We’ve all heard of the horrors of Cop Rock and Manimal, but after receiving a reader tip on one of their worst TV shows of all time, I did some digging and uncovered these utterly classic samples of bad television that would make great material for Joel McHale or the cast of Mystery Science Theater 3000.
10. Bucky and Pepito (1959)
Produced by Sam Singer, “The Ed Wood of Animation,” Bucky and Pepito was a typical story of an “ambitious” white cowboy and his “lazy” (literally, they sing about it in the theme song) Mexican buddy trolling the old west on a zero budget. According to Toonopedia, “Cartoon historian Harry McCracken once said the pair ‘set a standard for awfulness that no contemporary TV cartoon has managed to surpass. They were great at what they did, which was being bad.’” Thanks to Bucky and Pepito, cartoonists have debated creating a Sam Singer Award for truly bad animation.
The Jerusalem Post reports that NBC will begin shooting a new action-adventure series, Dig, in Jerusalem this week:
Israel’s capital city is slated to play a central role in storyline of the series that portrays FBI agents uncovering a conspiracy of the Old City while investigating the murder of an American archaeologist.
…”The filming of “Dig” will be a boon for the production industry in Jerusalem, drawing more of them to come film here, create new jobs and encourage investments in the city,” Bennett added.
NBC’s first large-scale production filmed in Jerusalem, will reportedly be broadcast in the United States at the end of 2014.
While American versions of Israeli shows (In Therapy and Homeland, another creation by Dig’s Gideon Raff, come to mind) have made their way to the small screen, this will be the first time an American television show is shot in Israel. According to the Wall Street Journal, Dig was co-developed by Keshet Media Group, an Israeli media company, and is expected to make its premiere on the USA Network, with a possible second run on SyFy.
“When we combine Hollywood’s creative potential with Jerusalem’s historic backdrop, it will result in the ability to connect hundreds of millions of viewers around the world to this unique and beautiful city. There is an undeniable inspiration and creative energy in Jerusalem, which is why it has become a center for international film production,” said Nir Barkat, the mayor of Jerusalem, in a statement.
The CW is planning to add Jane the Virgin to its fall lineup. Based on a Venezuelan telenovela of the same name, Jane the Virgin is about an intentionally virginal girl who is “accidentally artificially inseminated” by her OB-GYN:
Jane stars Gina Rodriguez (Filly Brown) as a hard-working, devout Latina who is kind of hoping her boyfriend proposes — though she’s a little worried he’ll get down on one knee so she’ll finally agree to do the deed. When a mix-up at the OB-GYN leads to that artificial insemination plot line, Jane must choose whether to keep the baby — and whether to let the handsome father into her life.
Aside from containing a number of Spanish stereotypes, including the paranoid grandmother putting the fear of God into her pre-teen daughter (“Once you lose your virginity, you can never go back!“) to a cast of overtly sexualized Latinas, the show appears to be a platform for some long overdue, serious conversation regarding abortion. However, the show sounds eerily like one of the most famously influential and revered plot lines in the West’s repertoire, leaving one to wonder how a primarily Protestant audience might handle a story that’s been a hit in a Catholic country.
When it comes to the primarily pathetic representation of Latinas on television (does Sofia Vergara have to do it all?) at least Jane the Virgin appears to lack the typical trashiness of Devious Maids.
John Phillip Sousa on 33 1/3 blasts from the Hi-Fi — yes, you heard right, “Hi-Fi” — conducted by my flag-waving Grandfather, proudly standing at attention at 8 o’clock in the morning in the doorway of his open garage, wondering why it took us so long to get there. We may have been at the shore, but Memorial Day was not about a barbecue on the beach.
My grandparents lived down the street from my Great Uncle and Aunt. My Grandfather idolized my Great Uncle (his brother), naming his only son after his brother who had spent World War II as a gunner on a Navy ship in the Pacific. Having broken his back before the war, my Grandfather wasn’t able to get into the military during the conflict. Instead, he busied himself crafting knives to send to his buddies overseas (yes, they censored letters, but allowed knives to be carried through V-Mail) with the instructions “leave them in the enemy’s guts and I’ll make you a new one when you get home.”
My grandfather also played a key role in the war effort, one that goes overlooked when we take the time to honor the troops on Memorial Day. Recruited by the FBI in 1940, my grandfather and his father played a key role in the creation of the Iowa Ordinance Plant, the largest shell and bomb loading facility in operation during the war.
In the autumn of 1940, when a fairly isolationist population still dismissed the idea of entering into Europe’s conflict, my grandfather was pulled out of his job as a tool and die maker by two fairly typical FBI mugs. They strapped secret plans for a military facility, designed by Day & Zimmermann, Co., to his body and handed him a train ticket and a gun with the instructions, “Don’t be afraid to use it.” At the age of 23, my grandfather was the perfect cover: “If anyone asks, you’re on your way out west to go to college.” His job was simple: Escort his father, recruited by the government for his skills as a tool and die maker, to San Francisco to convene with a number of highly skilled Americans engaged to prepare America for war.
This past Sunday, American audiences finally had their chance to wave goodbye to Nurse Jenny Lee, the lead character in the famed Masterpiece series Call the Midwife. However sad it may be, the departure of the show’s Hollywood-bound lead actress Jessica Raine was, ironically, in no way a traumatic one.
Most American shows die when their lead actor disappears. Dan Stevens’ untimely departure from Downton Abbey still enrages fans over a year later. Yet, while Nurse Jenny Lee will be a much missed character, fans are far from outraged at her departure. Perhaps this is because Call the Midwife was never just about Jennifer (Lee) Worth, but about the many lives she encountered and a profession that is finally being given the credit it so sorely deserves. But there is more to the massive success of what began as a 6-episode BBC show about nursing in mid-century London’s bombed-out East End than giving credit where credit is due.
In an era of roughshod marketing tactics and semiotic overload, Call the Midwife, with its pure, heartfelt approach to the vicissitudes of life, is therapeutic television. We are a desensitized audience: No one cries when a pregnant mother is stabbed to death on Game of Thrones. Yet, everyone, including the burly guys on set, shed a tear at every birth on Call the Midwife. We are treated to an East End rife with chamber pots, not sexy chamber maids, and yet audiences are drawn to the show in droves. We love the midwives, even when they are dressed in habits and wimples; they are the ideal face of medicine, mother, and God in an era when we’ve been taught to doubt all three. Like a nurse checking our pulse, Call the Midwife reminds us that we are human after all, and perhaps not as sick as we’ve been led to believe.
