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Walter Hudson

Walter Hudson advocates for individual rights, serving on the board of the Republican Liberty Caucus of Minnesota, and as president of the Minority Liberty Alliance. He hosts a daily podcast entitled Fightin Words, proudly hosted on Twin Cities Newstalk Podcast Network. Walter is a city council member in Albertville, MN. Follow his work via Twitter and Facebook.
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Pivoting from American Sniper: Are Drone Attacks Immoral?

Monday, January 26th, 2015 - by Walter Hudson

“A family man begins to question the ethics of his job as a drone pilot.” So reads the synopsis of the upcoming film Good Kill starring Ethan Hawke and Mad Men’s January Jones.

Hawke plays Tom Egan, the drone pilot in question, offering a brooding portrait of self-loathing. Such is the proper attitude of a man toward killing while facing no personal danger. The film’s tagline reads: “If you never face your enemy, how can you face yourself?”

“Don’t ask me if this is a just war. It’s not up to us,” Bruce Greenwood advises as Hawke’s grizzled commanding officer. “To us, it’s just war.”

“I am a pilot, and I’m not flying,” Hawke bemoans. “I don’t know what it is that I am doing. But it’s not flying.”

Evoking recent comments directed at the late Chris Kyle, Hawke continues, “Everyday, I feel like a coward, taking potshots at somebody halfway around the world.”

While overt characterizations of American military action as cowardice may be confined to Hollywood and the halls of academia, they proceed from a theory of war which has dominated American foreign policy since World War II.

So-called just war theory emerges from a bastardization of Christian doctrine which prescribes sacrificial combat. According to the doctrine, war should not be fought strictly in self-defense, but in service of some “higher” goal – like the freedom or relief of others. Shedding American blood for something like “Iraqi freedom” is considered a superior motive to fighting strictly for American sovereignty or American lives.

A critical component of just war theory is “proportionality,” the idea that a retaliatory response should be restrained and remain comparable to the threat faced. The tenet of proportionality would have rejected the dropping of two atomic bombs on Imperial Japan, for instance.

From such a perspective, it’s easy to see how one might judge a role like sniper or drone pilot to be cowardly. After all, the explicit purpose of such roles is to engage in highly disproportionate combat, to maximize lethality while minimizing risk. That doesn’t jive with a sacrificial agenda. To be “just,” combat must present similar risk to all combatants. You must “face your enemy.” On a larger scale, “just war” must be fought not to win with overwhelming force, but to save an enemy population from themselves.

Just war theory is anything but moral. A truly moral war policy, which you can find articulated here, would not derive its righteousness from sacrificial risk-taking. Rather, the morality of military force would be judged solely on whether it was retaliatory in nature. The objective would not be to “fight fair,” but to achieve unquestioned victory through the utter destruction or unconditional surrender of the enemy.

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Christianity’s Human Sacrifice Problem

Sunday, January 25th, 2015 - by Walter Hudson

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Does Christianity call for human sacrifice?

When you put the question like that, the instinctive response of any given Christian would tend toward a resounding “no.” After all, human sacrifice is a barbaric act which no rational person could condone. We believers like to regard ourselves as rational.

Yet, a cursory examination of popular Christian doctrine suggests that human sacrifice – to one degree or another – stands as a central tenet of the faith. In his book Loving Life: The Morality of Self-Interest and the Facts that Support It, author Craig Biddle cites “religionists” – including many prominent Christian theologians – to demonstrate that religion calls upon man to sacrifice his own interests to “an alleged God.”

As a Christian, I find Biddle’s observations compelling. Having considered them within the broader context of Ayn Rand’s Objectivist philosophy for several years, I have come to question the manner in which Christian teachers present the topic of sacrifice. Increasingly, I have come under the conviction that Christendom has interpreted sacrifice incorrectly. In my view, it is because Christendom has misinterpreted sacrifice that critics like Biddle are able to present Christianity as force for evil rather than good.

With this introductory essay, I invite you to join me in an ongoing exploration of Christian doctrine and the challenges brought against it. My objective, as we proceed week after week, will be to correct what I have come to regard as a doctrinal error causing tremendous confusion within the church and posing a stumbling block for seekers and believers alike. To be clear, my claim is not that God’s Word is wrong, but that our reading of it has been. I hope to demonstrate that my altered view of sacrifice is the view actually taught within scripture.

