Editor’s Note: Check out the previous installments in Chris’s series exploring Disney history: “10 Disney Cartoons from the 1930s that Reflect the Can-Do Spirit That Survived the Great Depression,” “10 Ways World War II Affected Disney’s Filmmaking,” “10 Examples Of How Disney’s Productions Reflected The Changing America Of The 1950s,” “Walt Disney’s 7 Most Radical Ideas From His Last Decade on Earth,” “Disney’s Wilderness Years, Part 1: How The Studio Reflected The Chaos Of The 1970s” and “Disney’s Wilderness Years, Part 2: How The Studio Navigated The Hit-Or-Miss 1980s.”
A few years after Walt Disney’s death, the studio he founded entered a creative drought of nearly 15 years. The projects Walt had his hands on had dried up, and the most creative minds in the company were working directly on the theme parks. Walt’s son-in-law Ron Miller oversaw the company during most of this era, and, though the studio managed to produce some underrated cartoons and live action films during this time period, nothing matched the artistry and innovation of the years when Walt was still alive.
When Roy E. Disney and Sid Bass brought Michael Eisner over from Paramount to head Disney – along with Frank Wells – the company experienced an almost immediate injection of creativity. In the realm of animation, most everyone dubs the period beginning with 1989′s The Little Mermaid the Disney Renaissance. (Some people end the Renaissance with the execrable Tarzan from 1999, but for me, this period ends with 1995′s Pocahontas.)
A lot of exciting things took place at Disney during the first few years of the Eisner-Wells tenure, and here are the ten best of them.
10. Pocahontas (1995)
Pocahontas marked the end of the Disney Animation Renaissance of the late-80s and early-90s, as far as I’m concerned. And it’s nowhere near as good as the films that preceded it, largely due to its over-earnestness, Judy Kuhn’s vocal melisma, and the screenplay’s loose play with history.
However, Pocahontas deserves mention because of its firsts. It was the first Disney animated feature based on a historical person, and it also brought the Disney Princess banner to an American character (something the studio did much better in 2009 with The Princess And The Frog). Disney also deserves some credit for turning the dramatic “Colors Of The Wind” into a smooth pop hit.
Even though Pocahontas isn’t the greatest of the Disney classics, it does belong among the highlights of the early Eisner-Wells era.
For the past few weeks, we’ve looked at the company Walt Disney built and how it has survived over the decades. We talked about how the studio reflected the can-do spirit that beat the Great Depression in the 1930s, as well as how World War II affected Disney. We’ve also discussed the changing world of the 1950s and how Disney reflected it, and we looked at Walt’s seven most radical ideas from the 60s.
Last week, we delved into what I call Disney’s wilderness years – the period after Walt’s death when the company had exhausted all of its founder’s projects and its output suffered creatively. We looked at the 1970s and how Disney reflected the both the general malaise and the leadership crisis the country faced.
We’ve been looking at the output of the Disney organization by decade, from the 1930s to the 40s, 50s, and 60s, and this week, we’re looking at the 1970s. Everyone who experienced that decade has an opinion about its culture, or lack thereof. From polyester leisure suits to Pet Rocks, the 70s were the decade of disposable culture (in spite of some true classics like The Godfather films and Star Wars). I consider myself more of a child of the 80s, since that’s when I came of age, but I remember my younger childhood in the 70s – especially a lot of the music – fondly.
Much of the culture of the decade reflects a certain escapism. From the disco kids partying their troubles away to the punk rockers flipping a middle finger at pretty much everything, to the banal pop of the mainstream, much of the music of the era plays on a desire to get away from the troubles of reality. Movies and television share a similar escapism – witness the endless disaster films and idiotic sitcoms of the day.
Over the last few weeks we’ve looked at how Disney and its productions reflected, and sometimes influenced, the times. We’ve seen how Disney mirrored the can-do spirit of the ’30s, how the studio overcame the challenges of World War II in the ’40s, and how Disney changed with the times in the ’50s.
By the time the 1960s rolled around, Walt Disney appeared to have done it all. He had elevated the cartoon from an opening-act short to a feature-film art form. He had conquered live-action movies and embraced television, and he even revolutionized the theme-park experience. But Walt wasn’t done — in fact, it looks like he saved his most radical and powerful ideas for the last years of his life. And here are seven examples to prove it.
