforms are also widely expected to reduce the environmental impact of grocery stores and enhance multicultural awareness.

6. Paul Clayton: “2038: San Francisco Sojourn – The Wrath of God”

I never thought I’d meet God in person. Actually, I never thought much about him. Nobody did anymore, or mostly nobody. But one day it happened.

7. Mike Baron: “Free Gershwin”

Sully was on a Boy Scout camping trip in New Hampshire the first time he heard Rhapsody in Blue. It was after lights out, although the boys continued to giggle and pass a rubber rat from bag to bag. As they dropped off one by one into sleep, music floated in the rustic window from a counselor’s cabin, faint, mysterious, and overwhelming. Sully poked himself with his Boy Scout knife to stay awake for fifteen minutes after the performance, so he could learn the name of the piece.

8. Sabrina Chase: “Inscription”

I wish there were another way to do this. You didn’t have any warning and now I’ve changed your life, just by writing the words you are reading. Your situation won’t get much worse if you read the rest, though, so if you can do so without getting caught, I’ll try to explain. It might help you survive.

*****

image illustration via shutterstock / Linda Bucklin

Read bullet |

How NOT To Go Insane By Degrees

Friday, April 18th, 2014 - by Sarah Hoyt and Charlie Martin
She was warned.  But this indie writer couldn't keep from checking her figures and rank every five minutes!

She was warned. But this indie writer couldn’t keep from checking her figures and rank every five minutes!

No, no, no, this is not alluding to Glenn Reynold’s study of the education bubble.  What I’m talking about here are the various crazy making pitfalls that haunt the indie writer.

Mind you, it wasn’t all that easy to be a traditionally published author either.  This is Sarah, and I was traditionally published for over ten years before I first dipped toe into indie waters with a publishing company I control (Goldport Press) and the innards and numbers of which I could see moment to moment.

As … ah… interesting as my first publication experience was, I’m sure I must have driven my editor crazier than any other writer had driven her before.  I wanted to know moment to moment what they were doing to promote the book – turned out nothing, but she couldn’t tell me that, I guess – and also how the book was doing.  I don’t think she could tell me the latter if she wanted. Statements the traditional way involve some arcane sampling, a lot of relying on Nielsen’s, and, in the more scrupulously run places, a counting of what came in for which book. (In the big houses none of this is very accurate because the practices date back to the early century “estimated printruns” accounting.)

Anyway, they wouldn’t have any numbers for a good six months, maybe longer, and to ask for them must have driven the editor insane.

Fortunately in indie, at least with a company you control, or an editor who will put up with you asking often enough, there’s a lot of data coming in from the very first minute.

I discovered the fascination of checking my numbers when I first put up one of my backlist short stories. This is a short story whose rights had reverted to me, and I decided to see if it would sell – I forget what it was, but I THINK it was The Play and The Thing.

Anyway, I put it up, and started checking. Considering it made me $12 that first month, you may guess how slowly that ticker moved.  But I had to check and itemize the milestones.  “Ooh, ooh, first sale in England.”

Then I put up a lot more stories and there were still times of driving myself insane: for instance, when I had a freebie running, I kept checking to see how many I’d given away, and if it was budging the others at all.

It did make the other sales go up (I do put links to similar stories at the back of the book, mind.) Two years ago, from November through Jan. I was making $400 a month and kept checking to see it go up.

Then came the summer-of-sales-death, last year. Nothing moved. I mean, my income dipped down under $100 for a month.  And for a while there I thought it was going to be $12. I swear all the sales came in the last week.

Still, largely, I had it under control.  I made myself check only once a week.  Even then it was enough to worry me.  Take the month ONLY No Will but His sold until the twentieth.  I was wondering what the heck was wrong.

BUT as I say, I kept it under control.

Until this month, when I put out Witchfinder, my first indie novel.  And then the checking every hour or so started.

It’s been okay – with minor hiccups – save for… after the fifteenth.  Honestly, if I weren’t also selling used books via Amazon (mostly the kids’ old textbooks but also some specialized research I bought years ago and will never touch again) I’d think there was something wrong with my books.  But no.  The sales on the used books dipped even lower than the ebook ones, and I had my first day (in two weeks, granted) of no sales, yesterday.

My husband says this is known of every businessman for the two weeks after taxes.  Who knew?

So – in the interest of saving you from going as crazy as I am, here are some rules for indie mind-space management.

1-      Yes, you could suddenly sell 100 copies in the next ten minutes.  But there’s nothing you can do to make them do so, and if you sell them or not, the result is the same without you watching the numbers.  Try to limit yourself to say early morning and late at night.

