America is celebrating The Beatles’ Jubilee. 50 years ago this year The Fab Four landed on this side of the Atlantic and the ’60s officially began. (At least, that is, according to PBS.) With the announcement that Paul McCartney and Ringo Starr, the two surviving Beatles, will reunite at the Grammys on January 26 and perform a concert to air on February 9, 50 years to the day of their Ed Sullivan premiere, it would seem that Beatlemania (unlike much of organized religion) is making a resurgence in pop culture. Think the Fab Four are so yesterday? Think again:
A 2009 Pew Research Center survey placed the Beatles in the top four favorite music acts of Americans ages 16 to 64 — suggesting the band that helped create the 1960s Generation Gap ultimately helped us come together. Perhaps that’s the Beatles’ greatest gift: music that can be shared not only across the universe, but across generational lines.
Imagine a mathematician trying to quantify each Beatles’ album with Martha Stewart-like graphics. Wait, you don’t have to, just check out one Millennial’s 4 Simple Charts Visualizing The Beatles’ Major Albums and you’ll find out that The Beatles aren’t just for rock n’rollers, they’re for nerds, too. ”A new project on Kickstarter aims to tap into the passion of teenyboppers young and old withVisualising the Beatles, a book of infographics about each of the Fab Four’s major records.” Seriously: If that doesn’t make you want to start a Revolution, nothing will.
Huff Po details A Comprehensive Guide to The Beatles’ Invasion of Comic Culture for Millennial comic fans:
“Thanks to a book by Enzo Gentile and Fabio Schiavo, appropriately titled “The Beatles in Comic Strips,” we’ve been enlightened on the Fab Four’s history of comic book appearances. From subtle cameos to entire issues, the group managed to squeeze their iconic faces and psychedelic style into more than a few works of comic art.”
In March, Vans will release four pairs of Beatles-themed shoes for their Millennial audience:
“The most expensive of the bunch, the Sk8-Hi Reissue, features stylized portraits of all four Beatles running up the ankles apropos to cartoon portraits of each as they were animated for the film. The other shoes each feature psychedelic tableaus from the film. The Classic Slip-Ons play off the movie’s Sea of Monsters, showing trippy marine life swimming in an ocean of pink. The Era shoes depict all four band members, some wearing rainbow pants, hanging out in a yellow garden. And the final pair, a model called Authentic, is adorned with a pattern that reads “Allyouneedislove” running over and over again and into itself in purple, yellow and green.”
She is an unabashed liberal. In a culture increasingly governed by Marxist Nomenklatura masking itself as “liberal”, conservatives should be bold enough to reclaim that much maligned political descriptor as one of our own. We are, after all, the ideological descendants of classical liberals, making the outspoken once Liberal Democrat, now Libertarian Camille Paglia the perfect match for contemporary politically conservative feminists.
Can’t possibly imagine the lady who, even when she smiles, gives you a look that says, “I know you’re full of s**t,” could possibly fit in the ranks of the right wing? Here are 10 reasons why you need to throw out the stereotypical baby with your lukewarm bathwater thinking and get hot for the fast-talking, heavy thinking, pop culture-loving Camille Paglia.
“The entire elite class now, in finance, in politics and so on, none of them have military service—hardly anyone, there are a few. But there is no prestige attached to it anymore. That is a recipe for disaster,” she says. “These people don’t think in military ways, so there’s this illusion out there that people are basically nice, people are basically kind, if we’re just nice and benevolent to everyone they’ll be nice too. They literally don’t have any sense of evil or criminality.”
“We need a revalorization of the trades that would allow students to enter [manual trades] without social prejudice (which often emanates from parents eager for the false cachet of an Ivy League sticker on the car). Among my students at art schools, for example, have been virtuoso woodworkers who were already earning income as craft furniture-makers. Artists should learn to see themselves as entrepreneurs.”
“…it is capitalism that ended the stranglehold of the hereditary aristocracies, raised the standard of living for most of the world and enabled the emancipation of women. The routine defamation of capitalism by armchair leftists in academe and the mainstream media has cut young artists and thinkers off from the authentic cultural energies of our time.”
“In my view, comparing the evidence of the 20th century, that socialism in a nation ultimately does lead to economic stagnation and eventually of the creative impulse, in terms of new technology and other things.”
Newest SNL actor Sasheer Zamata hosts a Girls walking tour of Brooklyn via Above Average. It’s a tight skit with a lot of great one liners like, ”Cafe Grumpy: It’s where Hannah works and they have a drink there called ‘The Hannah’ and…it’s an 8 dollar cup of coffee.” Funny enough, although the real humor in the sketch is that the black fan of a critically defined “all-white-girls” show is being portrayed by a talented black actress who was brought onto SNL to fulfill the critics’ affirmative action casting quota.
The sketch clashes with reality on another note: For many Brooklyn natives, the Girls have worn out their welcome. Citing an increase in obnoxious tourists seeking photographs of baristas at Cafe Grumpy, the New York Daily News reports:
“The booksellers at Spoonbill and Sugartown on Bedford Ave. are similarly perplexed by the influx of millennials who show up and recreate the show’s seminal kissing scene in the stacks.
…It gets worse. The show has even spawned its own guidebook — as if HBO’s “take hipsterism and add water” needed more explanation.