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Chris Kyle’s Righteous Indignation

Wednesday, January 21st, 2015 - by Walter Hudson

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Commentators, both on the political Left and within libertarian circles, have been wringing hands over the tremendous commercial success of Clint Eastwood’s Chris Kyle bio-pic American Sniper. From The Wrap:

Over the weekend, multiple Academy members told TheWrap that they had been passing around a recent article by Dennis Jett in The New Republic that attacks the film for making a hero out of Kyle, who said: “The enemy are savages and despicably evil,” and his “only regret is that I didn’t kill more.” Kyle made the statements in his best-selling book, “American Sniper,” on which the film is based…

…Academy members seem to be paying attention to the criticism that Eastwood and star/producer Bradley Cooper shouldn’t be celebrating a man who wrote that killing hundreds of Iraqis was “fun.”

“He seems like he may be a sociopath,” one Academy member told TheWrap, adding he had not yet seen the film but had read the article, which is being passed around.

And Michael Moore, an Oscar voter and former Academy governor from the Documentary Branch, tweeted on Sunday, “My uncle killed by sniper in WW2. We were taught snipers were cowards. Will shoot u in the back. Snipers aren’t heroes. And invaders r worse.”

Moore has since walked back his comments, if only just a bit. The Interview star Seth Rogen came under scrutiny for comparing American Sniper to a Nazi propaganda film only to also walk his comments back. In these and many other lower-profile cases, the common denominator is a moral equivalence between America and forces like Nazi Germany, the Taliban, or ISIS.

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American Sniper and the Billion Dollars That Hollywood Leaves on the Table Each Year

Tuesday, January 20th, 2015 - by Walter Hudson

Is it any wonder that American Sniper has dominated the box office? From the Associated Press:

Clint Eastwood’s R-rated Iraq War drama … opened in January like a superhero movie in July, taking in a record $105.3 million over the Martin Luther King Jr. four-day weekend.

The film’s unprecedented success obliterated forecasts and set numerous box-office records. It easily surpassed “Avatar” to become the biggest January weekend ever.

Of course it has. This is a film that gives American audiences what they want. PJM’s David Forsmark swoons:

American Sniper lives up to its title. This is an intensely American film. Everything about Chris Kyle’s background, from hunting with his father, to the little country church, to wanting to be a cowboy, is not just Texas, it’s America.

When America gets what America wants, studios make $100 million in four days.

So why don’t more studios make these kinds of films? Why do we instead get inundated with cynical anti-American garbage with anti-heroes espousing an anti-philosophy?

We need not look far for our answer. From The Wrap:

Academy members seem to be paying attention to the criticism that Eastwood and star/producer Bradley Cooper shouldn’t be celebrating a man who wrote that killing hundreds of Iraqis was “fun.”

“He seems like he may be a sociopath,” one Academy member told TheWrap, adding he had not yet seen the film but had read the article, which is being passed around.

And Michael Moore, an Oscar voter and former Academy governor from the Documentary Branch, tweeted on Sunday, “My uncle killed by sniper in WW2. We were taught snipers were cowards. Will shoot u in the back. Snipers aren’t heroes. And invaders r worse.”

Money may be a store of value, but it’s not the standard. For those holding the reins in Hollywood, the social acceptance of their community can often be a higher value than record profits.

We don’t see more films like American Sniper for the same reason we don’t see more G-rated family films. Movies you can take your kids to earn money hand over fist, for obvious reasons. Conversely, R-rated films have a built-in market limitation which translates to a smaller box office take. That’s why Fox’s forthcoming Deadpool starring Ryan Reynolds as a filthy-mouthed mercenary from the X-Men universe is aiming for a PG-13 rating. Gotta get those kids in the seats.

Even so, we see far more R-rated exploitation fare and self-indulgent art house films which critique American culture than we see films like American Sniper. That’s because the former earn kudos from the industry, a currency nearly as good as cash in Hollywood.

Indeed, how many times have you heard it said of a star that he is doing that summer blockbuster to earn a check so he can afford to make an “important” film later? Such importance is not measured by commercial success, but by the accolades of fellow liberal artists.

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When Does a Compromise on Tea Party Values Become a ‘Betrayal’?

Thursday, January 8th, 2015 - by Walter Hudson
This was the image sent out by the MN Tea Party Alliance in reference to Congressman Tom Emmer's vote to re-elect John Boehner as Speaker.

This was the image sent out by the MN Tea Party Alliance in reference to Congressman Tom Emmer’s vote to re-elect John Boehner as Speaker.

“Tom Emmer betrays conservatives on day one.”

That was the subject line of an email sent out Wednesday by the Minnesota Tea Party Alliance in reference to the freshman congressman from the state’s Sixth District. Emmer this week filled the seat previously held by Michele Bachmann.