2-      Stop trying to interpret patterns in your sales.  That’s like reading tea leaves but less coherent.  Why is it that as I was doing a big push on Witchfinder, I suddenly started selling my little how-to booklet May You Write Interesting Books all across the outlets?  Who knows?  Maybe people read Witchfinder and it was wonderful and they want books on how to do that?  OTOH maybe a writers group with 40 people, somewhere in Kansas (or online and all over the country) discovered the booklet.  This stuff happens.  At any rate, I can’t influence it.

3-      Why does the first book in a series sell very well, the next sells okay, and the third one sells not at all.  Death of A Musketeer is a good seller every month; The Musketeer’s Seamstress sells pretty well; The Musketeer’s Apprentice sells not at all.  This puzzle is made more complex by the fact that the fourth book, The Musketeer’s Inheritance, is selling like crazy.  Yes, The Musketeer’s Apprentice has a bad review (for the Berkley version.  There was some… interesting editing).  But surely people who trust me with the other books would give it a chance?  Or did I go nuts and have a spelling mistake on the cover?  (It wouldn’t be the first time.)  If it does, I can’t see it, so maybe it is the fact that online selling, because of the huge market place involved (all the world) slips the bonds of logic to an extent.  It partakes the mechanics of a sand pile.  There might be a reason that grain moved and not that other, but the calculations would be infinitely complex.  As for knowing how to start an avalanche of sales; if anyone knew how, the big companies would be doing it.  So, stop checking the numbers and go write.

4-      You are human.  I keep telling people this in hopes they’ll make me believe it. There will be mistakes.  Some typos will escape you.  For instance, I know there are five typos in Witchfinder because I’ve got that many lists with at least one valid typo.  The others (curiously, usually five, also) were only things people thought were typos.  (Guys, the subjunctive is not a typo.  Main publishing houses decided to eliminate it in copyediting about ten years ago because “it’s old fashioned.”  That’s like saying the possessive is old-fashioned.  It reads strange to you because you haven’t seen it, but this ex-English-teacher (ESL) begs you to look it up and reacquaint yourself with it.)  That many typos – and more – escape the big publishers.  Take a deep breath and stop cowering.  My worst snafu was when my glasses weren’t working and I missed a row of “ghost” text, (the title, misspelled and upside down) on my cover of Something Worse Hereafter.  (And yes, that cover is a crime against humanity or at least humanity’s eyes.  I’m redoing the old ones as I have time. It was all cutting edge at the time!) Oh, that was fun.  Also, no one said anything until a fan asked me what that meant.)  You know what, I survived it.  You are human, not a machine, and your errors are probably not worse than things big publishing houses have done.

5-      Not to say you should put stuff out and never look again.  One of the best things about indies is that we can be flexible and fast, like the English ships against the Armada.  Lacking formidable size, we have adaptability.  Keep your ear to the ground.  Form connections.  Learn if your cover style is out of date, or if your pricing has fallen out of sinc with trends.  Sometimes that’s all it takes to goose sales.  But don’t change your cover every day or your price every week.  Take a deep breath.  Set yourself a time, like every three months, and do it then.

6-      Write the next book.  Even if you are the best salesperson in the world, the best way to sell a book is to write the next one.  That way you have many more chances one of them will take off, and when it does, you might start an unstoppable avalanche of sales.  At least there will be a chance.  So, shut up and go write!


cover

Voyageur’s Cap
By Cedar Sanderson

Duty brought Lia to the backwater planet. Honor bound her to fulfill the promise she made to Daz before his death to see his daughter, Serene, safely away and enrolled at the Academy. Neither expected their trip to be interrupted by distress signals, abandoned ships and space pirates. A novella of a galaxy returned to the explorers after civilization has collapsed, again.


cover

Trophy Target
By Allen Mitchum

tro·phy ['trō-fē] tar·get [ˈtär-gət] – A uniquely high value individual captured and used by an enemy as leverage for political, military or other strategic purposes

Deep in the jungle of French Guiana, a once anonymous soldier of the French Foreign Legion mysteriously disappears. Days later, word reaches his younger brother, Prince Erik Rohde, second in line to the Danish throne. Doubting the government’s capabilities and questioning the Prime Minister’s sincerity, Erik turns to the world’s top mercenary, Fadi Khaldun, to rescue his brother.

Fadi Khaldun is a former assassin of the Saudi government determined to make amends for his malicious past. In his new life as a hired gun, clients contract Fadi to rescue hostages, avenge the deaths of loved ones and destroy terrorist and organized crime rings in the deadliest conflict zones on the planet. Now he embarks on his most high profile and dangerous job yet to rescue the crown prince of Denmark. From the jungles of South America to the mountains of South East Asia, Fadi meticulously hunts the prince’s kidnappers while enemies at the highest level of government conspire against him.


cover

BLED WHITE
By Barbara Morgenroth

Bled white by corrupt politicians, the country has bottomed out.

