These days, you can’t go too far in public without encountering profanity. From hip-hop songs blaring out of car windows to private conversations that aren’t so private to teenagers who don’t seem to possess more creativity than four-letter words, profanity has become increasingly prevalent. One beach town outside of Jacksonville, Florida may do something to try to stem that tide soon.
After a community Independence Day celebration last year that drew huge, boisterous crowds, David Sembach, Police Chief of Neptune Beach, is looking into an ordinance that would allow officers to issue citations for profanity in public when such language leads to violence.
Naturally, residents of Neptune Beach express divided opinions on the issue:
“There’s no place for that kind of stuff in a public forum,” beach-goer Ken Meadows said.
“I work with people a lot, so I kind of just ignore it when it’s unpleasant,” Kristen Nye said. “Just keep walking.”
As expected, some locals don’t like the idea; they think Freedom of Speech should always reign supreme.
“It’s a waste of time and taxpayer money to try and do something like that,” Edward Spear said.
The proposal is still in the infancy stage. In order for anything to officially get on the books, City Council will have to approve it. It will be discussed at the next workshop on May 19.
Sembach wants to go further in what he sees as ways to make his town safer:
In addition to pushing for citations if the aggressive language leads to fights, Sembach is also urging for ordinances that would result in penalties for blocking public passageways.
Here’s the reality check: Neptune Beach’s mayor is against the profanity ordinance because she knows it’ll be damn near impossible to pass it. Nice try, Neptune Beach.
What do you think? Is the city right in criminalizing profanity and abusive language when they lead to violence? Or is Sembach stepping on free speech?
This post includes an image courtesy of Shutterstock.
1. How long have you been interested in music? When did you begin singing and writing songs?
I sang my whole life. I sang to the trees in my backyard before I had any friends, growing up in Virginia.
I always wrote songs in my head, but I didn’t pursue it formally until my late 20s.
2. Can you share with us a little about your faith journey?
Yes, gladly. I was raised in a Christian home by wonderful, believing parents. Singing was the way I accessed church and I always sang in church services – from about the age of 6. So Christianity for me was really about being able to sing at church.
I lived in NYC during 9/11 and witnessed that tragedy first-hand. Experiencing death like that – on such a large-scale shook me out of a spiritual slumber I was in. I went to Redeemer Presbyterian Church after 9/11 and sometime in October 2001 I had a powerful encounter with Jesus during a Redeemer service.
The rest is still the journey.
3. What is the songwriting process like for you?
Songwriting for me is mostly agonizing, painful, and something I try to avoid. This is not an overstatement.
Sean Astin has proven himself one of the most versatile and underrated actors of my generation. With a resume that contains such films at The Goonies, Rudy, The Lord of the Rings trilogy and television shows like 24, Astin has transcended the typical life of a former child star and parlayed his talent into a career that has lasted over a quarter century. He currently appears in the new film Mom’s Night Out, and in an interview with Fox News on the movie’s release, Astin opened up about his Christian faith:
Astin, who is “technically Lutheran” after he, his wife and three daughters were baptized in the same church, never thought about defining his faith until he was asked in a live interview to share his religious beliefs.
“I thought, ‘Huh, I guess I have to have an answer’,” he recalled. “I consider myself a Christian. I don’t know if I’m a very good one but I’m praying the forgiveness thing is legit.”
While Astin’s answer is confident now, his road to faith was a winding road. Raised by his mother, actress Patty Duke, and father, “The Addams Family’s” John Astin, in what he describes as a secular home, Astin was exposed to a variety of religions before coming to his own faith.
“My mother was a Catholic who had been kicked out of the church at one time and she put me in Catholic school in sixth to eighth grades and I wanted to become a Catholic then,” he said. “But my father, who was an atheist because his parents were a scientist and school teacher, later discovered Buddhism.”
In addition to his exposure to Catholicism and Buddhism, Astin’s oldest brother “went to India, shaved his head and lived on an ashram and became Hindi.”
In 2003, Astin decided to “embrace Christianity” and develop his own “relationship and understanding with God.”
Astin admits that, while he doesn’t choose his projects along faith-based lines, he will turn down a role “if I feel it has zero moral redemption.” He laughs at the idea of being pigeonholed as a Christian filmmaker after taking on roles in films that appeal to a Christian fan base. He admires a new generation of Christian directors and producers who try to get messages based on timeless biblical principles into the marketplace in fresh ways:
“Hollywood is antagonistic to Christian films because of forces that are hard to describe, but Christians have made things difficult for themselves by the way they approach the outside community,” he continued.