And yet, while TV execs struggle with sex and violence in the name of Tweet power, they remain blind to Call the Midwife’s axiom for success: There is powerful endurance in simple truth. Call the Midwife will survive without the character of Jenny Lee because the show has embraced Jennifer Worth’s own mystical sense of timelessness. It is the stuff that fueled her memoirs of both London’s East End and her time as a nurse caring for the dying. Brilliantly captured in the season finale, this sense of the eternal in both life and death is what makes Call the Midwife a healing balm of a show and transcendental television in its finest form. Forget bloody battles and wild, nameless sex. Call the Midwife empowers its audience with the strength to face, not escape, life’s pressures, and the faith to believe that while “weeping may happen for a night, joy breaks forth in the morning.”
Now and then in life, love catches you unawares, illuminating the dark corners of your mind, and filling them with radiance. Once in a while you are faced with a beauty and a joy that takes your soul, all unprepared, by assault.
1. “Your Mother Should Know” (1967)
From Magical Mystery Tour, this is Macca’s foray into the 1920s. If the song seems odd, check out John Lennon’s face in the opening sequence. You can almost hear him thinking: “Paul, are you kidding me with this crap?” But, they all toked up and bit the bullet for Paul’s attempt to keep the band unified in the wake of Brian Epstein’s accidental overdose, memorializing for all time the image of four raggy hippie dudes dancing badly in white tails.
Networks are adjusting to the changed world of how people watch their programs: hours or weeks later on DVR, online or on-demand. But the industry’s financial structure hasn’t caught up yet, so viewers who watch when a program is first aired – once the only way to watch – are considered more valuable.
That’s why Fox is putting on a live production of “Grease” and NBC is remaking “The Music Man.” Fox is recreating an Evel Knievel motorcycle jump. ABC touts its Oscars telecast and other awards shows. NBC locked up Olympics rights through 2032, and CBS won a bidding war to show NFL football on Thursday night.
Sports usually gets little or no attention in network sales pitches to advertisers. Not this year. ABC, CBS, NBC and Fox all gave sports a starring role. Why? Very few people DVR sports events.
ABC made the point explicit with a message on a wide video screen: “Your DVR can’t handle live.”
“We’re obsessed with trying to eventize everything we can – even episodes of our scripted shows,” said Robert Greenblatt, NBC’s entertainment chief.
“It’s about the urgency to view,” said Fox’s Kevin Reilly.
When Lucy and Desi went live to tape in the 1950s, the audience revolved around the celebrity’s schedule. Now, with the power of recording in the hands of the viewers, the networks are scrambling to get their celebrities ready for something TV actors haven’t needed to do in a long time: Go live.
Reality TV changed the way networks styled television in the early 2000s. Now, social media is changing the way networks market their product. Being a part of the “cultural conversation” is paramount; unfortunately, it also means a steady diet of imitation and near-naked chicks, as Bauder’s quick quiz illustrates:
Which of the following lines was NOT uttered at a network presentation last week:
A) “A lot of people called `Battlestar Galactica’ one of the best shows ever.”
B) “This series is `Game of Thrones’ meets `The Borgias’ meets `The Bible.’”
C) “We have two hours of bloody, sexy drama.”
D) “Some of our new shows will disappear before you even realize they’re on the air.”
If you answered anything other than D, then you have something to learn about the atmosphere of hype and hope that accompanies this week every year.
Can the Big Three really compete with streaming services like Netflix who are willing to invest in original programming and dish it out in an a la carte fashion? Or, will the thrill and nostalgia of live television force even the most radical of new service providers to push the Internet to its streaming capacity?
You don’t normally think “cultural commentary” when you watch a Paul McCartney video. But, with his latest video release for the song Appreciate, the septuagenarian King of Rock continues to pull new tricks from up his sleeve. This time, a catchy song and dance number transcends the usual McCartney fantasyland, providing some smart commentary on human culture in an increasingly technological environment. In McCartney’s museum, the humans doing everyday things are the displays to be studied by a robot known as “Newman”. An artistic interpretation of left and right brain segments is displayed as McCartney walks this New Man (get it?) through the exhibit, counselling him on human behavior and how to groove. By the end of the video, even the humans are getting into the act, dropping their technological fancies in favor of dancing to the beat.
The robot itself shouldn’t come as a surprise to hardcore McCartney fans. Back in October, when he graced the cover of Rolling Stone McCartney commented on visions of a robot, possibly influenced by one of his favorite stories shared with his 10 year old daughter, Beatrice, is The Iron Giant. In press for the video’s release, McCartney commented:
“I woke up one morning with an image in my head of me standing with a large robot. I thought it might be something that could be used for the cover of my album ‘NEW,’ but instead the idea turned out to be for my music video for ‘Appreciate’. Together with the people who had done the puppetry for the worldwide hit ‘War Horse,’ we developed the robot who became Newman.”
Having developed a keen interest in filmmaking when he was still one of the Beatles, McCartney has come a long way with his films from his first directorial foray, 1967′s Magical Mystery Tour. Far from the acid-induced country bus tour, Appreciate provides an up-tempo perspective on the 21st century from the guy who, not long ago, was singing about his Ever Present Past.
Yet it isn’t Microsoft that’s keeping Macca relevant among Generation Hashtag; cultural commentary aside, McCartney still knows how to rock a beat. Dubbed a “remarkable album” by POPMatters, NEW was ranked the 4th best album of 2013 by Rolling Stone. Transcending the pop fluff that perpetuated so many of his hits in the 70′s and 80′s, McCartney has entered a new era as much motivated by experimentation as reflection.
McCartney is set to tour with Newman in Japan. Perhaps a Godzilla mashup is already in the works.
CNN reports on Eretz Nehederet, Marcus’s first creation.