Each day is an effort to survive with the meager remnants of what’s left.

When Sophie Cook is found dazed after a brutal assault by local thugs, she is considered an outsider in the town she must now call home. Only with the help of Wolf Harndon, can she get by.

Life is hard, almost impossible. In Wolf, Sophie sees compassion. In Sophie, Wolf sees a future he didn’t believe existed.

Peace is a fantasy as long as the Russells continue their raids. Wolf is tasked with stopping them. That’s when the war begins and the losses start.

Wolf and Sophie have no idea that even with nothing, there is still so much to lose.

Can they survive?

Can their love survive?


cover

Predatory Kill: A Legal Thriller
By Kenneth Eade

A compelling legal novel by the best selling author of “An Involuntary Spy”. Brent Marks had paid his dues as a lawyer, having taken his share of divorces and drunk driving cases over his 20 year career, but had finally reached a place in his life where he could take on cases of social importance. What he least expected was for April Marsh’s predatory lending case against the big banks for wrongful foreclosure on her parent’s home to turn into a murder investigation. April’s mother was murdered. Her father was beaten within an inch of his life, and she believes their predatory lender is to blame. Are banks really that above the law?


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

Deadlines are flexible, but in general the deadline for Friday is Tuesday the preceding week. So, for example, the deadline for March 7 was February 22.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it’s on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.

Read bullet |

Witchfinder: How to Use Your Blog to Write a Novel

Friday, April 4th, 2014 - by Sarah Hoyt and Charlie Martin
It's the day before the launch and I'm biting my nails.

It’s the day before the launch and I’m biting my nails.

Hi this is Sarah. The ever excellent Kristine Kathryn Rusch did a post this Tuesday about the element of surprise. She says – and I believe her – that it’s an excellent way to catch reader’s attention and to get sales you might otherwise not have gotten.

I think she is right, but the surprise I gave to those who follow my group writing blog at Mad Genius Club this week was quite unintentional.

You see, I’m releasing my very first indie novel on Saturday the 5th. No, I’m not leaving Baen, and I hope they’re not firing me any year soon. This novel is not quite a Baen novel and it was also part of an experiment: I wrote it over a year and a half, a chapter a week on my blog.

When it started, I’ll confess that all I wanted to do was avoid having to think up a topic for posts on Friday, since it’s my cleaning day and I usually wake up groggy and grouchy at the prospect of dealing with cat boxes. A chapter in a continuing saga is often easier than thinking up something to astound the world every single day of the week. (Okay, I didn’t say it did astound the world. Only that this is what I aim for.)

So I started writing it, and I promised those who contributed $6 to the novel fund that I would send them the ebook format of their choice for the final collated product. That’s how it started. Next thing I knew I’d made what used to be a standard advance for a beginner in my field – five thousand dollars. (Now it’s three thousand dollars. Good thing that inflation is going backwards for us writers!)

This put it on a different footing than “blog filler.” I decided I would revise it – once it was all done – and give it a professional level cover, professional level editing (after all, it had “paid” for this) and release it as well as I could.

Turns out there were many detours on the way. For instance, three of the artists sort of disappeared, and the fourth delivered a cover that wasn’t quite right for the book. So I had to figure out another cover, which involved a bit of improvisation. My editor used a program that didn’t speak to my program, so before I could access his edits, I panicked and sent it to two other editors. Then I got the flu just before I started the final work on the book.

Even now, things aren’t quite as planned. I planned a paper/ebook release at the same time, but the book is about 50% larger than anything I’ve previously typeset, and requires different margins and gutter. At the moment I’m fighting it. When I set the book for release tomorrow, I will – if I can – set up the paperback for pre-order. Unless I can’t figure out how, in which case, rest assured it will be coming out in about two weeks.

Anyway – my post at Mad Genius Club betrayed my nervousness at the whole process… And it shocked my readers who are indie-published themselves. One asked me if I got this nervous when a traditional book is published. Another asked why, after 23 (I think, I haven’t counted lately) novels, I’d be getting nervous about THIS one.

Well – because it’s indie.

The good thing about indie is that it’s all my responsibility. By which I mean, I don’t have to stand by helplessly while someone else overlooks something obvious or neglects some clear step on the way to the launch, as happened with, say, the third one of my musketeer mysteries. (The cover of the third was too similar to the first, so you know… since they came out three months apart, people got confused.) You don’t have to worry that your book will be given an awful cover. You certainly don’t have to worry that the blurb put on it will be completely insane.

… on the other hand…

The bad thing about indie is that it’s all my responsibility. In the past, while bringing out my backlist or short stories, I’ve found I’m a long way from infallible.

