Obama’s Press Secretary Jay Carney recently had his home featured in Washington Mom. The typical chummy photo spread revealed what we already knew: Carney is a yuppie.
Considering Obama’s Marxist roots, hippie leanings, and wife’s penchant for designer everything, the revelation that he works with yuppies should come as no surprise. After all, he is the king of the yuppies – er – President, at least.
Soviet propaganda-turned-art isn’t hard to find for sale on the Internet. Hipsters, the love children of Yuppies, have been equally delighted by the graphic design and amused by the slogans for years. It’s far easier to appreciate Soviet art than to tackle the monster of socialist ideology that stifled the Russian intelligentsia for nearly 8 decades.
In a related story, Russia’s hipsters are fearing for their own modicum of intellectual freedom. The Daily Beast reports that as a result of the potential conflict with Ukraine:
The authorities already have closed media outlets, attacked pro-Western theaters and cinemas and adopted laws aimed against any alternative opinions. Invading the rest of Ukraine would turn Russia into a real fortress under siege. That would mean more of [one hipster's] friends fleeing the country or jumping into what’s called “inner immigration,” the life inside a small circle of people keeping distant from the country’s political flow; remaining liberals but keeping their opinion quiet.
…Every day, the free media sphere shrinks, leaving those who two years ago rallied in freezing wind on Moscow’s squares without any information, today, that they can trust. According to a law adopted last week, repeated arrests at protests that haven’t been given permits are punishable by a jail term now, not just a fine.
“On seeing activists sentenced to jail terms, many decided they were not ready to pay that high a price for fighting Putin,” Fedoseyev admitted. Russia without any free media or the right to protest is definitely going to be a more depressing place, but most hipsters speak foreign languages, and they can still read world news on the Web. They are beginning to make do. And the authorities are trying to make life fun for them.
“Fun” includes “beautifully designed” parks and clubs. If there’s one thing Carney’s photo shoot reminds us, it’s that socialist Russian oppression sure looks good. Heck, it can really tie a room – and a country – together.
Commentary has printed some brilliant feminist insights by Jonathan S. Tobin on Brandeis University’s refusal to award an honorary degree to Ayaan Hirsi Ali:
We have heard a great deal in the last couple of years from liberals about a “war on women” that was supposedly being waged by American conservatives. That meme played a crucial part in President Obama’s reelection and Democrats hope to repeat that success in this year’s midterms. Liberals have tried to mobilize American women to go to the polls to register outrage over the debate about forcing employers to pay for free contraception, a Paycheck Fairness Act that is more of a gift to trial lawyers than women, and attempts to limit abortions after 20 weeks. These are issues on which reasonable people may disagree, but what most liberals seem to have missed is the fact that there is a real war on women that is being waged elsewhere around the globe where Islamist forces are brutalizing and oppressing women in ways that make these Democratic talking points look trivial. It is that point that Hirsi Ali is trying to make in her public appearances.
But instead of rising in support of Hirsi Ali’s efforts to draw attention to these outrages, leading American feminists are silent. The only voices we’re hearing from the left are from men who are determined to justify Brandeis.
I recently commented on the nastiness that occurs when political passion jumps the shark into idol-worshiping territory. One need look no further for evidence as to how ugly and narrow-minded political idol worshipers can get than the quotes Tobin pulls from left-wing sources hellbent on defending Brandeis’s decision. A search of both Jezebel and Bitch Magazine websites turned up zip on the controversy, once again proving the theory that feminism really is all about white, upper class “rich” chicks and their pop culture fanaticism.
I stand before you as someone who is fighting for women’s and girls’ basic rights globally. And I stand before you as someone who is not afraid to ask difficult questions about the role of religion in that fight.
The connection between violence, particularly violence against women, and Islam is too clear to be ignored. We do no favors to students, faculty, nonbelievers and people of faith when we shut our eyes to this link, when we excuse rather than reflect.
The fact that the mainstream feminist movement has no use for Hirsi Ali’s brave fight for women’s rights should come as no surprise. Her global campaign against Female Genital Mutilation (FGM) and abuse of women within radical Islam is so far out of the realm of #FirstWorldProblem Feminism that it doesn’t even ping on their radar. Which is precisely why feminism is a joke and women continue to be the laughingstock whipping boys of Democrat men who keep them well oiled and distracted during election season before shoving them back under Oval Office desks where they belong. What can I say except submission sells.
Perhaps Muslim women aren’t the only ones who are being targeted and abused because of their gender after all.
David Swindle has entered the ongoing discussion on altruism, religion and politics here at PJLifestyle. In doing so, he’s issued a number of great questions I’ve been wrestling with over the past few weeks. Jumping back in, I’d like to address them one by one, beginning with:
Walter, Susan, Lisa, and anyone else who’d like to join the discussion: am I going too far when I say that for a good number of people “Conservatism” is a form of idolatry?
No. I’ve had a hard, sad reminder of that through some of the commentary I’ve received on a number of articles in the past few weeks. There are some wonderful, insightful people out there who I’d love to have dinner with some day. And then there’s the passionate base who has time to issue verbose rants: Contradict popular line and you can “F-off”. You know this segment of the population; they are the reason stereotypes exist. But, they also prove the point that there are people out there who worship Conservatism above all else. Ironically, they’re as abusively passionate as those “liberals” they are taught to hate.
