You’re reading a post for Preparedness Week, a weeklong series of blogs about disaster and emergency preparation inspired by the launch of Freedom Academy’s newest e-book, Surviving the End: A Practical Guide for Everyday Americans in the Age of Terror by James Jay Carafano, Ph.D. You can download the e-book exclusively at the PJ Store here.
People who go overboard to prepare for disaster scenarios are easy targets. I think back to 1999 during the whole Y2K scare, when the pastor of our church at the time held a seminar about what to stock up on when all the computers failed on New Year’s Eve at the stroke of midnight. I’ll never forget grown men arguing over who had the bigger food stash. My own personal stash consisted of two cans of green beans, and those cans helped me survive the crisis of what to serve with pork chops one day in January 2000.
National Geographic’s Doomsday Preppers series brought the eccentricities of modern disaster preppers to light in an entertaining way, showing us what some otherwise normal Americans do to prepare for “when the s*** hits the fan,” as so many of them were apt to say. These folks could have been your neighbors, except unlike you they were also worried about implausible scenarios like the super-volcano underneath Yellowstone Park erupting and throwing New York City into chaos. We’re talking about people who make plans to live off bathtub water or stockpile liquor to use as barter — people whose endearing wackiness packs a perverse fascination.
But the reality is that we do have genuine threats to worry about and ways to prepare for the worst without going off the deep end. That’s the point national that security expert and my PJ Lifestyle colleague James Jay Carafano, PhD makes in his brand new book Surviving the End: A Practical Guide for Everyday Americans in the Age Of Terror. Nowhere in this book will you find advice on how to create the ideal liquor stockpile or how to “bug out” to the wilderness, and you won’t read about an eruption at Yellowstone Park. What you will find is sober-minded advice on how to prepare for real, plausible scenarios that threaten the American way of life.
Carafano writes not with a Chicken Little doomsday mentality but with an eye toward clear thinking and calm judgment in a crisis (and with just the right amount of humor). His solutions are not over the top or prohibitively expensive — rather, his ideas only require reasonable amounts of time and money. Most simply put, Carafano drills down his philosophy of preparedness to health, faith, family, and education.
In Surving the End, Carafano looks at five distinct threats: epidemic disease, nuclear explosions, terrorism in its may forms, EMPs (electromagnetic pulses), and cyber attacks. While each of these scenarios carry their own scariness, they’re all quite real and carry their own far-reaching consequences. With each threat, Carafano examines the potential danger and fallout (no pun intended) and looks at practical and reasonable ways to ensure safety and long-term survival in each situation.
One theme that emerges throughout the book is that we should be proactive as families and communities to prepare for the worst, rather than relying on the federal government to help us out in a crisis. While he admits that Uncle Sam does provide some good resources and gets responses right once in a while, Carafano goes to great lengths to point out the failure of federal authorities when both sides are in charge. Glaring recent examples like Hurricane Katrina and the Fukushima nuclear disaster stand alongside historical records like the 1918 Swine Flu epidemic to warn all of us that governments rarely have the answers in a crisis.
Carafano’s recommendations in the book are always practical and doable. Some of them require investments of time and money, of course, but so do most worthwhile pursuits. Nothing the author suggests requires the odd leaps of faith that eccentric preppers promote. The fact that Carafano recommends so many well-researched and sensible responses to worst-case scenarios lends a genuine credibility to his writing. Surviving the End is no doomsday manual — it’s a guidebook for practical preparedness.
When all is said and done, Carafano has brought a new attitude to the arena of disaster prep — neither the quasi-Biblical urgency of a Glenn Beck nor the smug fatalism of reality show preppers, but a common-sense, can-do approach to readiness. And in the end, Carafano encourages us to realize that being sensibly prepared is the American way.
This guide has given you the best there is to offer of simple, practical, useful measures you can take to keep your loved ones safe. But there is another important message in the guide as well. We all will survive better if we pull together – not as mindless lemmings following Washington, but as free Americans who fight together for the future of freedom.
As terrible as the terrors we have talked about here are, they are no worse than the suffering at Valley Forge, the slaughter of Gettysburg, the crushing Great Depression, the tragedy of Pearl Harbor, or the terror of the Cuban Missile Crisis. This generation of Americans is every bit as capable of besting the worst life has to offer. If we do that together, our odds are more than even.
You know, he’s right. I really only had to read this book for the sake of this review, but I’ve already begun making a list of things I want to do to become more prepared (including getting in shape — as if I needed another reason to remind me), and I’ll recommend that my loved ones do the same. For this kind of sober-minded preparation boils down to common sense, plain and simple.