Because the indie publishing is a part time job and usually undertaken at night or on weekends after a full week of writing, strange things happen. I’ve had covers go up with a “ghost” of the title – misspelled at that – showing on the bottom. (I was overdue on my glasses prescription and missed it until a reader asked me what it meant.) I’ve had books go up that had appalling mistakes, because I uploaded the wrong file. I’ve had books go up and fail to sell a single copy.

(These were, fortunately, so far, short stories.)

I’m going to try very hard not to do this with Witchfinder. On the other hand, it wouldn’t be the first time I invent a completely new mistake to make. In fact, you could say that’s pretty much my pattern.

I could put Witchfinder up and find out I put up the wrong file. Or the wrong cover. Or that I forgot the copyright notice. Or that I set copyright in 2114. (Laugh. I did that with one of the reprints.)

Or I could put it up and – despite the fact that the first readers and early subscribers are raving about it – I could discover that everyone else hates it.

I used to think it was bad enough to submit my book to the editor and get it rejected. What if I put the book up, now, and the whole world rejects it? Even worse – what if not a single copy sells?

Wish me luck. I’ll be in the corner, biting my nails.

[Good luck! --C]


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

Deadlines are flexible, but in general the deadline for Friday is Tuesday the preceding week. So, for example, the deadline for March 7 was February 22.

That said, last week was a really big one, so some books are being put off until next week. Hey, we said the deadlines are flexible.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it’s on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


cover

Astronomical Odds
Edited by Juliana Rew

A new collection of science fiction stories with a mathematical twist.


cover

Pandora’s Memories
By AUTHOR

December 1943. Adolf Hitler is dead. Queen Elizabeth II reigns on the Commonwealth throne while a usurper sympathetic to the Nazis inhabits Buckingham Palace. Having turned aside the Soviet Union’s initial assault into the Greater Reich, the Wehrmacht is now stymied at the gates of Moscow. With the Red Air Force bloodied, the Kremlin under steady blows from the Luftwaffe, and Joseph Stalin comatose, the desperate Soviet Triumvirate turns to the United States in a plea for aid against the mutual Nazi foe. Indifferently equipped, the young men of the American Air Expeditionary Force (AAEF) are thrown into action in order to keep the Soviet Union in the war.

December 1965. Tabitha Cobb, a Masters student at Berkley University, sets out to learn the truth about the AAEF and the scars it left on its survivors. Attempting to earn a scholarship, Tabitha quickly learns that sometimes ignorance truly is bliss.

“Pandora’s Memories” is an alternate history short story that is the first in the Usurper’s War series.


cover

Stolen Lives
By G.K. Masterson

Who are you, really? Who would you be if your memories, your identity, and your life were taken away from you, leaving you a bare, blank slate?

Matt Tyler no longer remembers who he was. His life prior to waking up at the Farm might well have never been lived. Was he married? Did he have children? And what of these strange dreams he has? Gwen Marshall no longer recalls her life but she knows that something is missing. She struggles to regain her memories and her identity, determined to fight her way free of the haze — even if it kills her. Together, Matt and Gwen make their way through this strange, new world, following their dreams and the vague hints that offer tantalizing glimpses of who they were and who they might become…


cover

Dragontamer’s Daughters, Part 1: Pearl
By Kenton Kilgore

It is the unforgiving high desert of an alternate Old West, where the native people defend their lands with dragons very different from the fire-breathing monsters of our legends. Where sisters Isabella and Alijandra scratch out a meager life with their exiled parents.

Into their lives comes a small, injured dragon from far away. While caring for it, the girls discover its strange and terrifying powers—and learn that the hunt for their father, an outlawed former dragontamer, has intensified. At the same time, the dragon grows more and more compelled to complete the mysterious journey that brought her to these lonely lands.


cover

Dragontamer’s Daughters, Part 2: Stormcaller
By Kenton Kilgore

The story of the dragontamer’s daughters continues. After finding and tending a small, injured dragon, sisters Isabella and Alijandra try to keep “Pearl,” as they call her, a secret. But others find out, and want Pearl—and her powers—for their own purposes.

Soon, the girls will be forced to contend with the native people on whose lands they live. With the ambitious governor whose soldiers hunt their father. With a man who has no name but wields immense, eerie powers. With Pearl’s yearning to fulfill her journey. And with their own dreams and wishes for a life they once lived—and might live again.


cover

Perchance to Dream
By Cyn Bagley

Kat Igardson is a visionary, a psychic, and a protector, but doesn’t gain her hereditary powers until the death of her Grandma. Daisy Amulda, a black witch, is stripped of her power by her father. These two unlikely women become allies to fight an evil that corrupts and taints Earth and its innocents.

Read bullet |

I Read Dead People

Friday, March 28th, 2014 - by Sarah Hoyt and Charlie Martin
It came from the bookstore, and it wants your sales!