For those of you unfortunate enough to not have grown up Gen-X, today is #RexManningDay, the day in the fictional world of the film Empire Records during which pretty boy “pop star Rex Manning was scheduled to do a CD signing at Empire Records, one of the last vestiges of what has come to be known as “independent rock”.
Released in 1995, Empire Records celebrates the small independent music store, planting the seed for what would eventually become Record Store Day. A Breakfast Club-esque group of staffers celebrates alt rock and all things un-pop while ex-Hippie store manager Joe Reaves (Anthony LaPaglia) struggles to keep his uptight yuppie brother from selling out to a chain music store. All sorts of drama ensues as Liv Tyler and Renee Zellweger fight over guys, Robin Tunney dabbles with suicide, and Ethan Embry gets accidentally high to Gwar. A lot of great music is played, culminating in a rooftop concert that raises enough funds to keep the store open, proving there is a good side to community organizing after all.
Of course, there’s an official website for Rex Manning Day, but if you’d like to travel even further down memory lane, check out 13 Favorite Empire Records Memories, get 9 Fashion Lessons from the movie, or read 5 Fun Facts about the film. Better yet, head on over to your local record store and celebrate the things that make America great: small business, independent music, and a healthy dose of snark.
Christian giving promotes life and health. Altruism promotes starvation and death. Altruism redistributes. Christian giving transacts. Christ’s own words assure us of greater blessing in giving than receiving. Christian giving leaves us better off, not worse. Altruism therefore proves atheistic, as Piper declares. We will never give more to others than God will give to us.
Walter’s basic conclusion is capitalist in nature: A Christian should be rewarded in kind (or over and above) for giving of their money, their time, or their talent. On the face of it, his argument makes sense, especially in light of congregational membership. My Christian friends often complain about the concept of “tithing,” a Torah teaching that is grossly abused by the religious establishment. Far too often, “tithing” translates into religious leadership putting pressure on church members to “donate” up to 10% of their annual income to their church. Synagogue membership, on the other hand, is rather simple: The same flat fee is charged to everyone on a yearly basis. No weekly passing of plates, no feeling ashamed; most synagogues have provision to assist members who may not be able to meet the annual sum. Programming fees are charged for additional events, like holiday services and Hebrew school. This model best fits Walter’s description of being rewarded in kind for monies given.
In the era where religious establishments have become places to fulfill business networking and social needs, it makes sense that you’d pay a fee for the religious service as you would any other mode through which these things would be accomplished. You pay for drinks at bars, JDate and Christian Mingle memberships, and head hunters; someone’s got to pay the electric bill so the lights are on when you’re shaking hands. The only question is, where is God in all of this? If the Bible is right, and we were put on earth to walk with Him in a personal relationship, what is He getting for His services rendered? That is, besides a corrupt priesthood on both sides of the aisle, pressuring congregants for cash and willing to let God take the back seat to a business deal?
Michelle Goldberg over at the Nation published an excellent article on the #CancelColbert controversy arising out of what she has dubbed the “New Political Correctness”:
It’s increasingly clear that we are entering a new era of political correctness. Recently, we’ve seen the calls to #CancelColbert because of something outrageous said by Stephen Colbert’s blowhard alter ego, who has been saying outrageous things regularly for nine years. Then there’s the sudden demand for “trigger warnings” on college syllabi, meant to protect students from encountering ideas or images that may traumatize them; an Oberlin faculty document even suggests jettisoning “triggering material when it does not contribute directly to the course learning goals.” At Wellesley, students have petitioned to have an outdoor statue of a lifelike sleepwalking man removed because it was causing them “undue stress.” As I wrote in The Nation, there’s pressure in some circles not to use the word “vagina” in connection with reproductive rights, lest it offend trans people.
Radicals thrive on crisis. The crises they are generating are evidence of how truly free we are as a nation. Panicking over statuary is as #FirstWorldProblem as you can get. Yet we should not be fooled: The chaos of radicals always has a serious motive.
Nor is this just happening here. In England’s left-wing New Statesman, Sarah Ditum wrote of the spread of no-platforming—essentially stopping people whose ideas are deemed offensive from speaking publicly. She cites the shouting down of an opponent of the BDS movement at Galway University and the threats and intimidation leveled at the radical feminist Julie Bindel, who has said cruel things about trans people. “No platform now uses the pretext of opposing hate speech to justify outrageously dehumanising language, and sets up an ideal of ‘safe spaces’ within which certain individuals can be harassed,” wrote Ditum. “A tool that was once intended to protect democracy from undemocratic movements has become a weapon used by the undemocratic against democracy.”
Whether it is in a public forum or a private business (as with last week’s case of Mozilla CEO Brendan Eich) “no-platforming” is the desired outcome of the radical-induced chaos. Whether it is used against the presumed liberal (feminism) or conservative (anti-BDS) cause, the outcome is the same: a clampdown on free speech and individual expression, marketed as kind-hearted, feel-good social legislation. Orwell would not be surprised.
Darren Aronofsky’s take on the classic tale of Noah is the Jewish guy’s Bible movie. The narrative, which does remain true to the textual account of Genesis, is crafted in the style akin to a scholarly drash. In another lifetime you might imagine this story to have been generated by a minyan of Talmud scholars poring over the story in their classes. Perhaps that is why the Christian audience has reacted so poorly to the film; it is not, in the words of Walter Hudson, told “from a Christian theological standpoint.” The audience is treated to a wrestling, not recounting, of the text for two very good reasons: A four-chapter story would make for a very short film and Aronofsky, for however religious he may or may not be at the moment, is most definitely 100% a Jew.
