<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/"><title>PJ Media</title><link>https://pjmedia.com/lifestyle/2011/08/25/whats-it-like-to-flop-at-the-box-office/feed/</link><description>PJ Media is a leading news site covering culture, politics, faith, homeland security, and more. Our reporters and columnists provide original, in-depth analysis from a variety of perspectives.</description><language>en-us</language><lastBuildDate>Wed, 10 Jun 2026 08:16:07 -0400</lastBuildDate><item><title>'What’s It Like to Flop at the Box Office?'</title><description>&lt;![CDATA[Near the end of The Devil&amp;#8217;s Candy, Julie Salamon&amp;#8217;s brilliant 1991 look at Hollywood&amp;#8217;s misfired version of Tom Wolfe&amp;#8217;s best-selling Bonfire of the Vanities novel, you begin to feel remarkably sympathetic towards Brian DePalma, almost in spite of yourself. He spent well over a year prepping the film, directing it on the set, supervising its editing, spending many, many sleepless nights along the way, and then a rough cut of the film is ready to be previewed for the first time in front of a test audience.]]&gt;</description><pubDate>Thu, 25 Aug 2011 18:49:57 -0400</pubDate><creator xmlns="dc">&lt;![CDATA[Ed Driscoll]]&gt;</creator><enclosure url="" type="image/jpeg" length="123" /><link>https://pjmedia.com/ed-driscoll/2011/08/25/whats-it-like-to-flop-at-the-box-office-n136676</link></item></channel></rss>