Astin said people need to forget about those “who grab the microphones and yell the loudest.” The fact is, people are hungry for family-friendly, faith-based entertainment and studios are finally starting to listen.
“The Christian ground game is presently revolutionizing marketing in filmmaking,” he explained. “It’s not a subtle thing, and it’s a great thing and it’s not owned by the Christians. They are just getting there first because they’re tired of not being able to get their product into a wide marketplace.”
For eight seasons, 24 kept viewers on the edge of their seats as counterterrorism agent Jack Bauer (Kiefer Sutherland) saved the world one day at a time with the help of a cast of terrific characters including computer analyst Chloe O’Brian (Mary Lynn Rajskub). The real-time, 24 hours-a-season format kept us on the edge of our seats and made for innovative television. In 2010, Sutherland and the producers mutually agreed to end the series after its eighth year, but like nearly all good things, 24 came back — this time as a limited, 12 episode season called 24: Live Another Day.
The season premiered on May 5, and based on the first two hours, we’re in for quite a ride. I’ve thought of five reasons to get excited about 24: Live Another Day. Check them out…
As an avid Disney fan (geek?), I’ve seen quite a few theories that connect various Disney and Pixar films, TV shows, and properties. It’s no secret that Disney’s animators love to throw in references to other cartoons along with Easter eggs for observant viewers, but some theorists spin elaborate and sometimes over-thought narratives linking movies together. Among the most extreme sits Jon Negroni’s loveable yet wacky Pixar Theory – Negroni also devised the less outlandish idea that Jessie from Toy Story belonged to Andy’s mother years before Andy took ownership of her.
Over the weekend, my brother brought to my attention an intriguing theory that links recent hit Frozen with Tangled and even The Little Mermaid. The theory stems from the screenshot above from Frozen. Who does newly crowned Queen Elsa greet, but post-haircut Rapunzel and Flynn/Eugene? Rapunzel and Flynn’s cameo in Frozen could be no more or less than a clever Easter egg reward for us observant Disney nuts, but this theory suggests more.
“What if the king and queen of Arendelle were on their way to Rapunzel and Eugene’s wedding when their boat sank, and that’s why Rapunzel and Eugene felt the need to come to Elsa’s coronation ceremony?”
Frozen doesn’t tell us much about where the king and queen of Arendelle were heading, just Elsa asking, “Do you have to go?” and Anna sending them off with, “See you in two weeks!”
[SPOILER ALERT] We don’t know where Anna and Elsa’s parents were going, but we know what happened to the ship – it sank.
So how does The Little Mermaid fit in? Turns out Ariel swims around a shipwreck – a shipwreck that bears a bit of resemblance to the ship belonging to the king and queen of Arendelle. (Yes, I admit that part’s a stretch, but bear with me.)
Check out what I came across on eBay. This is the real deal. It’s the front car of Monorail Red from the Mark IV line, which ran at Walt Disney World from 1971-1989. Can you imagine what a cool conversation piece this would make for the front yard? Unfortunately, I can’ t get my hands on $189,000 for it – or a way to get it from Florida to Georgia, for that matter.
Editor’s Note: The internet is not a very friendly place. The anonymity the medium provides makes it real easy for arrogant bullies to spoil everything with their own cynicism and self-loathing rather than focus on celebrating the good, innocent aspects of life. Editing Chris Queen for more than 3 years now has been like taking a regular booster shot of Southern sunshine. He always brings a smile to my face with his articles celebrating the “great, big beautiful tomorrow” that’s coming. Here’s how he concluded the ninth article in this collection:
”Cynics will always find something negative to look to about the future. The world around us can make us jaded about what may be in store for us. But when I walk through the gates of Walt Disney World — especially Epcot — I sense a palpable excitement about what can be in the future. Give me the optimistic futurism of Walt Disney over cynicism and grimness any day.”
Over the years at PJ Lifestyle Chris has covered and researched Walt Disney the man and the company he founded. Future collections of his work will highlight some of his intriguing discoveries. For now, please also check out the previous best-of collections published last weekend: 10 of Walter Hudson’s Greatest Hits, 10 of Hannah Sternberg’s Greatest Hits, and 10 of Kathy Shaidle’s Greatest Hits. For more great articles, also check out the list of PJ Lifestyle’s Top 50 List Articles of 2013. - Dave Swindle
By my count, I’ve been to Walt Disney World 25 times, though others in my family think I may have been more.
December 5, 2011:
Today marks the 110th anniversary of the birth of the 20th century’s greatest visionary artist and entrepreneur.
April 12, 2014:
You won’t really understand Walt Disney until you start reading…
Maybe Netflix can resurrect some of these?