“The Unofficial Girls Guide to New York” invites struggling twentysomethings to “get to know New York the way the ‘Girls’ know it.”
But real New York “girls” aren’t buying it.
“I hate anything that puts a label on what we’re doing. I came here to live outside of the box, not in one,” says Johanna Hickey, 31, who works three jobs and lives in Greenpoint. ‘It pisses me off.’”
Spoken like a true New Yorker.
This week both critics and fans of Girls and Downton Abbey sounded off on the treatment of women on screen, highlighting the horrifying potential of 21st century feminist groupthink.
It all began on January 9 when TV critic Tim Molloy stepped in hot water by posing the following question to Lena Dunham:
I don’t get the purpose of all the nudity on the show. By you, particularly. I feel like I’m walking into a trap where you say no one complains about the nudity on Game of Thrones, but I get why they’re doing it. They’re doing it to be salacious. To titillate people. And your character is often naked at random times for no reason.
Dunham deflected the remark with her usual snotty response that boiled down to nudity is realistic and if you don’t like fat bodies, that’s your problem. Judd Apatow and Jenni Konner, the show’s producers, supported Dunham’s remarks with their own politically correct, vitriolic comments about misogyny and female oppression.
Although Molloy’s question never did receive a direct answer, the exchange generated even more critical angst and bizarre philosophizing. For example, Megan Gibson at Time feels the nudity on Girls has nothing to do with “titillation” and everything to do with comedic value and expressions of non-sexual intimacy. It is questionable whether the primary audience for Girls, those “white dudes over 50,” would agree.
One telling thing critics didn’t bother to notice: All the uproar over Molloy’s question, even from Apatow and Konner themselves, wasn’t to defend Dunham’s honor — but to defend awkward bodies, female sexuality, and women’s rights under the umbrella term of “feminism.” In other words, if Hannah Horvath jumped off a bridge naked, she wouldn’t be a pathetic individual who succumbed to her psychoses, she’d be a mere statement about feminism in the 21st century.
In his review of Inside Llewyn Davis, Andrew Klavan asks, “What did I miss?” It is a question I fear many in my generation will be asking as they approach the new Coen Brothers film about a folksinger from Greenwich Village. Inside Llewyn Davis lacks the clever plot twists of early hits like Miller’s Crossing, the dark psyche of Barton Fink, and the enjoyable supporting characters of The Big Lebowski. But, no two Coen Brothers movies are ever alike; in fact, to appreciate them as auteurs one must have a predilection for the unique versus the familiar.
This is probably why the few folk singers who remain from those early Village days sound off like cranky seniors in a nursing home, demanding that the Coens’ film knows nothing about the way things really were, contrary to the first-hand memory of T. Bone Burnett who was consulted in the recreation of the infamous Manhattan neighborhood circa 1961. But, everyone’s memory is different, as are their motivations. Jim Glover, half of the real-life folk duo Jim and Jean, used local newspaper coverage to snort at the film before diving into various half-baked conspiracy theories regarding the Kennedy assassination, the NSA, and the insistence that the F.B.I. kept him under surveillance in the 1950s because his father was a “fellow traveler” (code term for Communist sympathizer).
While leftist politics were a definite influence on the Greenwich scene, folks looking for Reds on the big screen will be as disappointed as those believing the film to be nothing but a glorified biopic of “Mayor of MacDougal Street” Dave Van Ronk and his cohorts. Tongue-in-cheek commentary on the leftist class structure typical to the folk music scene does more to motivate plot and character development than dig into the movement’s intellectual and political underpinnings. In fact, it is Llewyn’s struggle with culture that feeds his musical genius; he is neither uptown intellectual nor downtown middle class. While he’s willing to thumb his way from New York to Chicago to meet an agent, he is unwilling to compromise his artistic vision for commercial success.
It’s the economy, stupid.
So says Rachel Burger, who believes that the current economy is to blame for the demise of masculinity, not those darned feminists:
The reality is that the economy–that men themselves created–is far more to blame for the sorry state of American men. The Internet Age, along with global trade and the mass outsourcing of low-skill labor has brought forth in the West a people-based and knowledge-based economy which emphasizes social intelligence. Young women are now outpacing men across the board, from education to employment, and men should take a hint. If men want to pursue their roles as providers and achievers, they’re going to have to woman up.
It’s not the girls’ fault. “After all, it was men who invented the Internet, who created and sold mass-produced computers, who shipped jobs overseas and who even fashioned social media.” Thanks, Mark Zuckerberg.
Burger’s is a thinly veiled response to Camille Paglia’s praise of the “modern economy as a male epic” published last month in Time. Unlike Paglia, Burger comes to the table lacking an understanding of the relationship between economy and gender. With a millennial’s narrow perspective on American history, Burger manages great insight into the post-dot-com world of social intelligence-based tech companies while completely skipping over the debacle of NAFTA with the grossly prejudicial term “low-skill labor.”
In that primordial decade known as the ’90s, America’s manual labor industry was eviscerated by the North American Free Trade Agreement. Seventeen years after the agreement was signed, studies showed a loss of 682,900 American jobs, 60% of which were lost in the manufacturing industry. That doesn’t include the jobs that would be necessary without the imports from NAFTA — a whopping 1.47 million. Those jobs, and the financial boost that would’ve come with them, sure would’ve come in handy in 2008 when, as a result of the recession, the U.S. lost 2.6 million jobs. Mexico, the nation that continues to profit from NAFTA, does not defame nor downplay the benefits of so-called “low-skill labor.”
