J. Christian Adams’ article “Fact or Fiction?: 1001 Muslim Inventions Comes to Washington D.C.” sheds light on an important but little-noted weapon of the Islamic propaganda machine in the U.S.: the whitewashing of the ghastly Islamic present by creating a fictional glorious Islamic past.
1001 Muslim Inventions, a traveling museum exhibit, has appeared all over the West to huge acclaim (Adams points out that Prince Charles and other luminaries have praised it; 500,000 visitors attended it in Los Angeles alone). It has indoctrinated hundreds of thousands of children into a rosy and romanticized view of Islam that makes them less appreciative of their own culture’s achievements and more complacent about Islamization in the West.
Sharia enforcement extends far beyond the obvious attempts to silence critics of jihad and sharia. The scrubbing of the 270 million victims of jihadi wars, land appropriations, cultural annihilations, and enslavements from academic texts has been going on for well over a decade. The demonization and smearing of politicians who dare speak against the most extreme and radical ideology on the face of the earth is virtually automatic at this point, as is the self-enforcing sharia compliance of the mainstream media.
And now we see historical revisionism take on a new life, as history is scrubbed and manufactured Muslim myths are presented as fact. Adams shows how effective it is, recounting in his piece that the exhibit presents a Muslim inventor, Abbas Ibn Firnas, as one who “dared to dream man could fly 1000 years before the Wright Brothers.” Firnas didn’t actually succeed in flying, of course, or come close to inventing the airplane. Adams writes:
Notice all of the tricks of language. He was the first “who tried to fly,” and “passed into legend,” “more or less unharmed,” the “flying machine,” (implying moving parts), and “apparently gliding for some distance.”
But Adams’ eight-year-old daughter seeing the exhibit, did not notice all the weasel words:
She was convinced that the Wright Brothers were not the first to fly, and instead it was Firnas launched from the mosque at Cordoba a millennium ago. This would not be the only instance when thought corrupted the language of the exhibit, which in turn corrupted thought, at least among the more impressionable.
By creating a children’s attraction, the exhibit is fostering a subliminal brainwashing that will move into the public schools as well.
The exhibit is almost unfailingly dishonest. As Adams explains, even if everything it says about Muslim inventions were true, it does not and cannot explain why Muslims never followed up on these inventions. If Firnas was really the first to fly, why did it fall to the Wright Brothers 1000 years later to follow up on what he supposedly discovered about how to do it? Why weren’t Muslims flying around in airplanes centuries before the Wright Brothers were born?
If, as Adams also recounts, Muslims really invented the camera as the exhibit claims, why don’t we have snapshots of Saladin and Suleiman the Magnificent? Why did we have to wait for Daguerre and Niepce?
1001 Muslim Inventions raises more questions about the decline of Muslim civilization than it answers, yet projects like 1001 Muslim Inventions have support at very high levels. Remember in June 2010 when Charlie Bolden, the NASA chief appointed by President Obama, revealed that Obama had asked him to “find a way to reach out to the Muslim world and engage much more with predominantly Muslim nations to help them feel good about their historic contribution to science, math, and engineering”?
The truth: what contributions?
Islamic scholar Robert Spencer points out that much of what are considered Muslim inventions today, including many that 1001 Muslim Inventions celebrates, have been wildly exaggerated if not outright fabricated, “often for quite transparent apologetic motives.” You’ve heard Muslims invented the zero, right? Actually, as Spencer writes:
The zero, which is often attributed to Muslims, and what we know today as “Arabic numerals” did not originate in Arabia, but in pre-Islamic India.
They preserved Greek philosophy when Christian Europe had thrown it away, correct? No. Spencer:
Aristotle’s work was preserved in Arabic not initially by Muslims at all, but by Christians such as the fifth century priest Probus of Antioch, who introduced Aristotle to the Arabic-speaking world. Another Christian, Huneyn ibn-Ishaq (809-873), translated many works by Aristotle, Galen, Plato and Hippocrates into Syriac. His son then translated them into Arabic. The Syrian Christian Yahya ibn ‘Adi (893-974) also translated works of philosophy into Arabic, and wrote one of his own, The Reformation of Morals. His student, another Christian named Abu ‘Ali ‘Isa ibn Zur’a (943-1008), also translated Aristotle and others from Syriac into Arabic.
Aristotle’s philosophies would be prohibited under Islam; Muhammad most likely would have beheaded him. He stands for everything Islam is against. Ayn Rand wrote this of Aristotle: “Aristotle’s universe is the universe of science. The physical world, in his view, is not a shadowy projection controlled by a divine dimension, but an autonomous, self-sufficient realm. It is an orderly, intelligible, natural realm, open to the mind of man.” These very ideas are anathema to Islam; they are blasphemy.
But what about medicine? The Muslims were great innovators in the medical sciences, weren’t they? Here again, Spencer points out that it was non-Muslims in the Islamic world who were doing the heavy lifting:
The first Arabic-language medical treatise was written by a Christian priest and translated into Arabic by a Jewish doctor in 683. The first hospital was founded in Baghdad during the Abbasid caliphate — not by a Muslim, but a Nestorian Christian. A pioneering medical school was founded at Gundeshapur in Persia — by Assyrian Christians.
The bottom line: the inventions and discoveries attributed to the Muslim world were actually stolen from conquered peoples. The 1001 Muslim Inventions exhibit is not history, it is propaganda, and the foolish infidels keep lining up enthusiastically for more.