February 24, 2012:
Oscar’s Only Human…
April 23, 2012:
May 3, 2013:
The Man Behind The Mouse underwent a political transition from naive socialist cartoonist to staunch conservative mogul.
“I say believe in the future, the world is getting better; there are lots of possibilities.” — Walt Disney
So where do all the bad dialects come from?
Since I read and reviewed Finding Mr. Righteous last week, I’ve had the privilege of developing a friendship with the author, Lisa De Pasquale. I’ve been asking her questions about the book as well as her views on relationships and faith.
1. Chris Queen: Where did the idea for Finding Mr. Righteous originate?
Lisa De Pasquale: One Saturday I was crafting an email in my head to reach out to one of the guys in the book about some religious questions. The questions were real, but I wasn’t sure if they were coming from an honest place. Was I using a man to get religion or using religion to get a man? Then the title, “Finding Mr. Righteous,” came to me. I went to my computer to see if the title had been used before. It hadn’t! Even www.findingmrrighteous.com was available! I bought it and started making a few quick notes, which later became an outline, in my iPhone.
2. CQ: How did you develop the idea of telling the parallel stories of your romantic relationships and your faith journey?
LD: I wanted to write a book that all women – not just Christians or conservatives – would read. I thought the best way to do that would be through a chicklit-type book about dating. I went into the book with a loose outline, but a lot of the experiences in the book were happening in real time. There were at least three men in the book I had no intention of including or didn’t know at the time I started the book. I thank God for wrapping this story up in a nice bow. When I started writing the book I didn’t know how it would end. It was more poignant than I ever could have imagined!
3. CQ: How nervous were you at the thought of baring your soul and the details of some of your relationships?
LD: There were some moments when I thought “Should I really repeat some of these things?” but ultimately I thought the message was important enough to put it out there. I also thought that the only way I could truly connect with other women is by being completely honest about my ups and downs. I couldn’t tell a true redemption story without discussing my sins. I started the book with a quote from St. Francis of Assisi that my friend Liz Neaton posted on Facebook one day. I think it gave me armor for telling my story. He said, “I have been all things unholy. If God can work through me, He can work through anyone.”
I wasn’t looking to get hooked on another series, especially a period drama about a historical era with which I’m woefully unfamiliar. But I tuned in to AMC to get ready for the season premiere of Mad Men and caught the last five minutes of the second episode of TURN, a new program about the exploits of the real life Culper Ring, a small network of spies on Long Island during the Revolutionary War. After just a few minutes, I had programmed my DVR to catch up and became a fan of the show.
TURN centers around four spies: young farmer and magistrate’s son Abraham Woodhull (Jamie Bell), Anna Strong (Heather Lind), wife of the local tavern keeper, himself jailed for treason against the Crown, and militiamen Ben Tallmadge (Seth Numrich) and Caleb Brewster (Daniel Henshall, and Australian actor with the best pan-Celtic accent I’ve ever heard). The four are tired of the mistreatment at the hands of the occupying British, and they manage to pass information back and forth unscathed (so far), risking their lives both on the battle front and in a Loyalist-friendly hometown.
The show has challenged the way I think about the spy game. As one who grew up on James Bond, it’s always been difficult for me to get away from the quips, technology, and hot women and see espionage in a more realistic context. The visceral, realistic rush of TURN is a far cry from 007′s high flying adventures. As I’ve already written over at The Macho Sophisticate:
Instead of cool gadgets, these spies rely on standard weapons. Rather than fire off witty quips, this crew must keep their wits about them. Where James Bond has the backing of a massive government organization, this group counts on clandestine rendezvous and elaborate signals involving hanging laundry to pass on information. And their escapades are just as fascinating as anything Ian Fleming could devise.
Each of the spies has his or her own problems that complicate their roles. Abraham Woodhull must contend with his father, a loyalist judge, and Anna Strong fends off lusty British soldiers. Ben Talmadge must deal with a commanding officer who threatens to court martial him over his interrogation of a British captain, while Caleb Brewster fights nature and his own enthusiasm for the patriot cause.
Back in February, I wrote about a phenomenon I call Disney Guilt By Association, a particular type of disinformation in which members of the media attach Disney to negative news stories where the company has an incidental link. In my original article, I wrote:
On far too many occasions Disney has come up against agents of disinformation trying to tarnish its founder, and the company at large finds itself the target of media hatred. From the antics of its former child stars – as if the studio could be responsible for their personal behavior – to the recent attempts to deface Walt Disney that seem to come from out of nowhere, members of the media try to attach any scandal they can to Disney, manufacturing a type of guilt by association.
