WARNING: this post contains plot spoilers! If you haven’t seen Big Hero 6, go watch it – RIGHT NOW! – and then come back to read this.
I recently watched Disney’s latest Oscar-winning animated feature Big Hero 6 for the first (and second) time. I loved the film so much that I watched it twice in less than 24 hours. The story of Hiro Hamada, his robot buddy Baymax, and their college pals who become unwitting superheroes surprised me in so many ways that I believe Big Hero 6 deserves a place among the classics of Disney animation, and here are a few reasons why.
5. Big Hero 6 contains some of the most appealing characters Disney has introduced in a long time.
Over nearly a century, Disney has brought us some memorable and wonderful characters, and though the Big Hero 6 originated in the Marvel universe, the characters in the film Big Hero 6 wind up being some of the best Disney characters in recent memory.
Hiro takes many character tropes – the young teen, the plucky orphan, the prodigious genius – and overcomes them with his sense of wonder at the world around him. Tadashi’s selfless nature manifests itself beautifully in his love for his brother, and Aunt Cass is both high-strung and grounded as guardian of her nephews.
Hiro and Tadashi’s friends are terrific characters in their own right. Go-Go counters her surface misanthropy by revealing her heart at just the right times, while Honey Lemon breaks through a vapid exterior with intellect and concern for others. Wasabi’s quirky neuroses belie a maturity that drives him, while Fred proves he’s more than just an apparent stoner ne’er-do-well.
And then there’s Baymax, my personal favorite. His robotic deadpan turns out to be the perfect delivery for some of the movie’s best lines (what he mines from a simple “oh no” is worth its weight in gold). Baymax proves that artificial intelligence can generate genuine heart.
4. The self-esteem message in Big Hero 6 contains more substance than anything else in our culture today.
Nowadays pop culture tends to send the same message to young people – embrace your weirdness, let your freak flag fly. It seems like films, music, and television tell our kids that unless they’re an oddball in some way they’ll never fit it.
Big Hero 6 conveys a self-esteem message that runs counter to current pop culture: the notion that everyone has talents and ways that they can make the world a better place. Sure, the Big Hero 6 are weird, but their value lies not in embracing their weirdness but in the skills and knowledge they possess (or, to paraphrase Tadashi, their big brains). That’s a message that carries more substance than the freak flag ever will.
3. Big Hero 6 appeals to boys better than most of Disney’s prior attempts.
Let’s face it: Disney’s animated output has been princess-centric since the beginning, and it seems like the studio has upped the ante since discovering the princesses’ marketing power a few years back. Disney has attempted to appeal directly to boys over the years, but for various reasons, those attempts haven’t really stuck long term.
As wonderful as The Sword In The Stone is, it has never ranked among the classics with long-term staying power. The Black Cauldron? Nope, too dark. Unfortunately, Aladdin has had to suffer the “Princess Movie” label, despite the fact that the protagonist and titular character is a guy. The Lion King is one of the rare Disney “boy movies” that rank among the classics, and I firmly believe Big Hero 6 will join that short list.
Big Hero 6 is the total package for a guy’s movie: edge-of-the-seat action, high and low comedy, and a heroes-versus-villains tension (even if the villain’s evil is driven by family revenge). The movie balances these elements with the right amount of heart, as well as including sly jokes that parents can laugh along with. I feel strongly that the film has the kind of staying power that will resist changing trends and attitudes, despite it’s current cutting-edge style.
2. There are elements of countercultural conservatism in Big Hero 6.
Whether the filmmakers intended them or not, we can find threads in Big Hero 6 that suggest countercultural conservative themes. I’ve already discussed the unique (and positive) message of self-esteem we see in the film. We also see evidence of the value of hard work and perseverance when Baymax shows Hiro the footage of Tadashi working on his prized robot.