[Voters] put a man in office with the expectation that he would fight for smaller government and more liberty. However, in his first real test vote as a conservative, Tom Emmer voted wrong and against the wishes of his conservative base by voting for John Boehner as Speaker.

Similar condemnations and recriminations crisscrossed social media like missiles exchanged in a nuclear apocalypse. The ruckus was not contained to Minnesota. Representative Mick Mulvaney (R-SC) was compelled to issue a statement rebuking detractors of his vote for Boehner. He described a hopeless scenario wherein the speaker could not have been removed:

… there were never enough votes to oust Boehner to begin with. On top of that, some people who had publicly said in the past that they wouldn’t vote for Boehner did just that. This was an effort driven as much by talk radio as by a thoughtful and principled effort to make a change. It was poorly considered and poorly executed, and I learned first-hand [from participating in a previous coup attempt in 2013] that is no way to fight a battle. This coup today was bound to fail. And in fact, it failed worse than I expected, falling 11 votes short of deposing the Speaker. At least two years ago we only failed by six.

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Black Lives (and All Others) Only Matter if Property Does

Wednesday, December 31st, 2014 - by Walter Hudson

At the root of the Black Lives Matter movement, and the several controversies which have fueled it, lies a critical disagreement over the nature and importance of property. At first glance, in the midst of an unarmed shooting and a death by choke-hold, it may not seem like property rights stand out. But they do.

From the moment Michael Brown committed a strong arm robbery, through the looting and arson which have characterized the response to his shooting death, to the trespass and harassment which have been committed and sanctioned by protestors across the nation, the implicit (and sometimes explicit) narrative has been that property does not matter.

I responded here at PJ Media and on my Fightin Words podcast to Reason author Elizabeth Nolan Brown’s critique of a city attorney for pursuing criminal and civil charges against Black Lives Matter protestors who staged an unlawful demonstration at the Mall of America. Both Brown and the organizers she quoted repeatedly referred to the event, an admitted act of trespass, as “peaceful.”

My thesis was simple. There’s no such thing as peaceful trespass. If you’re going to encroach upon the rights of others, you are not being peaceful. You are committing an act of violence.

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Christmas: He Laid Down His Right

Thursday, December 25th, 2014 - by Walter Hudson

Christianity is an absurd death cult. That was the expressed belief of the late Christopher Hitchens, one among the so-called “new atheists” who engaged in an aggressive sort of anti-evangelism. Hitchens once sketched his view of the incarnation thus:

In order to be Christian, you have to believe that for 98,000 years our species suffered and died… [enduring] famine, struggle, viciousness, war, suffering, misery, all of that for 98,000 years – heaven watches it with complete indifference – and then 2,000 years ago [God] thinks that’s enough of that, it’s time to intervene. The best way to do this would be by condemning someone to a human sacrifice somewhere in the less literate part of the Middle East…

Hitchens’ presentation of Christianity highlights one of the greatest challenges to Christian apologetics. Increasingly, a dichotomy has been offered between reason and faith. Ayn Rand defined the two concepts as opposites, and the co-relation of religion and atrocity has been increasingly cited as evidence that faith literally kills.

This Christmas Day, I offer a preview of an ongoing project to begin here at PJ Lifestyle in the new year. Working through books on the topics of reason, individual rights, and the Christian worldview, we will explore how we might reconcile our human perception with divine revelation.

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What’s With That New Lightsaber in The Force Awakens Trailer?

Monday, December 1st, 2014 - by Walter Hudson

We’ve all seen it a few dozen times by now, the first teaser trailer for J.J. Abrams’ Star Wars: Episode VII – The Force Awakens. For the most part, it looks quite good. Disney’s acquisition of Lucasfilm and hiring of Abrams signaled a clear advancement of the franchise from the malaise of the prequels to something better resembling the original trilogy. Indeed, this trailer’s aesthetic looks a lot more like classic Star Wars than anything we saw in Episodes I through III.

There’s only one major hiccup, and it’s quite concerning. While the TIE fighters look like TIE fighters, the X-Wings look like X-Wings, and the Millennium Falcon looks better than ever, what’s up with that new lightsaber?

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With Abrams’ direction setting the tone for the plethora of Star Wars films due in the next six years, his creative choices prove definitive and therefore important. We can look to his previous efforts in the Star Trek franchise for clues into how he will approach it.

One thing that seemed very clear from Abrams’ approach to Star Trek was that he wasn’t shy about drastically altering the aesthetic of the universe. Everything from the way phasers work to the look of warp drive to the Apple store-themed bridge of the Enterprise was a sharp deviation from the franchise’s established look and feel.