Omri Marcus is the #1 TV Geek you’ve never heard of. An Israeli journalist-turned-hit TV comedy writer, Marcus made it big thanks to his scientific understanding of comedy, a theory he delves into in a recent interview with Tablet magazine. The dialogue provides a fascinating look at Israeli television, an industry still cutting its teeth thanks to decades of gross nationalization. Until the introduction of foreign channels, the country lived off of one government-run station that began broadcasting in 1968. Color transmissions, a topic of great bureaucratic battles, didn’t begin until 1983. Hitting the industry on the cusp of change, Marcus, 34, helped launch the nation’s greatest comedy hit Eretz Nehederet (This Wonderful Country – think: SNL meets The Daily Show) from a hall closet next to a ladies’ bathroom. Now he’s sought out by TV execs around the globe.
Not ironically (he is a comedian, after all) Marcus made a funny observation about the one thing all TV writers’ rooms have in common:
“One of the best things about my work is that I’ve been to so many writer’s rooms all around the world and they’re basically the same anywhere,” Marcus said. “They are all dominated by a group of neurotic Jews. You know, my dream is to create the world’s largest Jewish writers’ room: German Jews and British Jews and American Jews and Israelis, all sitting together and writing jokes about how they’re not getting laid.”
So, do Jews run TV? Not quite:
“The fact that the world is this global village allows you to reduce the risks in making TV,” Marcus said. “You learn a lot from other countries, and we are all, after all, just storytellers. The stories we tell may differ in details, but they should all be appealing, with well-crafted characters, leaving viewers feeling as if they’ve spent their time wisely watching your show. By learning from each other, we’re able to create great, longer-lasting, and more meaningful content.”
Along with developing a rather scientific dating game involving Google glasses, the Huff-Po contributor maintains BizarreTV, a Facebook page where he chronicles the strangest television shows he’s encountered around the globe. My personal favorite is While You Were Sleeping:
How would you feel if you woke up in the middle of the night and discovered that you’re in the middle of a TV game show? ‘While You Were Sleeping’ is the first game show that gives you money while you’re fast asleep! In each episode one couple plays for a chance to win a cash prize. The twist – only one partner knows what’s going on! To stay in the game they must answer the trivia questions correctly, or risk performing a crazy and hilarious challenge – without waking up their partner!
Other shows featured include The Shower, in which contestants sing in the shower before a live studio audience, Guys in Disguise, a dating show that requires a woman to choose from 2 secret admirers dressed in bizarre costumes and I Wanna Marry “Harry” a new FOX dating game featuring a Prince Harry lookalike.
Currently working under an exclusive, multi-year deal with European media conglomerate ProSieben, chances are Marcus’s shows will be hitting American shores for decades to come.
Or, as Anthony Ha says, “There’s An Upcoming TV Show Called Selfie And I Hate Everything About It“:
Executive: God, I hate millennials.
Showrunner: Yeah, but they’d totally watch a show called Selfie.
Executive: A show … about taking photos?
Showrunner: No no no, that’s just hook, see? It’s really a way to talk about our modern condition as a technological society.
Executive: Forget millennials, I hate you.
Showrunner: (quickly) Not as a serious drama. As a comedy.
Executive: Really? How many jokes can you tell about … whatever the hell they’re called?
Showrunner: That’s the beauty of it. You don’t need jokes, because technology is inherently funny. We’ll just throw in lots of smartphone screenshots and random buzzwords like “Insta-famous” and “oh-em-gee” and the kids will laugh and laugh. You won’t have to hire any actual writers!
One of the funniest (fictional) prospective pitch dialogues I’ve read in a while, Ha’s attack on ABC’s horrible (and horribly over-promoted) new sitcom for the fall is only one of the many signs that Selfie promises to be about as big of a hit as Viva Laughlin, the CBS non-starter based on a BBC series titled Blackpool. But hey, two episodes is better than nothing, right? And in the words of The Soup‘s Joel McHale, “Why would you cancel that? We need that.” After all, a millennial non-starter pilot that rips off one of the most popular classic movies of all time does make great material for those of us who prefer to MST our TV shows.
The real loser in this is Karen Gillan, formerly of Doctor Who, now the “Eliza Doolittle” of Selfie, who will be yet another reminder to British actors (alongside Downton‘s Dan Stevens and Call the Midwife‘s Jessica Raine) that Hollywood plays a totally different game than does the BBC. I doubt that even the Doctor could save this network bomb.
Joel Hodgson, on the other hand….(watch video on next page)
What is wrong with my children? Why won’t they let me completely immerse myself in their lives?!
Beverly Goldberg, The Goldbergs
Last week, my husband and I fell over laughing at the best line in the entire first season of ABC’s The Goldbergs. Just renewed for a second season, the autobiographical series created by Adam F. Goldberg (no relation) features, in his own words, “the orginial sMother” Beverly Goldberg, archetype of Jewish moms the world over. In his comic genius (complemented by Wendi McLendon-Covey’s masterful performance) Goldberg has managed to take a figure much-maligned over the past few decades and craft her into a clan leader who is as lovable as she is obnoxious. With her ballsy, brash bravado, Beverly is the living, breathing Jewishness in a show otherwise lacking in Jewish culture. For The Goldbergs, Jewish is not about kashrut, holidays or simchas; it is about a mother who smothers her children with equal parts love, confidence, and overprotection.
Thanks to Freud and Friedan, Jewish moms have taken a beating over the past few decades. Friedan used her own mother’s discontent with being a housewife as the impetus for her brutal criticisms of motherhood and housewifery, going so far as to describe the latter using Holocaust imagery. What Friedan failed to note early on was the antisemitic influence on her mother’s behavior. Not only was her educated mother forced to become a housewife the minute she married, she was also the victim of lifelong antisemitic prejudice. This attitude, something internalized by both mother and daughter, would later come out in brute force through Friedan’s feminist critiques of the Jewish mother. It was a position that Friedan would eventually come to regret. According to historian Joyce Antler:
…in later life [Friedan] has joined the modern aspirations of feminism with the popular emblems of her Jewish heritage, understanding that the myth of a controlling, aggressive Jewish mother has been as dangerous to the self-esteem of Jewish women (including her own) as the earlier “feminine mystique” was to all women.
The real-life Beverly Goldberg views her son’s television show as a “validation of everything she’s ever done.” I’d take her observation a step further; I believe Adam F. Goldberg’s seemingly simple, humorous portrayal of “the original sMother” is a much-needed cultural validation of the Jewish mother figure at large. Beverly Goldberg may not have the zaftig figure of her televisual predecessor Molly, but she has a zaftig heart, one that infuses the kind of family love into a sitcom setting that hasn’t existed since the Huxtables went off the air. In the midst of intense cultural debates on the value and future of motherhood, Beverly Goldberg’s intense devotion, undivided attention, and proclivity for jaws-of-life hugs are refreshing.