The Associated Press has published an article documenting the plight of the homeless in the Orlando area (“In Disney’s Shadow, Homeless Families Struggle.”) (The piece even includes the tag, “Homeless in Disney’s Shadow,” as though this particular phenomenon warranted repeated investigation.) The article, which lists no author, chronicles several families who have moved to Orlando seeking a prosperous living, only to find themselves living in seedy motels.
The problem has created a backlash among the mostly mom-and-pop businesses, with some owners suing the county sheriff to force his deputies to evict guests who haven’t paid or who have turned their rooms into semipermanent residences. It also shines a light on the gap among those who work and live in this county that sits in the shadow of Walt Disney World, and the big-spending tourists who flock here. On any given day, tourists pay nearly $100 per person to get into Orlando’s theme parks. There, they may be waited on by homeless parents. From their hotels, they jog past bus stops where homeless children wait to head to school. They buy coffee at Starbucks next to the motels that have become families’ homes. [...] “The fact that we’re the happiest place on Earth and No. 1 travel destination is good news, but this service-based economy is actually creating a dynamic of homelessness,” [consultant Catherine] Jackson said. Many of the county’s homeless moved here to find jobs in the tourism industry, so they lack the social networks of family or churches, Jackson said. (emphasis mine)
Anyone who has visited Walt Disney World or Disneyland knows how cool Soarin’ is. In an earlier post on the 10 things you must do at Disney World, I referred to Soarin’ as “a feast for the senses” and “an engineering marvel.” The uniquely immersive attraction opened at Disney’s California Adventure in 2001 and at Epcot in 2005. Both attractions use the same incredible film highlighting sites up and down the state of California.
The use of the film from Disney California Adventure was felt by many as a temporary stop gap until Disney could shoot a movie specifically for the Walt Disney World edition of Soarin’, or a new version that could include both the east coast and west coast. We are now almost 10 years since opening, with the same California based film playing.
Well now it seems we are closer than ever to a new film for Epcot’s Soarin’. In the next month, film crews working on the new film are planning flights over Walt Disney World, and specifically Epcot. It is speculated that this new footage will be part of a Soarin’ over the World, which will include sights from around the world, including Disneyland and Walt Disney World.
Keep in mind that we haven’t heard anything remotely official from Disney yet, and also that rumors of updates to the attraction have been around for years. WDWMagic even admits that speculation has been around almost since Soarin’ opened. But wouldn’t it be cool to see new footage? If you’ll indulge me to dream a little, wouldn’t an experience that changes every time you ride Soarin’ – like the new Star Tours – be so much fun?
What are your thoughts, Disney Parks fans?
I approached Lisa De Pasquale’s new book Finding Mr. Righteous with some trepidation. Ann Coulter referred to it as “a true Christian story disguised as racy chick lit.” The reader reviews on Amazon contained phrases like “gets to the inner workings of the mind of an insecure young woman” and “as [if] she was writing about my loving and sexual past.” Our own David Swindle called it “a time bomb waiting to explode.” I thought, ohhhhhh boy. But when David personally recommended it to me, I figured it must be a good read.
Lisa didn’t disappoint. It seems a little weird to refer to her by her first name, since doing so goes against everything you learn about how you’re supposed to write, but after reading Finding Mr. Righteous and talking to her a little about it on Twitter, I feel like I’ve known her for a long time.
Finding Mr. Righteous jumps in to Lisa’s romantic and sexual life with gusto. She never pulls any punches when it comes to her experiences. Situations get steamy from time to time, but I never felt like I was on the verge of being offended. This is no creepy confessional or salacious tell-all — it’s a memoir of a mature woman telling it like it is, warts and all. More often than not, I’d finish a chapter thinking, so that’s what women think about men.
Lisa is a keen judge of human nature as well. She provides astute glimpses behind the facades of the men she’s dated. She offers plenty of fascinating observations like:
Chris was a cat person. But having one view wasn’t enough for him. He had to denigrate the opposing view. Chris’s cat versus dog views were like his views on religion. It wasn’t enough to just accept that some people are religious and some people are not. You had to be an atheist or true believer. And if you were a true believer, you were ignorant.
We’ve made it to the end of our series on the 1964-65 World’s Fair and Disney’s influence on it. If you’ve missed the rest of the series here’s where you can find the rest:
Part 1: ‘The Kind Of Service We Can Offer’
Part 2: ‘Something No One Has Seen Or Done Before’
Part 3: ‘I Won’t Open The Fair Without That Exhibit!’