In spite of his off-the-charts intelligence (the kid graduated high school at 13, for crying out loud!), Hiro must work hard to produce a unique invention to ensure his admission into the San Fransokyo Institute of Technology’s robotics program. He even receives in invitation to work with the billionaire industrialist Alistair Krei as a result of his presentation.
The most interesting countercultural conservative thread runs through the villain story. When Alistair Krei approaches Hiro after his robotics presentation, the earnest Professor Callaghan decries Krei as a selfish robber baron. Yet the villain turns out to be Callaghan, and Krei is his target. It’s also worth noting that, with Krei’s obvious success, his major failure is the government-sponsored teleportation project.
1. Big Hero 6 conveys a message about innovation that would make Walt himself proud.
One underlying – and possibly intentional – lesson from Big Hero 6 has to do with innovation, and the movie delivers it in a way that would make Walt and his inner circle proud.
For starters, the competition which results in Hiro’s admission to SFIT is one where prospective students seek to create truly innovative robotics applications, and Hiro wins over both Krei and Professor Callaghan with his microbots. But the kicker is Tadashi’s encouragment to Hiro which leads to his invention of the microbots.
When Hiro hits a dead end in coming up with ideas for the competition, Tadashi gives his younger brother advice in an unusual way:
Tadashi: Hey, I’m not giving up on you.
[Tadashi grabs Hiro by the ankles and hangs him upside-down over his shoulders. He begins jumping around the room, with Hiro flopping behind him.]
Hiro: Ahhǃ What are you doing?
Tadashi: Shake things up! Use that big brain of yours to think your way out!
Tadashi: Look for a new angle.
[Hiro groans and decides to humor Tadashi. He looks around the room from a new angle and spots Megabot. He gets an idea.]
Tadashi’s advice would make Walt proud and even reads like a page out of The Imagineering Way. Hiro dishes it out when the team runs up against trouble in their battle against Callaghan. He tells the team, “Listen up! Use those big brains of yours to think your way around the problem! Look for a new angle!”
And while we’re at it, let’s consider the coolest innovation of all – Baymax. Tadashi set out to help people, and in doing so he created the ultimate innovation in health care, one that didn’t require massive federal bureaucracy.
I’m telling you, Walt would be proud.
Please join the discussion on Twitter. The essay above is the twelfth in volume 2 of the cultural discussions between the writers of PJ Lifestyle and Liberty Island exploring the history of counter-cultures, the future of conservatism and the role of new, emerging counter-cultures in restoring American exceptionalism. Want to contribute? Check out the articles below, reach out, and lets brainstorm: @DaveSwindle
- Frank J. Fleming on February 26, 2015: What Is the Future of Government? Why It Won’t Look Like Star Trek
- Aaron C. Smith on February 26, 2015: What Is the Future of Superheroes? Why They Need To Start Killing Super-Villains
- Mark Ellis on February 26, 2016: What Is the Future of Gen-X Manhood? Adam Carolla Vs Chuck Palahniuk?
- David S. Bernstein on February 26, 2015: What is the Future of Fiction? You’ll Be Shocked Who’s Fighting the New Conservative Counter-Culture
- Aaron C. Smith on March 2, 2015: The House Loses: Why Season 3 of House of Cards Utterly Disappoints
- Michael Walsh on March 2: What the Left Doesn’t Get About Robert A. Heinlein
- Frank J. Fleming on March 3: 8 Frank Rules For How Not to Tweet
- Susan L.M. Goldberg on March 4: 7 Reasons Why Backstrom Is Perfect Counter-Culture Conservative TV
- Frank J. Fleming on March 5: What Is the Future of Religion?
- Aaron C. Smith on March 5: The Future of Religion: Why Judeo-Christian Values Are More Important Than Science
- Spencer Klavan on March 5: Not Religion’s Future: ISIS and the Art of Destruction
See the first volume of articles from 2014 and January and February 2015 below:
2014 – Starting the Discussion…
- Sarah Hoyt, March 22 2014: Interview: Adam Bellow Unveils New Media Publishing Platform Liberty Island
- David S. Bernstein, June 20 2014: What Is Liberty Island?