Carafano suggests that we all become preppers, and if we take the advice we read in Surviving the End, we can do so. We won’t turn into the kind of weirdos who are ready to off the pets and high tail it out to the wilderness or move to a bunker with more canned food than a Super Walmart “when the s*** hits the fan,” but we’ll be the kind of people who embody the robust, enterprising American spirit that has made our nation so great. And we’ll do our part to help ensure that America survives just as much as our families survive.
Last week I shared with you the examples of disinformation in the unfunny recent Cracked.Com parody of Walt Disney giving a TED Talk. I only got through a fraction of the video before I reached 2,000 words! So I went back to the video (I sacrificed so you don’t have to watch it) and found even more examples of the type of disinformation that the Left makes up to try and destroy Walt Disney. Here are four more of them, along with rebuttals based in fact.
1. “In my vision of the Disney universe there’s no room for pinko, liberal, bleeding hearts to spoil the magic…”
As I’ve written before, although Walt Disney did become a conservative, he grew up under the influence of a Socialist father, and he remained politically naive for much of his adult life. He once said:
A long time ago, I found out that I knew nothing whatsoever about this game of politics and since then I’ve preferred to keep silent about the entire matter rather than see my name attached to any statement that was not my own.
Walt didn’t care about the political leanings of his staff, for the most part. Some of the animators and Imagineers in his inner circle held beliefs far to Walt’s left, and the studio employed plenty of left-wing artists and writers. All Walt worried about was the quality of their work. Michael Barrier writes:
An employee’s politics were not of any particular concern to him if that employee was not challenging him as Art Babbitt and Dave Hilberman had. Some of Disney’s employees, like Ward Kimball, flourished even though it was no secret that their politics were far more liberal than his. Maurice Rapf, who worked for Disney as a live-action screenwriter for two and a half years in the middle 1940s, was an extreme example. He wrote many years later that Disney “knew very well that I was a dedicated left-winger. He may have even known that I was a Communist.”
I enjoy good satire that really makes a point. The problem with satire is that, for it to be truly good and genuinely funny, the satire must find its basis in truth. Satire that isn’t based in facts doesn’t work and is generally unfunny.
I’ll give you a recent example: over at the humor site Cracked, a recent video by some guy named Michael Swaim presented a fictional TED talk by Walt Disney. The title of the post was “Why Walt Disney Is Nothing Like You Think He Was,” of course guaranteed to generate buzz.
In the video, an actor — Swaim, maybe? — dressed like a used car salesman and, not even trying to imitate Walt’s Missouri twang, spouts off the usual suspects of Disney disinformation. I didn’t embed the YouTube clip here, because it’s not safe for work or kids and because it’s six minutes of your life you’ll never get back. But I will highlight and refute five of the worst smears in the video.
In the Gospel of John, we read a story where a group of Jewish Torah teachers and Pharisees (members of a legalistic sect of Judaism) bring to Jesus a woman whom they caught in adultery, asking Him what punishment He thinks the woman deserves. Masterfully — as He always did — Jesus answers the scholars with a simple, yet profound statement: “Let any one of you who is without sin be the first to throw a stone at her” (John 8:7, NIV).
Recently, Newsweek featured a cover article on the Bible in which author Kurt Eichenwald — not a Biblical scholar but a business writer with a clear agenda — lets forth on how Christians misinterpret the Bible. In his piece, Eichenwald throws the first stone, not even pretending to mask an agenda against conservative Biblical scholarship:
They wave their Bibles at passersby, screaming their condemnations of homosexuals. They fall on their knees, worshipping at the base of granite monuments to the Ten Commandments while demanding prayer in school. They appeal to God to save America from their political opponents, mostly Democrats. They gather in football stadiums by the thousands to pray for the country’s salvation.
They are God’s frauds, cafeteria Christians who pick and choose which Bible verses they heed with less care than they exercise in selecting side orders for lunch. They are joined by religious rationalizers—fundamentalists who, unable to find Scripture supporting their biases and beliefs, twist phrases and modify translations to prove they are honoring the Bible’s words.
Editor’s Note: This article was first published as “Essential Christmas: The 10 Best Holiday Specials And Movies” in 2011 and is now resurrected and republished as part of today and tomorrow’s Ghost-Lists of Christmas Past Series.
In a day when parents and children rarely watch the same TV shows, Christmas TV specials and holiday movies still somehow manage to continue to bring families together.