Part 4: ‘At The Intersection Of Commerce And Progress’
Part 5: ‘It Says Something Very Nice’
In this segment, we’re going to look at the legacy of the Fair on Disney’s theme parks. As we discussed in the first week of the series, Walt Disney used the New York World’s Fair as a sort of testing ground for an East Coast Disneyland concept. The success of the Disney-designed pavilions convinced the company that their secret land purchases in Florida would pay off. As Jeff Kurtti noted in Since The World Began, his (sadly out of print) account of Walt Disney World’s first 25 years:
Ninety-one percent of the guests at the 1964-65 New York World’s Fair attended at least one of the Disney shows. And although critics scoffed at Disney’s creations, their popularity convinced many in the Disney organization that the theme park concept was fundamentally reliable, regardless of geographic location.
Since the Fair, Disney has opened a resort with five theme parks in Florida, expanded Disneyland to a second theme park, opened a two-park resort in Tokyo and single-park resorts in Paris and Hong Kong – with a resort in Shanghai set to open in late 2015.
Each of the four pavilions that Disney designed and built for the Fair have left their mark on the Disney brand over the past 50 years. It’s A Small World, with its inimitable spirit and charm, has made its way to all five Magic Kingdom-style parks and has been consistently popular since its Disneyland debut. That attraction also inspired and informed the spirit of World Showcase, the half of Epcot in which various nations show themselves off to guests, living in harmony along World Showcase Lagoon.
Last week here at PJ Lifestyle, we saw a lively debate over the difference between altruism and giving out of love — particularly in a Judeo-Christian context. My colleagues Walter Hudson and Susan L. M. Goldberg eloquently shared their thoughts on the nature of altruism in a series of compelling posts:
April 8: Altruism In Religion’s Free Market
April 9: Love And Altruism Prove Opposite
Walter, Susan, our editor David Swindle, and I continued the discussion on Facebook, which morphed into a bigger exploration of faith and religion. At one point, Susan brought up the notion we often hear from secularists that “God doesn’t want us to be happy.” I replied:
I don’t think God wants us to be happy, either. He wants us to be filled with joy. Happiness is temporal and circumstantial, while joy is sustained.
There’s a clear difference between happiness and joy. Circumstances and relationships determine our happiness. An ice cream cone can make you happy. A great comedy can make you happy. An upbeat song (even that ubiquitous Pharrell Williams tune) can make you happy. But happiness is transitory and momentary — and ultimately external. Psychologist Sandra A. Brown writes (particularly in the context of relationships):
Happiness is external. It’s based on situations, events, people, places, things, and thoughts. Happiness is connected to your hope for a relationship or your hope for a future with someone….
Happiness is future oriented and it puts all its eggs in someone else’s basket. It is dependent on outside situations, people, or events to align with your expectations so that the end result is your happiness.
And happiness can disappear as quickly as it comes. The same people who make us happy one moment can hurt us or let us down the next. That great meal you ate can give you unbearable heartburn. You can grow tired of the songs, films, and shows you once loved. A storm can ruin that perfect trip to the beach. The happiness we seek can often disappear without warning.
We’ve seen to many changes in technology over the last generation or so that some of the greatest innovations from the childhood of a Generation X-er (like me) are completely obsolete today. For example, my nieces have been aware of what “listening to records” is for a long time because I have a record player at my house. But a couple of years ago, when the oldest of the girls, now 9, saw a record outside the sleeve for the first time, she said, “Wow! That’s a big CD!”
It’s fascinating to see kids react to older technology. The Fine Bros., who have created some of the funniest videos anywhere with the React Series on YouTube, have tackled that topic with their latest video, “Kids React To Walkmans.”
Of course the kids’ reactions are priceless. One girl immediately thinks she’s looking at a phone, while another, when she can’t figure out how to use it, exclaims, “I feel so judged right now!” The kids “ooh” and “ah” at the cassettes and laugh at the headphones — “My grandpa has some of these!” To a man – er, to a child – all of them prefer today’s digital technology to the old school cassette player. Then again, who wouldn’t? Check it out for yourself:
Welcome to Part 5 of our series on Walt Disney’s contributions to the 1964-65 World’s Fair in New York City. If you need to catch up on the rest of the series, here’s where to look:
Part 1: ‘The Kind Of Service We Can Offer’
Part 2: ‘Something No One Has Seen Or Done Before’
Part 3: ‘I Won’t Open The Fair Without That Exhibit!’
Part 4: ‘At The Intersection Of Commerce And Progress’
This week we’re looking at an attraction that made its debut at the World’s Fair and is still beloved today – It’s A Small World. It’s one of the attractions that appears at every Disney resort, on three continents. Because of its ubiquity all over the world, according to Disney, the title song “is always playing somewhere around the world.” During the course of a 16 hour day in any one of the parks, the song plays 1,200 times. Love it or hate it, It’s A Small World is one of the quintessential Disney attractions, but it almost didn’t make it off the drawing board.
