We also see teachers caught on tape ignoring their students and other unforgivable actions, and even they can’t be easily dismissed.
The endless spools of red tape encouraged by teachers’ unions gives way to some startling practices. Consider “The Dance of the Lemons,” the process by which one school will pass off its lousy teachers to another school while taking that school’s rejects.
For years educators felt students from struggling towns could never match the scores of their more affluent peers. Failing neighborhoods yielded failing students, and even the best teachers couldn’t make a dent in the problem. Or so the conventional wisdom said.
Some modern charter schools trashed that belief system, offering hope for reformers willing to try a fresh approach.
A key player in ‘Superman’ is Michelle Rhee, who recently resigned as schools chancellor in D.C. One of her predecessors, a decorated war veteran, fled the job after 16 months, and six others took a crack at the near-impossible gig over a recent 10-year span. But Rhee made remarkable progress in a short amount of time. She fired flailing principals and shuttered under-performing schools. Student test scores spiked as a result, but the local teachers’ unions struck back — hard. They prevented Rhee from bringing merit pay into the system, one way reformers say can help bring accountability to the public schools.
Waiting for ‘Superman’ offers poignant vignettes, droll animation, and a soundtrack adroitly suited for the material. But it’s far from perfect. Guggenheim doesn’t give charter school critics their say, nor does he let American Federation of Teachers President Randi Weingarten defend what seems like indefensible tenure policies. Weingarten is interviewed here, but she doesn’t fully address the glaring flaws ‘Superman’ spots in the system.
And some of the emotional notes hit when dealing with the five children feel off topic, as if the film demanded some heartfelt subplots and forced them in without concern for the narrative at large.
The “Superman” in the title refers to the Man of Steel, the hero who always arrives at just the right moment to save the day. The film thinks we’re all Supermen, citizens with enough courage to change a system that sometimes appears hopeless. Man once believed the sound barrier couldn’t be broken, but a brave pilot named Chuck Yeager proved otherwise, the film notes.
Waiting for ‘Superman’ is as persuasive as any documentary you’re likely to see, a stunning indictment fused with a credible call for action.