It came from the bookstore, and it wants your sales!

They’re dead. And they outsell you.

This is Sarah. Lately I’ve been culling my used books. That is, the books on my shelves that I need to get rid of if we ever (let alone this year, which we’d like to, though I’ll admit is not looking likely) are to move.

Several things have changed, since the last time I’ve done this 21 years ago when moving from Columbia, South Carolina, to Colorado.  First of all my son, who had to be put in a playpen to keep him from running around while I sorted books and teething on the Agatha Christies is now 22 and is helping me enter stuff for sale on Amazon.  Second, we’re getting rid of way more books, proportionally.  (In total too, since it’s a 21 year accumulation instead of seven.)

We’re getting rid of almost everything except my research books (I can’t do research on the kindle.  It simply won’t work.) signed books by friends, books which aren’t available in e-format (Brother Cadfael, at least last I checked) and books which I’m likely to re-read at least once a year (so, all of Heinlein.)

I’m picking up every book and going “justify your existence to me, in this format.”  Because… in 21 years the world has changed and the ability to read on the kindle paper white means I don’t have to have bookcases in every room and the attic and basement filled with boxes. I can carry my reading needs with me wherever I go. Even the research books are getting culled. I’m now fairly sure I will never write anything set during the Russian revolution, for instance. I just don’t like the period enough.

Anyway, so as we’re culling these books and putting them up on Amazon, my son first noticed something: some of the old writers still fetch a good price, even though you’d think the world would be flooded with their books: Agatha Christie, Heinlein, Arthur C. Clarke.

Then I started noticing other patterns. It’s gotten to the point if a book has a gorgeous cover and obviously got lots of publisher push, I know the hard cover, used, five years later, will be selling for one cent. OTOH you come across these books that look like they were thrown together with a clip art cover by an illiterate intern, and the paperback goes for $70 a copy.

The latter was a sign of how out of touch with what customers really wanted publishing got to be in the last few decades.  They printed some books way too tight, thereby making their copies precious, while they pushed books that really had no market.

On the other hand, if you look at how the greats of the past and how they’re selling, it proves that there is a deep market just waiting to happen.

It is a sobering notion that I’m being outsold — massively outsold as my indie sales this month were painful — by a bunch of dead people.  But it is also an incentive to try harder.

The good thing about indie is that all your sales depend on you. That’s the bad thing too of course.  but over all, I’m glad of it.  My own failures is something I can deal with. Other people’s are out of my control.


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

Deadlines are flexible, but in general the deadline for Friday is Tuesday the preceding week. So, for example, the deadline for March 7 was February 22.

That said, last week was a really big one, so some books are being put off until next week. Hey, we said the deadlines are flexible.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it’s on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


cover

Cat’s Paw
By Robert A Hoyt

The Mountain at The End Of The World upon which a bird sharpens its beak is down to where one more beak-wipe will eliminate it, and thus bring about the end of the universe. The only ones who can save us are… a bunch of stray cats.


Pager
By Gerry Garibaldi

Does romance have a future? It’s the year 2165, and one man thinks so… As a pager, Peter Mandrin’s job is to track things down – criminals, shipments, missing transports, anything that turns a profit – and he’s just sacked the catch of a lifetime, infamous embezzler Roger Finlay. As a reward Mandrin wins Finlay’s vintage 1960’s four bedroom, ranch-style house, complete with sports court and old-fashioned swimming pool, on the most expensive planet in the universe, Earth. From low-life pager, he’s hit the sweet, sweet big-time. In Pager two hundred years have passed and a hostile, canyon-like divide has developed between men and women. Marriage is an arcane word, mutual suspicion abounds, and Wallys (artificial life) fill in the emotional void. Up to now, it’s just been Peter and his insouciant, sexy Wally, Debris, the replicant woman of his dreams. That is, until he meets the real woman who lives next door, the mysterious Wendy Roseland. In Wendy, Peter discovers that the human touch and passions it arouses are greater than anything he imagined. Unlike Debris, it’s Wendy imperfections that beguile him the most. In her arms, he suddenly feels the ticking clock of his own mortality — and it frightens him. He wants to be with her forever. When Wendy suddenly flees the planet, Peter does what he does best: tracks down the truth behind her disappearance.


cover

Hubris:The Azdhagi Reborn
By Alma T.C. Boykin

What price empire?

A genetics research team promised they could make the Azdhagi endothermic, larger, and perhaps telepathic. All they needed was permission to modify two little genes. But remaking the species triggered a crisis no one could have imagined, when genetic modification collided with greed and a touch of madness. As a generation of juniors begins dying, long-simmering disputes within the Azdhag Pack boil into near civil war. King Emperor Seetoh needs all his strength to hold the Empire together. Can Lords Tarkeela and Kirlin set aside their fight long enough to help reunify the Pack?

