Race War Unchained: Why Quentin Tarantino Is Wrong About John Brown
"I just love him. He's just my favorite American."
August 24, 2013 - 1:00 pm
Louis Farrakhan (approvingly) called it “Preparation for race war” while according to Brietbart’s Big Hollywood, Quentin Tarantino’s Oscar-winning film Django Unchained was “The Most Pro-Freedom Movie of 2012.”
Then there was Marc Lamont Hill, the intellectual mediocrity of a Columbia professor who gets dragged out of mothballs when a racial event reaches pop status, says something stupidly outrageous, apologizes or clarifies, then gets put away until the next time.
On a CNN panel about the ghoulish fan club for rampaging LAPD ex-cop Christopher Dorner, who counted among his victims the Asian-American daughter of a cop who investigated him, Hill said:
And, many people aren’t rooting for him to kill innocent people: they’re rooting for someone who was wronged to get a kind of revenge against the system. It’s almost like watching Django Unchained in real life. It’s kind of exciting.
Perhaps the most famous off-screen line about the film came from an opening Saturday Night Live satirical monologue from Jamie Foxx that riffed on “how black is that,”
I play a slave. How black is that? And in the movie I had to wear chains. How whack is that? But don’t be worried about it because I get out the chains, I get free, I save my wife, and I kill all the white people in the movie. How great is that? And how black is that?
But in the film, Django does no such thing. In fact, [SPOILER ALERT] he teams with a white guy whose moral outrage eventually gets the better of him, and gets himself killed (and without whose help, Django would have accomplished none of his heroics.)
I recently grabbed Django Unchained at a Redbox, and found it far less a compelling re-watch than it was as a first time experience in the theater (and less disturbing, having watched it in an urban multiplex where audience reaction was, at times, appallingly inappropriate). This movie relies so much on shock value and surprising choices (particularly musically) that the second time around, some of the anachronisms become much more annoying.
And since Tarantino himself brought up history…
Next: Django Unchained is much like the rhetoric that helped cause the Civil War.