These days it’s even easier than it used to be to share these traditions. ABC Family has made an art out of holiday programming with their “25 Days of Christmas” programming blocs that package specials throughout the month of December. Home video and streaming services also allow families to watch programs whenever they want.
In the spirit of Christmas, I’m offering to you this list of the ten most essential specials and movies of the season.
We’ll start with a pair of very different types of animation from a production company synonymous with Christmas specials…
Arthur Rankin and Jules Bass are synonymous with their stop-motion Christmas specials of the ‘60s and ‘70s. Viewers not familiar with their names will recognize their unmistakable round-headed characters, candy-colored landscapes, and softly falling snow. A few of their specials are on this list, starting with The Year Without A Santa Claus.
In this 1974 special, Mrs. Claus (voiced by Shirley Booth) tells the story of the year Santa (voiced by Mickey Rooney) decides — on doctor’s orders — to take a vacation. Two of his elves and the young reindeer Vixen take a trip to find enough Christmas spirit to cheer Santa up. Along their way, the elves battle the Heat Miser and Snow Miser and visit Southtown, USA, where they get lost. Santa journeys south to find Vixen and discovers that the children of the world need him. He can’t skip Christmas.
The Year Without A Santa Claus is a clever story with some memorable scenes and catchy songs, including those involving the villains.
It’s not as ubiquitous as Rudolph The Red-Nosed Reindeer or Santa Claus Is Coming To Town, but The Year Without A Santa Claus is trippy holiday fun.
If your family is anything like mine, you have plenty of holiday traditions that you cherish. Many of ours revolve around Disney (go ahead and try to act like you’re not surprised). From Disney cartoon shorts, to theme park experiences, to decorations and recipes, we love making Disney a big part of our Christmas celebration.
Here are ten reasons why a Disney Christmas is the best kind of holiday. Enjoy!
10. Prep & Landing (2009)
After several years with very little new Christmas content (save for holiday episodes of Disney Channel and Disney Junior series), Disney released the computer animated TV movie Prep & Landing in 2009. This winning comedy tells the tale of the elves who work in Santa’s elite Prep & Landing division on Christmas Eve.
An elf named Wayne is bitter at being passed over for a promotion, so he decides to leave most of the work to his new trainee, Lanny. When a snowstorm makes landing at one boy’s house seem impossible, it’s up to Wayne and Lanny to make it happen one way or another.
Prep & Landing spawned two sequels. It’s a cute, funny movie that everyone in the family can enjoy.
This holiday season, I know you’ve been wondering: what can I give the Southern culture lover on my gift list? Well, worry no more, because I, your intrepid Southern culture expert, have decided to swoop in like a Christmas miracle and save the day!
Here’s a list of 34 awesome gift choices that cover just about every area of the culture below the Mason-Dixon line. The best part: nearly everything on this list is eligible for Amazon Prime, for all you procrastinators. Enjoy!
5. Explore The Literary South
One of the greatest traditions in the South is storytelling, and a classic Southern story makes a wonderful gift for the bookworm on your list. Here are just a few recommendations.
William Faulkner is one of the best known and most respected authors in the South or anywhere. I’ve always had a difficult time keeping my concentration reading his novels, but I love his short stories. I highly recommend The Collected Stories of William Faulkner (also available for Kindle) as a sort of greatest hits collection and The Uncollected Stories of William Faulkner for deeper cuts (get it here for Kindle).
Georgia’s own Flannery O’Connor also made a name for herself in literary circles, and her short stories are some of the best in American literature as a whole. Check out The Complete Stories (also on Kindle) to experience her true genius in all its glory, but I also recommend the slim volume A Prayer Journal (also on Kindle) for some of the most beautiful, lyrical Christian prayers I’ve ever read.
Of course, there are plenty of great Southern novels to choose from, but here are some of my favorites. Zora Neale Hurston’s Their Eyes Were Watching God delves into the lives of black people in rural Florida with a lyrical flair. In Ellen Foster, by Kaye Gibbons, a precocious orphan tells her own story. James Dickey’s Deliverance is the same harrowing story as the movie, but with greater depth. And Family Linen by Lee Smith is my all-time favorite novel — a twisty, darkly comic family tale.
You can’t go wrong with any of these choices for literature lovers.
A region as varied and storied as the South has plenty of wonderful holiday traditions. From the biggest of cities to the tiniest towns, Southerners — and Yankee tourists — have plenty of special ways to spend the Christmas season.
Honestly, I had a tough time picking ten destinations, but I think the ones I chose demonstrate the variety of Southern experiences. Enjoy!