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10 Films Set Around Thanksgiving That You Can Stream Tonight

Thursday, November 27th, 2014 - by Walter Hudson

Looking for a movie to watch this holiday that’s at least somewhat relevant to the season? Perfect. We’ve got you covered.

These films aren’t necessarily about Thanksgiving, although a couple of them are. Regardless, they each have some connection to the holiday and provide a welcome escape. Here are 10 films set around Thanksgiving that you can stream tonight:

#10. Tower Heist

Capitalizing on real-life headlines regarding Wall Street graft and investment Ponzi schemes, Tower Heist imagines how the staff of a high-rise luxury apartment complex would react to the news that their most high-profile tenant had squandered their retirement savings. The comedy stars Ben Stiller, Eddie Murphy, Matthew Broderick, Casey Affleck, and Alan Alda.

When Alda’s Wall Street billionaire is arrested for scamming investors out of their money, Stiller’s building manager recruits Murphy’s petty thief to help the defrauded building staff steal their money back.

Thanksgiving Connection: The titular heist occurs during the annual Macy’s Thanksgiving Day Parade.

Streaming options: Available to rent/buy on Amazon and Vudu.

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10 Disney Classics Which Deserve a Live-Action Remake

Friday, November 21st, 2014 - by Walter Hudson

Above, you can view the new trailer for Disney’s live-action remake of Cinderella. The film marks the third such reimagining, following this year’s hugely successful Maleficent and 2010′s Tim Burton-directed Alice in Wonderland. If Cinderella proves successful, which seems to be a foregone conclusion, the question becomes: which other Disney classics might lend themselves to a live-action treatment?

Not every old Disney film stands as an ideal candidate. Many feature talking animals as their main characters and, if you were to try to translate them into CGI within a live-action setting, wouldn’t prove that much different than their animated originals.

Weeding those out, let’s rank what’s left. Here are 10 Disney classics which deserve a live-action remake.

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The Top 10 Cinematic Portrayals of DC Comics Villains

Friday, November 14th, 2014 - by Walter Hudson

Warner Bros. recently announced an aggressive slate of films based upon DC Comics properties which will share a single cinematic universe, an answer to the successful franchise which Marvel Studios has built since 2008’s Iron Man. The DC slate opens with 2016’s Batman v. Superman: Dawn of Justice, and will continue the same year with Suicide Squad, which director David Ayer recently described as “The Dirty Dozen with supervillains.”

In the comics, the Suicide Squad boasts DC’s B-list villains, characters like Deadshot and Captain Boomerang. However, if rumors now circulating prove true, the cinematic interpretation of Suicide Squad may boast A-list villains like Lex Luthor and the Joker. Reports claim that bombshell actress Margot Robbie has been cast as Harley Quinn, and that Oscar-winner Jared Leto is in talks to play Joker.

In any case, the roster of DC Comics villains portrayed in live-action film is about to explode. Before that happens, let’s consider where the existing rogues gallery ranks. Here are the top 10 cinematic portrayals of DC Comics villains.

#10. Cillian Murphy’s Scarecrow

When it was announced that Christopher Nolan would be rebooting the Batman franchise years after Joel Schumacher piloted it into the ground, no one could have predicted how definitive the result would become. Among the bold moves made in re-imagining the property was featuring lesser known villains, including the Scarecrow.

Actor Cillian Murphy took what could have easily been a camp character and grounded him in a believable reality. Dr. Jonathan Crane served a vital narrative purpose befitting his nature as a criminal psychologist obsessed with fear. Fear stood as the dominant theme in Batman Begins, as Bruce Wayne turned his fear against the criminals holding an unholy grip upon Gotham City.

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Call of Duty: Advanced Warfare Delivers on All Fronts

Wednesday, November 12th, 2014 - by Walter Hudson

Being a grown adult, married with young children and many assumed responsibilities, I don’t get to play video games as much as I used to. There was a time, just a few short years ago, when I kept up on all the latest releases and played them through voraciously. But that’s just not an option anymore, which is probably a good thing.

The last Call of Duty game I purchased and played was Modern Warfare, the first in the franchise to move the action from the historical battlefields of World War II to the present day. Many sequels have come and gone since then, none of which I have felt particularly compelled to sample. The latest entry, however, piqued my interest.

Call of Duty: Advanced Warfare makes the next chronological leap in the series from the present day to an imagined near-future where high-technology reshapes both the warrior and his battlefield. Add to that the acting talent of Kevin Spacey, fully digitized in a key role, and developer Sledgehammer Games presents a package worth taking a look at.