Aronofsky’s Noah remains, first and foremost, a story of redemption as it was interpreted thousands of years ago when paired with Haftarah portions in Isaiah (42-43 and 54-55) for the weekly Torah reading. Like the patriarch Jacob, Noah wrestles with God: the battle is a question of original sin and free will. Redemption, Aronofsky illustrates, is a choice entered into by covenant with God. It is not simply a no-strings-attached gift granted to perfectly bad people by a perfectly good looking guy who tests well with focus groups.
Contrary to most Bible epics, a faceless, voiceless God communicates His redemptive plan to Noah through the Biblically prophetic device of a metaphoric dream. “You must trust that He speaks to you in a way you understand,” Noah’s grandfather Methuselah advises. Reminiscent of the Tanakh prophecy “your old men will see visions, your young men will dream dreams,” Aronofsky engages Noah with his aged, wise grandfather, who advises him of Enoch’s prophecy that God would, one day, annihilate the world by fire.
…no one who doesn’t already believe in God will go see Son of God. And many who do believe in God and who do go see it are, like me, plopping down $14 or $15 purely from a sense of solidarity with the well-intentioned creators of such projects. There are other, better “Jesus movies.” A dramatic reading of some of the more risqué and exciting parts of the Bible by the likes of Morgan Freeman would interest me more than sitting through Son of God again.
And while neither option likely interests your secular, non-religious co-worker, neighbor, or relative, all of them will go see something like Darren Aronofsky’s Noah. This is why I, as a Christian, am infinitely more excited about Noah than any other “faith-based” film in a long time – regardless of the theology or worldview found in it. I can actually talk to my non-Christian friends about it because they will actually pay U.S. currency (or BitCoin) to go see it.
…what I am suggesting is that while we work to inspire and equip new generations of artists who share our values to boldly venture into the pop-culture fray, we must not miss opportunities to introduce our worldview into the cultural conversation. … Art has the power to transcend and speak to the soul. But it must be able to meet people on their level before pointing them upward.
Upon first read I knew Moeller went out on a limb with his commentary, precisely because what he says is the truth. And truth doesn’t always gel with religious dogma; I’m a Jew, I should know. One advantage I do have over my Christian brothers when it comes to faith is that my Jewish culture encourages — and is built on — wrestling with God’s word. These matches stray far from the polite scenarios common to gentile Christian faith. However, they have resulted in a similarity between us, in that they have developed and sustained a religious culture that reveres commentary as much as the actual Word of God.
If there’s one refreshing thing to be said of the season finale of Girls, it’s that Lena Dunham is not a stereotypical feminist after all.
The series finale of Girls opens with Hannah bumping into Adam’s looney sister who is now living with her equally nutty downstairs neighbor, Laird. Newly returned from a hippie commune, the pair are expecting their first child. Hannah asks and is granted permission to touch Caroline’s womb, which she does so with an expression of both doubt and awe. In the next scene, Hannah walks into her own apartment and she touches her own womb in absent-minded contemplation. She is then quickly distracted by an acceptance letter to graduate school in Iowa.
In her typical selfish fashion, Hannah presents her grad school acceptance to Adam minutes before his Broadway premiere. If it wasn’t so sweetly presented you’d think it was a vengeful move. Consequently, Adam feels that his performance has been thrown off. As a result, their relationship goes into full meltdown at the stage door after the show. Adam is outraged that Hannah presented her success to him before he went live: “Why can’t anything ever be easy with you?” he questions angrily.
The well played plot point mirrored Shoshanna’s own struggle at Ray’s rejection. “If memory serves, you’re the one who jettisoned me a while ago,” Ray comments before Shoshanna interjects, ”I want you back,” explaining, “I made a mistake…this entire year of freedom was just f-ing stupid…you make me want to be the best version of myself, and I just want to pretend that I was never not your girlfriend before.” “You pushed me forward in a lot of ways and I’m eternally grateful for that,” Ray explains before finishing with, “but right now, we’re in two different places with very, very, very different goals.”
In the post-episode commentary, Dunham focused on the idea that “relationships aren’t easy,” but the full impact is smarter than that: The episode that begins with the announcement of a pregnancy ends with Hannah’s excited expectations for what Iowa may bring. Embracing second wave feminist legacy, Dunham’s pregnancy metaphor introduces the next battle in the Children versus Career war, questioning the point of male/female sexual relationships.
Rupert Holmes once penned a beautiful line regarding two characters parting in the series Remember WENN: “This is what happens to love when people are in love.” Love is more than a sexual high, a status symbol, or a comfort zone. Love is required work, firstly on the part of one’s self. In their me-driven environment, second wave feminists created the idea that a romantic relationship, not unlike a commune, is nothing more than the temporal cohabitation of two individuals with shared interests. That ideology gave birth to the “Selfie Generation” of which Hannah Horvath is Queen.
The hypocrisy of the intellectual elite is finally being called onto the cultural carpet. This past Tuesday, Jennifer Rubin at the Washington Post observed: “There has been so much political turmoil among Republicans that it is easy to lose sight of the intellectual disarray on the left.” PJM’s Ed Driscoll quoted The Daily Beast‘s Lloyd Grove speaking of modern liberals: ”…Think aesthetics as politics, and academic credentials as peerage. Think of a latter-day Americanized version of Downton Abbey—where everyone knows his or her place, and our betters look best.”