- Adam Bellow at National Review, June 30 2014 kicking off the discussion: Let Your Right Brain Run Free
- Dave Swindle on September 7, 2014: Why Culture Warriors Should Understand the 10 Astounding Eras of Disney Animation’s Evolution
- Dave Swindle on September 9, 2014: The 50 Greatest Counter-Culture Films of All Time, Part I
- Dave Swindle on September 19, 2014: The 50 Greatest Counter-Culture Films of All Time, Part II
- David S. Bernstein on November 19, 2014: 5 Leaders of the New Conservative Counter-Culture
- Liberty Island on November 22nd, 2014: A Unique Team of 33 Creative Writers
- Dave Swindle on November 25, 2014: 7 Reasons Why Thanksgiving Will Be My Last Day on Facebook
- Kathy Shaidle on November 25, 2014: Is America Overdue for a Satanic Revival? (Part One)
- Dave Swindle on December 2, 2014: My Growing List of 65 Read-ALL-Their-Books Authors
- Kathy Shaidle on December 3, 2014: Is America Overdue for a Satanic Revival? (Part Two)
- Mark Elllis on December 9, 2014: Ozzy Osbourne and the Conservative Tent: Is He In?
- Aaron C. Smith on December 22, 2014: The Villains You Choose
January 2015 – Volume I
- Paula Bolyard on January 1, 2015: 7 New Year’s Resolutions for Conservatives
- Susan L.M. Goldberg on January 1, 2015: The Plan to Take Back Feminism in 2015
- Kathy Shaidle on January 4, 2015: Did the 1960s Really Happen? (Part One)
- Andrew Klavan on January 5, 2015: In 2015 The New Counter-Culture Needs to Be Offensive!
- Clay Waters on January 5, 2015: The Decline and Fall of Russell Brand
- Mark Ellis on January 5, 2015: How Conservatives Can Counter the Likable Liberal
- Audie Cockings on January 5, 2015: Entertainers Have Shorter Lifespans
- Aaron C. Smith on January 6, 2015: How Mario Cuomo Honestly Defined Zero-Sum Liberalism
- Stephen McDonald on January 10, 2015: Why the New Counter-Culture Should Make Strength Central to Its Identity
- Stephen McDonald on January 16, 2015: The Metaphorical War
- Kathy Shaidle on January 19, 2015: Did the 1960s Really Happen? (Part Two)
- Frank J. Fleming on January 20, 2015: What if Red Dawn Happened, But It Was Islamic Terrorists Instead of Communists?
- Mark Ellis on January 21, 2015: Adam Carolla: The Quintessential Counterculture Conservative?
- Aaron C. Smith on January 29, 2015: Objection! Why TV’s The Good Wife Isn’t Good Law
- David Solway on February 2, 2015: For a Song To Be Good, Must It Tell The Truth?
- Mark Ellis on February 6, 2015: President Me: Adam Carolla Vs. the Scourge of Narcissism
- David Solway on February 6, 2015: ‘Imagine’ a World Without the Brotherhood
- Kathy Shaidle on February 9, 2015: Was Rod McKuen the Secret Godfather of Punk Rock?
- Aaron C. Smith on February 10, 2015: Kick NBC While It’s Down: Use The Williams Scandal to Set the Terms of the 2016 Debates
- Spencer Klavan on February 12, 2015: How to Apologize for Your Thought Crimes
- Kathy Shaidle on February 16, 2015: David Byrne: Creepy Liberal Hypocrite
- David P. Goldman on February 18, 2015: Understanding This Bloody Truth About the Bible Will Save Your Life
- Lisa De Pasquale on February 20, 2015: Why American Sniper Is a Much Better Love Story Than Fifty Shades of Grey
- Spencer Klavan on February 24, 2015: How Bad Ideology Destroys Good TV: Why Glee Crashed and Burned