When disaster strikes, OutClan and PackLord must hunt together or the Azdhagi will perish.

A novel, set 400 years before A Cat Among Dragons.


Sufficient Ransom: A Novel
By Sylvia Sarno

Ever wonder what it feels like to have it all—family, career, health, money—and not be happy? Ann Olson takes her life for granted until her young son, Travis, disappears from the backyard one evening. Searching for her son, Ann throws caution to the wind. Soon, she finds herself enmeshed in the seedy world of Mexican drug dealers who operate just across the border in Tijuana. Does Ann, an atheist, embrace Christianity despite her husband warning that her pastor friend is more interested in converting her than in finding Travis? Does she make it out of the drug tunnel alive, or is her rashness her downfall? And is Travis’s disappearance related to that of other recently missing children in San Diego? A story of a mother’s love, courage in the face of evil, and her unexpected journey of self-discovery along the way.


cover

The Musketeer’s Apprentice
By Sarah A. Hoyt (writing as Sarah D’Almeida)

It’s August in Paris 1625 and Porthos, once a dancing and fencing master, has taken as apprentice a young nobleman, whom he’s teaching to fence and ride. When the young man dies, poisoned, the stories of his ancestry and domicile unravel into layer after layer of deception and blackmail, involving Porthos’s relatives and his own past.

Can Porthos, Athos, Aramis and D’Artagnan dodge the Cardinal’s guards while finding the real murderer? Who was Guillaume Jaucourt, and who could have killed him? And why?

It’s one for all and all for one with the swashbuckling sleuths, in a race against time and their own misgivings.

Read bullet |

I Have No Arms, and I Must Type

Friday, March 21st, 2014 - by Sarah Hoyt and Charlie Martin
It's a metaphor for the writer's existence!

It’s a metaphor for the writer’s existence!

Hi, this is Sarah, and today we’re going to talk about Lloyd Biggle, Jr. Or, more particularly we’re going to talk about one of Lloyd Biggle, Jr’s books, The Still, Small Voice of Trumpets. There will be some spoilers, but the point of something like The Still, Small Voice of Trumpets is not the solution, but the execution.

It was always one of my favorite space operas, and then about five years ago, I started to get the impression it was more than that.

Back when I was in a writers’ group, one of our friends, Alan Lickiss, used to start his comments on every story, no matter how silly, with “Well, I thought it was a metaphor for the human existence.” No, he didn’t actually think that, it had just become a running gag and it made people nervous about getting a critique laugh.

Well, more and more, up till a few years ago, I got the impression that The Still, Small Voice of Trumpets was a metaphor of the writer existence specifically as it existed at the close of the twentieth century and the first decade of the twenty first.

The novel’s main character is a diplomatic envoy, or perhaps a diplomatic operative. Earth at the time encourages democracy, but doesn’t impose it from outside. In fact, the motto of the department is “Democracy imposed from the outside is the worst of tyrannies.”

So these people go in and are supposed to ease things so the prospective colony wants democracy.

The planet our hero finds himself in has a culture (the people are essentially humans) so starved for beauty and art that they’ll risk their lives to get them.

The harpers who play before the king are the most highly respected artists, each with an adoring fandom. But the king is mad. The punishment for crimes in this world is to have your arm cut off. Periodically for no reason at all, he has one of these man mutilated and become pariahs, like other criminals, living in “camps of armless.”

They can no longer play and therefore cannot reach their adoring fandom. And since by custom the armless don’t exist, these men are the living dead.

If you’re not following along with the similarity, until two, three years ago, this is what happened to writers. Suddenly one of the mad kings of the NYC establishment, determined you must be thrown out of the field. Perhaps you really didn’t sell very well, but in the cases I know nine times out of ten the cover was horrible, or they failed to print enough books, or no one pushed them. But when you didn’t sell the fault was yours. The lightest punishment might be that you got told you couldn’t work in that field/series/subgenre anymore. This is how I ended up with a string of names and different series. Sometimes, they just shut their ranks against you. And some of these were inexplicable. For instance, not only did my friend Rebecca Lickiss’s second book, Never After undergo three printings, but it was an SF book club alternate selection. But her multiple proposals were all rejected by the house, and no one else picked her up. I have theories, but mostly it’s the act of a mad king.

If you stayed on, you had perhaps the hardest time. When people told you they’d just discovered your first series, ten years after it had gone out of print and asked why you weren’t writing more, you couldn’t say “The house dropped it on the floor and then refused to buy more.” You had to smile and say “Well, I just didn’t want to write it anymore.” And accept the anger from the fan.