My colleague Walter Hudson recently ripped into the ignorance of Jesse A. Meyerson’s Occupy-hipster treatise, “Five Economic Reforms Millennials Should Be Fighting For.” The article was published in Rolling Stone magazine, the flagship publication of Wenner Media, a privately owned company. To clarify: ”Privately held companies are not required to file financial disclosure documents with government regulators such as the SEC, so detailed financials usually are not readily available to the public.”
In other words, the publisher of the magazine that prints articles informing readers they should advocate for:
- “Job guarantees” through the non-profit (i.e. taxpayer funded) sector
- A “universal basic income” funded through (taxpayer-based) Social Security
- The creation of a “simple land-value tax”
- A taxpayer-funded “sovereign wealth fund”
- Taxpayer-funded state-owned public banks
doesn’t need to tell you one darn thing about the amount of taxes they do (or don’t) pay. Who knows? Wenner Media might just qualify as one of Meyerson’s despised “megacorporations”. The fact that the company’s co-founder, Rolling Stone publisher Jann Wenner, is worth a cool $700 million makes you think twice, unless you’re some twentysomething hack who has a proclivity for overusing the word “blow.” Did the editors have to cut out his Beavis and Butthead-like chuckles from the text? No wonder the guy is advocating for a government-funded job watering that fern in his Williamsburg apartment (or, as he prefers to call it, “urban farming”); the only reason he managed to swing a writing gig is because he’s a glorified mouthpiece for the same yuppie political hucksters he claims to be fighting against. That’s right, Meyerson’s a Tool for the Machine. Huh-huh-huh, I said tool.
Forget the fact that the guy who thinks we have an unemployment problem because available jobs are “menial” and “boring” is also the same guy who believes putting every adult on an auto-pay system will actually improve individual well-being, stimulate the economy, and spark a cultural renaissance in “painting murals.” You can’t reason with stupid. You can only laugh at the irony of a Marxist hippie ideology being parroted in a magazine created by a Marxist hippie that has become a pathetic homage to ideas so dense and ridiculous that their owners, like Jann Wenner, long ago left them in the dustbin to pursue successful truths, like capitalism, the free market, and the ability to own private corporations.
Congratulations, kid, you’ve been duped. But at least Mr. Wenner and the 30% of Rolling Stone readers whose income exceeds $100,000 a year were kind enough to redistribute some of their money your way.
Working sure feels good, doesn’t it?
The Russian daily Pravda, famous for being the preferred rag of the Communist Party and “official organ of the Soviet Union from 1918-1991″, in a unique act of disinformation has attributed “concentration camps” and “secret judgments” to the United States of America:
“The U.S. has a system of control and repression that consists of secret institutions (secret judgments, concentration camps) contrary to the U.S. Constitution. None of U.S. presidents (starting with Bush) have accepted the political responsibility for the establishment and operation of the system. Snowden’s revelations destroyed the myth of the U.S. as a country of democratic values serving as a model for civilization.”
The remark, published in an article titled “Looking Back at 2013: The Top Ten Most Important Events,” illustrates the fact that the KGB acts of framing and disinformation are still alive and well in the post-Cold War era:
“Even the deep crisis of the Roman Catholic Church shows that the abscess is opened, and liberal values promoted by the West have met a proper pushback in all parts of the world. Russia is entering the New Year in a greatly consolidated position, which cannot be said about the United States.”
Victories for Russia included Putin’s role in American-Syrian relations, the continuance of military-technical and oil contracts with Venezuela, and the achievement of nuclear negotiations with Iran resulting in loosened American sanctions on the radical Islamist state.
Dubbing the Boston Marathon bombing “a provocation to justify the total surveillance of NSA” Pravda also observed, “Reflections after the fact, after revelations of Snowden, make you think that either NSA operates inefficiently with all the totality of its surveillance, which proves the vulnerability of America to terrorists…”.
The word “pravda” translates to “truth” in Russian.
Here is what I’ve learned from my study of the Intellectual love affair with Marxism, along with one simple solution for winning the war against the Nomenklatura, the intellectual Marxist elite within our government, mass media, and public education systems.
Concurrent to the Russian Revolution, Liberalism in America became Marxism. Based on my research it would appear that the Victorian social justice movement and an increasingly European-influenced intellectual movement, with the help of Soviet spies and American commie traitors, gave birth to the Liberal Marxist hybrid. Its fate as a movement wasn’t sealed until the 60′s, when anti-Stalinist liberals like the Trillings were washed away by the rising tide of Soviet disinformation that conquered liberalism and began framing American culture for the takeover.
The first generation of intellectuals who first embraced Marx through figureheads like Lenin, Trotsky and Stalin would pave the way for the second generation of intellectuals to assume the role of the American Nomenklatura. Through the Frankfurt School and folks like Susan Sontag and the writers of Partisan Review, it became very clear that Marxism is a lens through which one sees the world. Therefore, for groupthink to succeed, Marxists must imbue doubt in previously trusted individuals and institutions like, for instance, the United States Military and the fine soldiers thereof. Marxism, though, is about structure, not anarchy: For every institution the Nomenklatura destroyed, they provided a Marxist alternative. Nowhere is this more evident than in Second Wave Feminism’s advocacy for the destruction of the roles and institutions of Mother, Father and Family that paved the way for the creation of the Nanny State.