It is amazing to see how quickly the liberal/socialist/Marxist wing of the political spectrum has imploded. Only one generation ago they donned tie-dye and preached “Damn The Man.” Today, their Gen-X children (Barack and Michelle included) have embodied The Man to their own damnation and that of the middle class, the working poor, and all those for whom they claim to care so much (at least during election season).
Driscoll cited Grove’s observation that contemporary liberals are living
…a world away from job-craving America, and light years from the mid-twentieth century Democratic Party.
Indeed, this gap gives added credence to Professor Fred Siegel’s critique that “today’s liberal gentry see the untamed middle classes as the true enemy,” …It’s not that the Democrats don’t know that they have a problem with the non-government employee middle class, but it’s just that they really are not bothered by it. As the New York Times framed the issue, “many in the party pay so little attention to white working-class men that it suggests they have effectively given up on converting them.”
Last week, alternative media mogul Glenn Beck announced that he was going to focus on “taking back” American culture through the power of nostalgia:
In the future, Glenn Beck’s focus is going to be more on influencing culture and less on politics and news. After all, news is only “what the culture allows,” he said in a recent interview with National Review’s Eliana Johnson.
…“Beck is nostalgic for an America of decades past, and his cultural projects will aim to resurrect and revive it,” Johnson writes. “It’s an America where duty trumped desire and Americans were bound together by a sort of civic religion created by that sense of duty. ‘I want to impact the culture in the way that people see good again,’ [Glenn] says.”
Beck’s goal is admirable, to a fault. The period he seeks to resurrect was one in which concepts like “good” and “duty” were defined by a Biblical religion, not a civic one. Any history student will tell you that Marx had his own take on the American Revolution; you can show someone Frank Capra movies until you’re blue in the face and they’re still going to see Mr. Smith as the ultimate community organizer if that’s their moral outlook.
As Amy Kenyon notes, there are pitfalls to what passes for nostalgia these days:
…the historical meanings and usages associated with nostalgia were finally mangled beyond recognition until its chief purpose became the performance of sentimentalism, the parceling out of discount memory via television, advertising, heritage theme parks, and souvenir markets, all aspects of what we might call the “nostalgia industry.” As such, nostalgia became kitsch, trivial and reactionary: hardly the stuff of a meaningful engagement with the past or the workings of memory.
Simply put: Glenn Beck needs to do more than embrace the facade of America, circa 1940. Beck needs to dig deeper, to America’s Biblical heritage, to understand what re-taking the culture truly means.
There’s this great story in the Torah that goes a little something like this. The leaders of Israel went up on a mountain for a private conference with God, per His request. With the bosses away, the Israelites decided to throw a party. Grateful to their God for freeing them from slavery, they shaped a golden calf to symbolize Him, worshipped the calf as God, and partied on. When the leaders came back down from the mountain, they were less than pleased. Tablets were smashed, God rained justice, there were a lot of irreversible layoffs. The common understanding of the tale says that God destroyed the Israelites because they worshipped the calf as a god. In reality, their sin was creating an image of God that suited their own liking, then worshipping Him as they wished.
Hollywood, and American culture in general, suffers from Golden Calf Syndrome. Whether you blame it on the instant gratification of social media or simple human impatience, God doesn’t communicate every 5 seconds in 140 characters or less. That’s not enough for us as a culture, so we’ve made a nasty habit out of satiating our need for the Almighty by forcing Him into a box of our own liking. Habit has become trend to the point that we don’t even realize when we’re trying to force God into our mold.
Take, for instance, the conservative Christian idol-worship of Matthew McConaughey for “daring” to use the name “God” in a sentence at the Oscars. Upon remarking on the huge stretch of the imagination performed by Christians (and some Jews, I’m sure) in thinking that McConaughey’s use of the G-word somehow referenced the God of scripture, the common, rather lackluster response I received was best phrased as, “Take it where you can get it.”
One comment, however, caught my eye.
The most insightful line in this week’s episode of Girls came from guest star Louise Lasser, playing wheelchair-bound senior artist B.D., who observed: ”I hate watching television because all the old women are shells… and it just hurts to be a shell.”
A female artist with a successful career, bemoaning her state in relation to what she sees on a screen: It really is as pathetic as it sounds, this legacy of the second wave feminist notion that sex is the purpose of a woman’s existence, therefore once her looks are gone, she is nothing more than an empty, useless receptacle. Still, it’s an odd statement coming from a woman with a successful career, right?
Perhaps Girls has debunked another second wave feminist myth: “Career” is not permanent salvation from Friedan’s dreaded boredom and emptiness. Take it from famous French actress/bombshell Catherine Deneuve, who recently remarked on the secret to aging well:
“I think it’s different for men and women,” Deneuve said. “I think for men it has more to do with a fulfillment of what they do in their life, their social life, their work. I think for women, it’s more private. It has more to do with a personal fulfillment with a life, love and children, and work also, but not as the first main thing, I think.”
City folk have always looked on their country neighbors with superstition. According to John Podhoretz at the Weekly Standard, this suspicion has carried a clearly political bent since the days of W. His evidence: Scary white dudes, like Walter White (Breaking Bad) and Bill Henrickson (Big Love) from middle America invading your TVs.