10. Biltmore Estate, Asheville, NC
Ok, so I took some heat for putting Asheville in my list of the 10 Most Overrated Destinations in the South, but I stand by my choice. However, one of Asheville’s most iconic locations makes the list of the ultimate holiday destinations.
The Biltmore Estate is grand and gorgeous year round, but, like so many other places, Christmas decorations add even more beauty. George Vanderbilt’s palatial home hosts a display of holiday cheer that’s hard to top.
During the day, Biltmore offers wine tastings, visits with Santa, and tips for exquisite décor. At night, the estate features candlelight tours and impressive lighting displays. It’s enough to consider fending off those Asheville hipsters!
You may remember my experience last week where I received the strange basket of apples with a cryptic note from Valerie. I ate one of the apples and fell into a deep sleep, after which I received the strangest ideas for how to improve Walt Disney World. So I wrote them down, and my editor posted them here.
Well, I decided to try a second apple from the basket. One bite of this next apple, and I passed out again. I woke up with the inspiration to rank some of Disney’s best cartoons. Get ready, because I guarantee you that you’ve never seen Disney’s films in this light…
8. Wreck-It Ralph (2012)
Just picture it: a large, virile character roams the world, and though people see him as a bad guy, he’s really good inside, and in the end, he saves the day!
Am I talking about Wreck-It Ralph? Of course I am, but in reality I’m talking about the man whose life I’m convinced the movie is a metaphor for: our wonderful ally Vladimir Putin. Just think about it.
One of my favorite things about being on staff at a church is that I get to engage in discussions about faith and spiritual life with other men and women who are passionate not just about their relationship with God but also about helping others to deepen their relationship with Him.
Last week, I was brainstorming with our creative arts director and the student pastor at one of our campuses about improving one particular element of our services, when the student pastor remarked about how he knew people who thought of our church as light on doctrine and substance, largely because we don’t engage in activities like “altar calls.” Near the end of that part of the conversation, I remarked that Christianity in the South is more of a culture than a relationship with God.
In a now-famous quote, Flannery O’Connor once said, “I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted.” She may have been more right that she realized, because the dominant Southern Christian culture concerns itself largely with seeing and being seen, with church attendance as an end to the spiritual journey rather than a beginning, and with safely sheltering families from an increasingly messy world.
The basket of apples appeared on my door step. At first I wasn’t sure where they came from until I saw the note card that read VJ’s Organic Co-Op, Washington, DC. The note inside the envelope read:
Try these apples. I guarantee you’ve never tasted anything like them.
Valerie? I wasn’t sure who this Valerie was, but I figured organic apples couldn’t be all that bad. I made sure to wash one of them thoroughly, and I took a bite.
Whoever Valerie was, she was right. It didn’t taste like any apple I’d ever eaten, and soon after the first bite, I fell asleep, right there on the kitchen floor!
When I woke, I had all these ideas in my head on how to improve my favorite place on the planet — Walt Disney World. So I wrote them down, and here they are:
7. An Updated CircleVision 360 Film For China At Epcot
Epcot’s China pavilion does a wonderful job celebrating the rich history of its home country, but there’s very little mention of the successes of the last sixty or so years. Wonderful triumphs like the Great Leap Forward, the Cultural Revolution, and defeating those pesky students in Tiananmen Square don’t get the mention they deserve at Epcot.
To remedy that problem, I propose that Disney replace the current Reflections of China film with an informative and interesting documentary I’ll call Forward: China from Mao to Now. The film will look back at the great history of the People’s Republic of China from the earliest days of the revolution to China’s bright future.
Of course, such a short film would not have time to delve too deeply into certain aspects of the nation, so concepts like human rights and economic freedom would probably have to go by the wayside. But I think a CircleVision 360 movie dispelling the myths about the People’s Republic would be worth seeing, don’t you?
Editor’s Note: Check out the previous installments in Chris’s series exploring Disney history: “10 Disney Cartoons from the 1930s that Reflect the Can-Do Spirit That Survived the Great Depression,” “10 Ways World War II Affected Disney’s Filmmaking,” “10 Examples Of How Disney’s Productions Reflected The Changing America Of The 1950s,” “Walt Disney’s 7 Most Radical Ideas From His Last Decade on Earth,” “Disney’s Wilderness Years, Part 1: How The Studio Reflected The Chaos Of The 1970s” and “Disney’s Wilderness Years, Part 2: How The Studio Navigated The Hit-Or-Miss 1980s.”