“The personal is political” indeed. Marxism is more than a political philosophy; it is the supreme religion of the State. All religious and political gods that contradict the message of faith in the State must be done away with. Despite their best attempts to preach equality among the masses, Marxists must enthrone gods of their own to supersede those of other faiths. Speaking of other faiths, the unconquerable Messiah must be converted to Marxism in the eyes of His worshipers. If His worshipers do not accept this Marxist version of their Messiah, they will be cut off from the State. Those who worship the God with no face must themselves be converted to Marxism, or suffer the consequences.
1. There once was a black country blues guitarist named Arnold Schultz. Originally from Kentucky, Schultz was a travelling laborer who had a huge impact on American blues music during his short life.
2. Schultz taught this guy, Ike Everly, a unique thumb-picking guitar style native to Western Kentucky.
3. Ike Everly taught this style to his neighbor and fellow coal miner Merle Travis.
4. Ike Everly would bring his sons, Don and Phil, into the family band. They’d grow up to form the famous American music group, the Everly Brothers. The Everly Brothers would go on to influence many musicians, including the Beatles. It is said that the harmonies in one of the Beatles’ first hits, Please Please Me, were inspired by the fraternal duo.
5. Merle Travis would go on to become a famous country and western musician, popularizing that fingerpicking style his neighbor Ike Everly taught him so much that it became known as Travis Picking.
6. Travis Picking is the style of guitar playing featured in the latest Coen Brothers release, Inside Llewyn Davis.
So, as we remember the life and legacy of Phil Everly and the Everly Brothers
We should celebrate the gift of American music
Without which the Beatles would not have existed
And we’d be forced to jam to techno-pop
Instead of those awesome Hillbilly tunes.
My colleague Leslie Loftis makes some excellent points in her latest response in our ongoing dialogue about revamping the feminist movement in America. Regarding the Lean In wing of the movement, Leslie is humorously spot on in her comment, “We ape men and then claim that we do it better.” However, I do take some issue with a few of Leslie’s conclusions: ”That’s what reproductive control absolutism is about, negating biology so we can live like men,” and “ there is nothing that we on the Right can do about this culture war bullhorn problem.”
Leslie’s observations are illustrative of the Right’s ability to focus on the battles within the culture war (or, as Whittaker Chambers so aptly referred to them, symptoms of our cultural crisis) while completely losing focus on the war itself. My position is simple: We must focus, loudly, on the war itself and use the battles within to promote the facts bolstering the truth. To illustrate, I’ll begin by addressing Leslie’s comment, “So in Susan’s “brains, not boobs” terms, I submit a more inclusive and realistic, brains and boobs.”
The greatest challenge we face is the fact that American women, by virtue of the “War on Women” battle, believe themselves to be stuck in their gender. They can’t see themselves as anything but an on-screen goddess or, as Leslie pointed out in her original argument, a real-life slave to a corporation, to a marriage, to children, or to all of the above. Which is why I question her use of the fact that Mary Wollstonecraft died in childbirth. In this case I’m not exactly sure how that relates to rebuilding feminism as much as it plays into the left’s ideology of the ills of womanhood. Embrace your endocrinology for all it is worth, but don’t fall into the trap of believing that your body is a prison cell for which death is the only escape.
This is where the Right must acknowledge that the nomenklatura of cultural Marxists have done an amazing job of framing of the body as a human being’s only object of worth. We must also reason that truthfully, when you have no God and reject the concept of a soul and eternal life, you have nothing else to fall back on but the body. This demoralization has led to a variety of ideological misnomers, including the ultimate lie of the War on Women: the framing of the female body as a prison to be manipulated, abused, and ultimately destroyed.
Jay Michaelson’s whining critique of the conservative slam of Pajama Boy is all at once nerdy, narcissistic, and self-defeating, illustrating the dark void that is the nomenklatura Manhattanite liberal Jewish American psyche. (Go on, say it three times fast.) It leads me to ask: Is there anything liberals won’t do to emasculate themselves in deference to Big Government?
Uh-oh, I said “emasculate.” I must be “unconsciously” sexist now.
In defense of his thesis that conservatives are latent antisemites because Pajama Boy looks Jewish (try to choke down your offense at that one), Michaelson cites research done by Daniel Boyarin (an academic who has no qualm comparing the Israeli government to Nazis) and Sander Gilman. Gilman, who has contributed to the catalog of study regarding Jews and race, has also written on Karl Marx’s own antisemitism. And here’s where a 5 minute Google search becomes vastly entertaining: It would appear that Michaelson falls into the very pit of Marxian, Jewish self-hatred about which Gilman has written. In fact, Marx’s obsession with Jewish physiognomy is the same as Michaelson’s fixation with Pajama Boy’s physical appearance, sexuality, and mode of dress down to eye wear, all of which he cites as evidence of “Pajama Boy’s obvious Jewishness”.
As for all of you straight-haired, unquestionably sexual, well-dressed Jewish men with no glasses, you stand as much of a chance at pulling off your Jewishness as Miley does twerking her way into the soul train.