A scant nine months before the Fair, Pepsi approached the Disney Studios requesting that the Imagineers develop an attraction that the company would sponsor to benefit UNICEF. Bob Thomas picks up the story in Walt Disney: An American Original:
A Disney executive, believing that three projects were more than enough to occupy WED, sent the Pepsi-Cola people to an engineering firm that specialized in children’s playgrounds. Walt was angry when he heard about it. “I’m the one who makes those decisions!” he declared. “Tell Pepsi I’ll do it!”
Walt detailed to stunned Imagineers his plan for “a little boat ride” in which guests would see simple, childlike figures representing the cultures all over the globe. He enlisted some of his most trusted artists to design the attraction. Mary Blair, whom Walt called his “favorite artist,” imprinted her unique stamp on the look of the ride. Marc Davis oversaw the animatronics, while his wife Alice and Joyce Carlson designed the costumes for the dolls. Claude Coats engineered the layout of what Walt would call “the happiest cruise that ever sailed.”
Editor’s Note: This article was first published in April of 2013 as “10 Must-Read Books for Disney Nerds“ It is being reprinted as part of a weekend series at PJ Lifestyle collecting and organizing the top 50 best lists. Where will this great piece end up on the list? Visit tomorrow for the conclusion of the series.
The Walt Disney Company has provided quality entertainment to generations of fans for almost nine decades now. No other company has done what Disney did with such excellence — from animation to live-action films to television to totally immersive theme park experiences.
Disney fandom requires a certain level of passion, but there are some whose devotion to all things Disney rises to another level. I call them “Disney Nerds,” lovingly so, because I consider myself one. Actually, I debated whether to use the term. I prefer “Disney Aficionados,” but worried it sounded too pompous.
Whatever you call us, I’ve compiled a list of ten essential books for Disney Nerds. Think of this list as summer reading for the die-hard Disney fan. The books you’ll see in this post run the gamut from theme park guides to historical chronicles to the ultimate biography of the man himself, Walt Disney. Each book will expand your knowledge (and hopefully love) of Disney culture in its own unique way.
Get ready to dig in and feast your eyes on some great Disney reading. For the list, I’ve tried to choose books that are readily available, and have provided links to order or download them for Kindle apps where applicable. So here we go.
Growing up on the outer edges of Atlanta’s suburbs, I’d heard about cow tipping. For the uninitiated, the idea of cow tipping stems from the (false) supposition that cows sleeping standing up could be knocked over easily. Truth be told, cow tipping is an urban legend – probably what city folk think we do out in the sticks.
Last weekend in San Francisco, a group of people prowled the streets of the city overnight and vandalized Smart Cars by turning them on their sides, hoods, and rear ends.
Hitting four smart cars in a few hours, an eyewitness account indicated that eight people wearing hooded sweatshirts flipped one of the cars. At approximately 1,500 to 1,800 pounds per car, each vehicle had smashed windows as well as significant body damage from being flipped over.
Speaking about one of the car-tipping incidents, eyewitness Brandon Michael said “I thought they looked like they were up to no good and then sure enough they walk up to this Smart Car right here, all huddle around it and just lift it up and set it on its hind legs, like a dog on its hind legs, — that’s pretty much it.” According to San Francisco Police Officer Gordon Shyy, the car-tipping vandals have yet to be identified and will likely face felony charges if caught.
Vandals in other cities have targeted the tiny cars in years past. Three years ago, a group in Vancouver turned a Smart Car over as a crowed cheered them on. In 2009, authorities arrested an Edmonton, Alberta man for tipping a Smart Car.
The police don’t know if the vandals are random thugs going after easy targets or if they are trying to make a statement against the environmentally friendly cars.
Walt Disney and the 1964-65 New York World’s Fair, Part 4: ‘At The Intersection Of Commerce And Progress’
In case you’ve missed the rest of the series:
Welcome back to our series where we’ve looked back at the 50th anniversary of the 1964-65 New York World’s Fair and Disney’s input into it. This week, we’ll see how Disney teamed up with one of the country’s most recognizable corporations to create a pavilion that celebrated American ingenuity and free enterprise.
In Disneyland’s early days, Walt devised the idea for a side street offshoot from Main Street, U.S.A. At the Edison Square attraction, Disney would team up with General Electric (which had its genesis in Edison’s company) to present the story of how electricity benefited a typical American family from the turn of the 20th century, through the present, and into the future. Disneyland’s souvenir maps listed Edison Square among the park’s coming attractions, but by 1959, General Electric (GE) requested that Disney use their idea in a pavilion at the forthcoming World’s Fair in New York City. They called the exhibit General Electric Progressland.