Happy sMother’s Day to Jewish moms around the globe. Just please remember to let your kids come up for air once in a while.
The Introduction to Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
Part 1: The Mask of Marxism
Part 3: Who Needs a Brain?
Part 4: Are Conservatives Cowards?
“The August 1991 coup in Moscow collapsed three days after it had started, providing the ultimate, ironic proof that nothing, not even a coup, could succeed any more in a society whose vital arteries had been calcified by 70 years of disinformation and dismal feudalism. The main loser was the Communist Party.”
– Lt. Gen. Ion Mihai Pacepa
Both the Democrat and Republican parties have been disinformed by Marxism. The Liberal wing of the Democrat Party has been duped into putting their faith in Marxism’s many forms (socialism, economic determinism, progressivism), while the Republican Party has legitimized Marxism as a form of party politics instead of a murderous, atheistic religion that empowers despots. The Conservative movement, by and large, is slow to recognize Marxism’s true nature, because we are a nation that has been drugged by Disinformation. Pacepa continues:
At the end of the 2001 summit meeting held in Slovenia, President George W. Bush said: “I looked the man [Putin] in the eye. I found him to be very straightforward and trustworthy.” Unfortunately, even President Bush was deceived by disinformation. Putin consolidated Russia into an intelligence dictatorship, not a democracy. During the Cold War, the KGB was a state within a state. Under Putin, the KGB, rechristened the FSB, is the state. Three years after Putin enthroned himself in the Kremlin, some 6,000 former officers of the KGB—that organization responsible for having slaughtered at least 20 million people in the Soviet Union alone—were running Russia’s federal and local governments.
…Is it too far-fetched to suggest that this new Russia calls up the hypothetical image of a postwar Germany being run by former Gestapo officers, who reinstate Hitler’s “Deutschland Über Alles” as national anthem, call the demise of Nazi Germany a “national tragedy on an enormous scale,” and invade a neighboring country, perhaps Poland, the way Hitler set off World War II?
That is the secret power of disinformation.
Pacepa share these thoughts with me mere weeks before the Ukranian revolution and secession of the Crimea to Putin’s Russia. Disinformation is wielding its power on the American homefront as well. In his critique of Thomas Piketty’s new book Capital in the Twenty-First Century, David Brooks embraces Piketty’s idea of a tax on the wealthy’s investment capital in order to create intellectual equality among the classes:
Think of how much more affordable fine art would be. Think of how much more equal the upper class would be.
His musings aren’t that far off from those of Russian intellectuals, who are “making do” with their government’s clampdown on free media and the right to protest. In exchange for their rights, these Russians whose intellectual arteries have been “calcified by disinformation” are being doted upon by their increasingly despotic government:
All sorts of entertainment is being lavished on Russia’s hipsters. Their favorite public parks have splashy, beautifully designed restaurants and clubs, comfortable biking areas and luxurious places to chill. Sanctions or not, Fedoseyev’s friends can still dine out at restaurants full of expats, take shopping trips to Milan, or buy their electronic gadgets online. Fashion Week this weekend was another party blooming with charming models and celebrities; the usual hipsters clubs, Solianka, Simachev, Oldich Dress and Drink or Strelka, felt as cuddly and crowded as ever.
To paraphrase Brooks, it would seem that the fine art is quite affordable in Russia these days. Like junkies seeking a quick fix, Russian intellectuals pursue disinformation at the expense of their freedom. Is Brooks suggesting we do the same, or have we already succumbed to the addiction? In either case, what we need to know now is: What is the antidote to disinformation?
In an entry titled, “Christian women: feminism is not your friend” published on his popular Matt Walsh Blog in April, the conservative Christian commentator concluded that Christian “women (and men)” needed to stop identifying with feminism because the movement is essentially all about abortion.
Embracing the stereotypical liberal definition of feminism as a movement dedicated to starting and waging the War on Women, Walsh discussed the feminist fight for equality:
This is a pretty convincing indication that feminism has, at the very least, outlived its good. There is nothing surprising about that, because feminism, unlike Christianity, is a human construct. It’s an ideology. It’s a political theory. It’s a label. It is not eternal, it is not perfect (there’s the understatement of the decade), and it is not indispensable.
Feminism, like ‘liberalism,’ like ‘conservativism,’ like the Republican Party, like the Democrat Party, is a finite thing that exists and serves a certain purpose in a certain set of circumstances. When the times change, and the circumstances change, it will either die or its purpose will change.
Walsh then dug into medieval history, noting that women were given “equal standing” in certain English trade guilds in the Middle Ages, contrary to the following:
“The fact that guilds seldom permitted women to become masters did in the end relegate them to the least-skilled and certainly least-remunerative aspects of the trade”. This statement shows that the fact that women were not openly admitted to the professional guilds led to the downfall of the woman’s status as a worker during this time period. Since “[m]ale masters displayed no eagerness to train young women, and with few or no women recognized as masters, the guilds did contribute to the narrowing opportunity for women”.
Along with neglecting these facts, Walsh also did not note that neither the Christian Church, nor political leaders who identified with Christianity, demanded that equal professional or political rights be given to women (let alone non-Christians) on either side of the Atlantic.
Editor’s Note: The meaning of the word “feminist” changes each generation. A term that once applied to women fighting for the right to vote and for stronger laws against rape has now been commandeered by progressive activists who want to force religious taxpayers to pay for abortions and contraception under a single-payer government healthcare plan. Where once feminists fought for the right to legally use birth control pills, now today’s so-called feminists demand that they’re being oppressed if the government does not subsidize their sex life. This has led a number of people to make the mistake that feminism itself is the problem, rather than the toxic blend of Marxism and Postmodernism that has hijacked it.