7. Walt Disney’s Wonderful World of Color (1961-1969)
After a seven season run for Disneyland on ABC, Walt wanted to explore different options. His greatest desire was to broadcast a show in color. Even though ABC had broadcast the show in black and white, Walt insisted on filming most of the segments in full color because he believed color would add long-term value to his productions. Rival network NBC had begun to promote color series heavily since parent company RCA made color television sets, and, after a brilliant sales pitch from Walt, the network bit.
Walt Disney’s Wonderful World of Color ran for eight seasons before undergoing a retooling and title change. During those seasons, Walt took advantage of the new and exciting world of color programming when few producers were willing to branch out, especially in the earlier years. Once again, Walt willingly blazed a trail, and once again his pioneering spirit paid off.
In my last two posts, we’ve looked at how Disney reflected the 1930s and the 1940s. As the studio emerged from World War II and into a new decade, it faced a changing nation. In their insightful book A Patriot’s History Of The Modern World, Volume II, Larry Schweikart and Dave Dougherty write:
Long-held and oft-repeated notions that the 1950s were a decade of sameness and conformity in the United States miss the revolutionary changes occurring in the decade – radical shifts that, fundamentally, may have altered America and the world far more than the superficial changes of the 1960s.
Far from reflecting a widespread sameness among Americans, life in the 1950s witnessed a burst of new businesses, consumer products, artistic expression, and social cross-pollination.
Disney ‘s productions from the 1950s reflect this rapidly changing America, and here are ten examples.
10. Matterhorn Bobsleds (1959)
Walt had two needs to fill: one was a way to promote the upcoming film Third Man On The Mountain, while the other was an attraction to fill space on a hill between Tomorrowland and Fantasyland. He remembered the majesty of the Matterhorn when he visited the set of Third Man On The Mountain, and the Imagineers designed a roller coaster based on the mountain.
The resulting attraction became the first steel-tube roller coaster, providing a smoother – yet still thrilling – ride than the traditional wooden coaster. Disney changed the way we think of thrill rides and opened the door for endless possibilities. The Matterhorn Bobsleds still bring excitement to this day. Check it out:
This is Part II in an ongoing series exploring cultural changes by decade. See last week’s first installment here: 10 Disney Cartoons From the 1930s that Reflect the Can-Do Spirit that Survived the Great Depression.
Walt Disney’s phone rang on the afternoon of December 7, 1941. His studio manager was on the other end to let him know that the Army was taking over the sprawling campus of the studio. The nation was already in shock at the bombing of Pearl Harbor just hours earlier, and Disney would cohabit with the United States military for the duration of the war.
The federal government commissioned hundreds of projects big and small for Disney, ranging from insignia design to training films to propaganda pieces. World War II changed the way the Disney Studios made films — from their efforts to support the Allies to anthology cartoons made for quick turnaround to new techniques to get their own products into the market, Disney emerged from the war a different studio than when the Army marched in on December 7, 1941. Here are ten examples.
10. “The Thrifty Pig” (1941)
Even before the United States became involved in World War II in the aftermath of Pearl Harbor, Hollywood was willing to engage in helping “the war effort.” Our northern cousins in Canada commissioned a propaganda piece from Disney to sell war bonds.
“The Thrifty Pig” relied on the familiar footage from “Three Little Pigs” from nearly a decade before, with some noticeable changes: the Big Bad Wolf is now a Nazi, and the third pig constructs his house out of Canadian War Savings Certificates.
The aim of the cartoon, of course, was to encourage Canadians to “invest in victory” by buying the certificates. It was an early test of the effectiveness of Disney toward the efforts to defeat Germany and Japan – and it was a success.
A couple of weeks ago, my friend and editor David Swindle published an open letter to me dividing the history of Disney animation into ten eras and encouraging me to explore the history of Disney through the same frame of mind. Here is the first in a series looking at the eras of Disney history.
As the United States slid into the Great Depression at the end of the 1920s, Disney’s output grew tremendously in quality and quantity. Walt and his team of animators and writers released plenty of entertaining product, but they also experimented, honing existing techniques and developing new ones. A struggling nation loved what it saw and couldn’t get enough.