“In Difficult Men, Brett Martin’s book about the remarkable writer-producers who brought television to new cultural heights, Martin notes that there was something explicitly political at work in the early days of what he calls television’s “Third Golden Age.” Americans “on the losing side” of the 2000 election, Martin writes, “were left groping to come to terms with the Beast lurking in their own body politic.” As it happened, “that side happened to track very closely with the viewerships of networks like AMC, FX, and HBO: coastal, liberal, educated, ‘blue state.’ And what the Third Golden Age brought them was a humanized red state. . . . This was the ascendant Right being presented to the disempowered Left—as if to reassure it that those in charge were still recognizably human.”
…It’s the depiction of the worlds in which they live that is so striking, even more so in the series that have come along since the body politic’s shift to the left, beginning in 2006. The canvas on which these characters are brought to three-dimensional life isn’t a “humanized red state” at all, but rather the red state of liberal horror fantasy.”
Podhoretz concludes: “Still, rich Hollywood folk making mincemeat out of poor rural folk is another element of the ongoing American culture war that should not go unremarked.”
Fair enough, although any critical studies grad could tell you that whitey from the sticks, especially them man-folks, have been derided for a long time among the educated liberal elites who fill television’s coveted writers’ rooms. Educated liberal elites, mind you, who are primarily white dudes.
There are a lot of great lines in the megillah of Esther. The one most often quoted comes from Mordecai: “Who knows whether you didn’t come into your royal position for such a time as this.” It smacks of drama and makes for an excellent movie poster catchphrase. But, it wouldn’t hold half its meaning without the point-blank observation of evil Haman’s wife, Zeresh.
Upon listening to his frustration over Mordecai’s refusal to bow to him, Zeresh tells her husband to hang Mordecai. But, when she finds out Mordecai is a Jew, she does a complete 180 and admits:
If Mordecai, before whom you have begun to fall, is a Jew, you will not get the better of him; on the contrary, your downfall before him is certain.
And this is before Esther convinced the King not to massacre the Jews. It’s refreshing to know our reputation precedes us. But it isn’t a reputation we Jews are always glad to have; we aren’t exactly in it for the fame. In fact, like Esther, our first instinct is to keep our heads down and fit in with the rest of the crowd.
Speaking of “the crowd”, modern feminists have managed to twist the humble Jewess into the villain of the tale, instead opting to celebrate the Persian Queen Vashti for her refusal to appear before the King at his whim. Think: Her body, her self, Persian style. Docile, compliant Esther, meanwhile, is a mere pawn whose beauty comes in handy to persuade the patriarchy to let her live another day. This simplistic interpretation, totally ignorant of the promise and perspective of God, relies on the feminist myth that a woman’s worth is in her ability to manipulate her body to her advantage. Esther could never be considered a hero to these women, because she was inspired by a sense of purpose that outweighed the importance of her own skin.
“Don’t suppose that merely because you happen to be in the royal palace you will escape any more than the other Jews. For if you fail to speak up now, relief and deliverance will come to the Jews from a different direction; but you and your father’s family will perish,” Mordecai warns before adding, “Who knows whether you didn’t come into your royal position precisely for such a time as this.”
Vashti Feminists like to think the story is about Esther using her body to pursue the King’s favor. In reality, Esther pursues God’s purpose for her life and the life of her nation, Israel. She didn’t choose to sacrifice her body to the Persian King’s whims. On the contrary, Esther chose to devote herself, body, mind and spirit, to the living promises of God. The King, the death decree, even evil Haman, all of them were nothing more than plot devices in the ongoing love story between God and Israel. Esther, Queen of the Shadchans (Matchmakers) arrived on the scene as a reminder that “relief and deliverance will come”.
Esther was just a regular Jewish girl, redirecting her focus away from herself and onto the bigger picture of God’s plan for humanity. Crowned with the desire and humility to walk in faith, she is remembered as a Queen among her people. Vashti-feminists are oblivious to this plan and the honor it bestows, because their focus remains on the image in the mirror, not the person within, let alone the others who may be around.
Thank God, Esther decided that fitting in with the crowd was a bad idea. Had Esther followed feminist mantra, she would have dismissed Mordecai’s warning and followed the example of Queen Vashti, only to wind up exiled or dead. Instead, she trusted that God’s plan involved every part of her, including her beauty, and used all of her gifts to that end. Typical feminists favor Vashti because they worship tragic beauty; Biblical feminists admire Esther because she plays to win.
The MSM’s latest fetish, college girls-turned-porn stars for tuition money, smacks of the rotten legacy of second-wave feminism’s “our bodies, our selves” mantra. Take the story of Belle Knox, a Duke University fresh-girl forced to do porn for the tuition money. While her sleaze-bag of an agent attempts to milk her 15 minutes with stories of a poor girl turned out by multimillionaire parents (a story she later changed when chatting with Piers Morgan), Belle Knox views herself as anything but a victim.
The 18-year-old appeared on front pages across the globe and sat down with Piers Morgan for a CNN interview using only her stage name and claiming that she was not ashamed of what she was doing and, in fact, felt ‘empowered’ by her career.
I’m not being exploited. I love what I’m doing and I’m safe,’ insists the women’s studies major.