Susan L.M. Goldberg rebels against this — having to do battle with both feminists and the conservatives who misdiagnose the nature of their enemies. For almost a year now Susan has been writing incredible culture critiques taking the rhetorical ferocity of her hero Ann Coulter into the realm of Hannah Horvath, Miley Cyrus, and the angry bloggers of Jezebel. With her Jewish understanding of culture and history Susan interprets modern day feminism in the context of ancient goddess worship:
“As the western world embraced and assimilated what is essentially Biblical Hebraism, adopting a biblical faith in a Messiah and melding pagan practices with adherence to the cultural norms of ancient Israel known as ‘commandments,’ we grew as a society. We overcame disease, poverty, and ignorance in many areas of life. Not ironically, the same forces that demand we turn away from our biblical foundation have also managed to plunge us into a neo-Dark Age. Modern medicine now faces new plagues, radical governments threaten new poverty, and ignorance is more rampant than ever. Nowhere is this more clearly seen than in the popular branding of Girls as a show that empowers women.”
The Bible is a feminist document — but one can only comprehend that by understanding what women really experienced in the world that existed before it. Susan is doing a fantastic job showing how the ancient world has reemerged in our postmodern age. Stay tuned for more collections of her writings soon. In the meantime, please also check out the previous best-of collections published: 10 of Chris Queen’s Greatest Hits, 10 of Walter Hudson’s Greatest Hits, 10 of Hannah Sternberg’s Greatest Hits, and 10 of Kathy Shaidle’s Greatest Hits. For more great articles, also check out the list of PJ Lifestyle’s Top 50 List Articles of 2013. - Dave Swindle
March 13, 2013
June 6, 2013:
June 16, 2013:
August 13, 2013:
August 25, 2013:
7. Five Uncomfortable Truths About Girls: How Modern Feminism Returned Us to the Chains of Ancient Paganism
November 20, 2013:
August 28, 2013:
November 11, 2013:
The Introduction to Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
Part 1: The Mask of Marxism
Part 3: Who Needs a Brain?
Our well-meaning conservatives do not seem to know that today’s socialism is just an undercover form of Marxism.
Lt. Gen. Ion Mihai Pacepa
Our ongoing conversation focused on the Right Wing reaction, or lack thereof, to Marxism on the Left, to which Pacepa commented:
A few conservative commentators, like Sean Hannity, Glenn Beck and Rush Limbaugh, and PJ Media writers who deeply understand Marxism (Roger Simon, Ron Radosh, Michael Ledeen and Victor Hanson are just a few) have warned that Marxism is infecting the country and the Whistleblower, a small but courageous magazine, dedicated a whole issue to “Marxism in America .” But neither the Republican Party nor the Tea Party has even mentioned the danger of Marxism. Why?
Many people, even some on the right – especially those with something to lose, such as re-election or position, or popularity, or money – are simply intimidated by the left, and especially by our idiotic and treacherous “mainstream” news media.
While Ann Coulter would probably agree, at least to a certain extent, with Kupelian’s explanation, fear of being Palin’d (or is it Couric’d?) isn’t enough of an explanation. We still live in a free market economy with free access to alternative media outlets. The problem isn’t just ego, as Pacepa explains, it’s also ineffective P.R.:
…I would only mention that most American youths are fascinated by Marx’s utopian ”to each according to his need.” They are also galvanized by the prospect that the Democratic Party can force rich Americans to pay a part of their own health care, mortgages, loans and school tuition, and it seems that the Republican Party does not know how to handle this new generation.
This is partly because the Republican Party approaches Marxist channels as legitimate political entities instead of fronts being used to launder dangerously corrupt ideology:
Soviet communism has been regarded, both in the West and within its own borders, as a form of government that, although dictatorial, ruled the country through a political party and based its decisions on a political ideology. Only a handful of people working in extremely close proximity to the Soviet and East European rulers knew that after Lenin died his Communist Party gradually became irrelevant.
To the Soviet intelligence bigwigs of Pacepa’s era, “the Communist Party was nothing but a ‘yakkity-yak,’ a place where people sat around beating their gums.” The same goes for many of the pro-Marxist outlets today. How many on the Right of the political spectrum have found their comfort zone in the “yakkity-yak” of party politics? Not that long ago I observed:
Politics may be a popularity contest, but pundits like Glenn Beck shouldn’t have to tell the American public about Cloward and Piven, nor would they have to if you’d stop giving into lunatic liberal logic in favor of a seat at the cool table in the Capitol cafeteria.
Pairing that observation with Pacepa’s knowledge leads to the question: Has the Right (Republicans/Conservatives/Tea Partiers/et. al.), along with the rest of America, been collectively drugged into political irrelevance by generations of Marxist Disinformation?
“You need to have a good mood. Good family, good children, good work, and then you’ll be happy,” he added. “You need to be a sociable person. I love and respect all people. After what happened to me, I don’t only value my own life more, but I deeply value the lives of all human beings. It’s very important to have good company and good friends. I view everything with optimism, it’s very important.”
As a grandchild of a survivor, I’ve always had a special interest in Holocaust studies. I have read many memoirs and attended numerous classes on the subject. But, from the very first class in a small Israeli school in the suburbs of Afula, to the courses I attended in a large North American university — I had always felt that something I had learned from my Grandfather was missing from these lectures.
For years, I had trouble pinning down that missing piece. It frightens me that my grandfather’s gift may have been lost all together: No one would have known that there once lived a man named Srulik Ackerman, who challenged our understanding of human nature, and with that, could bring hope in even the darkest of times.
…after just a few minutes with my Grandpa you would see the mystery that had perplexed me for so many years. The first thing that would strike you would be his wide, welcoming smile. Grandpa smiled and laughed more than anyone I knew. He took every opportunity to tell jokes and bring joy to others. Without a doubt, Grandpa was the happiest person that I had ever met.
How was that possible? I spent two years writing his memoir, hoping to discover his secret. But, even after the book was complete, I still had no idea what gave him such unparalleled resilience.
So, I decided to ask him directly. “How do stay happy on a daily basis?” I asked during one of our conversations.
Do yourself and your kids a favor: Get to know a Holocaust survivor so you, too, and your children can understand how a human being can survive and thrive in the face of death. There aren’t many survivors left, but there are countless resources through which you can interact with their thoughts and experiences. Tomorrow, the United States Holocaust Museum is sponsoring a Google+ Hangout with Holocaust survivors specifically geared towards school-aged children. Take advantage of this opportunity to get to know the real “secret” to happiness.
And don’t forget to thank them for sharing it.