A few years after Walt Disney’s death, the studio he founded entered a creative drought of nearly 15 years. The projects Walt had his hands on had dried up, and the most creative minds in the company were working directly on the theme parks. Ron Miller, Walt’s son-in-law, oversaw the company during most of this era, and, though the studio managed to produce some underrated cartoons and live-action films during this time period, nothing matched the artistry and innovation of the years when Walt was still alive.
When Roy E. Disney and Sid Bass brought Michael Eisner over from Paramount to head Disney — along with Frank Wells — the company experienced an almost immediate injection of creativity. In the realm of animation, most everyone dubs the period beginning with 1989′s The Little Mermaid the Disney Renaissance. (Some people end the Renaissance with the execrable Tarzan from 1999, but for me, this period ends with 1995′s Pocahontas.)
A lot of exciting things took place at Disney during the first few years of the Eisner-Wells tenure, and here are the ten best of them.
10. Pocahontas (1995)
Pocahontas marked the end of the Disney Animation Renaissance of the late-’80s and early-’90s, as far as I’m concerned. And it’s nowhere near as good as the films that preceded it, largely due to its over-earnestness, Judy Kuhn’s vocal melisma, and the screenplay’s loose play with history.
However, Pocahontas deserves mention because of its firsts. It was the first Disney animated feature based on a historical person, and it also brought the Disney Princess banner to an American character (something the studio did much better in 2009 with The Princess and the Frog). Disney also deserves some credit for turning the dramatic “Colors of the Wind” into a smooth pop hit.
Even though Pocahontas isn’t the greatest of the Disney classics, it does belong among the highlights of the early Eisner-Wells era.
For the past few weeks, we’ve looked at the company Walt Disney built and how it has survived over the decades. We talked about how the studio reflected the can-do spirit that beat the Great Depression in the 1930s, as well as how World War II affected Disney. We’ve also discussed the changing world of the 1950s and how Disney reflected it, and we looked at Walt’s seven most radical ideas from the 60s.
Last week, we delved into what I call Disney’s wilderness years – the period after Walt’s death when the company had exhausted all of its founder’s projects and its output suffered creatively. We looked at the 1970s and how Disney reflected the both the general malaise and the leadership crisis the country faced.
We’ve been looking at the output of the Disney organization by decade, from the 1930s to the ‘40s, ‘50s, and ‘60s, and this week, we’re looking at the 1970s. Everyone who experienced that decade has an opinion about its culture, or lack thereof. From polyester leisure suits to Pet Rocks, the ’70s were the decade of disposable culture (in spite of some true classics like The Godfather films and Star Wars). I consider myself more of a child of the ’80s, since that’s when I came of age, but I remember my younger childhood in the ’70s — especially a lot of the music — fondly.
Much of the culture of the decade reflects a certain escapism. From the disco kids partying their troubles away, to the punk rockers flipping a middle finger at pretty much everything, to the banal pop of the mainstream, much of the music of the era plays on a desire to get away from the troubles of reality. Movies and television share a similar escapism — witness the endless disaster films and idiotic sitcoms of the day.
Over the last few weeks we’ve looked at how Disney and its productions reflected, and sometimes influenced, the times. We’ve seen how Disney mirrored the can-do spirit of the ’30s, how the studio overcame the challenges of World War II in the ’40s, and how Disney changed with the times in the ’50s.
By the time the 1960s rolled around, Walt Disney appeared to have done it all. He had elevated the cartoon from an opening-act short to a feature-film art form. He had conquered live-action movies and embraced television, and he even revolutionized the theme-park experience. But Walt wasn’t done — in fact, it looks like he saved his most radical and powerful ideas for the last years of his life. And here are seven examples to prove it.
7. Walt Disney’s Wonderful World of Color (1961-1969)
After a seven season run for Disneyland on ABC, Walt wanted to explore different options. His greatest desire was to broadcast a show in color. Even though ABC had broadcast the show in black and white, Walt insisted on filming most of the segments in full color because he believed color would add long-term value to his productions. Rival network NBC had begun to promote color series heavily since parent company RCA made color television sets, and, after a brilliant sales pitch from Walt, the network bit.
Walt Disney’s Wonderful World of Color ran for eight seasons before undergoing a retooling and title change. During those seasons, Walt took advantage of the new and exciting world of color programming when few producers were willing to branch out, especially in the earlier years. Once again, Walt willingly blazed a trail, and once again his pioneering spirit paid off.
In my last two posts, we’ve looked at how Disney reflected the 1930s and the 1940s. As the studio emerged from World War II and into a new decade, it faced a changing nation. In their insightful book A Patriot’s History Of The Modern World, Volume II, Larry Schweikart and Dave Dougherty write:
Long-held and oft-repeated notions that the 1950s were a decade of sameness and conformity in the United States miss the revolutionary changes occurring in the decade – radical shifts that, fundamentally, may have altered America and the world far more than the superficial changes of the 1960s.
Far from reflecting a widespread sameness among Americans, life in the 1950s witnessed a burst of new businesses, consumer products, artistic expression, and social cross-pollination.
Disney ‘s productions from the 1950s reflect this rapidly changing America, and here are ten examples.
10. Matterhorn Bobsleds (1959)
Walt had two needs to fill: one was a way to promote the upcoming film Third Man On The Mountain, while the other was an attraction to fill space on a hill between Tomorrowland and Fantasyland. He remembered the majesty of the Matterhorn when he visited the set of Third Man On The Mountain, and the Imagineers designed a roller coaster based on the mountain.
The resulting attraction became the first steel-tube roller coaster, providing a smoother – yet still thrilling – ride than the traditional wooden coaster. Disney changed the way we think of thrill rides and opened the door for endless possibilities. The Matterhorn Bobsleds still bring excitement to this day. Check it out:
This is Part II in an ongoing series exploring cultural changes by decade. See last week’s first installment here: 10 Disney Cartoons From the 1930s that Reflect the Can-Do Spirit that Survived the Great Depression.
Walt Disney’s phone rang on the afternoon of December 7, 1941. His studio manager was on the other end to let him know that the Army was taking over the sprawling campus of the studio. The nation was already in shock at the bombing of Pearl Harbor just hours earlier, and Disney would cohabit with the United States military for the duration of the war.
The federal government commissioned hundreds of projects big and small for Disney, ranging from insignia design to training films to propaganda pieces. World War II changed the way the Disney Studios made films — from their efforts to support the Allies to anthology cartoons made for quick turnaround to new techniques to get their own products into the market, Disney emerged from the war a different studio than when the Army marched in on December 7, 1941. Here are ten examples.
10. “The Thrifty Pig” (1941)
Even before the United States became involved in World War II in the aftermath of Pearl Harbor, Hollywood was willing to engage in helping “the war effort.” Our northern cousins in Canada commissioned a propaganda piece from Disney to sell war bonds.
“The Thrifty Pig” relied on the familiar footage from “Three Little Pigs” from nearly a decade before, with some noticeable changes: the Big Bad Wolf is now a Nazi, and the third pig constructs his house out of Canadian War Savings Certificates.
The aim of the cartoon, of course, was to encourage Canadians to “invest in victory” by buying the certificates. It was an early test of the effectiveness of Disney toward the efforts to defeat Germany and Japan – and it was a success.
A couple of weeks ago, my friend and editor David Swindle published an open letter to me dividing the history of Disney animation into ten eras and encouraging me to explore the history of Disney through the same frame of mind. Here is the first in a series looking at the eras of Disney history.
As the United States slid into the Great Depression at the end of the 1920s, Disney’s output grew tremendously in quality and quantity. Walt and his team of animators and writers released plenty of entertaining product, but they also experimented, honing existing techniques and developing new ones. A struggling nation loved what it saw and couldn’t get enough.
Disney’s output during this time period reflects a uniquely American can-do spirit, one that helped this country survive the Great Depression in both determination and innovation. Here are ten great examples.
10. “The Golden Touch” (1935)
The 1935 cartoon “The Golden Touch” carries a special significance not because of any achievement but because of its failure – and because Walt himself directed it. The short, which tells the story of King Midas, has more of the feel of an episode of the Twilight Zone than a charming Disney animated cartoon.
Walt took control of “The Golden Touch” after a period in which he had criticized his directors repeatedly. He had not directed a cartoon in five years. The short, with only two characters, ran long on time and budget. The characters lack the appeal and much of the humor of typical Disney characters, and the story takes a dark turn with little of the typical Disney optimism at the end.
As a direct result of the failure of “The Golden Touch,” Walt learned to trust his talented directors, and he allowed them to continue to create, which of course allowed him to oversee the company that would change entertainment forever.
A few days ago, I shared with you a list of ten decadent Southern classic recipes. The problem with so much Southern cuisine is that many dishes are so heavy and fattening. Sure, our ancestors ate such unhealthy meals and lived to pass them on, but our desk-job, technology-dependent lifestyles can’t offer us the same guarantees as did a lifetime of toiling on the farm or at the mill.
So this week, I’m sharing a list of lighter recipes for Southern classics. I’m following the same format as my earlier list, roughly mimicking the courses of a meal. Some of these recipes are healthier alternatives to the ones featured in the first list, while others are new ideas for good-for-you Southern fare. Enjoy!