Having received the game as a birthday present recently, I’ve had the opportunity to kick its tires and have to say – it’s impressive. Especially coming from the perspective of having been away from the franchise for several years, the game feels remarkably evolved from what I remember. It’s easy to pick up and get the hang of, despite presenting a deeper than average experience for a game of its genre. It manages to be both more complex than its predecessors, and still simple to play.

The single-player campaign feels as cinematic and immersive as any big-budget Hollywood action film. You’ll find yourself marveling at the action even as you are the one controlling it. The “that’s cool” moments hit one right after the other.

If you’re like me, and haven’t yet made the switch to the next generation of consoles, you’ll want to take advantage of an offer available through March 15th to get both the current and next gen versions of the game for the price of one. You have to buy the downloadable version, and you’ll be committing to stick with your current console brand. If you buy the Xbox 360 version, you get the Xbox One as well, and the same with Sony’s Playstation.

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The Top 10 Movie Trailers Released in October

Saturday, November 8th, 2014 - by Walter Hudson

Movie trailers released throughout October preview some huge titles coming to theaters in near weeks and months. Everything from quirky independent romance to blockbuster action adventure is represented here. Which trailer came out on top? You’ll be surprised.

#10. Life Partners

A narrative born of modern themes, to be sure, Life Partners follows the relationship between two female friends, one of whom happens to be gay. As each wind their way in and out of romantic entanglements with others, the relationship between them is tested and reevaluated.

It will be curious to see how sexual orientation is handled in this film. If these two friends end up together in spite of one of them being straight, which certainly seems to be the trajectory drawn in this trailer, doesn’t that kind of run up against the militant “born that way” narrative?

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What Does That New Star Wars Title Mean?

Friday, November 7th, 2014 - by Walter Hudson

force-awakens-star-wars-1

The official word dropped from Walt Disney Pictures on Thursday that the title of the new Star Wars film will be The Force Awakens. It doesn’t take much chum to get Star Wars nerds chomping with speculation. So what do these three little words mean?

This marks the first time that the Force has been referenced in a film title. How significant is that? What is the Force awakening from? Has it been somehow subdued in the wake of Return of the Jedi? If so, by what, or whom?

As a fan of the original trilogy who tolerates the prequel films as canon, I have always found the prospect of Episode VII dubious. Do I want another Star Wars film, let alone the five to follow in as many years? Of course. Who doesn’t? However, as a fan, it’s difficult to see where the narrative of this saga goes after the events of Return of the Jedi.

The first six films relate the tale of Anakin Skywalker and his fulfillment of an ancient Jedi prophecy regarding the balance of the Force. Ostensibly, when Anakin emerges from the vestige of Darth Vader and destroys his Sith master at Jedi’s end, that prophecy stands fulfilled and balance has been restored.

Where do you go from there? That’s the question which haunts Disney’s effort. If, in the interest of expanding this mythology for new films, it is revealed that Anakin’s sacrifice was somehow inadequate, that will seriously undermine the gravity of his narrative and cheapen his redemption. That could be too high a price to pay for more Star Wars.

We’re probably six months out from the first trailer. Until then, these three little words will have to suffice as fodder for speculation.

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Health Care Could Be So Much Better

Monday, November 3rd, 2014 - by Walter Hudson

I return to work today after a week recovering from a major procedure. I underwent gastric bypass surgery to treat, among other things, my adult onset type 2 diabetes.

While no surgery occurs without pain, discomfort, disorientation, and some period of recovery, I can say that my experience has been as good as it could have been given the circumstances. My doctors, their staff, the insurance company, and the healthcare provider have all performed professionally and effectively.

That said, as a guy daily occupied with the effect of government upon the human experience, I certainly perceived areas where the healthcare system would undoubtedly improve if less encumbered by government. First, I noted inefficient compartmentalization.

To give you an idea of what I mean, consider the path taken to get this surgery done. First, I needed to see my primary care physician for a referral. Then I needed a consult at a weight loss clinic. Then I spent three months checking off a long list of labs, dietitian visits, psychological evaluation, and preparatory classes and consults. Despite the fact that nearly all this occurred under the umbrella of the same healthcare provider, every single time I saw a different person – even within the same clinic, it was like I was being seen for the very first time. I had to answer the same questions, fill out the same forms, tell the same story, over and over again. I can only imagine how frustrating this is for patients dealing with chronic illness.

To a certain extent, this redundancy can be justified. Some of it no doubt serves patient privacy and security. For instance, asking for my birthdate or address could be a verification check to ensure I am the right patient. However, I have a hard time believing that explains most of the redundancy. Most of it seems to be a product of compartmentalization, a lack of access to information previously disclosed. Other industries model customer service solutions which could easily be applied to healthcare.