Disney’s output during this time period reflects a uniquely American can-do spirit, one that helped this country survive the Great Depression in both determination and innovation. Here are ten great examples.
10. “The Golden Touch” (1935)
The 1935 cartoon “The Golden Touch” carries a special significance not because of any achievement but because of its failure – and because Walt himself directed it. The short, which tells the story of King Midas, has more of the feel of an episode of the Twilight Zone than a charming Disney animated cartoon.
Walt took control of “The Golden Touch” after a period in which he had criticized his directors repeatedly. He had not directed a cartoon in five years. The short, with only two characters, ran long on time and budget. The characters lack the appeal and much of the humor of typical Disney characters, and the story takes a dark turn with little of the typical Disney optimism at the end.
As a direct result of the failure of “The Golden Touch,” Walt learned to trust his talented directors, and he allowed them to continue to create, which of course allowed him to oversee the company that would change entertainment forever.
A few days ago, I shared with you a list of ten decadent Southern classic recipes. The problem with so much Southern cuisine is that many dishes are so heavy and fattening. Sure, our ancestors ate such unhealthy meals and lived to pass them on, but our desk-job, technology-dependent lifestyles can’t offer us the same guarantees as did a lifetime of toiling on the farm or at the mill.
So this week, I’m sharing a list of lighter recipes for Southern classics. I’m following the same format as my earlier list, roughly mimicking the courses of a meal. Some of these recipes are healthier alternatives to the ones featured in the first list, while others are new ideas for good-for-you Southern fare. Enjoy!
10. Corn Maque Choux Chicken Pasta
A good cook can take classic delicacies and make them work, but a great cook can elevate them and create something new and special.
Elizabeth Cauvel, one of my favorite competitors on this season of MasterChef (and, like me, a University of Georgia alum), recently took the New Orleans classic Corn Maque Choux – a corn- and pepper-based dish — and added chicken and pasta to create a flavorful, yet still light (even with the heavy cream in the recipe, it’s lighter than just about anything deep fried), fusion of Cajun and Italian styles. This dish can be a substitute for a salad, or a great starter or side.
Ingredients for the poached chicken
3 cups water
2 skin-on, bone-in chicken breasts
Ingredients for the pasta
3 T. butter
1 T. olive oil
1 medium yellow onion, diced small
1 and ½ red bell peppers, diced small
3 ears of fresh corn, boiled then kernels cut off
1 jalapeno, diced small, with or without seeds to your taste (seeds make it spicier)
3 cloves garlic, minced
1 T. paprika
½ cup dry white wine
1/3 cup reserved chicken poaching liquid
leaves of fresh thyme picked from 10-12 sprigs
pinch dried oregano
½ pint of heavy cream
salt and pepper
½ bunch cilantro, chopped
¾ lb. rigatoni
Poach the chicken: bring water to a boil with a generous pinch of salt. Cut a lemon in half, squeeze the juice in the water then just drop the lemon halves in. Bring down to medium heat, add chicken, cover, and simmer until chicken is cooked through. Remove chicken from poaching liquid (reserving the liquid) and cool until you can touch it, then pull the meat from the bones. Set aside.
In a large pan, heat the butter and olive oil over medium high heat. Add the onion and red bell pepper. Season with salt and pepper and cook about 6-8 minutes, until getting soft.
Add the corn, garlic, jalapeno, cilantro, paprika, oregano, and thyme. Stir it around and cook it all together for 4-5 minutes. Add the white wine and reserved poaching liquid and turn the heat up to high. Cook until the liquid reduces by half and you can no longer taste raw wine (the alcohol taste must be gone).
Add the heavy cream to the corn mixture. It will be quite liquidy at this point but you just keep the heat on high and reduce it until it’s thickened. Taste it and adjust seasoning.
Boil the rigatoni in salted water. When they’re about 2 minutes shy of al dente, use a slotted spoon to transfer the pasta directly into the sauce (it’s ok if the pasta is dripping; you want some cooking liquid). Stir the pasta into the sauce and add a ladleful of pasta cooking water. The sauce should still be on high. Stir the pasta around, letting it finish cooking in the sauce. The pasta water will cook out and you may need to add more until the pasta is perfectly al dente.
Stir in chicken. Serve in shallow bowls with fresh cilantro on top. Enjoy!
