The new film also features several scenes that have a moody, quiet, indie quality to them, which isn’t that surprising given that this film’s director, Marc Webb, previously did (500) Days of Summer. Spider-Man director Sam Raimi started in independent films too but he cut his teeth on shocking genre pictures, and his film had some campy aspects (notably Willem Dafoe’s cackling performance as the Green Goblin and that of J.K. Simmons as the newspaper editor, a character absent from this film). The earlier film was a more conventional blockbuster but this one has some earthiness to it, a little more soul, and it takes its time getting to the expensive action set pieces, which are fine but don’t really serve up anything you haven’t seen before.
A welcome change to the arachnid antics, though, is that Spidey’s ability to shoot filaments out of his wrists is inorganic — it depends on a little gadget he puts together. This device can be taken away or broken, effectively grounding Spider-Man. That extra point of vulnerability also makes Spider-Man more like a regular person — more like Batman. (Also like Batman, Peter Parker takes some serious beatings in the new movie. And instead of a newspaper editor chasing Spidey, this time it’s a cop played by Denis Leary who calls Spider-Man “a vigilante” and an “anarchist,” suggesting the superior resonance of the Winged One has not been lost on the makers of the new film). Maguire’s Spider-Man, by contrast, has so many powers that at times he’s a little boring. What can’t he do?
The Amazing Spider-Man is perhaps slightly harder to like than its predecessor because it’s less about exhilarating escapism (though there is plenty of web-slinging spectacle, particularly in the final act) and more about a teen trying to quiet his demons and develop into a young man of character. Maguire and Kirsten Dunst are also better, more endearing performers than their successors, though Stone is as reliably cute and perky as ever and towards the end the pouting, tortured Garfield bears some resemblance to James Dean. Still, neither film can compare with Christopher Nolan’s Batman series for visceral impact and intellectual depth. But Peter Parker, unlike Bruce Wayne, is a boy, and the Spidey films are for kids.