Warning: Not Safe for Work (profanity)
In his new HBO series Silicon Valley, Mike Judge turns his cutting sarcasm on the wunderkind of Silicon Valley, issuing awesome commentary on 21st century masculinity.
Thomas Middleditch portrays Richard Hendricks, a developer who creates a miracle algorithm with revolutionary file compression capabilities. He is the anti-Don Draper: a skinny, nervous twenty-something dressed in cargo pants and a hoodie; Hendricks is the lost member of the Big Bang Theory click. He lives with two other computer geeks in “the incubator,” a house owned by the overtly obnoxious yet humorous Erlich Bachmann (hysterically portrayed by T.J. Miller), whose app, Aviato, has turned him into one of the many tech venture capitalists in Palo Alto.
Hendricks turns down a 10 million dollar offer from his tech guru boss Gavin Belson, owner of the fictional Google-ripoff “Hooli,” who is anxious to purchase the miracle algorithm. Instead, Hendricks elects to accept eccentric investor Peter Gregory’s offer of $200,000 for 5% of his start-up company, Pied Piper. It’s the best argument for capitalism and small business being made on television today. In electing to start his own business instead of running with the cash, Hendricks inspires his fellow nerds and is forced into maturity. Within the first three episodes he transitions from panic attacks to developing a business plan and entering his first series of negotiations.
With his 1999 hit Office Space, Judge issued a powerful statement about the death of masculinity in the corporate world. With Silicon Valley, his declaration is refined into a statement about how the free market can be used to empower men — primarily nerdy white guys and the Asians who hang with them. In the first episode, Hendricks declares:
Look guys, for thousands of years, guys like us have gotten the sh*t kicked out of us. But now, for the first time, we are living in an era where we can be in charge and build empires. We could be the Vikings of our day.
Judge also takes sharp jabs at the men who propagate corporate culture. Hooli’s Gavin Belson is a “global”-minded laughable yuppie with a Messiah complex who is “committed to social justice” and keeps a “guru” around to remind him how wonderful and unique he is. “If we can make your audio and video files smaller, we can make cancer smaller,” he proclaims as he races to compete with Pied Piper’s formidable nerds.
It will be interesting to see how women are treated within the show. In episode 3, Bachmann (who wears a shirt that reads “I know H.T.M.L.: How To Meet Ladies”) orders up an exotic dancer as a “gift” to reward the Pied Piper crew. The guys retreat to the kitchen, anxious to avoid an awkward scene. The one guy who she manages to trap declares his love for her, and is later found hanging out at the dancer’s home… playing video games with her children.
The series is peppered with Judge’s raunchy humor, but unlike Family Guy it is relatively sparse and works to advance instead of interrupt the story. The Big Bang Theory may have ushered in the era of the nerd, but Silicon Valley is taking America’s love affair with geeky guys and masculinity to a newer, deeper, and much-needed level of respect.
Hiding the ugly face of Marxism has become a real science.
– Lt. Gen. Ion Mihai Pacepa
We get it: Intellectuals who fall to the Left of the political spectrum dig Marx. Cultural critics like Ben Shapiro and Ben Stein have already made the excellent argument that academia is ideologically corrupted by said intellectuals, arguments that can be backed up by practically every conservative college graduate in the country. Now the focus has turned to public education, specifically the battle over Common Core Curriculum Standards (CCCS). You know what I’m talking about: Those crazy grammar assignments or math problems-cum-memes that pepper your Facebook and Twitter feed, usually accompanied by sarcastic comments like “Common Core is making me stupider.”
From a governmental point of view, Obama’s CCCS look like Bush’s No Child Left Behind on steroids: high-impact grant funding legislation that increases federal influence at the local level. Public school districts must report boatloads of data showing quantifiable achievements if they are to be rewarded with government funds. Many Americans doubt that a quality education can be quantified, but as Stalin was fond of saying: “Bureaucracy is the price we pay for impartiality.”
Which brings to mind Pacepa’s remark:
After the Kremlin expelled Romania’s King and declared the country a Popular Republic, the new government nationalized the school system, and decided to create its own type of intellectual — the “new man”.
Romania had its intellectuals before the Revolution. Most fled to Western Europe with death sentences hanging over their heads, still more wound up in gulags, and yet others elected to support the communist regime. A new generation of intellectuals would grow up behind the Iron Curtain, cultivating a subculture all their own filled with bootleg records and western media. They’d take menial bureaucratic jobs that would give them enough time to think and write – secretly of course – and maintain the culture their government denied them. Today’s Russian intellectuals have inherited the complacency of their parents’ generation, willing to “make do” as the government clamps down on free speech. It would seem, as Pacepa puts it, that their “vital arteries [have] been calcified by 70 years of disinformation and dismal feudalism.”
The harsh reality is that most citizens of the former Soviet Union do not know how to defend freedom because they’ve been educated to live without it. As the Wizard so kindly explained, the Scarecrow didn’t need a brain; he needed his intelligence to be quantified through a degree conferred by an authoritative source. This doesn’t mean that public education is a sham; on the contrary, this should illustrate how powerful an education can be in the hands of the educators as well as the minds of the educated.
We’ve discussed Marxist influences in our contemporary culture, but do we have the courage to confront Marxism in our daily discourse? Stay tuned for the next installment of Pacepa’s Seeds of Knowledge.
Most East European governments concealed their road to Communism by posting innocuous nameplates at the door, such as People’s Republic or Popular Republic.
Lt. Gen. Ion Mihai Pacepa
“People’s Republic” is such a chummy term. In fact, Marxism in general, with all it’s “redistribution of wealth” sounds so compassionate, at least to a Western, Judeo-Christianized mind. A Chinese mind familiar with Mao’s Great Leap Forward, for instance, may have a different take on the benevolent-sounding idea of a “People’s Republic” given the facts:
“State retribution for tiny thefts, such as stealing a potato, even by a child, would include being tied up and thrown into a pond; parents were forced to bury their children alive or were doused in excrement and urine, others were set alight, or had a nose or ear cut off. One record shows how a man was branded with hot metal. People were forced to work naked in the middle of winter; 80 per cent of all the villagers in one region of a quarter of a million Chinese were banned from the official canteen because they were too old or ill to be effective workers, so were deliberately starved to death.”
