Here is your one and only warning: I am going to discuss some House of Cards plot points from season two. But don’t write and say I spoiled the show for you. The writers did that.
While the first season of House of Cards was hardly realistic, the plotting–especially the moves of its main character, Congressman Frank Underwood–was adroit and fascinating.
But in season two Frank Underwood has gone from being an amoral scheming man of unquenchable ambition to a monster with fewer human feelings than Tony Soprano—much fewer. Unlike Breaking Bad, where we saw a man’s gradual slide from compromising with evil to embracing it, House of Cards lurched into full-blown sociopathy with jarring fashion.
So if you tuned back in to House of Cards this season looking for moments of sheer brilliance like Frank Underwood’s eulogy at the funeral of the girl who drove off the road while texting about the giant-peach water tower—with its mix of pathos, compassion and, yes, self-interest–you will be severely disappointed.
Instead, we are treated to an impenetrable plot about Chinese trade negotiations and illegal campaign finance, and the way Frank is going to use it to undermine the president since he is next in line. But nearly everything about this plot is not how it would, or could, happen in real life—and is weirdly confusing and obvious at the same time.
Worst of all, the House of Cards’ ideological slip is showing, with a complete nonsensical portrait of a “Tea Party” senator who votes “no” on the biggest entitlement reform since entitlements were invented because… well, just because he’s an idiot.
This is in sharp contrast to the CBS legal/political drama The Good Wife. Most of the campaign events and media kerfuffles make sense—as does the public’s reaction to them. You can’t tell the good guys from the bad guys (or the smart guys from the stupid guys) by their ideology (although extreme leftists like a global warming obsessed federal judge are generally the kookiest characters).
But best of all, good people can do less than admirable things they shouldn’t in the heat of the moment, while antagonists are not always evil or stupid, they are just on the other side of the issue. Though sometimes they are evil or stupid.
Kind of like life outside the political bubble.
Oh yeah, and here’s how every Eliot Spitzer/Anthony Weiner/Mark Sanford press conference should end: