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Ed Driscoll

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May 23, 2009 - 12:01 am

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An extended version of Ed Driscoll’s interview with Jim Geraghty of National Review.com’s The Campaign Spot on California’s special election. Topics discussed include:

If you missed any recent edition of PJM Political, click here and scroll through for hours of audio archives. And tune in to Pajamas Media’s PJTV.com channel for video coverage throughout the week, including Allen Barton’s interview with Yaron Brook of the Ayn Rand Institute for his take on the CA special election.

Blogging since 2002, San Jose Editor at PJM; proprietor of PJM's Lifestyle blog. "Well, art is art, isn't it? Still, on the other hand, water is water. And east is east and west is west, and if you take cranberries and stew them like applesauce, they taste much more like prunes than rhubarb does. Now, uh... Now you tell me what you know."

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1 Comments, 1 Threads, 1 Trackbacks

  1. 1. Richard Golden

    Message for Jim Geraghty:

    Hi Jim,

    I saw your blog post on “The Campaign Spot” regarding Israel’s submarine fleet and nuclear weapons.

    I am the author of the novel, Depth of Revenge, a piece of realistic fiction which explores an Israeli submarine commander’s decisions in the aftermath of an Iranian attack against Israel. It was recently acclaimed in Ron Rosenbaum’s column in Slate, linked and excerpted below:

    http://www.slate.com/id/2217899/pagenum/all

    I want to return to Cormac McCarthy and the mystery he leaves us with at the end of his novel. But before I do I want to point out that not all of the new nuclear novels deserve the nuke porn label. I want to recommend one nuclear war novel that rises above nuke porn and takes an all-too-sober look at the way nuclear war could consume us.

    Depth of Revenge by Richard Golden came to my attention in an unusual way. It’s not an airport bookstore production but comes from a small self-publishing company called iUniverse. After my recent column on “The Letter of Last Resort” about the safe within the safe on British subs that contains the prime minister’s handwritten instructions on what the captain should do in terms of retaliation should the sub be cut off from a potentially incinerated United Kingdom by a “decapitating strike.”
    Mr. Golden told me he’d written a novel about—or involving—a similar “Letter of Last Resort” aboard an Israeli nuclear-armed sub in the aftermath of the nuclear destruction of the state of Israel, a second Holocaust.

    I was skeptical, but when the novel arrived, I was impressed by its low-key nonsensational treatment of ineradicably sensational events—and by the highly detailed, convincing verisimilitude of the submarine interior, the procedures in wartime, the letter itself.

    I wrote Golden that his book was done with such vividness that anyone would suspect the author was, in fact, an Israeli submarine officer, but no, he said, he got most of his information from the Internet, although he mentioned one former Israel submariner source.

    It’s a book that brings the theological and metaphysical ramifications of nuclear warfare down to earth, actually far beneath the surface of the earth if you want to get technical. It illustrates another hallmark of the new nuclear fiction: its awareness of the ways regional nuclear wars can escalate to world wars. The first age of nuke lit was strictly bipolar. Red or Dead. U.S. vs. USSR. Now there are many paths to the worldwide cataclysm that awaits us. Golden’s book deserves at least the attention the airport best-sellers get, since its scenarios are so carefully thought out and it makes apparent the difficulties of decisions about retaliation and deterrence, the urgency of thinking about them ahead of time.
    * * *
    If you would like to receive a copy of Depth of Revenge, please contact my publisher by one of the methods listed below. If you have any problems obtaining a copy, please let me know and I will send or drop off a copy directly.
    Tel: 800-AUTHORS
    Fax: 812-355-4085
    Email: promotions@iuniverse.com

    Thank you for your work and for your time,

    Richard Golden

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