And sometimes, you just disappeared. And you were so embarrassed, you stopped going to conventions or interacting with the fans, and people thought you’d died or had stopped writing.

In The Still, Small Voice of Trumpets, the main character finds a way to bring those dispossessed, mutilated men to the attention of their fans again.

And indie is doing that for writers, now.

My friend, Cedar Sanderson went to her first convention as a professional this last weekend, and there she met Christopher Stasheff, whom many of us thought was dead or had stopped writing. (The two often being indistinguishable for writers, themselves.)

She interviewed him for a post in my blog last Monday. You might want to read the full interview. This is how Cedar met him, and what she found out:

I did a doubletake, then caught my First Reader, who was serving as my escort, and brought him back to where the gentleman was now standing looking at the table of bookmarks and promotional goodies. It was Christopher Stasheff, who I knew was my First Reader’s favorite fantasy author, and neither of us had any idea he would be at the convention. Nor, as it turns out, had the concom; he had decided to attend with his son on the spur of the moment. We chatted briefly, and after I got home and was talking online about meeting this living legend, I came up with the idea of asking him for an interview.

You see, while we were chatting that first time, he had responded to my question of “are you still writing?” with “yes, but no one is buying.” He went on to tell us that his son has set up a website for him  and they are beginning to release both his recent work, in snippets, and past work which has reverted to him.

Below, I know there will be links to Christopher Stasheff’s books. Buy one. Or two. Or three. I remember him as one of the best fantasy writers. For a long time, he was in exile, unable to reach his readers.

Now he and others are making their way out of the camps of the mutilated.

Think of your favorite writers, the ones who disappeared, and you don’t know if they’re living or dead. Maybe we should make a list of the disappeared and call them back to their fans. Because indie will let them return and reach us. This field was never about the intercession of a gate keeper. It was always about the relationship of the artist and a public who loves his/her art.

And now mad kings can’t keep us away from the fans anymore.

Hark, do you hear the call of indie? It’s the still, small voice of freedom.


[Charlie now.] I want to second Sarah’s recommendation for Chris Stasheff’s books. I honestly thought I’d read he had died, so I’m pleased to be wrong. (And how often do you see me write that?)

The thing is, he’s got lots of books. So here’s what I’m gonna do: I’m going to link four of his books instead of the usual two per author, and mix them into the others. Remember Rule 10: The whim of the editors is law, even with respect to the preceding rules. But I’m also going to strongly suggest you visit Chris’s Amazon Author’s Page for more books and more information.


Remember, tell all your writer friends to send the AUTHOR, TITLE, a SHORT BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK to book.plug.friday@gmail.com to be plugged here on PJ Media.

Deadlines are flexible, but in general the deadline for Friday is Tuesday the preceding week. So, for example, the deadline for March 7 was February 22.

That said, last week was a really big one, so some books are being put off until next week. Hey, we said the deadlines are flexible.

It really helps if you don’t bother with HTML magic at all, because we just have to parse it apart to put it into the template. The ideal submission is like

TITLE

My Book

AUTHOR

My name as it’s on the book cover.

AMAZON LINK

http://www.amazon.com/My-Book-By-Me/dp/B00ABCDEFG/

BLURB

no more than about 100 words.


cover

The Warlock in Spite of Himself
By Christopher Stasheff

Rod Gallowglass is a man of science who does not believe in magic. ** Gramarye is a world of witches and warlocks. Of strange abilities and phenomena. A world where society mirrors Earth’s own Middle Ages, and a world headed for doom. **

Rod Gallowglass must become a part of the local fabric to save the world from both itself and external forces that threaten its existence. But to do so, he must put aside his own convictions and beliefs, and become a warlock, in spite of himself. **

A grand adventure mixing science fi ction with elements of fantasy, this is the book that launched a whole series (fourteen books and counting).


cover

The Grey Man- Vignettes
By JL Curtis

John Cronin is a Texas rancher and lawman, a decorated Vietnam vet with connections to law enforcement agencies all around the world. Whether it’s a sniper competition or teaching the feds a thing or two about police work, Cronin doesn’t hesitate to pull the trigger. Of course, this slow-talking lawman’s biggest challenge yet might be when his granddaughter Jesse falls in love with a Marine. When drug smugglers stir up trouble in Cronin’s backyard and try to kill Jesse and her new beau, all hell breaks loose, and Cronin and his granddaughter are just the people to set things right.


cover

Her Majesty’s Wizard
By Christopher Stasheff

This 25th anniversary eBook edition of this classic story includes a new introduction by the author and new cover art by Anne Maria Brant!

Matt didn’t know the scrap of parchment was a trap. So he read the runes – and found himself on a world where reciting poetry verses worked magic. His first effort got him locked in a dungeon by the evil sorcerer Malingo. Trying for light, he brought forth a fire-breathing, drunken dragon, who told him Princess Alisande, rightful ruler of Merovence, was also held in the dungeon.