If there’s one thing we Southerners have mastered, it’s food. Some of the best cuisine in the world is from Dixie, and I think it’s time we celebrate it. Here’s a list of ten of the most decadent classic Southern dishes. My hope is that you’ll read these recipes and be inspired to cook — and if you’re not familiar with Southern cuisine, maybe you’ll try something new.
Instead of a typical countdown list format, I’ve structured this list much in the way a meal may arrive at a restaurant table — starters, sides, main courses, and desserts. Enjoy!
10. Pimento Cheese
Pimento cheese is a staple in Southern refrigerators — a simple, versatile recipe. Creamy and smooth, yet with an appealing sharpness, pimento cheese is perfect on a sandwich (with or without bacon) or with crackers. The famed Varsity restaurant in Atlanta and Athens serves it on a chili dog, and Lisa De Pasquale and I recently discovered how good it is on a hamburger.
Maybe I’m biased, but my mom, Marcia Queen, makes the best pimento cheese I’ve ever tasted. You won’t find her name in any cookbooks that I know of, so here’s an exclusive recipe.
2 cups softened sharp cheddar cheese
1 4 oz can diced pimentos, drained
1/2 cup mayo
1 block softened cream cheese
Salt & pepper to taste
Mix and enjoy.
I recently had the incredible privilege of interviewing my all-time favorite MasterChef contestant, Season 3′s Top 5 finalist Monti Carlo. (Yes, Monti’s my favorite even though Season 4′s Jessie hails from my hometown.) She’s a really cool lady and a true inspiration. She dished on her days on MasterChef, the joys of motherhood, and her new show Make My Food Famous, which debuts this weekend on FYI.
1. What can you tell us about the new show?
I’m so stoked to be hosting Make My Food Famous! It’s a competitive cooking show filmed in some of the best restaurants in the country. Three home cooks get to battle it out in a professional kitchen to get their original recipe on a renowned chef’s menu. The pilot airs this Sunday August 31st on A&E’s FYI Network at 10PM ET/PT, though you should check your local listings since air times are subject to change. It was shot in Manhattan Beach, California, at Michelin-starred chef David LeFevre’s incredible MB Post.
Chef LeFevre has worked with some of modern cuisine’s culinary giants like Ferran Adria and Charlie Trotter. To impress this man enough to showcase your creation on his menu is an almost impossible feat. To do it as a home cook is a near miracle. The show isn’t just for foodies and culinary enthusiasts. It’s also for people that get a kick out of watching someone hustle to make their dreams come true. It is truly inspirational!
These days we don’t really talk much about idols, at least not in the literal sense. We talk about American Idol and teen idols and that sort of thing, but the idols that represent serious sin go unmentioned.
Throughout the Bible, we see the evidence of the damage that idol worship does. After the Exodus, when Moses was on Mount Sinai receiving the Ten Commandments from God, the impatient Israelites made a golden calf to worship. For the people of Israel, it was just downhill from there, as idol worship and the unfaithfulness toward God that such worship represented led to a world of trouble for them, including the exile to Babylon.
In the New Testament book of Acts, Jesus’ apostles encountered idol worshipers when they went about spreading the Good News of the Messiah. These worshipers of other gods — and even some of the craftsmen who made the physical idols — stirred up all sorts of strife for the followers of the one true God.
So what relevance does idol worship have for us today? These days, the idols that Jews and Christians follow aren’t graven images per se, but followers of God do allow certain ideas, preferences, and opinions to become idols that get in the way of their relationship with Him. Many of these idols come with the best of intentions, yet they impede the ability to truly follow God.
In the following pages, through an inter-faith dialogue with one of my favorite colleagues here at PJ Lifestyle, Susan L.M. Goldberg, we’re going to look at five idols that God’s followers allow to get in the way of their relationship with Him. Hopefully naming these idols will get some Christians and Jews to think about how they may affect their own relationship with God.
I’ve been a fan of Hell’s Kitchen from its first season. There are certain elements of the show that viewers can see coming from the start – and perhaps those elements lend a comforting familiarity year in and year out — but the mix of personalities keeps the show fresh and fun.
This season, the show’s twelfth, was the best and most interesting yet. The producers must have chosen to focus less on outsized characters and more on genuine talent, because we saw less of the tabloid drama to which we’ve grown accustomed over the last few seasons.