When you go to the airport in any major city, you can check in at a kiosk and get your boarding pass without seeing a clerk. You can even check in online ahead of time, from your phone while in transit if necessary. Why can’t we do this in healthcare? I get to an appointment on time, but have to wait ten minutes in line behind other patients with more complex needs, and end up checked in late. There’s no need for that.

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10 Hits and Misses in Gotham’s First Five Episodes

Thursday, October 23rd, 2014 - by Walter Hudson

Fox’s Gotham has been running for a few weeks now, and it’s off to a bittersweet start. The Batman show without Batman serves as a prequel to the mythology we know.

There’s a lot to like in Gotham. It looks great, shot in New York and enhanced with seamless visual effects. The performances are solid, often transcending weak scripts.

But overall, Gotham suffers from an identity crisis. This show can’t decide what it’s trying to be. One scene evokes the grounded tone of The Dark Knight. The next evokes the camp of 1966. Here are 10 hits and misses in Gotham’s first five episodes.

5. Miss: Fish Mooney

The Portrayal: Jada Pinkett Smith lends the series its greatest star power. Her character, underworld player Fish Mooney, was conceived for the series as a new addition to the Batman mythology. Mooney serves as a lieutenant in the Falcone crime family. She despises her boss and aspires to replace him as the dominant figure in Gotham’s underworld.

Why It’s a Miss: It’s fitting that Fish Mooney was created uniquely for this show, because she personifies its tonal inconsistency. It’s unclear whether we’re meant to root for her or against her. In one scene, she’s ordering the brutal torture and execution of police officers, as if it’s no big deal. In the next, she’s helplessly browbeat by Falcone and proven largely impotent. Pinkett Smith chews the scenery, evoking the camp of the 1960s television show. Her portrayal has been described as an “Eartha Kitt impersonation.”

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DC Film Suicide Squad ‘a Dirty Dozen with Supervillains’

Wednesday, October 22nd, 2014 - by Walter Hudson

The Warner Bros. announced slate of films based on the DC Comics universe will differ significantly from the Marvel Cinematic Universe by quickly introducing a multitude of characters to be explored in latter films. For instance, the forthcoming Batman v Superman: Dawn of Justice will see cameo appearances by Wonder Woman, Aquaman, and Cyborg, each of whom have solo films slated for later in the decade.

The same holds true for the DC Comics supervillains. The next film scheduled for release after Batman v Superman is Suicide Squad, directed by Fury auteur David Ayer. Speaking to Empire, Ayer expressed enthusiasm regarding the prospect of “world creation” with ample time and money:

Money and time he’ll have plenty of – Suicide Squad is scheduled as the second DC behemoth to hit the big screen, following Batman V Superman in two years’ time – and, although he couldn’t say much, his vision for the movie should reassure fans. “I can say that it’s a Dirty Dozen with supervillains,” he said. “Then I can ask the question, ‘Does a movie really need good guys?’”

The studio is reportedly in talks with several “A list” actors to star in the film. Rumors include the likes of Will Smith, Tom Hardy, Ryan Gosling, and The Wolf of Wall Street’s Margot Robbie. The latter performer seems a good candidate to play Harley Quinn, a popular consort of the Joker originally conceived for Batman: The Animated Series who has yet to be portrayed on film.

The choice to introduce several characters right away, rather than meter them out in a phase of origin stories, indicates that Warner Bros. wants to quickly live up to the scope achieved by Marvel Studios. Whether that proves wise in the long-run is yet to be seen.

Should a character like Harley Quinn be introduced to audiences without the Joker? Will we care about a bunch of lesser known villains in a Dirty Dozen type scenario? Is Warner Bros. right to skip the origin stories and get right to the action in their cinematic DC Universe? Let us know in the comments section below.

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10+ Superhero Films Announced in Cinematic DC Universe

Tuesday, October 21st, 2014 - by Walter Hudson

Last week delivered the motherlode of comic book movie news. First, on Tuesday, Variety reported that Marvel Studios is negotiating with Robert Downey Jr. to reprise the role of Iron Man in the third Captain America film. The new story will reportedly launch the “Civil War” arc from the comics, in which Cap and Iron Man find themselves leading opposing superhero factions after the government mandates all super-beings register their powers and enlist as agents.