Women’s studies major. Good thing she’s in porn, considering her future career choices at this point don’t rise far above McDonald’s worker (and we all know how poorly they’re paid). Seriously, though, paying for your women’s studies degree by doing porn? Has anyone stopped being sucked in by the rich-girl lifestyle to consider that glaring irony? Or the fact that her women’s studies major has justified her career choice?
She told her student newspaper in an interview last week: ‘My entire life, I have, along with millions of other girls, been told that sex is a degrading and shameful act. When I was five-years-old and beginning to discover the wonders of my body, my mother, completely horrified, told me that if I masturbated, my vagina would fall off.
‘The most striking view I was indoctrinated with was that sex is something women “have,” but that they shouldn’t “give it away” too soon -– as though there’s only so much sex in any one woman, and sex is something she does for a man that necessarily requires losing something of herself, and so she should be really careful who she “gives” it to.’
The vapid meanderings of Belle Knox illustrate the very scary impact of the second-wave feminist notion that our bodies really are our selves. Beyond our physicality, we have nothing left, no brain, no feeling, to “lose” or invest in a sexual encounter.
Good and evil do exist, just not in the realm of political conversation — in America, that is.
Thursday, Crimean parliament member Refat Chubarov posted his outrage over the vote of 78 out of 100 of his fellow parliamentarians to secede from Ukraine and reunify with Russia. Even the failures of Google Translate can’t bungle the shocking truth out of his statement:
Those of my colleagues – Deputies of the Verkhovna Rada of the ARC who voted just crazy!
clear that they do the will of others …
Mind left them!
Only an expert intelligence agent, like Vladimir Putin, could have staged such a successful political takeover. First, he sends in armed, masked gunmen, then follows them with Russian troops who supposedly arrive to save the day. As a result, “Crimean lawmakers unseated the provincial government Feb. 28 under the eye of armed Russian soldiers and appointed pro-Russian politician Sergei Aksyonov, whose party got four percent of the vote at the last election in 2010, prime minister.”
True to his KGB roots, Putin’s disinformation campaign is well underfoot on both sides of the Atlantic thanks to Kremlin-backed Russian news media. Too bad for the dictator, not all of his subjects are loyal. In a bold move that took the Internet by storm, Russia Today news anchor Liz Wahl submitted her resignation from the state-controlled news show live on air, stating: ”I am proud to be an American and believe in disseminating the truth and that is why after this newscast I’m resigning.”
The best the American president can do, however, is paint a picture of moral equivalency while calling on the UN to mediate Putin’s illegal land grab. In a statement that included an acknowledgement of Russia retaining its “basing rights in Crimea,” President Obama placed the new Ukranian government on the same level as Putin’s Russia, urging, “Let international monitors into all of Ukraine, including Crimea, to ensure the rights of all Ukrainians are being respected, including ethnic Russians.”
According to NBC News, the Pentagon has spent $300,000 over the past 5 years to study the grooves of such creepy world leaders as Osama bin Laden and Vladimir Putin, believing that their body movements will aide in predicting their “future decisions and actions”.
The program called the “Body Leads Project” released a 2008 report entitled “Movement, The Brain and Decision-making, the President of Russia, Vladimir Putin.” Pentagon researchers again studied the Russian president in 2012, Defense Press Secretary Rear Adm. John Kirby said.
…While the results of the research is not classified, Kirby said Friday the Pentagon has no intention of publicly releasing the two previous reports on Putin to the media.
The body movement projects are conducted under the Pentagon’s Office of Net Assessment which provides updated thinking and insights regarding a wide range of military and foreign policy issues.
The news comes as U.S. lawmakers are asking the Obama Administration why the Russian leader’s military movements in the Crimea came as such a surprise to the White House.
“I guess we just don’t dance to the same music,” Obama responded. He then issued an executive order requiring all State Department officials to spend their weekend partying in Russian underground clubs throughout the D.C. area.
“It’s not like they aren’t doing it already. And who could blame them? Anna Chapman was hot,” Obama remarked on the order, referencing the Russian national who was deported in 2010 for spying on the U.S. government. When asked about the potential security breaches posed by such an executive order, President Obama was quick to add, “Hey, my pen and my phone are scanned every day for the latest in spy technology. The decision making of this administration goes through me, and I go through that phone and that pen. We’re air-tight.”
In an effort to boost knowledge of Putin’s moves, the Obama Administration has also sought out Russian singer Eduard Khil, a.k.a. Mr. Trololo. Khil became famous for improvising a musical performance on live television after Soviet censors banned 3 consecutive versions of the song’s lyrics for being too pro-American.
“We’ve elected to transform our free-form performance art, meditation, and yoga, eco-friendly breakroom space into a dance studio for intelligence purposes,” one State Department official detailed on condition of anonymity. “I mean, it’s not like we’re doing it at a corporate retreat, so we won’t get in trouble for blowing taxpayer money on it like the IRS did.”
Do you have the moves like Putin? The Obama Administration wants you. The big 3 television networks are already in talks with Valerie Jarrett to produce the first ever reality talent competition Intelligence Idol to recruit new intelligence agents. Contestants would submit personal dance videos via YouTube for consideration by a panel of judges rumored to include Jennifer Lopez, Joe Biden, and at least one Drag Queen Skyping in from Kadena Air Base.
One reporter did question the cost of the Pentagon research, stating, “If you really wanted to understand Putin, couldn’t you have bought enough copies of Disinformation for the entire staff with the money you threw away on that ridiculous study?”