Naturally, he had to free her, himself, and the dragon, using poetry lifted from Shakespeare. And because she was young and beautiful, he swore to serve as her wizard. Then he learned that his job as wizard was to fix it so the three of them could overcome all the dark magic and armies of Malingo!

The addition to the party of a lust-witch and a priest who became a werewolf now and then didn’t seem much help. Matt figured he had got himself into quite a predicament.

For once, he was right!


cover

Bound into the Blood, Book 4 of The Hounds of Annwn
By Karen Myers

Book 4 of The Hounds of Annwn.

DISTURBING THE FAMILY SECRETS COULD BRING RUIN TO EVERYTHING HE’S WORKED SO HARD TO BUILD.

George Talbot Traherne, the human huntsman for the Wild Hunt, is preparing for the birth of his child by exploring the family papers about his parents and their deaths. When his improved relationship with his patron, the antlered god Cernunnos, is jeopardized by an unexpected opposition, he finds he must choose between loyalty to family and loyalty to a god.

He discovers he doesn’t know either of them as well as he thought he did. His search for answers takes him to the human world with unsuitable companions.

How will he keep a rock-wight safe from detection, or even teach her the rules of the road? And what will he awaken in the process, bringing disaster back to his family on his own doorstep? What if his loyalty is misplaced? What will be the price of his mistakes?

http://www.amazon.com/Bound-into-Blood-Virginian-Elfland-ebook/dp/B00IPY38Q6/


cover

A Wizard in Bedlam
By Christopher Stasheff

The rebel slaves need a leader. Even if he’s a wizard. Even if he’s dead…

The revolutionary DeCade died generations ago, leading the last great revolt of the planet Melange’s churls against their despotic feudal masters. His staff and bones were broken and lost; only his songs remain.

The churl Dulain joined the Resistance in his youth – an exile Resistance, devoted to readying the churls for their next great attempt at freedom. Now that moment finally nears. Back on Melange for the first time in years, Dulain must now hasten that revolt… or die.

The Giant Gar is the mysterious stranger whom no one knows, a power greater than he seems. More powerful, perhaps, than churls, masters, or even the Resistance…

This ebook edition contains new cover art by Margaret Miller and Ashley Cser, and an introduction by the author!


cover

The Dragonslayers, Volume 1: The Righteous and the Lawless
By Matthew Maynard

A clerical error. A loss. An opportunity. A hope. A pursuit…

When Scott Philipson loses his parents to a no-knock drug raid on the wrong house, he turns in desperation to selling marijuana to make ends meet. He gets plenty of help from his girlfriend Carley, but can he evade the grasp of Officer William Cavanaugh? The stakes rise when a doctor approaches him with an offer he shouldn’t refuse…

(Note: Matthew Maynard will be signing copies at the Virginia Festival of the Book Annual Book Fair in Charlottesville, VA on March 22nd.)


cover

Mind Out of Time
By Christopher Stasheff

Angus McAran, born brilliant but deformed, had as little use for other people as they had for him. Until the day he met the Neanderthal… and discovered that he had destiny, one he wasn’t sure he wanted. This is the origin story of Doc Angus and his time traveling organization, GRIPE.


cover

The Bookworm Returns: Life in Obama’s America:
By The Bookworm

In 2008, President Barack Obama promised that he would fundamentally transform America — and that’s one of the few promises he’s kept. In a series of clear, elegant, witty essays, Bookworm looks at the changes in American society since Obama became president. These changes have seen America become a poorer, less safe, less free, more racially-charged nation, adrift in a world that, without America as both protector and anchor, is also become increasingly poor and dangerous.


cover

Strangelets with a Side of Grilled Spam: Season One (The Strangelets Series)
By Michael Angel

After the original short story spent 21 months on the Top 100 Lists, Strangelets with a Side of Grilled Spam: Season One takes us through the entire post-apocalyptic saga.

Pursued by packs of deadly ‘steelies’, Lieutenant Shane MacWilliams and his Humvee crew journey through an America shattered by an alien invasion.

Things look grim…until MacWilliams comes across something that could turn the tide. It falls to him and his crew to get the word out across a land choked with post-apocalyptic wreckage and teeming with deadly alien monsters.

Their journey is blocked by steelie hunter-killers, vision-shrouding sand storms, and nightmare plains turned to radioactive slag by nuclear fallout.

And at the end looms their final confrontation with a horde of aliens set to wipe out the human species!


cover

The Thank You Angel
By Ann Trenton

A little girl learns about the joy of saying “Thank You” from her grandmother and the Thank You Angel.

Read bullet |