Then, on Wednesday, Warner Bros. held a stockholders meeting during which they announced a 10 film slate in their planned cinematic DC Universe, to be produced through the balance of the decade. From Wired:

The already announced Batman v Superman: Dawn of Justice serves as the starting point in 2016, with the nine subsequent movies setting up a cinematic DC Universe to rival Marvel’s onscreen efforts. Fans can expect to see Suicide Squad first, due the same year, then Wonder Woman in 2017, The Flash and Aquaman in 2018, Shazam in 2019, and Cyborg and Green Lantern in 2020. Perhaps the biggest surprise is the Justice League movie, which contrary to earlier reports of an Avengers-style team marquee film will instead be released in two parts, in 2017 and 2019.

By Thursday, a studio source clarified that additional solo Superman and Batman films will be peppered throughout that schedule. If the production slate holds true, we could have several years in which three DC films hit theaters. That’s in addition to the two which Marvel Studios has averaged, adding up to five potential superhero films a year until 2020.

“It’s an age of miracles,” film director Jon Schnepp swooned to his AMC Movie Talk cohort while contemplating this moment in cinematic history. Ten years ago, who would have thought that the superhero genre would be as prolific as it has become. From Marvel Studios adaptation of their rich comic book story arcs to Christopher Nolan’s transcendent Dark Knight trilogy, the genre has undergone a thorough makeover in recent years. Now, it’s set to dominate for a generation.

Will the market get saturated? Will interest wane? Can Marvel maintain the quality that they’ve put out so far? Will DC ever catch up? Post your thoughts below.

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The 10 Coolest Sci-Fi Technologies and How Close They Are to Reality

Friday, October 17th, 2014 - by Walter Hudson

The cell phone. The tablet. The touchscreen interface. All were once figments of imagination portrayed in science fiction. But for every imagined sci-fi technology that becomes realized, many more remain outside our grasp. Some are peaking over the horizon, while their most promising applications remain untold years away. Here are the 10 coolest sci-fi technologies, and how close they are to reality.

10. Terraforming

What It Is: While scientists have located planets with characteristics essential to supporting life, to date, the search for a habitable planet has confirmed nothing. If human beings hope to survive on a planet other than Earth without remaining confined to artificial structures, we will have to engineer methods to transform alien planets into Earth-like ones. That process is called terraforming.

Why It’s Cool: We live in a time when no real frontier remains. With the exception of the ocean’s most obscure depths, human beings have been everywhere on Earth. The ability to successfully terraform, combined with interstellar travel, would open up the galaxy to human colonization. That would provide those with the necessary means and pioneer spirit to seek new worlds where human freedom could be explored anew.

How Close to Reality: Pretty far. Terraforming Mars, the only planet in our solar system which stands as a reasonable candidate for the process, would take “several millennia” utilizing currently hypothesized methods. Giant orbital mirrors would reflect sunlight to the surface, and greenhouse gas-producing factories would work to heat and sustain the atmosphere. Basically, it’s Al Gore’s worst nightmare.

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The 10 Most Remarkable Bond Girls of All Time

Friday, October 10th, 2014 - by Walter Hudson

Editor’s Note: This article is part of an ongoing series by Walter Hudson exploring the James Bond series. Also check out the previous installments: “The 10 Most Memorable James Bond Henchmen” and “The Top 10 Most Worthy Bond Villains.” 

We recently learned that French actress Léa Seydoux will join Daniel Craig and much of the cast from Skyfall as a femme fatale in the 24th James Bond film. Seydoux played a similar role in Mission: Impossible – Ghost Protocol. She joins a sisterhood of glamorous and seductive women who have led Bond astray or succumbed to his charms over five decades of film.

When tasked with ranking Bond’s female companions, the criteria I chose were more than just beauty or sex appeal. Every Bond girl has those. These are the women who most impacted the course of the franchise, who marked key moments, set strong precedents, or played a profound role in shaping Bond’s character. Here are the 10 most remarkable Bond girls of all time.

10. Jinx

Die Another Day marked a significant moment in the franchise’s history. The film was released on the 40th anniversary of Dr. No, the first Bond adventure. It was the 20th film in the series. It also served as the swan song for actor Pierce Brosnan, who had successfully reinvigorated the character after the longest lull in the series’ history.

Such a moment calls for a Bond girl of remarkable stature, a known quantity whose beauty and talent separate her from the pack of interchangeable consorts. Halle Berry fit the bill, lending the perfect balance of snark and sexy to end the Brosnan era.

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September’s 10 Most Popular Movie Trailers

Tuesday, October 7th, 2014 - by Walter Hudson

Fall is decisively under way. September saw the release of many new movie trailers. It’s an interesting time of the year, not quite late enough to start seeing much from next year’s highly anticipated lineup of blockbusters. That clears the way for some lesser known projects to take a greater share of the public’s attention. Here are the top 10 most popular movie trailers released in September.