10. Corn Maque Choux Chicken Pasta
A good cook can take classic delicacies and make them work, but a great cook can elevate them and create something new and special.
Elizabeth Cauvel, one of my favorite competitors on this season of MasterChef (and, like me, a University of Georgia alum), recently took the New Orleans classic Corn Maque Choux – a corn- and pepper-based dish — and added chicken and pasta to create a flavorful, yet still light (even with the heavy cream in the recipe, it’s lighter than just about anything deep fried), fusion of Cajun and Italian styles. This dish can be a substitute for a salad, or a great starter or side.
Ingredients for the poached chicken
3 cups water
2 skin-on, bone-in chicken breasts
Ingredients for the pasta
3 T. butter
1 T. olive oil
1 medium yellow onion, diced small
1 and ½ red bell peppers, diced small
3 ears of fresh corn, boiled then kernels cut off
1 jalapeno, diced small, with or without seeds to your taste (seeds make it spicier)
3 cloves garlic, minced
1 T. paprika
½ cup dry white wine
1/3 cup reserved chicken poaching liquid
leaves of fresh thyme picked from 10-12 sprigs
pinch dried oregano
½ pint of heavy cream
salt and pepper
½ bunch cilantro, chopped
¾ lb. rigatoni
Poach the chicken: bring water to a boil with a generous pinch of salt. Cut a lemon in half, squeeze the juice in the water then just drop the lemon halves in. Bring down to medium heat, add chicken, cover, and simmer until chicken is cooked through. Remove chicken from poaching liquid (reserving the liquid) and cool until you can touch it, then pull the meat from the bones. Set aside.
In a large pan, heat the butter and olive oil over medium high heat. Add the onion and red bell pepper. Season with salt and pepper and cook about 6-8 minutes, until getting soft.
Add the corn, garlic, jalapeno, cilantro, paprika, oregano, and thyme. Stir it around and cook it all together for 4-5 minutes. Add the white wine and reserved poaching liquid and turn the heat up to high. Cook until the liquid reduces by half and you can no longer taste raw wine (the alcohol taste must be gone).
Add the heavy cream to the corn mixture. It will be quite liquidy at this point but you just keep the heat on high and reduce it until it’s thickened. Taste it and adjust seasoning.
Boil the rigatoni in salted water. When they’re about 2 minutes shy of al dente, use a slotted spoon to transfer the pasta directly into the sauce (it’s ok if the pasta is dripping; you want some cooking liquid). Stir the pasta into the sauce and add a ladleful of pasta cooking water. The sauce should still be on high. Stir the pasta around, letting it finish cooking in the sauce. The pasta water will cook out and you may need to add more until the pasta is perfectly al dente.
Stir in chicken. Serve in shallow bowls with fresh cilantro on top. Enjoy!
If there’s one thing we Southerners have mastered, it’s food. Some of the best cuisine in the world is from Dixie, and I think it’s time we celebrate it. Here’s a list of ten of the most decadent classic Southern dishes. My hope is that you’ll read these recipes and be inspired to cook — and if you’re not familiar with Southern cuisine, maybe you’ll try something new.
Instead of a typical countdown list format, I’ve structured this list much in the way a meal may arrive at a restaurant table — starters, sides, main courses, and desserts. Enjoy!
10. Pimento Cheese
Pimento cheese is a staple in Southern refrigerators — a simple, versatile recipe. Creamy and smooth, yet with an appealing sharpness, pimento cheese is perfect on a sandwich (with or without bacon) or with crackers. The famed Varsity restaurant in Atlanta and Athens serves it on a chili dog, and Lisa De Pasquale and I recently discovered how good it is on a hamburger.
Maybe I’m biased, but my mom, Marcia Queen, makes the best pimento cheese I’ve ever tasted. You won’t find her name in any cookbooks that I know of, so here’s an exclusive recipe.
2 cups softened sharp cheddar cheese
1 4 oz can diced pimentos, drained
1/2 cup mayo
1 block softened cream cheese
Salt & pepper to taste
Mix and enjoy.
I recently had the incredible privilege of interviewing my all-time favorite MasterChef contestant, Season 3′s Top 5 finalist Monti Carlo. (Yes, Monti’s my favorite even though Season 4′s Jessie hails from my hometown.) She’s a really cool lady and a true inspiration. She dished on her days on MasterChef, the joys of motherhood, and her new show Make My Food Famous, which debuts this weekend on FYI.