GE knew they had partnered with the right organization, and their promotional materials for the Fair touted Walt’s involvement:
Walt has used all his resources to make Progressland the number one attraction at the Fair. He has filled it with surprising, often startling, and always pleasing evidences of his great ability to entertain.
But the purpose is never lost sight of — to tell the story of electricity and the way it is changing the world — past, present and future . . . to showcase a great industry, the electrical industry, and tell how it has grown and prospered (and helped the nation to grow and prosper) in a free, competitive society.
Corey Feldman just got awesome news – Richard Donner told us he’s making a sequel to “The Goonies” … and wants to bring back the entire cast.
Donner was signing autographs in Bev Hills when he dropped the bombshell … genuinely surprising our photog.
What Donner didn’t say … whether he’ll recast the main characters and bring in Corey, Josh Brolin, Sean Astin and Data for cameos, or if these guys will actually play the same roles 28 years later. A gnarly but interesting thought.
Goonies never say die!
But hold on before you go lining up to be the first to buy tickets. Donner has announced a Goonies sequel a number of times in the last decade. He said in 2010 that a sequel was a “definite thing,” while in 2007 and 2008 he mentioned a musical adaptation as an idea he was “fairly passionate” and “confident” about. Will this time be the charm for a sequel to The Goonies? We’ll just have to wait and see.
Editor’s Note: This article was first published in September of 2013 as “The 5 Most Underrated Walt Disney World Experiences“ It is being reprinted as part of a new weekend series at PJ Lifestyle collecting and organizing the top 50 best lists. Where will this great piece end up on the list? Reader feedback will be factored in when the PJ Lifestyle Top 50 List Collection is completed soon… Click here to see the top 40 so far and to advocate for your favorites in the comments.
A Walt Disney World vacation offers a ton of truly special experiences — from thrills and chills to charming family attractions. The resort has truly lived up to its reputation as the “Vacation Kingdom of the World.” Every year millions from all over the world travel to central Florida to enjoy popular attractions like It’s A Small World, Big Thunder Mountain Railroad, Expedition Everest, and Mission: SPACE.
First-time guests — and even a few seasoned guests — often miss out on off-the-beaten-path attractions and little underrated gems throughout Walt Disney World. Sometimes these experiences go unnoticed because they’re older and don’t take advantage of flashy new technology. Others wind up being “best kept secrets” for guests who stay on property. Occasionally, guests just walk by others without even noticing them.
Here I’m presenting a list of my top 5 most underrated experiences at Walt Disney World. They include a couple of Tomorrowland attractions that are retro-fantastic, a quaint getaway from the bustle of Adventureland, an entire resort that guests often overlook, and a special nighttime treat. The common thread between all of them — besides that fact that I think they’re underrated — is that they’ve all been around practically since Walt Disney World opened.
Without further ado, here are the top 5 underrated experiences at Walt Disney World. Enjoy…
5. Carousel of Progress
The Imagineers — going all the way back to Walt Disney’s day — have taken pride in their ability to tell stories in unique ways. One prime example of a quintessential Disney storytelling innovation is the Carousel of Progress.
Walt personally supervised the development of the Carousel of Progress for the 1964-65 World’s Fair. The attraction employs an inventive theater-in-the-round concept and one of the earliest examples of Audio-Animatronics to tell the story of how “industrial advances over the past century have changed everyday living for an American family.” Even the theme song, the Sherman Brothers’ “There’s A Great Big Beautiful Tomorrow,” reflects a certain nostalgic exuberance.
Is it corny? Yes. Are the old-school Audio-Animatronics a bit outdated? You bet. Is it worth checking out? Without a doubt. At the very least, the Carousel of Progress is an air-conditioned respite from Florida’s often oppressive heat. But if you’re willing to let its message sink in, you’ll get an infectious glimpse into Walt Disney’s optimistic futurism. Let’s face it — the chance to see the future through Walt’s eyes makes the Carousel of Progress worth the ride.
Disney’s animated hit Frozen has turned into quite the phenomenon. The film, starring the voice talents of Idina Menzel and Kristen Bell, recently passed the billion dollar mark in worldwide box office. It has become the highest grossing animated movie of all time and entered the top ten among films overall.
The Walt Disney Studios’ seventh billion-dollar release, “Frozen” has earned an estimated $398.4 million at the domestic box office and $674 million internationally.