“Two legs good, four legs better…to dance on you with,” was the official response.
According to Israel National News, the organization Stop the ISM has taken responsibility for getting Benjamin deported from Egypt:
The news wires were all abuzz today with the report that Medea Benjamin of Code Pink was deported from Egypt on trying to enter Gaza through the Rafah crossing. Stop the ISM, a division of DAFKA.org was responsible for this.
Upon learning that Benjamin was planning a trip to Gaza under the ruse of bringing lanterns to the Palestinian Arabs, our agency contacted the Egyptian embassy in Washington D.C. and alerted them to her plans. The result was Egyptian officials met her airplane when she arrived and immediately arrested her.
…Benjamin’s arrest and deportation show a serious shift in Egypt’s relationship with Hamas since the ouster of the Muslim Brotherhood and Morsi from that country. Only days ago, Egypt closed the Hamas office in the country and put out a clear signal that Egypt recognizes that the threat from Hamas extremists poses just as much of a threat to stability in Egypt as elsewhere in the Middle East.
Benjamin is part of the ISM network in the United States and was involved in several excursions to Gaza where her NGO’s would bring support to the Hamas terrorist leadership in Gaza.
Egypt is to be commended for finally putting a stop to this woman’s penchant for encouraging aid to a terrorist organization and disguising that aid as “humanitarian work.” In any case, her arrest and removal by the Egyptian authorities is the first concrete step taken toward reining in Hamas in Gaza.
Hamas has been aligning itself more and more with Iran, also increasingly supported by Benjamin, so that she is seen as posing a security concern for Egypt.
Mega spoiler alert regarding the new Liam Neeson flick Non-Stop via Breitbart. Stop reading now if you’d like to be surprised when you go to the theater to see Lady Mary on the big screen.
The hero of the movie about a plane being hijacked is an observant Muslim.
Wait, it gets better.
The terrorist is a 9/11 family member. Yes, you read that right; the terrorist is a 9/11 family-member who lost a loved-one in the World Trade Center on that terrible September morning.
It gets worse…
After 9/11, this 9/11 family member-turned-terrorist then joined the military but found himself disillusioned by the pointless wars.
The 9/11 family member-turned-terrorist is upset because America hasn’t done enough to ensure there will never be another 9/11. And so he figures that if he can get an air marshal blamed for a terrorist attack, America will wake up and anally probe us before we’re allowed on a plane, or something.
It gets worse…
The villain’s sidekick is a member of the American military willing to murder 150 innocent people for a payday.
It gets worse…
The one passenger on the plane who is forever helpful, kind, reasonable, noble, and never under suspicion is a Muslim doctor dressed in traditional Muslim garb including a full beard.
Screw you, Hollywood.
Wikipedia’s summary of the film had a kinder, gentler, more bureaucratic approach to the biased plotline:
…as soldiers who were appalled by the lack of security at U.S. airports before 9/11, they hoped that framing [Neeson] as a terrorist will lead to drastically increased security.
Great. A propaganda film that uses the American military to advocate for the increased empowerment of the TSA. What next? A film featuring American soldiers deployed on the edge of the communist world spending their precious time dressing up in drag, defending gay rights on base? (Cue musical number Springtime for Obama.)
As bizarre as it may seem, the plotline of Non Stop shouldn’t come as a surprise. Liam Neeson, the film’s star, has been contemplating converting to Islam since filming Taken 2 in Istanbul in 2012:
Movie star Liam Neeson has admitted he’s afraid to convert to Islam because of how locals in his home town would take it.
The Northern Irish actor thinks Islam “is the answer” after experiencing the Muslim call to prayer while filming Taken 2 in Istanbul.
But the 61-year-old doesn’t want to go all the way because people in Ballymena, Co Antrim, may be annoyed with his decision.
…“It wouldn’t go down very well in Ballymena.
“They would say to me, ‘You’re a Muslim? Are you a Catholic Muslim or a Protestant Muslim?’ ”
Perhaps he’ll be able to answer that question in Non Stop 2. Having edged out Son of God for top rating at the box office this weekend, it doesn’t look like the blatantly anti-American tone will disappear anytime soon, despite the lackluster ratings. Casting suggestion for the sequel: Katy Perry as the flight attendant demonstrating an appropriate use of a Muslim pendant as a non-blasphemous work-wardrobe accessory. It’d be nice to see her cover up for a change.
Matthew McConaughey thanked God for his Oscar win last night and the conservative crowd went wild.
McConaughey’s speech sparked a feeding frenzy for conservatives to outdo each other when it came to applauding him, while simultaneously taking shots at liberals. Rick Perry tweeted Monday morning, saying, “Texas boy counting his blessing.” His tweet linked to a Breitbart piece titled “Matthew McConaughey Praises God in Acceptance Speech, Hollywood Crowd Grows Quiet.” On Twitchy, Michelle Malkin’s site, the speech ran as “Matthew McConaughey rattles Oscar crowd, wins hearts by thanking God.” Fox News got in the game with the headline, “Matthew McConaughey one of few to thank God in Oscar acceptance speech.” And so on.
As the Daily Beast points out, McConaughey’s God-nod was most likely reassuring to a Christian population that’s been ostracized more than not:
In recent decades, religious figures are often found more often in niche movies, wrote Cieply, or if they are in major pictures, they “are often hypocrites and villains, driving plot lines that make, at best, a token bow toward the virtues of a faith-based life.”