1. What can you tell us about the new show?
I’m so stoked to be hosting Make My Food Famous! It’s a competitive cooking show filmed in some of the best restaurants in the country. Three home cooks get to battle it out in a professional kitchen to get their original recipe on a renowned chef’s menu. The pilot airs this Sunday August 31st on A&E’s FYI Network at 10PM ET/PT, though you should check your local listings since air times are subject to change. It was shot in Manhattan Beach, California, at Michelin-starred chef David LeFevre’s incredible MB Post.
Chef LeFevre has worked with some of modern cuisine’s culinary giants like Ferran Adria and Charlie Trotter. To impress this man enough to showcase your creation on his menu is an almost impossible feat. To do it as a home cook is a near miracle. The show isn’t just for foodies and culinary enthusiasts. It’s also for people that get a kick out of watching someone hustle to make their dreams come true. It is truly inspirational!
These days we don’t really talk much about idols, at least not in the literal sense. We talk about American Idol and teen idols and that sort of thing, but the idols that represent serious sin go unmentioned.
Throughout the Bible, we see the evidence of the damage that idol worship does. After the Exodus, when Moses was on Mount Sinai receiving the Ten Commandments from God, the impatient Israelites made a golden calf to worship. For the people of Israel, it was just downhill from there, as idol worship and the unfaithfulness toward God that such worship represented led to a world of trouble for them, including the exile to Babylon.
In the New Testament book of Acts, Jesus’ apostles encountered idol worshipers when they went about spreading the Good News of the Messiah. These worshipers of other gods — and even some of the craftsmen who made the physical idols — stirred up all sorts of strife for the followers of the one true God.
So what relevance does idol worship have for us today? These days, the idols that Jews and Christians follow aren’t graven images per se, but followers of God do allow certain ideas, preferences, and opinions to become idols that get in the way of their relationship with Him. Many of these idols come with the best of intentions, yet they impede the ability to truly follow God.
In the following pages, through an inter-faith dialogue with one of my favorite colleagues here at PJ Lifestyle, Susan L.M. Goldberg, we’re going to look at five idols that God’s followers allow to get in the way of their relationship with Him. Hopefully naming these idols will get some Christians and Jews to think about how they may affect their own relationship with God.
I’ve been a fan of Hell’s Kitchen from its first season. There are certain elements of the show that viewers can see coming from the start – and perhaps those elements lend a comforting familiarity year in and year out — but the mix of personalities keeps the show fresh and fun.
This season, the show’s twelfth, was the best and most interesting yet. The producers must have chosen to focus less on outsized characters and more on genuine talent, because we saw less of the tabloid drama to which we’ve grown accustomed over the last few seasons.
Here are ten observations I’ve made about this season, and each of them play a role in why I love Hell’s Kitchen so much. Check them out…
10. The Chefs Struggled With Even The Simplest Dishes.
I’d love to see the bill for how much food goes to waste on Hell’s Kitchen. Gordon Ramsay has such exacting standards that he has no compunction about throwing food away if it doesn’t meet those ideals.
This season was no exception, as it seemed like the chefs struggled with even the simplest of dishes. Overcooked scallops, raw halibut, ruined Beef Wellingtons, unseasoned risottos – one by one, these disgusting dishes went into the trash bins. As the season went on, the condition of the food barely got better.
One would think that, after a dozen seasons, the chefs would bone up on Hell’s Kitchen staples before going on the show. Unfortunately, that’s not the case, and we witness the same mistakes year in and year out.
The world mourns the passing of one of the truest talents of all time – Robin Williams. The Juilliard-trained comedian and actor won an Oscar, two Emmys, five Grammys, and — dearest to me — became a Disney Legend in 2009. Williams made his struggles with depression and addiction public, yet he was unable to overcome them. But here at PJ Lifestyle, we’re going to celebrate his life. Here are Robin Williams’ ten best performances. I hope you’ll take as much comfort in these wonderful moments as I have.
10. The Crazy Ones (2013-2014)
One of the most underrated television series of the past season paired Williams with Sarah Michelle Gellar as father-and-daughter partners in an advertising agency. The Crazy Ones featured a terrific ensemble, sharp writing, and plenty of space for Williams to let loose. Williams had his best moments on the show when he had the chance to blend his trademark humor with sweet sentiment (as in the clip above). He couldn’t have a much better alter ego than the character of Simon Roberts — he and the writers even made recovery from addiction a huge part of the character. The Crazy Ones showed such promise, and it’s such a shame that CBS didn’t see fit to give it a second chance.