10. God Help the Girl

Emily Browning has a stealthy little career going for her, working steadily in films which no one sees. Her most mainstream appearance came in Zack Snyder’s directorial misstep Sucker Punch. The other places you may have seen her were this year’s Pompeii and the Jim Carrey showpiece from a few years back, Lemony Snicket’s A Series of Unfortunate Events.

She has a trademark beauty which oscillates between strange and captivating. It’s a look which suits this eccentric musical drama well.

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Top 10 Reasons to Get Excited About Star Wars Rebels

Saturday, September 27th, 2014 - by Walter Hudson

Before Disney acquired Lucasfilm, the only fresh on-screen Star Wars content fans had to cling to was The Clone Wars animated series on the Cartoon Network. The show was hit or miss over its five aired seasons, occasionally hitting the right tone, but too often floundering with lame characters and boring stories.

Season Five particularly lagged with back-to-back four-episode story arcs centered around the misadventures of child padawans and astromech droids. Four. Episodes. It was ridiculous and indicative of the show’s tendency to skew too far from the recipe which makes Star Wars work.

The announcement of Disney’s acquisition came as Season Five concluded. Not long after, The Clone Wars was abruptly cancelled. Fans feared that might be the end of Star Wars on television.

Fortunately, it didn’t take long for the new Lucasfilm to announce Star Wars Rebels, a new animated series set to air in October on Disney XD. Here are 10 reasons to get excited about this new Star Wars television show.

#10. The Return of Kenobi

Occurring in the timeline between Episodes III and IV of the film saga, Star Wars Rebels benefits from an era fertile for storytelling. The series deals with the initial sparks of rebellion which eventually foment into the Rebel Alliance seen in A New Hope.

During this time period, we know that Jedi Master Obi-Wan Kenobi has exiled himself to the desert world of Tatooine to keep a close watch over the growth of Luke Skywalker. Fans have long wondered whether those years between defeating Vader on the slopes of Mustafar and seeking passage to Alderaan were spent meditating peacefully in his Jundland hovel or engaged in a more active role in galactic affairs.

This trailer for Rebels seems to indicate the latter. There’s something about this version of Kenobi, the hermit Ben draped in Jedi robe while graying in the beard, which excites more than his Clone Wars iteration.

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The 10 Most Memorable James Bond Henchmen

Tuesday, September 23rd, 2014 - by Walter Hudson

A good rogues gallery features villains which present corrupted aspects of the hero’s persona. The Riddler challenges Batman’s intellect, while the Joker tests the limits of his morality.

James Bond has accumulated quite a rogues gallery over several decades and 23 feature films. In Bond’s world, we have both masterminds and henchmen. In many cases, the lackeys prove more colorful. Here are the 10 most memorable James Bond henchmen.

#10. Bambi and Thumper

After leaving the series over differences with the producers, Sean Connery returned for one more installment in Diamonds Are Forever. This immediate precursor to the Roger Moore era telescoped the trend of themed henchmen, referencing pop culture or building upon puns.

Bambi and Thumper were twin acrobatic femme fatales, featured briefly in a memorable melee with 007. Hardly the first or last female killers in Bond’s orbit, these two were the first to fight as a pair.

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The Top 10 Things Lucas Got Right in the Star Wars Prequels

Monday, September 15th, 2014 - by Walter Hudson

Having composed a list of reasons the Star Wars prequels sucked, it only makes sense to bring balance to the Force by considering the noteworthy ways in which these millennial films added to the saga’s greatness. I have to admit, it was a lot tougher coming up with things to like about Episodes I through III than it was to throw stones at them. Even so, whether you love the prequels or hate them, they’ve undeniably expanded that galaxy far, far away. Here’s the top 10 things George Lucas got right.

10. Kashyyyk

Lucas defied the Expanded Universe of books, comics, and games in a number of ways when the time came to bring Star Wars back to the big screen. The Wookiee homeworld of Kashyyyk had been the setting for many adventures authored since Return of the Jedi. It was described as a dense forest world with massive redwood-like trunks supporting cities suspended hundreds of meters above the ground. The forest floor, known as the Shadowlands, was home to Kashyyyk’s most vicious wildlife.

It was therefore deviant for Lucas to set Revenge of the Sith’s Battle of Kashyyyk on a beach. Even so, the world’s time on screen does justice to its mighty inhabitants, making Endor look like a city park by comparison.

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