“Frozen” is the first billion-dollar film for Walt Disney Animation Studios and its first film to receive the Academy Award® for Best Animated Feature. “Frozen” opened wide domestically on November 27, 2013, posting the #1 all-time Thanksgiving debut ($93.6M five-day, $67.4M three-day) and Walt Disney Animation Studios’ biggest opening ever. It remained in the top 10 films at the domestic box office for 16 consecutive weeks, the longest run by any film since 2002.
Other records that Frozen has claimed include:
- The biggest Thanksgiving debut weekend.
- The biggest debut weekend for a Disney film.
- The highest grossing Disney or Pixar film in 27 countries, including Russia, China, and Brazil.
- The highest grossing foreign film in South Korea.
- The highest grossing animated film in Venezuela and Denmark.
- The fastest selling home video in digital format.
In its first day, Frozen sold 3.2 million DVDs and Blu-Rays. Additionally, the soundtrack has topped the Billboard 200 charts for seven nonconsecutive weeks, selling 1.6 million copies along with 5 million individual track downloads. The soundtrack has also approaching 110 million streams worldwide on Spotify. The movie’s hit song “Let It Go” won an Oscar for writers Robert Lopez and Kristen Anderson-Lopez. Menzel’s version of the song has reached #5 on Billboard‘s Hot 100 as of last week, selling 2.6 million copies and besting by far the “pop” version by Demi Lovato, which only reached #38. The video of the song’s sequence from the film has garnered over 166 million views on YouTube.
What other records are left to break? With a track record like this in just a few months, we can safely bet that Frozen will join the pantheon of Disney classics.
At a surprise press conference this morning, Disney CEO Bob Iger made the special announcement that the company will thaw out the cryogenically frozen body of Walt Disney to make appearances at both American theme parks. The once-in-a-lifetime appearances will take place Independence Day Weekend.
“We’re thrilled to announce that Walt will come back to life this summer at Disney Parks,” said Iger. “He will appear at Disneyland on Saturday, July 5. We’ll fly him to Orlando over night, and he’ll appear at Walt Disney World on Sunday, July 6.”
Iger did not take questions from the media, but he remarked that the corporate board decided on Independence Day Weekend because of Walt’s patriotism. The CEO also acknowledged the unprecedented nature of the upcoming events.
“We’ve been aware of the urban legends, and we’re proving that the legends are true,” he said. “We’ve never tried this before, so we’re hoping the thawing process isn’t messy, especially in the Florida summer heat.”
A spokesperson followed Iger’s remarks to announce that the company will release details on the appearances in June.
“We’re counting on everything going according to plan because we know just how much it will piss Michael Eisner off,” the spokesperson added.
Welcome to the third week of our series celebrating the 50th anniversary of Disney’s involvement in the 1964-65 New York World’s Fair. If you missed last week, we looked at Ford’s Magic Skyway pavilion and Disney’s spellbinding work on it. This week we’re talking a look at another pavilion that allowed Walt to raise the bar on one of his newest innovations: Audio Animatronics.
Walt became interested with animatronic figures when he brought a mechanical toy bird back from a trip to New Orleans. He took the toy apart to see how it worked and to figure out how he could improve on it. His work on the mechanical bird led Walt to task Roger Broggie and Wathel Rogers to create a “dancing man” animatronic, and they did so using a film of actor Buddy Ebsen singing a vaudeville song on a proscenium stage as a guide. An entire attraction built around Audio Animatronic figures – The Enchanted Tiki Room – opened at Disneyland in 1963, but Walt had even bigger ideas.
Walt and the Imagineers began to develop the concept for a side street off Disneyland’s Main Street, U.S.A. called Liberty Street. The area would center around the founding principles of the United States, and its key attraction would be One Nation Under God, a celebration of America culminating in a Hall of Presidents.
In 1962, World’s Fair mastermind Robert Moses visited Disneyland to check on the progress of Walt’s exhibits for the Fair, and Walt showed him the Hall of Presidents concept, inviting Moses to “meet Mr. Lincoln.” Moses found himself taken aback by the animatronic Abraham Lincoln that he declared, “I won’t open the fair without that exhibit!” By the following summer, Moses had convinced the State of Illinois to include the Lincoln show in their pavilion.
The Fair’s guidebook describes the attraction, entitled Great Moments With Mr. Lincoln, like this:
After watching a brief sound and slide presentation, “The Illinois Story,” visitors enter a comfortable theater where the figure of Lincoln rises from its chair and recites excerpts from some of the speeches of the Civil War President. The figure is capable of more than 250,000 combinations of actions, including gestures, smiles and frowns; the facial features were taken from Lincoln’s life mask.