So here’s the weird part. What makes the picture Hitchcock relatively good is that it treats Hitch as a human being with problems, some of which clearly relate to sex. What makes The Girl so bad is that it treats Hitchcock as a series of sexual symptoms and behaviors — as if once you get at a person’s sexuality, you really know something important and revealing about him (which is, for the most part, untrue). Hitchcock is uplifted by a performance by the truly great Hopkins, who imitates the director but also humanizes him. The talented Toby Jones does a fine job of recreating the director in The Girl but just doesn’t have much to work with. Obviously it’s unfortunate for him to have gotten caught in the lesser of two coincidentally simultaneous biopics.