Haven’t yet caught an episode of the BBC/PBS smash hit series Call the Midwife? Here are three reasons from writer/producer Heidi Thomas why you need to watch this groundbreaking feminist masterpiece:
3. Call the Midwife provides female role models who embrace professionalism, not porn.
“I remember an RAF Careers Officer coming to my school and telling us about the wonderful work we could do in the RAF… as catering assistants! We were furious to hear we would never be allowed to be pilots. Now every profession a girl would wish to consider is open to her.
But I think the Spice Girl, Girl Power thing veered a lot of young women off course, because it was about investing your self-worth in your physical persona, sexuality and “attitude”. I love the idea that we have put the notion of professional women right up there in front of a new generation of TV watchers.”
2. Call the Midwife is the antidote to bad girl TV.
“One of the things they enjoy the most is playing women who are actually nice to each other. Because as young attractive actresses, they are often only offered parts where women are in opposition to one another, where they are catty, or bitchy or quarrelling over the same man.
“They love the idea of women living together in a supportive community dedicated to their professions and to the service of other women, which brings us back round to your thesis about Call The Midwife as a feminist piece.”
1. Even the boys in your house will become addicted to this show about midwives, nuns and babies.
“One interesting thing we learnt, from a breakdown of our audience figures, is that numerically, more men were watching Call The Midwife than Top Gear…”.
Unless you’re fortunate enough to prefer reading or still be avoiding the Facebook trend, you’ve been bombarded with arguments over Duck Dynasty‘s Phil Robertson’s statements regarding homosexuality published in the most recent edition of GQ magazine. For the record, here’s what the guy actually said after being prompted by the GQ reporter with the question, “What, in your mind, is sinful?”
“Start with homosexual behavior and just morph out from there. Bestiality, sleeping around with this woman and that woman and that woman and those men,” he says. Then he paraphrases Corinthians: “Don’t be deceived. Neither the adulterers, the idolaters, the male prostitutes, the homosexual offenders, the greedy, the drunkards, the slanderers, the swindlers—they won’t inherit the kingdom of God. Don’t deceive yourself. It’s not right.”
… “We never, ever judge someone on who’s going to heaven, hell. That’s the Almighty’s job. We just love ’em, give ’em the good news about Jesus—whether they’re homosexuals, drunks, terrorists. We let God sort ’em out later, you see what I’m saying?”
Bottom line: The nomenklatura outcry is over a man who quoted a Bible verse and backed it up with the philosophy that anyone is as free to live his life as he is to live his own and we should all love each other. The nomenklatura supports Obama, who prefers to negotiate nuclear war with Iran, a country that openly persecutes homosexuals as “diseased.” Yet, the nomenklatura denies a maker of duck calls the right to free speech. According to openly gay Camille Paglia, the culture war erupting here is a battle between freedom of speech and the return of the Soviet empire on American soil:
“I speak with authority here because I was openly gay before the ‘Stonewall Rebellion,’ when it cost you something to be so,” she said. “And I personally feel as a libertarian that people have the right to free thought and free speech. In a democratic country, people have the right to be homophobic as they have the right to support homosexuality — as I 100 percent do. If people are basing their views against gays on the Bible, again they have a right to religious freedom there … to express yourself in a magazine in an interview -– this is the level of punitive PC, utterly fascist, utterly Stalinist, OK, that my liberal colleagues in the Democratic party and on college campuses have supported and promoted over the last several decades. It’s the whole legacy of the free speech 1960′s that have been lost by my own party.”
In the ultimate example of framing, the American nomeklatura is using one man’s words as a weapon against him in the war over what is constitutionally permitted versus what is nomenklaturally popular. Interestingly, this battle in the culture war is illustrating what history has already proven true: The best weapon to defeat the Stalinist nomenklatura is the free market.
Very few Mary Poppins fans would believe that her creator, P.L. Travers, was more anally retentive than Doc Martin. But, as Saving Mr. Banks reveals, Walt Disney took on an uphill battle when he promised his daughters he’d bring one of their favorite fictional characters onto the silver screen.
I walked into Saving Mr. Banks fearful that it would be dripping with the kind of cheery sappiness that grows less and less appealing as one makes the journey from childhood to full-fledged, reality-bound adulthood. Instead, I found myself surrounded by adults whose love for Mary Poppins still remained despite the stress of relentless responsibilities. Indeed, as the theater lights dimmed, one older man bearing a long white beard walked in wearing the longest Santa cap I’d ever seen. Apparently, even St. Nick longs to be a kid again.
The film is as much a biopic of the early life of P.L. Travers (real name: Pamela Goff) as it is a chronicle of the struggle to bring Mary Poppins to life on the screen. The daughter of a brilliant father, Travers Goff, who relied on alcohol to poorly negotiate his imagination with the boring reality of being a bank manager, Travers grew up in the Australian countryside in the early 1900s. The eldest of three daughters, Travers inherited her father’s creative spirit, admired him as a role model, and eventually would carry the guilt of his inevitable demise with her well into her adult life.
Unknowingly, the authors of the screenplay plan to portray Mr. Banks, the patriarch of the Mary Poppins tale, as the bad guy of the picture. It takes Mrs. Travers to explain to the Disney writers that Mary Poppins isn’t there to save the children; she is there to save Mr. Banks. And just when you think the screenplay will dive into sentimentality, with a warm and friendly hug from Mickey Mouse’s dad, it does not. In fact, it does just the opposite. As Disney struggles to relate to Travers, he relates stories of his own tough childhood. In doing so, he explains the freedom imagination can bring to a troubled soul.