Here are ten observations I’ve made about this season, and each of them play a role in why I love Hell’s Kitchen so much. Check them out…
10. The Chefs Struggled With Even The Simplest Dishes.
I’d love to see the bill for how much food goes to waste on Hell’s Kitchen. Gordon Ramsay has such exacting standards that he has no compunction about throwing food away if it doesn’t meet those ideals.
This season was no exception, as it seemed like the chefs struggled with even the simplest of dishes. Overcooked scallops, raw halibut, ruined Beef Wellingtons, unseasoned risottos – one by one, these disgusting dishes went into the trash bins. As the season went on, the condition of the food barely got better.
One would think that, after a dozen seasons, the chefs would bone up on Hell’s Kitchen staples before going on the show. Unfortunately, that’s not the case, and we witness the same mistakes year in and year out.
The world mourns the passing of one of the truest talents of all time – Robin Williams. The Juilliard-trained comedian and actor won an Oscar, two Emmys, five Grammys, and — dearest to me — became a Disney Legend in 2009. Williams made his struggles with depression and addiction public, yet he was unable to overcome them. But here at PJ Lifestyle, we’re going to celebrate his life. Here are Robin Williams’ ten best performances. I hope you’ll take as much comfort in these wonderful moments as I have.
10. The Crazy Ones (2013-2014)
One of the most underrated television series of the past season paired Williams with Sarah Michelle Gellar as father-and-daughter partners in an advertising agency. The Crazy Ones featured a terrific ensemble, sharp writing, and plenty of space for Williams to let loose. Williams had his best moments on the show when he had the chance to blend his trademark humor with sweet sentiment (as in the clip above). He couldn’t have a much better alter ego than the character of Simon Roberts — he and the writers even made recovery from addiction a huge part of the character. The Crazy Ones showed such promise, and it’s such a shame that CBS didn’t see fit to give it a second chance.
Last week I shared my picks for the ten most overrated films in Disney’s live-action canon. This week, we’re going to take a look at the flip side and explore the most underrated live-action Disney movies.
Believe it or not, some Disney productions just don’t get the respect that they deserve. That fact could be for a number of reasons: the movie didn’t make enough of a dent at the box office, the picture was overshadowed by another film, or the release just hasn’t had time for fans to consider it a classic. Whatever the reason, these ten films have gone underrated for too long. Enjoy!
10. Pete’s Dragon (1977)
The first movie I remember seeing in the theater was Pete’s Dragon. (I had to have seen Star Wars earlier in the year, because I remember the excitement of a Star Wars watch I received for Christmas, but I just don’t remember it.) Disney first optioned the story of an orphan boy and the dragon he befriends back in the ‘50s, but sat on the property for two decades.
The film contains the hallmarks of a classic – great songs, an Oscar-nominated score, plenty of talent in the cast. Unfortunately, it came near the tail end of the Ron Miller area, which was a low point in quality for the studio. I can’t help but believe that had it debuted at another time in company history, people might remember it more fondly today. Still, it’s worth checking out.
Not long ago, I compiled my ranking of the ten most overrated and underrated animated films in the Disney canon. Now it’s time to look at Disney’s live-action output. Over the years, the studio has released an astonishing array of live action movies covering just about every topic and genre. While many of them are indisputable classics, a few of them are simply overrated. Here are the top ten. Enjoy!
10. The Rocketeer (1991)
I had such high hopes for The Rocketeer when it debuted right after I graduated high school. The previews looked amazing, and Disney hyped the film as an exciting period superhero film. I didn’t get a chance to see it until it came out on video, and it disappointed me.
The Rocketeer just isn’t an engaging film. I’ve only been able to make it through one viewing, and the times I’ve tried since, I can’t make it through the whole thing. (The presence of Jennifer Connelly, who I’m convinced is the most boring actress of all time, doesn’t help.)
The Rocketeer showed such promise, but it never delivered on that promise. That’s a shame, because, had it been a better movie, The Rocketeer could have been a classic.
Last week I shared my picks for the most overrated destinations in the South, and this week I’m presenting the flip side of that list. Here are ten destinations that don’t always make the list of great places to visit down here in Dixie. Hopefully some of you will consider these places when you book your next vacation. Enjoy!