One need look no further than a recent episode of the hit Scandal, in which the evangelical female vice president who murdered her gay husband claims she is not culpable because the devil made her do it.
Fair enough. I’m sure the Son of God giddiness also contributed to the Tweetfest, despite the fact that McConaughey never did specifically go beyond the name “God,” let alone drop “Jesus” during the speech. He did, however, express conviction that Miller Lite is served in heaven, which I’m sure won over the Duck Dynasty crowd.
What most conservative Oscar watchers failed to lavish with praise wasn’t the mere thanking of God, but the praising of Him by singer Darlene Love. The career backup singer celebrated 20 Feet From Stardom’s Best Documentary win by singing the refrain from the hymn His Eye Is on the Sparrow:
I sing because I’m happy,
I sing because I’m free,
For His eye is on the sparrow,
And I know He watches me.
The refreshingly simple, faith-laced, joyful lyrics made up the majority of her acceptance “speech” and were received with a full-house standing ovation led by an incredibly enthusiastic, non-religious Bill Murray. Where’s the barrage of Tweets about that?
McConaughey returned to his pot-smoking, bongo-banging self by the end of his speech, concluding with:
…whatever we look up to, whatever it is we look forward to and whoever it is we’re chasing — to that I say, alright, alright, alright. And then I say, just keep livin’.
It’s a generic statement that illustrates God is “whatever” and “whoever” and, therefore, “alright, alright, alright.” I have yet to read a conservative commentary that points out the many ways this level of ambiguity has eroded our nation’s ability to put faith in the God of our ancestors, let alone have faith in ourselves, both as a free nation and as individuals with free will. But hey, that’s cool; an actor said the G-word on stage and it got captured by social media, which makes it count.
Alright, alright, alright.
With 49 states buried in snow and most schools in the northeastern U.S. looking at anywhere from 7-10 snow days to make up, our country is ready for a warm up of national proportions. Throw on your heat lamps, put on a bathing suit under that fleece, and cuddle up to these 18 (the number of chai or “life”) warm images of sun, beach and desert (sweet, hot desert) from Israel.
In this day and age, why would you be stupid enough to use your religious beliefs as an excuse to deny someone services?
There are plenty of ways to avoid entering into a business transaction without having to appear discriminatory at all. When I worked for a private repair shop and encountered a client who seemed to be more trouble than they were worth for whatever reason, we used to simply say, “I am sorry, but we cannot provide service.” If people questioned why (which they did, very often and with plenty of attitude), we just kept repeating the same phrase: “I’m sorry, we cannot provide the service.” No one interpreted us as being discriminatory, or went as far as attempting legal action. We were simply annoying, so they moved onto a business that was willing to enter into the transaction. No harm, no foul.
That is the beauty of the free market: You have choices. If a bakery simply said “I am sorry, we can’t provide that service,” and left it at that, a gay couple denied service might interpret the owner’s choice as being discriminatory, but they wouldn’t have a leg to stand on in court. You can’t sue based on an inference. Progressives, however, rely on the courts to push their agenda because Big Government is their god. So the minute you breathe a hint of something that could be misconstrued as an opportunity for a lawsuit, they gain home-court advantage.
By simply saying, “I am sorry, we can’t provide that service,” you may be opening yourself up to some annoying picketing and internet memes, but what’s the worst that will do? Throw you in the same court as Chick fil-A? We all know how well that protest worked out. The bottom line is, you’re letting the free market decide your fate, not the courts.
First exhibited at the prestigious Paris Salon in 1765, Jean-Baptiste Greuze’s ”A Girl With a Dead Canary” was designed to evoke much the same emotion as PETA member Sarah Segal’s proposed memorial to chickens who were killed in a truck accident last month in Georgia. It seems like a tacky comparison that may even be read as an insult to a well-done and even pretty (if bizarre) work of 18th century art, but the bottom line is that both pieces were created for the same purpose: To tug at viewers’ heartstrings while affirming the moral superiority of a particular cultural class.
According to British historian Simon Schama, ill-fated French King Louis XVI introduced the “cult of nature” to the throne, “replacing couches and courtisans with [the] tenderness and simplicity” of Marie Antoinette’s toy farm and the well-crafted embrace of wildlife in art. “Tears were especially prized as evidence of feeling,” Schama explains, noting that, “people wept when they saw” Greuze’s painting. “Feelings …the shallow kind were embraced by the fashionable elite.” It was the attempt of a king and class to portray themselves as perfect, superior human beings.
So it goes with the Roadkill Memorial, albeit in a much more blatantly political format. A tombstone designed to dwarf roadside memorials to mere human victims of vehicular death, the proposed memorial is intended to remind all drivers to approach all of their animal relations with reverence:
Cascada said the tombstone’s visibility would make drivers’ more wary of people and chickens alike, thereby helping to avoid unnecessary accidents and preserve the lives of chickens in transport. …But Cascada acknowledged the reality of the chickens’ final destination, making the “Go Vegan” phrase a key takeaway.
“The more people who go vegan, the fewer chickens are in this situation to begin with,” she said.
Simply stating that “meat is murder” isn’t enough anymore. For PETA, the time for mere sloganeering is over. Humans are animals, don’t you get it? You’re all slabs of meat now, and some are much more important than others.