Earlier this month the Jerusalem Post reported on a holiday program that aired on Romanian State television featuring a Christmas carol all about the Jews. You could make the argument that most Christmas carols — including famed favorites like Silent Night, O’Come All Ye Faithful, and Little Town of Bethlehem – are all songs about Jews, one in particular, but this ancient song promises to transcend those oldies and become an instant classic. The lyrics, translated into English, go something like this:
“The kikes, damn kikes,
Holy God would not leave the kike alive,
neither in heaven nor on earth,
only in the chimney as smoke,
this is what the kike is good for,
to make kike smoke through the chimney on the street.”
Reportedly the lyrics rhyme better in Romanian.
To clarify, the Romanian public broadcaster, RTV, that aired the live show issued a statement giving all the credit for the song and the performance to someone else – namely the Center for Preservation and Promotion of Traditional Culture. This statement led some to question exactly what constitutes traditional culture in Romania. Follow up reports indicate that “traditional culture” includes referring to Jews by the perjorative colloquial term “jidovi” when singing what are apparently 100 year old Christmas carols on live television.
Romanian Foreign Minister Titus Corlatean remarked, ”I strongly condemn any form of anti-Semitism, even more when it happens to be spread through a public media.” When asked what he thought of anti-Semitism when spread through word of mouth, he added, “Again, I’m against it – but not as much.”
From an educational standpoint, the Christmas carol brings a refined Romanian cultural understanding to the oft-touted holiday phrase, “Peace on Earth, Good Will Toward Men.” One news outlet elected to report the positive side of the otherwise disturbing story, deeming the song “inclusive” of Jews in the Romanian Christmas tradition.
RTV was forced to issue an apology for airing the performance. Both the Center for Preservation and Promotion of Traditional Culture and the folk group that sang the song declined to comment.
“The transformation of Stalin from the political killer who slaughtered more than 20 million innocent people in the Soviet Union alone into the political god over one-third of the world generated not only forty years of Cold War, but also the greatest political hoax perpetrated in history: international respect for Marxism and admiration for murderous communist leaders.”
Lt. Gen. Ion Mihai Pacepa
In his book Disinformation, Lt. Gen Ion Mihai Pacepa explains that central to the art of disinformation is the “highly classified specialty” of framing, a KGB term for “changing a person’s past.” Much like the Orwellian line “two legs good, four legs better” framing involves fashioning a lie into the truth through the careful manipulation of popular opinion.
Framing was a technique employed by Stalin to justify the murder of thousands of his fellow party members and millions of innocent civilians as traitors to the communist system. Eastern Europe became a chain of proletarian dictatorships due to the black art of framing. As Pacepa details, “The leading East European figures in industry and agriculture were framed as saboteurs and shot or jailed, so as to provide the local communists with pretexts to nationalize the economy and collectivize agriculture.” By re-writing the culture in their own personal terms of good and bad, right and wrong, the KGB acculturated Eastern Europe into the belief that the Soviet socialist way of life was not only acceptable, but preferred.
Pacepa notes that framing was not limited to the political figures of eastern Europe. One of the KGB’s greatest framing jobs was actually executed by communist leaders in the west. The goal was simple: making communism palatable to the western masses by refashioning it from political threat to pop culture romance. The operation that started with Che Guevara was so successful that we live with its ramifications to this very day. Long after the fall of the Berlin Wall, the black art of framing continues to threaten the west with the creation of contemporary political gods.
Johnson Estate Winery, nestled on the shore of Lake Erie, offers one of the most delectable spiced wines in the northeast: Red Ipocras. Modeled after the spiced wines of the Renaissance, Johnson Estate describes the delicious red brew:
“An Elizabethan recipe using cinnamon, cloves, and secret spices. Nice as a summer sangria with plenty of oranges. On a winter’s evening, it is the perfect pairing for spiced ham, for for dessert: pumpkin pie, spice cookies or cake. May be served slightly warm.”
Or, in our case, serve slightly chilled when among friends with a healthy admiration for all things Dickens and Blackadder. ”Elizabethan” and “Ipocras” shouldn’t be foreign terms to today’s wine drinkers:
“In 16th century England, Ipocras, both white and red, was a drink of the highest nobility. At a time when both sugar and spices were rare and precious, Ipocras was reserved for the use of royalty at the most precious ceremonial occasions. Indeed, Ipocras was the libation presented by the Lord mayor of London to Queen Elizabeth I at her coronation. Ipocras (the name derives from Hippocrates) is very sweet and is generously flavored with several of the spices popular in old England. These include ginger, cinnamon, and clove, and they leave a wonderfully warm and lingering aftertaste. Fortunately, we live in a time where the makings of Ipocras are not so dear, and it may now be partaken of by the lesser nobility as well as you and me.”
By far the most well-rounded spiced wine that has ever crossed my palate, Red Ipocras is rich with flavor, offering a smooth, medium-bodied mouthfeel and lingering accents of spice guaranteed to blend well with everything from appetizers to the most hearty of holiday meals. Add some character to your Christmas with this treat of a mulled wine.