10. St. Petersburg, FL
On the north side of Tampa Bay, on a peninsula bordering the Gulf of Mexico, sits St. Petersburg. Like its sister city, Tampa, St. Pete boasts beautiful beaches, vibrant attractions, and nightlife. But deep down, St. Petersburg is a funky arts and architecture town masquerading as a mid-sized city.
The architecture of this city encapsulates much of the 20th century’s notable styles, yet nearly all the buildings look like they belong in a city by the water – quintessentially Floridian. The arts scene in St. Pete is strong – museums and bohemian arts communities are nestled all over the city, and one museum in particular holds the largest collection of Salvador Dali’s works in North America.
With an exciting city core and a beach rated number one in America, St. Petersburg has a lot to offer its visitors.
As a lifelong Southerner, I’ll be the first to admit that there’s plenty to love about this varied region I adore. But I’ll also admit that certain areas of the South are simply overrated. Here’s my list of the ten most overrated destinations in the South.
10. Cherokee, NC
Let me start this entry by admitting that I love Cherokee. Growing up, we went there a lot for camping trips and vacations, and my mom’s family did too a generation before me. There’s a lot to enjoy about Cherokee: the history – especially the Trail of Tears play Unto These Hills – and the breathtaking scenery. But beyond that, most of what Cherokee has to offer is kitschy tourism which has changed little since the mid-20th century.
What has created the hype that has made Cherokee overrated? Harrah’s, of course. Harrah’s promotes Cherokee as some sort of amazing resort destination, but that’s not what Cherokee is. If you’re looking for history, natural beauty, and tacky retro-tourism, Cherokee’s your place. If you want to gamble and party, go to the casino and nothing more, because you’ll come away disappointed.
Twenty-five years ago, a sitcom pilot titled The Seinfeld Chronicles debuted on NBC. A year later, the network gave the show, retitled Seinfeld, a try. Unlike what usually happens today, NBC nurtured the series and let it build a following. Today many critics and fans see Seinfeld as a high-water mark in television comedy, and in honor of its 25th anniversary, here are the ten funniest episodes.
10. “The Puffy Shirt”
By its fifth season, Seinfeld was at a bit of a crossroad. The fourth season had raised the bar creatively (one of the show’s writers referred to it as “our Sgt. Pepper year”), and the show was more popular than ever. Could they top themselves? After an uneven debut, the season’s second outing, “The Puffy Shirt,” showed that the team had plenty of creativity left in them.
In this episode, Jerry politely agrees with Kramer’s “low-talking” fashion designer girlfriend, not hearing what she said. Next thing he knows, he’s stuck wearing one of her creations on the Today show – a ridiculous pirate-inspired puffy shirt.
Naturally, Jerry embarrasses himself on national television, and the design goes nowhere. But in between are some memorable moments – Jerry whining, “But I don’t want to be a pirate”; Bryant Gumbel’s incredulous reaction to Jerry’s shirt; and two homeless men in the final scene wearing the shirts that have been donated to charity. “The Puffy Shirt” proved that the series still had plenty of life in it.
The rumors of a forthcoming Star Wars land at Walt Disney World keep raising their heads from time to time. So I thought it would be fun to put myself in the Imagineers’ shoes and (to use their term) blue-sky some ideas for a Star Wars land at Disney’s Hollywood Studios. Here’s what I came up with…
One of the prevailing rumors surrounding a potential Star Wars land at Walt Disney World (and other parks) concerns a restaurant based on the Chalmun’s Cantina at Mos Eisley. A.J. Wolfe over at Disney Food Blog has discussed the idea of a Cantina-based quick service space potentially coming to Disneyland Paris as well as to Orlando.
This idea has a ton of potential. I can picture an animatronic version of the band playing music from the films and dishes themed to the Cantina, along with menu items that conjure up life on Tatooine. Of course, a Walt Disney World Cantina would have to be much more family-oriented than in A New Hope, but I imagine how much fun a Cantina could be for fans of all ages.
After my post a few weeks ago debunking myths about the South, the idea came to me to look into different inventors from Dixie.
I found that, as with many regions of the country, most Southern inventors came up with products we don’t use anymore or don’t really think about. But some really fascinating inventions and innovations originated in the minds of Southern men and women.