Mao couldn’t lie his way past a free press in the West. Nor could Khruschev, as Pacepa explains,
The 1963 missile crisis generated by socialist Cuba gave the socialist mask of Marxism a dirty name in the West, and few Marxists wanted to be openly associated with socialism anymore.
But, socialism is still hot. China is still The People’s Republic and “we’re all socialists now,” right? The last installment ended with the question: How have intellectual Wizards manipulated Marxism to acculturate the American mind leftward? Pacepa answers:
[Marxists] therefore began hiding their Marxism under a new cover called “economic determinism,” …a theory of survival rooted in Marx’s Manifesto (another theory of survival), but it pretends that the economic organization of a society, not the socialist class war and the socialist redistribution of wealth, determines the nature of all other aspects of its life.
When economic determinism lost credibility because of the devastating economic crisis in Greece, our Democratic Party began replacing it with “progressivism,” which has become the latest cover name for Marxism. …Today’s Progressive Movement was born in New York’s Zuccotti Park. It was first known as the “Occupy Wall Street” movement, which advocated the abolition of “capitalist America.”
Marxists in the West successfully propagate progressivism under the guise of “social justice“ that demands the redistribution of wealth to the less fortunate. Ironically, most people of the Judeo-Christian West accept this Marxist notion out of the goodness of their hearts. However, putting faith in the Marxist lie that human beings don’t have a heart (and therefore are incapable of compassionate decision making) requires handing over all financial power to the Marxist Wizards who proceed to dole out your funds as they see fit.
This speaks to the heart of the question, but how have the Marxist Wizards rendered us so seemingly brainless?
David, in your last response in our ongoing dialogue about Lisa De Pasquale’s new book Finding Mr. Righteous, you cited another disturbing passage from the book (shown above) and paired it with some of your own relationship experiences:
Some of the women I dated would shift the foreplay into one disturbing realm or another, either incorporating pain and degradation into how they treated me or requesting I act that way toward them. Never was it just “for fun” or “to be kinky” or to “spice things up”– always behind these outward expressions some inner emotional wounds ached, unhealed by a spiritual practice.
Or rather, as it turns out, the sex and the pain was their substitute for a religion. …The main takeaway that I’ve gotten from Paglia, supplemented by additional reading from books like A History of Sexual Customs and James C. Bennett and Michael Lotus’s America 3.0, is that throughout human history the Judeo-Christian conception of monogamous marriage is actually the “deviant,” unnatural way to live. History shows that the more “normal” way for both men and women to treat each other is the same way animals do in the wild — as disposable meat. Humans’ default setting is not to love just one person forever. When we do we are rising above our nature; do I go too far that Love itself is not natural?
David, I must congratulate you on your epiphany. You have discovered a truth that many in the mainstream Bible-believing sphere have tried to avoid for years: Those who put their faith in the Bible are the cultural deviants. How hilarious is it that a self-proclaimed atheist can state this so clearly? Then again, one of the reasons Paglia has been blacklisted by liberals is that she is so willing to discuss the difference between pagan and Godly behaviors. Liberals, especially the Marxists in the bunch, long ago learned that it’s much easier to behave badly when you do it under the guise of being Godly. In this case, Paglia’s too honest for her own good.
Editor’s Note: See the introduction to this series here: Pacepa’s Seeds of Knowledge: Starting Down the Yellow Brick Road…
“Seen through the perspective of history, Marxism was actually such a raw, ill-defined and malleable philosophy that one could make of it whatever one wished.”
- Lt. Gen. Ion Mihai Pacepa
For Lenin, Marxism was a tool to enact his own version of the Russian autocracy his Communist Party claimed to destroy. Lenin exercised his autocratic power in much the same way as the Czars: through his own secret police, the Cheka. “Lenin’s new political police was the fastest expanding Soviet organization after the Revolution: it had started out with only 23 men, but within a couple of years it had numbered over 200,000 employees.”
Stalin, who had grown up under the watchful eye of the Czar’s secret police, was so acculturated to the concept that he embraced it with full fervor, crafting Lenin’s brigade into the GPU, a secret police force answerable only to Stalin himself. The GPU deported Trotsky. Re-christened the OGPU, it weeded out Lenin’s Bolshevik party. Then, re-named the NKVD, the secret police force liquidated the Red Army and Supreme Military Council. 3 name changes and 7 million lives later, the NKVD (later to be re-named ”KGB”) secured a firm stranglehold on Soviet Russia. Yet Stalin, adored by his people, remained above the fray, the “Little Father” to his people, thanks to the disinformation campaign mounted and executed by the intelligence wing of the NKVD.
The malleability of Marxism explains why, despite mounds of physical evidence, Marxist ideology is still ardently defended by those who claim to be Marxists, but who haven’t had the “privilege” of living under Marxist rule. An architectural plan can look great on paper to an unskilled eye. The most ardent voices who speak out against Marxist regimes are the ones who’ve had the unfortunate experience of living under them. They’re the skilled eyes who can easily tell that the blueprints will generate a crumbling structure.
If acculturation is the key to an individual’s interpretation of Marx, it is easy to understand why Marxism is so popular among the young upper-classes who have never struggled, nor suffered economically. It’s easy to be a Marxist when you’ve got the latest smartphone and can Tweet out your wants, needs, and location of the nearest FedEx where you can pick them up. It becomes harder to defend the philosophy when you’re living under the autocratic ruler who you empowered, whose government and economy have rendered technology unaffordable and/or unaccessible, and who has stripped your town of its grain and redistributed it to more productive, and therefore more worthy, citizens.
So, what of this side of the globe where Marxism walked down the yellow brick road of liberalism? How have intellectual Wizards manipulated Marxism to acculturate the American mind leftward? Stay tuned for the next seed of knowledge from Pacepa.
Pilot Episode, Scarecrow & Mrs. King (1983)
I dig spy movies. TV shows, too. Most kids growing up in the last decade before the fall of the Berlin Wall have fond memories of their first TV heroine being Jem or She-Ra. Mine was Amanda King. At 8 years old I wanted to partner up with an ultra-cool spy like Scarecrow (code named as a member of the Oz Network - as in Wizard of) and take down the Evil Empire in our midst. So, of course, when my editor Dave Swindle approached me with the opportunity to partner up with KGB defector Lt. Gen. Ion Mihai Pacepa for a little intelligence gathering, how could I refuse?