“Although Senator Kerry never fully revealed the source of those outrageous accusations, I recognized them as being the product of another KGB disinformation operation. In the 1960s and ’70s, when I was a leader of the Soviet bloc intelligence community, the KGB spread those same vitriolic accusations, almost word for word, throughout American and European leftist movements. They were part of a KGB disinformation operation aimed at discouraging the United States from protecting the world against communist expansion.”
In his book Disinformation, Lt. Gen. Ion Mihai Pacepa notes that by 1968 there were 7 million anti-war protesters in the United States. Many of them, including Secretary of State John Kerry, were operating on disinformation about the Vietnam War thanks to a carefully constructed KGB campaign called “Operation Ares”.
Created by the KGB with the “dual purpose of counteracting American efforts to protect the world against communist expansion, and of creating doubt around the world about American power, judgement, and credibility,” Operation Ares was named by KGB chief Yuri Andropov after the Greek god of war. Pacepa details the great lengths to which the KGB went to follow through on the disinformation campaign, including the creation of the Stockholm Conference on Vietnam. The Conference, which met annually through 1972 acted as the clearinghouse for the distribution of “..fabricated descriptions of American atrocities committed against civilians in Vietnam, as well as counterfeited pictures supporting the allegations.”
In his discussion of Ares, Pacepa poignantly reflects upon Andropov’s belief that, by planting the seeds of disinformation, these lies about American involvement in Vietnam would grow into its own unique breed of acculturated disinformation:
“Eventually, American leftists would seize upon our Ares and would start pursuing it of their own accord. In the end, our original involvement would be forgotten and Ares would take on a life of its own.”
D-List reality star Tia Tequila has re-branded herself as Hitia Tequila in a move to give Adolf Hitler the voice she feels he so rightly deserves.
Based on the celebrity’s YouTube video playlist, the decision comes after releasing a year’s worth of conspiracy theory videos, a.k.a. “Truth Vlogs,” in which the Singaporean-born American model “exposes” the Freemasons, the Bildebergers, the Illuminati, and various groups employing “mind control” techniques including “Hollywood“.
Dubbing herself “the Goddess of Love and War” Tequila posted, ““I am She, the Queen who hath come to save you from this dark world filled with NWO [New World Order] parasite invaders,” on Facebook this past Monday. The description captioned a photograph of Tequila wearing an S.S. hat and Nazi armband while posing in front of the Nazi death camp Auschwitz.
Responding to fan criticism, Tequila clarified:
I am not going to sit here and say that I hate Jewish people because that is not the case nor is this about Jews… It is about Hitler and his side of the story that was never told since he was not the victor. However, those of you with a closed mind can think I am being anti-semite all you want because I already told you that I am not, nor will I repeat myself again.
Reports also indicate that “Tequila also refers to herself as “Hitila” in a new song she posted online on Sunday, which features the lyrics, ‘Jewluminati motherf*ckers hate me,’ and, ‘Worldwide genocide, blame it on the Jews.’”
Tequila’s “conversion” to Nazism comes 2 years after her conversion to Judaism, and one year after suffering a brain aneurysm after a drug overdose, and revealing that “…she suffers from Dissociative Identity Disorder, claimed her Twitter page was ‘hacked’ by her alter ego Jane, who, she described on her MySpace page as ‘crazy’ and someone who ‘always wants to kill me.’”
Jane was not available for comment at time of publication.
Tequila’s sexification of Nazism is the latest in a pop culture trend stretching back to Nazi exploitation films made popular in Italy in the 1970s. Last year’s San Diego Comic-Con welcomed Hot Nazi Chicks promoting Iron Sky, a sci-fi thriller about Nazi aliens attacking America from their home base on the dark side of the moon. There is no word yet on whether or not the Illuminati, Bildebergers, or Freemasons were responsible for the writing of the script.
This past Sunday a group of Ukranian activists knocked down a statue of Soviet leader Vladimir Lenin and smashed it to pieces in Kiev’s Bessarabska Square. While no one can be sure who started the protest, CNN reports:
Ukraine’s government news agency said a lawmaker with the nationalist Svoboda party claimed responsibility for the incident.
“This is the end of Soviet occupation,” the party’s Twitter account said. “End of (the) regime of shame and humiliation.”
…”Destroying the Lenin monument in Kiev is not just an act of vandalism,” [Communist] party leader Petro Symonenko said, according to a post on the party’s official website. “It is a sign that organizers of the protests are not for the European values, but rather for hate, fear and destruction of the state of Ukraine.”
Ironically, “European values” are exactly what drove the protesters to destroy the statue and encamp in Kiev’s Independence Square. In the face of rising debt and sinking bond prices, Ukranian President Viktor Yanukovych turned down a trade agreement with the E.U. that “would have opened borders to trade and set the stage for modernization and inclusion” in favor of cultivating a deeper relationship with Moscow.
One hundred thousand protesters lined the streets of the nation’s capital over the weekend. Two thousand are there now, huddled around fires in a makeshift tent city in Independence Square, holding firm in their demand that failed Ukranian President Viktor Yanukovych dissolve the government and answer their demand for immediate elections.
The AP reports that Munich-based Constantin Film will be producing a movie based on German author Timur Vermes’s bestselling novel about the Nazi Dictator. In Er ist Wieder Da, Adolf Hitler “…awakens in modern-day Berlin and becomes the star of a TV comedy show.” No word on whether this “comedy show” will mirror the contemporary Asian game show trend of finding humor in putting fellow citizens in odd, even purportedly life-threatening situations. The film is set to be released in 2015.
