<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/"><title>PJ Media</title><link>https://pjmedia.com/lifestyle/2011/11/08/midnight-in-paris-the-woodman-stumbles/feed/</link><description>PJ Media is a leading news site covering culture, politics, faith, homeland security, and more. Our reporters and columnists provide original, in-depth analysis from a variety of perspectives.</description><language>en-us</language><lastBuildDate>Wed, 10 Jun 2026 07:59:01 -0400</lastBuildDate><item><title>Midnight in Paris: The Woodman Stumbles</title><description>&lt;![CDATA[It&amp;#8217;s been a long time since I read as many reviews of a movie as I did of Woody Allen&amp;#8217;s latest offering, Midnight in Paris.  As a native New Yorker who, decades ago, used to rush off to movie houses in Manhattan to see Allen&amp;#8217;s earliest pictures as soon as they were released, and who has seen all but one or two of his dozens of films – some of them dozens of times – I was intrigued by the widespread and largely enthusiastic critical attention lavished on his latest effort and by the apparently healthy box-office figures, which represented a stunning departure from the widespread indifference to Allen&amp;#8217;s work in recent years.  Could all the praise possibly be deserved?]]&gt;</description><pubDate>Tue, 08 Nov 2011 00:01:00 -0500</pubDate><creator xmlns="dc">&lt;![CDATA[Bruce Bawer]]&gt;</creator><enclosure url="" type="image/jpeg" length="123" /><link>https://pjmedia.com/bruce-bawer-2/2011/11/08/midnight-in-paris-the-woodman-stumbles-n137666</link></item></channel></rss>