Pacepa’s latest book, Disinformation reads like a Russian epic. The chronicle of facts detailing the Soviet disinformation campaign that disarmed American intellectual, political and academic circles over the course of the 20th century should be a must-read in any conservative’s common core. Having relied on it heavily for my PJ Lifestyle series on the Intellectual Love Affair with Marxism, I finished the book wanting to understand exactly where America is at on the road to socialism, and if the facts fit, why so many conservative outlets hesitated to give Pacepa’s book the time of day. So, I began my interview with 15 questions; a few weeks later Pacepa sent me a 12 page reply to the first question on the list. Tolstoy would’ve been proud. ”I’m out of touch with this generation… you speak their language,” he commented rather poetically. He also gave me an assignment: to decode his knowledge into what the Dude would call “the parlance of our times.”
Like Jay Carney, I have an affinity for the Soviet spectrum. Unlike Jay Carney, the goal of my interest is to avoid becoming a citizen of the next socialist empire to tear apart the globe. So, in the interest of achieving that goal, I seek out primary sources who can give me real information on the warning signs that appear within a culture whose political and popular leadership are driving them dangerously close to the brink of socialism with the goal of autocracy in mind.
The prophet said, “Stop at the crossroads and look around. Ask for the old, godly way, and walk in it. Travel its path, and you will find rest for your souls.” God has designed a path; we choose to walk down it and eventually realize what we’ve been preparing for all along. My path began in front of a TV and wound up here, in front of a screen that connects millions today with seemingly ancient truths. I invite you now to walk this yellow brick road with me as we study Pacepa’s seeds of truth and, perhaps, get a chance to plant a few of our own so that we can all find the rest we so desperately need.
Editor’s Note: “Part 1: The Mask of Marxism” is scheduled for Monday at 8:00 PST.
Obama’s Press Secretary Jay Carney recently had his home featured in Washington Mom. The typical chummy photo spread revealed what we already knew: Carney is a yuppie.
Considering Obama’s Marxist roots, hippie leanings, and wife’s penchant for designer everything, the revelation that he works with yuppies should come as no surprise. After all, he is the king of the yuppies – er – President, at least.
Soviet propaganda-turned-art isn’t hard to find for sale on the Internet. Hipsters, the love children of Yuppies, have been equally delighted by the graphic design and amused by the slogans for years. It’s far easier to appreciate Soviet art than to tackle the monster of socialist ideology that stifled the Russian intelligentsia for nearly 8 decades.
In a related story, Russia’s hipsters are fearing for their own modicum of intellectual freedom. The Daily Beast reports that as a result of the potential conflict with Ukraine:
The authorities already have closed media outlets, attacked pro-Western theaters and cinemas and adopted laws aimed against any alternative opinions. Invading the rest of Ukraine would turn Russia into a real fortress under siege. That would mean more of [one hipster's] friends fleeing the country or jumping into what’s called “inner immigration,” the life inside a small circle of people keeping distant from the country’s political flow; remaining liberals but keeping their opinion quiet.
…Every day, the free media sphere shrinks, leaving those who two years ago rallied in freezing wind on Moscow’s squares without any information, today, that they can trust. According to a law adopted last week, repeated arrests at protests that haven’t been given permits are punishable by a jail term now, not just a fine.
“On seeing activists sentenced to jail terms, many decided they were not ready to pay that high a price for fighting Putin,” Fedoseyev admitted. Russia without any free media or the right to protest is definitely going to be a more depressing place, but most hipsters speak foreign languages, and they can still read world news on the Web. They are beginning to make do. And the authorities are trying to make life fun for them.
“Fun” includes “beautifully designed” parks and clubs. If there’s one thing Carney’s photo shoot reminds us, it’s that socialist Russian oppression sure looks good. Heck, it can really tie a room – and a country – together.
Commentary has printed some brilliant feminist insights by Jonathan S. Tobin on Brandeis University’s refusal to award an honorary degree to Ayaan Hirsi Ali:
We have heard a great deal in the last couple of years from liberals about a “war on women” that was supposedly being waged by American conservatives. That meme played a crucial part in President Obama’s reelection and Democrats hope to repeat that success in this year’s midterms. Liberals have tried to mobilize American women to go to the polls to register outrage over the debate about forcing employers to pay for free contraception, a Paycheck Fairness Act that is more of a gift to trial lawyers than women, and attempts to limit abortions after 20 weeks. These are issues on which reasonable people may disagree, but what most liberals seem to have missed is the fact that there is a real war on women that is being waged elsewhere around the globe where Islamist forces are brutalizing and oppressing women in ways that make these Democratic talking points look trivial. It is that point that Hirsi Ali is trying to make in her public appearances.
But instead of rising in support of Hirsi Ali’s efforts to draw attention to these outrages, leading American feminists are silent. The only voices we’re hearing from the left are from men who are determined to justify Brandeis.
I recently commented on the nastiness that occurs when political passion jumps the shark into idol-worshiping territory. One need look no further for evidence as to how ugly and narrow-minded political idol worshipers can get than the quotes Tobin pulls from left-wing sources hellbent on defending Brandeis’s decision. A search of both Jezebel and Bitch Magazine websites turned up zip on the controversy, once again proving the theory that feminism really is all about white, upper class “rich” chicks and their pop culture fanaticism.
I stand before you as someone who is fighting for women’s and girls’ basic rights globally. And I stand before you as someone who is not afraid to ask difficult questions about the role of religion in that fight.
The connection between violence, particularly violence against women, and Islam is too clear to be ignored. We do no favors to students, faculty, nonbelievers and people of faith when we shut our eyes to this link, when we excuse rather than reflect.
The fact that the mainstream feminist movement has no use for Hirsi Ali’s brave fight for women’s rights should come as no surprise. Her global campaign against Female Genital Mutilation (FGM) and abuse of women within radical Islam is so far out of the realm of #FirstWorldProblem Feminism that it doesn’t even ping on their radar. Which is precisely why feminism is a joke and women continue to be the laughingstock whipping boys of Democrat men who keep them well oiled and distracted during election season before shoving them back under Oval Office desks where they belong. What can I say except submission sells.
Perhaps Muslim women aren’t the only ones who are being targeted and abused because of their gender after all.