From agricultural advances to technological breakthroughs to revolutionary beverages, the South can claim quite a few innovations. Here are fourteen of them…
Editor’s Note: This article was first published May 31, 2013
We live in an era where children in their formative years do not know what patriotism means. My grandparents’ generation knew what it meant to love America and to stand up for its ideals, but the leftists of my parents’ generation — the Baby Boomers — screwed it up for all of us. To them, the only measure of patriotism was opposition to President Bush. Remember: “dissent is patriotic.” (Tell that to the IRS.)
I was blessed to grow up with parents who loved America despite having lived through the ’60s, but many members of my generation don’t know how to be patriotic, thanks to political correctness, multiculturalism, and the growing influence of the far Left.
While the vast majority of pop culture mocks patriotism, one famous name has celebrated American exceptionalism for more than seven decades: Disney. This unabashed love of America began with the company’s founder.
Walt Disney grew up as part of the World War I generation — a time that saw both the enthusiasm of the dawn of the 20th century and the unspeakable horror of threats to freedom and peace across the globe. Though too young to serve in the war, Disney worked in the Red Cross Ambulance Corps after the war. He wanted to serve his country, one way or another.
After his move to Hollywood, Disney’s love for America drove him in many ways to develop the unique entertainment he created and to lead his studio the way he did. He believed that America’s values were worth celebrating and sharing with the world. He once said:
Our heritage and ideals, our code and standards — the things we live by and teach our children — are preserved or diminished by how freely we exchange ideas and feelings.
Disney admitted to a patriotism that occasionally overwhelmed him. He once confessed, “I get red, white, and blue at times.” His love of country showed up in his films and television programs and has carried on in the theme parks that bear his name nearly half a century after his death. Sometimes the Disney brand of patriotism makes itself known in subtle ways, while at other times, it jumps directly in your face.
Last week I shared my list of the ten most overrated Disney animated features. While it’s true that many Disney cartoons get more attention than they deserve, just as many don’t get the acclaim that they should. Here’s my list of the top ten underrated Disney animated movies. Who knows? Maybe you’ll discover a new favorite among this list.
10. Fantasia (1940)
No one can deny the artistic spectacle that is Fantasia. There wasn’t anything like it before, and there really hasn’t been anything since, other than Michael Eisner’s attempt to recreate the magic with Fantasia 2000.
Fantasia makes this list because most everybody fails to realize what an audacious project the film was. Walt Disney and his collaborator, arranger and conductor Leopold Stokowski, took a tremendous risk combining animation with classical music, and the gamble didn’t pay off right away, as it took years for the feature to turn a profit.
I consider Fantasia underrated because most moviegoers (even Disney fans) just don’t understand how bold and revolutionary an undertaking this piece of art truly is.
For over 90 years, the Disney Studios has created some of the most memorable and enduring animated films of all time. But even a fanboy like me can admit that not everything Disney has released has been perfect. As much as Disney markets and hypes every animated feature as a classic, many of them are simply overrated. Here are the top ten.
My ground rules were pretty simple: I didn’t include Pixar’s output because they haven’t always been directly part of the Disney family. I also didn’t include the direct-to-video “cheapquels” that Michael Eisner made so famous, because they’re in a lower class all their own, and I left out the package features of the 1940s. Enjoy!
10. Meet the Robinsons (2007)
Once in a while, Disney tries to throw a bone to boys to make up for the prominence of the princesses in animated films. While the idea is worthwhile and the efforts are valiant, once in a while the more male-oriented movies fall short. 2007’s Meet the Robinsons is one of the latter.
Meet the Robinsons had a lot of potential – a twisty, time travel story with a sweet adoption plot coupled with clever, stylized animation. Instead, Meet the Robinsons is dizzying, noisy, and just falls short. Part of the cartoon’s problem may stem from the fact that John Lasseter, newly taking over as head of animation after Disney acquired Pixar, suggested a retooling.
Whatever the reason, Meet the Robinsons just didn’t make the impact that it could have.
A few months ago, I brought you the story of Chris Conley, a football star at the University of Georgia (my alma mater – Go Dawgs!) who was putting together a Star Wars fan film. The finished product, entitled Star Wars: Retribution, is set to make its debut July 5. Here are the trailers:
Conley’s production company will soon begin work on a new film, Volition, soon.