Despite Hitler being a “touchy subject” for many Germans, the novel has sold over 1.3 million copies since its debut in 2012. English speakers, have no fear. A translation of the book, titled Look Who’s Back, will be released in April of next year.
In other Hitler satire news, Hitler Rants Parodies (featured above) recently celebrated five years on the web. BothVermes and Constantin Film have as much to do with the YouTube sensation as the psychotic mass murdering dictator has to do with having a laugh. One thing we can confirm: the authors of Er is Wieder Da and Hitler Rants Parodies both know how to humorously kill a conversation.
No word yet on when the satirical biopic about Soviet leader Josef Stalin (working title: Hitler Always Said I Should Laugh More) is set to hit the silver screen. According to several unconfirmed reports, the studio involved is having trouble obtaining a finished draft of the script that isn’t covered in trace amounts of polonium-210.
Last week, Leslie Loftis hit the ball back into my court in our ongoing discussion on the future of feminism. Her conclusion is simple, but profound: ”Abroad we need action. At home we need to bury the hatchet.” How many on the right would be willing to agree?
“I was troubled to see some comments on my original post wondering why we should care about feminism’s woes. Feminism, the term, or the Marxist influences hidden inside it, true, those will not be missed by the right.”
The boorishness of the comment my counterpart is referring to did, in part, motivate my response to her first piece. Simplistic right-wing criticism of cultural Marxism has become like flatulence riddling otherwise productive conversation on this side of the political spectrum. It’s all well and good for commentators to disavow socialism in the political sphere. It is even more important for those with first-hand experience of Marxism to tell their stories publicly. But for the average reader to dismiss every single aspect of American cultural life as the bastard child of the liberal lie is, quite frankly, defeatist. And, as Loftis so eloquently points out, by dismissing feminism as so much Marxist claptrap, critics of today’s feminism are dismissing every woman born after Steinem as well:
“But despite its modern reputation as a leftist faction, most modern women’s lives are guided by feminism. …The lives of modern women are built upon feminist ideas. As feminism collapses, we need to worry about what comes after.”
The time for silver-tongued lashings has passed. If anything, a real critique of feminism requires the reclamation of classical liberalism from the clutches of contemporary socialism’s PR machine. This begins with the embrace of feminism’s powerful history. In an era nostalgic for social revolution we would be wise to ditch Steinem’s vaginal definition of female inferiority in favor of Mary Wollstonecraft‘s drive for gender equality through education. Put simply: We must re-frame the debate in terms of brains, not boobs.
“In 1968, the KGB was able to manueuver a group of leftist South American bishops into holding a conference in Medellin, Colombia. …The official task of the conference was to help eliminate poverty in Latin America. Its undeclared goal was to legitimize a KGB-created religious movement dubbed ‘liberation theology,’ the secret task of which was to incite Latin America’s poor to rebel against the ‘institutionalized violence of poverty’ generated by the United States. …The Medellin Conference did indeed endorse liberation theology, and the delegates recommended it to the World Council of Churches for official approval.” Having already “come under the control of Soviet foreign intelligence,” the WCC ”endorsed liberation theology and made it part of the WCC agenda.”
Liberation Theology, it would seem, was to be the perfect marriage of the intellectual and the religious classes. According to Reverend Robert A. Sirico, “The intellectual power of the liberation theology movement derived from its attempt to justify a traditionally atheistic Marxist movement within a framework that would appeal to religiously minded Latin Americans.” The Acton Institute founder details,
“The theology was not complicated. It combined Marxian economic doctrine with a misrendering and politicization of Christ’s moral injunctions to help the poor. In this respect, it was easily refuted through simple economic logic. The ‘structures of oppression’ that so outraged the liberation theologians were not capitalism but traditional mercantilist policies in which a government-connected elite used the state to inhibit free competition for land and capital and sought trade policies that would benefit large landholders at the expense of craftsmen and small farmers. The ‘liberation’ that these faith-based Marxist ideologues sought could only be found in the overthrow of mercantilist economics and the invigoration of a business economy that would spread economic opportunity and prosperity.
Uprooting the theological error was more complicated. Formal political and theological criticism came from the Catholic Church under Pope John Paul II. Having lived under the totalitarian socialism of both Nazism and communism, he saw the grave dangers that seemingly naïve misunderstandings of economics, combined with religious zeal, could pose for societies. He used his personal influence among Latin American bishops to weigh against the teaching of the liberation theologians, and he directly confronted leaders of Marxist political and ecclesiastical movements for their distortions of traditional Christian teaching. At issue, he said, was not only the danger that liberation theology would lend moral support to would-be totalitarians; he also rejected the attempt to thoroughly politicize Christ’s message on behalf of the poor.”
When Pope Benedict XVI, then Cardinal Joseph Ratzinger, worked as the head of the Vatican’s Congregation for the Doctrine of the Faith from 1981-2005, he enforced Pope John Paul II’s anti-Liberation Theology policy by speaking out against the ideology and sanctioning priests who supported the Marxist ideal. However, Pope Francis’s affirmed (ironically first appointed by Pope Benedict) prefect of the Congregation for the Doctrine of Faith, Archbishop Gerhard Muller, is not as wary of Liberation Theology as his predecessor. Then again, perhaps the new Pope isn’t, either.